Who cares for Ravel‘s music？ Are you？ The wonderfulness of Ravel’s musical aesthetics is immeasurable Ravel‘s melody is unrivaled by any other melodies After watching this video , I may dream It's a dream of joy and sorrow of falling in love with someone
Going down the rabbit hole of Maurice ravel's genius is not only calming, but centering. Lord have mercy, may You bless those young who now have this genius. Love you all, thank you for your life long insight!
The trio was begun at thebeginning of WW1 and ended at the end of the war, hence a difference of mood between the movements. The most wonderful is the pantoum, a complex form of poetry from far East, used for instance by Baudelaire in "Harmonies du soir".
Gérard Begni, Oh my goodness. I did not know that.. I always wondered just why it went from lively to completely depressing. (Mainly looking at Pantoum: Assez vif and Passacaille: Très large.) Thank you for your knowledge!
@@supermasterpip you're absolutely right! I love the liveliness of it! Especially how it sounds so intense at certain parts! It definitely gives off the feeling of tumbling! I love to envision scenes of stories with that piece! I mainly get a vision of spring whenever I hear it.
Yesterday, I have read that the trio was endend just at the beginning of WW1, in 5 weeks (readed in letters from Ravel himself sended at several friends and his editor Durand) for the reason that Ravel expected to join the french army. In a first time, Ravel have not received the permission to enter in the army because he was 2 kilos short (weight of 48 kilos)... Maybe Ravel have changed his trio later ? However, a version was finished just at the beginning of WW1...
He struggled with the Trio for some time. He left the distractions of Paris to concentrate, in the area where he was born, near Spain in Basque territory. You hear Basque rhythms in the first and last movements. He got stuck creatively anyway, but when the war broke out, he poured everything he had into a heroic effort to finish so he could enlist. He was disqualified from combat, as was said above, yet served as a driver and saw much horror, but the Trio was complete. The Passacalle is played exceptionally heavily here; it usually has a stately momentum and dignity, rather than this performance's somewhat weepy melodrama. That said, I think the final movement here, by virtue of a slightly slower, more deliberate approach, is the most transparent I have heard. All the internal structures are finally audible and that's wonderful. Of course, the Pantoum is the dazzler, as it was meant to be. Very nice recording
ONE OF THE GREAT CHAMBER MUSIC WORKS FOR THREE INSTRUMENTS, WHICH, COMBINED, SOUND LIKE A COMPLETE ORCHESTRA. RAVEL WAS AN ABSOLUTE GENIUS. HE WAS A FRANCO-SPANISH NATIONALIST.
Non, Ravel n'était pas franco-espagnol. Il était simplement français, né à Ciboure de parents français. La double nationalité est une invention récente. Quant à dire qu'il était "nationaliste", je me demande bien quels éléments biographiques permettent de le qualifier de la sorte.
In French writing It is rather "faux-pas" if not simply rude-impolite to answer to anyone with capital letters. I'm pretty sure as well that it'd be quite the very same in English.
@@Mlx51 Tout à fait, merci Marc de bien le préciser ici. L'histoire plus qu'inventée de "Franco-Espagnol" doit venir à certains du Boléro, fameuse œuvre mais pièce plus que ressassée du cher Maurice R., loin d'être toujours aussi du meilleur effet. Quant au "Nationalist", on trouve et lit vraiment totalement le plus grand n'importe quoi sur le Net. Quand on est Français soi-même, c'est presque injurieux de sous-entendre et dire que Ravel serait nationaliste à son propos. Sinon "Genuis" déjà ne veut pas dire grand chose, est mis à n'importe quelle sauce plus ou moins émotionnelle... il est certainement plus indiqué de dire que c'était un véritable artiste, ou artiste véritable, déjà, dans la musique s'entend, justement. Mais pas seulement : pour moi c'est un grand peintre musical, comme Debussy l'est aussi. Un pur poète des sons. Preuve aussi en est qu'il me semble bien qu'il connaissait Mallarmé, entre autre. L'appréciait beaucoup. Comme à l'évidence il aimait Manet et les impressionnistes qui ont suivi juste après celui-ci. Merci encore et bien à vous Monsieur Lemieux ;-).
I heard this piece played in a movie entitled “Un Coeur en Hiver.” It is hauntingly beautiful and unforgettable!❤
Une musique envoûtante… c’est si beau.
Très belle version de ce trio.
Who cares for Ravel‘s music？
Are you？
The wonderfulness of Ravel’s musical aesthetics is immeasurable
Ravel‘s melody is
unrivaled by any other melodies
After watching this video ,
I may dream
It's a dream of joy and sorrow of falling in love with someone
Anyone tell me who the painting used in the thumbnail is by?
I come here here so often. This is one of my refuges. Thank you for the uploading.
Greetings from Miami. 🏖⛵
Muchas gracias Señor Rique Borges.
Ravel’s music will quench and moisturize the dryness of the soul, and evoke comfortable feelings and nostalgic feelings
Odilon Redon artwork - Portrait of Violette Heymann in pastel
Thank you
Comme c'est beau Odilon Redon, il faut venir en France rien que pour admirer son art au Musée d'Orsay !
What a versatile musician Ravel is
Finis ta phrase ça commence si purement
@@pierreguinot9238
Thankyou
your comment
From
A corner of Tokyo
🎑🎴🎋🎍⛩️🍜👘🎎🌹💮🎏🍓🌸🍙🍂🥋🍚🍲🍥🍣🍡🍢☘️🍘🥟🇯🇵
Lush and melancholic; energetic, peaceful, and virtuoso ... one amazing composer !!!!
Ravel just keeps reshaping my musical vision for the better.
Magical. Amazing ensemble playing. Transparent texture. Gorgeous conversation between the instruments.
"Conversation between the instruments" how unearthly and lovely
It is like I AM IN A PARADISE GARDEN...F A N T A S T I C A LL Y BEAUTIFUL!
Damn that’s beautiful!
Going down the rabbit hole of Maurice ravel's genius is not only calming, but centering. Lord have mercy, may You bless those young who now have this genius. Love you all, thank you for your life long insight!
Best version so far
Maravilhosa música de Ravel, uma verdadeira aventura em sons.
Best version of this piece, best performance and recording. Everything done what is in the score.
I've heard a recording by Beaux Arts but I dont know if it was that. Send a link please, if it is available.
Merci beaucoup
Is it just me or is 17:56 a reference to Tristan und Isolde?
Magnifique !
Absolutely gorgeous.
Best version of this masterpiece that I've heard so far
Beautiful!
Impresionan💞te
troppo bello
Qué maravilla.
cest tres bon
What a spectacular performance of this spectacular piece.
Very relaxing and stimulating over tea.
The trio was begun at thebeginning of WW1 and ended at the end of the war, hence a difference of mood between the movements. The most wonderful is the pantoum, a complex form of poetry from far East, used for instance by Baudelaire in "Harmonies du soir".
Gérard Begni, Oh my goodness. I did not know that.. I always wondered just why it went from lively to completely depressing. (Mainly looking at Pantoum: Assez vif and Passacaille: Très large.)
Thank you for your knowledge!
@@vonsmore5046 the Pantoum is the most wonderful tumbling,rollicking piece...rising and falling,and exploding.
@@supermasterpip you're absolutely right! I love the liveliness of it! Especially how it sounds so intense at certain parts! It definitely gives off the feeling of tumbling!
I love to envision scenes of stories with that piece! I mainly get a vision of spring whenever I hear it.
Yesterday, I have read that the trio was endend just at the beginning of WW1, in 5 weeks (readed in letters from Ravel himself sended at several friends and his editor Durand) for the reason that Ravel expected to join the french army. In a first time, Ravel have not received the permission to enter in the army because he was 2 kilos short (weight of 48 kilos)... Maybe Ravel have changed his trio later ? However, a version was finished just at the beginning of WW1...
He struggled with the Trio for some time. He left the distractions of Paris to concentrate, in the area where he was born, near Spain in Basque territory. You hear Basque rhythms in the first and last movements. He got stuck creatively anyway, but when the war broke out, he poured everything he had into a heroic effort to finish so he could enlist. He was disqualified from combat, as was said above, yet served as a driver and saw much horror, but the Trio was complete. The Passacalle is played exceptionally heavily here; it usually has a stately momentum and dignity, rather than this performance's somewhat weepy melodrama. That said, I think the final movement here, by virtue of a slightly slower, more deliberate approach, is the most transparent I have heard. All the internal structures are finally audible and that's wonderful. Of course, the Pantoum is the dazzler, as it was meant to be. Very nice recording
Maurice Ravel:a-moll Zongoratrió
1.Moderato 00:00
2.Pantoum:Abbastanza vivace 09:09
3.Passacaglia:Molto largo 13:34
4.Finálé:Animato 22:15
Renaud Capuçon-hegedű
Gautier Capuçon-gordonka
Frank Braley-zongora
ONE OF THE GREAT CHAMBER MUSIC WORKS FOR THREE INSTRUMENTS, WHICH, COMBINED, SOUND LIKE A COMPLETE ORCHESTRA. RAVEL WAS AN ABSOLUTE GENIUS. HE WAS A FRANCO-SPANISH NATIONALIST.
Es Impresionismo...
? Wasn't a Romantic
Non, Ravel n'était pas franco-espagnol. Il était simplement français, né à Ciboure de parents français. La double nationalité est une invention récente. Quant à dire qu'il était "nationaliste", je me demande bien quels éléments biographiques permettent de le qualifier de la sorte.
In French writing It is rather "faux-pas" if not simply rude-impolite to answer to anyone with capital letters. I'm pretty sure as well that it'd be quite the very same in English.
@@Mlx51 Tout à fait, merci Marc de bien le préciser ici. L'histoire plus qu'inventée de "Franco-Espagnol" doit venir à certains du Boléro, fameuse œuvre mais pièce plus que ressassée du cher Maurice R., loin d'être toujours aussi du meilleur effet. Quant au "Nationalist", on trouve et lit vraiment totalement le plus grand n'importe quoi sur le Net.
Quand on est Français soi-même, c'est presque injurieux de sous-entendre et dire que Ravel serait nationaliste à son propos.
Sinon "Genuis" déjà ne veut pas dire grand chose, est mis à n'importe quelle sauce plus ou moins émotionnelle... il est certainement plus indiqué de dire que c'était un véritable artiste, ou artiste véritable, déjà, dans la musique s'entend, justement. Mais pas seulement : pour moi c'est un grand peintre musical, comme Debussy l'est aussi. Un pur poète des sons. Preuve aussi en est qu'il me semble bien qu'il connaissait Mallarmé, entre autre. L'appréciait beaucoup. Comme à l'évidence il aimait Manet et les impressionnistes qui ont suivi juste après celui-ci. Merci encore et bien à vous Monsieur Lemieux ;-).
This splendor of words can not attach it
The wonderfulness of Debussy’s music is immeasurable, and beyond description
Mas isso não é Debussy, é Ravel.
@@pedrohenriqueprata
Thankyou
Ihope you are well
FromTokyo
@@shin-i-chikozima Who cares where you're from? You're an idiot! 🙃
@@rotpeter9148 And you’re a rude !
That's Ravel, man.
At 8'59''.. on the score ?
Beautiful piece.
This youtube commercial overflow is simply nervrecking, jumping all over like hungry volwes, can't hear nice melody undisturbed.
So strange that the pianist misread the clef for the last note of the first movement... otherwise, a brilliant performance.
A terrific recording of a terrific performance of a terrific work. Bloody marvelous, as they say---no joke.
I love this piece and these musicians! Please tell us the name of the artist and the beautiful painting you used for the download.
Odilon Redon, french artist.
26:14
イイ
Antes de esto, no se me ocurria una sola pieza musical a la cual el término "tenebroso" sea tan exacta.
Nada mais se pode assistir a um vídeo sem que um banana apareça falando sem parar. Vou sair do youtube.
Mizerné a bezduché, nechápem (ako sa dá takáto mystika takto sprzniť)...
mizerný a bezduchý je akorát váš komentár
10:45 💔