Claude Debussy - Piano Trio in G Major [With score]
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- เผยแพร่เมื่อ 28 มิ.ย. 2024
- -Composer: Claude-Achille Debussy (22 August 1862 - 25 March 1918)
-Performers: Trio Stradivari [Jolanda Violante (piano), Federico Guglielmo (violin), Luigi Puxeddu (cello)]
Piano Trio in G Major, L. 3, written in 1880
00:00 - I. Andantino con moto allegro
09:12 - II. Scherzo - Intermezzo. Moderato con allegro
12:45 - III. Andante espressivo
16:44 - IV. Finale. Appassionato
The reconstruction of Claude Debussy's Piano Trio in G major, once thought to be among those early works either destroyed by the composer or lost during the ensuing hundred years, surely must count among the musicological triumphs of the 1980s. Though a certain amount of recomposition was necessary, most of the work was pieced together from a variety of authentic sources, including several partial manuscripts and a copy of the original cello part. (The reconstruction involved a number of parties, most notably the musicologist Ellwood Derr.)
Debussy composed the work during the summer of 1880 while employed by Madame von Meck (the legendary sponsor of Tchaikovsky). The eighteen-year-old composer's unique musical voice was far from developed at this stage of his career, and throughout the work the influence of Franck and Schumann -- two of young Debussy's favorite composers -- overshadows the few hints of Debussy's future stature.
The form of the opening movement is a far cry from the venerable sonata-allegro form as found in many concert works of the nineteenth century. The initial gesture (which is ingeniously presented with the "wrong" metric alignment during the piano's introductory phrase, only to be shifted back by one beat to its proper location upon the violinist's entrance four bars later) is followed by more active music marked Allegro appassionato. As the movement nears its midpoint, Debussy allows the cellist to introduce a gentle, triplet-dominated melody which is soon taken up by the violinist as well. The pianissimo reprise of the opening material (one hesitates to call it a recapitulation) is dislodged by the Allegro appassionato (now in the home key of G major) after only twenty-two bars. Shortly before the close of the movement, which is executed with the same kind of pianissimo dissolution typical of Debussy's mature style, the opening material is allowed to once again take its rightful place in G major.
Perhaps the most immediately charming music in the Trio is to be found in the relatively brief Scherzo. A great deal of Schumann's witticism has found its way into the mix, although the ornamented, concealed parallelisms of the Un poco piu lento are all Debussy. If the gentle melody of the ensuing Andante espressivo, and the manner in which it is taken up directly by the violin after the cellist's initial presentation, seems somewhat contrived, the rolling arpeggiations of the movement's middle section cannot but remind one of the composer's earlier style of piano writing (Clair de lune and the like).
The Finale provides a strong end to the work, despite an occasionally distracting lack of harmonic coherence (it should be pointed out that the weakest sections of the movement are Debussy's own, while the reconstruction is performed with consummate skill). The chromatic relations of the tonal areas contained within the movement (from the opening G minor through A-flat major, E major and its parallel minor) and the harmonically agitated way in which Debussy moves from one tonal (and thematic) area to the next, developing his well-drawn motifs along the way, are among the characteristics that would have drawn the most criticism during the early stages of the composer's career. Debussy's decision to weaken the final (already very brief) cadence by landing on an altered tonic chord (V of IV) and then presenting a series of non-cadential chords over the tonic pedal, shows that the young composer was already beginning to explore ways of circumventing traditional harmonic formulae.
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Claude Debussy:G-dúr Zongoratrió
1.Andante con moto allegro 00:05
2.Scherzo - Intermezzo:Moderato con allegro 09:12
3.Andante epressivo 12:45
4.Finálé: Appasionato 16:44
Stradivari Trió
Köszönöm az értékelést Damon J.H.K.
After hearing this I realized I felt in love with Debussy
You're not alone
same
Debussy is one of the best French composers ever.
A bundle of talent with a direction pointing toward his later development. Very atypical music especially for an eighteen year old at the time he composed this. He defined the perfection of very modal approach in relation to Mahler's or Richard Strauss's style of writing. This sound was never in this form before Debussy. Quasi an inventor of a new musical language.
Yes indeed this piece is wonderful, but you should not forget Gabriel Fauré....
I mean that the climate is really Fauré
@@julienjulien6228 Hi I know everything from Faure and I find him an instrumental step to receive Debussy but Debussy devised a new harmony concepts based on tieing modes together .
@@paulamrod537 Hi Paul. Sure and yes of course, elements of this piece herald the Debussy to come. This is also what is very exciting. Greetings.
@@paulamrod537 I don't think that's entirely fair. One of the hallmarks of Fauré's style was integrating modes into a harmonic context; he never used them just as an isolated sonority (I think Orledge might agree).
Comment ne pas tomber amoureux d'une telle musique...Merci encore.
The F7 at 4:21
That hits so good.
4:17 too
ascoltare Debussy è sempre un bel piacere
That plagal cadence at bar line 24; 14:11; Andante espressivo. Just enjoy it.
These performances are stellar and flawless,
and full of tribute, acclaim and deep emotion, and comfortable to the ear and the mind .
I am a Japanese Debussyiest
It is bliss itself to fall asleep while listening to these Debussy's works in my comfortable bed.
From
Tokyo of the Land of the Rising Sun🇯🇵
Agree, it’s beautiful! I love Debussy. Cheers from Poland 🇵🇱
@@MichaelLoda
Thank you so much to your wonderful comment
I am a Japanese Debussyiest
Take care of yourself
Good luck
Go for it
Been listening to this in my head and on YT for the last few days; really romantic opening...
This is beautiful. Thank you
The fire of Leo was always evident in Debussy and this piece from his 18th year shows no difference.
Uma grande composição! Uma leveza! Um convite a vida!
17:19
quel talent
Voir, quel génie...Merci encore
Wow, I actually thought this was at least 5 years later, if not so by a full decade! If I was totally ignorant, I might have even mistaken this as one of Ravel's neoclassicist pieces.
Listen to the Scherzo with the speed at 1.5
16:53 - My name is Debussy... Claude Debussy
It seems more early Rachmaninov there than Debussy😁
007 theme
The change of meter at 2:45 is seamless.
Classical music is so underrated. If only it didnt have composers not bothering to name their pieces properly it would be more popular.
Bill Adams not at all. I honestly think that naming a piece is cliche and cheesy (not all the time). It’s not like a song where it’s easier to name it because there’s a defined theme to the lyrics
@@hghg2185 it would at least make it more accesible to the public. these pieces could describe alot of things and naming them would make them memorable if the name describes the piece. But i do i agree with you
millennials be like
In many cases, a title makes it cheap sounding. I heard one piece and thought it was cool but was immediately turned of to learn it was called the super unicorn or something.
That's the eternal battle between absolute and incidental music.
3:18 impossible double stop
Assuming you're talking about the cello part - it works if you use the thumb for the C and extend the third finger for the B. But it's very difficult for sure.
@@AW-xc1xcNo violin part
@@cflhighlights9370 Oh you mean the asterisk... the part left out the playable chord.
Genial Debussy
9:12
My favorite part is at 14:14 what about you?
0:00-22:09
@@hong212626 haha such funny lol
for the love of god these ads are killing me
3:53... 4:04 4:16
14:28... 14:45
Third movement sounds like Saint-Saens' Swan in better.
2악장이 가장 좋다
우효오오 좋은노래 겟또다제!!!
10:38
19:32 is literally a release
3:17
How does the violin play this double stop lol
By the sounds of it, the fourth is omitted.
it's just an error in the scoring (an editor's one)
The cello plays three notes. ;-)
He practices 40 hours a day
@@emilianoturazzi It's not an error, Debussy wrote that in. The performer must choose which note to play
The Scherzo is pretty
00:57
Does someone know where i can find the arrangement for piano solo of intérmede?
Maybe in Petrucci
와ㅋㅋㅋ 생각해보니까 이거 악보 비디오 없었네요 난 왜 있다고 생각했지
3:34
0:58
Where are the othe two pianos?
I can't tell if you are joking or not...😂
Lmao
The piano has two lines, the left hand and the right hand (as far as i understand it)
Brahms influence
great composers steal
A mix of Brahms and Tchaikovsky with a hint of then-contemporary French romanticism.
@@Kris9kris Brahms, with his teutonic heaviness, never had written such a transparent piano texture - look just at Saint-Saens piano trios, Debussy follows just him, it's obvious, for me at least
@@Kris9kris It differs from Tchaikovsky, too - P. Tch. was a Schumann follower in his piano writing (do you know his piece titled "A Bit of Schumann" ?). Just is more reasonable to compare C.D. with Gabriel Faure, if one wants to look for his Romantic predecessors
@@speravi1000 You're right about Schumann and Tchaikovsky - the latter borrowed subconsciously (or consciously?) a heap ton of material from the former. (see the Trio in the Scherzo of Schumann's second symphony vs. the Pathetique's third movement among other things). I think another influence that is rather overlooked in Tchaikovsky's life is Liszt, especially in regards to his symphonic works.
was the piano in another room?
I wish they had miked the piano a little bit louder.
Simply fantastic
(im fat irl)
Wtf?
Good thing, I’ve orchestrated this piano trio.
where can we hear it?
I didn't post it to TH-cam.
@@douglasyiuchinglok307 then where?
esta cansion me recuerda a esos dias en que estava en la pradera comiendo bacalaoo , i venia mi abuela en pelotas a decirme que la nocilla estava caliente
Que jaja
Debussy😩
The majestic beauty of God filtered through the human spirit.All praise and thanks to God for all that you do.
Another reconstruction of a composer's early work that makes you wish they hadn't, lol.
MuseDuCafe But wouldn’t the alternative be these melodies be just left aside unheard? I find this one of my favorite pieces, namely because I love all four movements equally, which I rarely find my self admitting for a lot of pieces
me recuera a mi abuela llamada chaaa en pelotas
Too many fifths and fourths, too hard for pianist
Bloody adverts.
A real yawner. Sorry. There is a reason it isn't programmed more.
10:33
00:36
18:47
9:12