I love Lindsay's idea's very inspirational, for a smaller home studio you could use more budget-friendly options such as Godox AD300/200 which have a recycle time 0.01 - 1.5-2.1 Seconds with a flash duration of 1/10000-13000 but you will have to use low power and potentially a higher ISO to compensate
Seems like a good time to practice with what you have and then rent the fast strobes if needed. Thanks. A small trampoline is also a lot of fun for these motion shots, and a great workout
Thank you! Very clear and well explain. This is the video I was waiting for. Prophoto is the best, no doubt about, I use 2 Godox QT 600 in speed mode. Not the same, but a good strobe. Learning and studying to grow. Thank you for your generosity sharing your knowledge 🙏🙏🙏🙏🙏🙏🙏🙏
@@pellier08 hi! So...I usually shoot dancers, and I go for a single shot because my eye is trained for that ( I have been a dancer all my life). So I am interested is shooting motion. I see some dance photographers that use flash duration, others HHS. Depending on what I am shooting, I use both ( depending on the situation ) BUT ... What if I have to shoot some movement that I am not really used to ( gymnastics, sport )...then I might need to rely on a powerful burst of shots. And... While my camera is really fast ( 10 shots for a second - sony alpha R IV ), my Godox strobes are not up to it... The recicle time is not comparable. So yes, It was really useful to see how profoto works, and how it works with a fast mirrorless camera. I use godox monolight in speed mode. It is good, but, in the future, I would like to be able to buy a profoto, because it is actually better ( I think ) . So... Lindsay's video showed me how and where to place the lights, how she sets them, and she showed how actually she did the shooting. She could have done the same in single shots? Yes, I think so. But showing different ways and thinking outside the box is something I like and appreciate. This wonderful fashion photographer is helping a dance photographer ( and many others I believe), so yes, to me, It was really helpful. I hope I answered your question. Have a wonderful day 😊😊😊
Ouh I can see how exciting it must be to shoot so many pictures in this short amount of time ! Aaaand then it's selection time ... !! :D Great video, beautiful results, as always !
@@lindsayadlerphoto That's the most important in the end :) It's just that I know I already tend to shot a lot even though my flashes can only handle one flash every one or two second, so I'd be worried if I had such a massive flash weapon in my hands :p
Another interesting thing to note… I love how you use High Speed Continuous in this instead of HSC+… HSC+ is 12 frames per second… And you mention HSC is 8… It's interesting because I tried my strobes with my R5 and had to dial down the power quite a bit for the flash's recycle to keep up with the camera in HSC+ (12fps)… It's a FABULOUS option we have to knock the camera down to 8fps to give our strobes a little bit more room to breathe! :D I mean, in this lighting setup with a magnum and zoom reflector, those lower power settings should be plenty. But man… The R5 gives such an amazing range of options!!
I just purchased a Godox QT 300iii strobe for freezing motion. I have a Nikon D750 and my camera shoots 6fps in continous high. Is that the limit on how many shots I can capture?? Is there a work around where I can shoot more fps with my freeze flash strobe ( as it has the capability)? I'm new to shooting like this but I want to shoot hair in motion and now I can with the flash. Also what is the best focal setting to shoot in? Thank you for the amazing video! I ALWAYS learn so much from you💓 Your the best! 🙏
This a bit of a complex question to answer. Basically yes the max you can capture is 6fps but that should be more than enough for hair. There is a work around capturing more flashes but in a single frame (stroboscopic effect which isn't what you are looking for). Focal length all depends on your compression-- I'm usually around 50-70 for these sorts of shots Best!
As always pretty cool, I wonder how my Elinchroms would keep up, I have not tried something like this with them, I may try soon and see. Just not ready to swap 8 strobes out.
Amazing photos. Pro foto D2 is a costly piece of hardware for beginner photographers. Is it Ideally possible to use lowest output number of a strobe to freeze actions so as to apply high recycle speed throughout the photoshoot and balance the exposure in post production?
Great shots! For my B10 Plus strobes to keep up with the R5, I will need to keep the power down. Lindsay, on the R5, what is your comfort zone for ISO as I suspect I will need to bring that up some for proper exposure? Also, where did you have your apretaure set in these shots?
She is using hard silver reflectors, not softboxes so probably getting decent enough output to stick to 100-200 ISO and still get a decent aperture like f8/f11, would be interesting to know the settings though.
At 56 seconds the back of camera shows 1/200sec, F11 and ISO 200 .... So looks like it's a nice dark room, close flashes on lower power output, so instead of needing HighSpeedSync the very short flash duration will be freezing everything and making it sharp.
That's not really accurate. Just because it's at a high shutter speed would not freeze the action and expose the photo like you're suggesting without high speed sync.
@@lindsayadlerphoto Thanks for replying.... but now I'm confused... what was the settings set up? Were settings changed from what we saw in the back of camera? Isn't HSS only needed for shutter over the 1/200 ? If you were using HSS as your reply suggests, what was your shutter? Thanks for the help in understanding your set up better!
Also, true story , these have very very minimal retouching on the hair-- we cast the model specifically because she has great hair and I had an epic hair stylist.
You can achieve it with other equipment. This was simply a demo using what I use. It was more about using high speed sync and a flash with a quick recycle time.
With a sync flash, how did you manage to shoot faster than 125/s (since they're moving) without getting that black bar caused by too high shutter speed when syncing flas? Dont laugh, my equipement is going to be upgraded.
Hi there! You should watch my video about how 'settings in the studio don't matter-- kind of". It is not the shutter speed freezing the hair, its the flash duration
For anyone using Godox/Flashpoint strobes, the 400 Pro and 600 Pro especially have plenty of speed with both recycle time and flash duration for these speeds! In that system, having the Color Accuracy Mode turned OFF (which it is by default anyway) is the Godox equivalent of Profoto's Freeze Mode. It's perfect in this demo that this is using reflectors and a bare bulb that don't have diffusion because it keeps the power output that is needed for the shot down, and at those low powers, Flashpoint will easily keep up as well! Including with super fast flash duration! I also LOVE how this uses the R5's super fast frames per second! One thing to note is OEM and native lenses like the RF lenses actually generally focus way faster and more accurately to where they can keep up with the eye tracking at really high continuous mode speeds. Especially as we start getting into the upcoming R1 which will reported have as much as 40 frames per second, 3rd party or DSLR lenses can slow a camera down with focusing. Adapter EF lenses will likely be slower too. That RF 24-105mm is PERFECT! 😍
The Godox QT400II, QT600II, QT800II and the QT1200II monolights have the same short flash duration ability like the Godox AD400 Pro and AD600 Pro, also the AD1200 Pro, so you have a lot more options, to do freezing action photos with Godox monolights.
@@bp-blackshark The problem with that end of Godox's lineup is currently none of them have a pro-grade stable color mode. The stable color option on those is +-200K which is what the higher end Pro lineup has with color mode OFF. While these may provide some options with creative stuff like fast flash duration, I prefer my strobes to be engineered with color accuracy in mind. With the 200/300/400/600/1200 Pro strobes, Color Accuracy is around +-50K.
@Aries I'm not entirely sure because I never use that, but a quick web search suggests that's when you want the strobe to fire repeatedly creating multiple exposures in one image!
@@longliveclassicmusic The Godox AD1200 Pro, AD600 Pro and AD400 Pro have 5600K +-75K in stable color temperature mode, the AD300 Pro and AD200 Pro only 5600K +-100K in stable color temperature mode. But that can only be supportet in non high speed mode, so it is probably much worse than you think. The non Pro line QT400, 600, 800 and 1200 have 5600K+-200K in stable color temperature mode, but are showing 5600K - 9000K color temperature in high speed mode...i didn´t find any high speed color temperature data in the Pro line.
Its cool to have have a lot of money and gear to do the work for you. But with for example an godox ad400 pro that is a fraction of the money and a good hand for capture the right moment you can do the same. Just don´t think you nead a D1 and a R5. But is cool just to have that and let the gear do the job. But I like Lindsay work and if I can I will buy the best money can buy too. But I will prefer have an Hasselblad medium format with better colour and use my hand to get the shoot. If I have the money.
I do, however, feel there is a place to showcase what high end gear is capable of and show what I actually do in my job rather than just the cheapest. Know what I mean? I think just showing the cheapest even if you dont use it is fine, but not always required or even genuine.
@@lindsayadlerphoto Cool I think your work is great and I understand . I am just saying that in my point of view is more important where is the light than if it is profoto. That is a good brand with good products but with ridiculous prices. And you will se if in 3 or 4 years the prices will not change or they will lose a lot of the market.. But I understand you. Thanks for your response and work. It is only an opinion.
@@GNDavid73 That's not really the point of the video though... you're arguing on why spend more money on equipment when something else can do it ... but that is true with everything in life. A car can get you to the same place, yet we have choices, options etc. I find that most people argue that I showcase "expensive" gear but that is just because I found that is what I LIKE and therefore what I USE. To each their own.
My comment is just because in the video you are selling Profoto: ....my Profoto.... with my Profoto..... and my Profoto. Daniel Norton sometimes says : i receive money every time I say the word Profoto joking and it is like that. But it is what I say you are working. But I can give my opinion respectfully. I have a White, and a silver profoto Softlight reflector. And a Magnum. But i buy chimera softboxes and godox lights. I wold like to buy an Hassemblad medium format with lens if I can.
![3 Foolproof Beauty Lighting Setups [That use my favorite modifier!]](http://i.ytimg.com/vi/ziFLl6LAcB8/mqdefault.jpg)
![[LIVE] : ONE ลุมพินี 87 วันนี้!! คู่เอก "ก้องชัย vs โชคปรีชา"](http://i.ytimg.com/vi/YN6e7HVnekw/mqdefault.jpg)
wow absolute amazing work! thanks!
Cool!! I am glad I started photography over 5 years ago. Love the jewelry photography especially.
Jesus her hair is incredible
Crazy right??
I'm in love with this shoot! ❤️
Can we all acknowledge how Flawless Lindsay makeup and hair is #flawless! 💎
haha BOOOM
absolutely stunning!!!! excellent tips, excellent technique and fantastic results!!!!! wow.
Thank you!
The way you use hard lighting is absolutely stunning 🤩
Thank you so much! :)
I love Lindsay's idea's very inspirational, for a smaller home studio you could use more budget-friendly options such as Godox AD300/200 which have a recycle time 0.01 - 1.5-2.1 Seconds with a flash duration of 1/10000-13000 but you will have to use low power and potentially a higher ISO to compensate
Amazing results !
#seriouslightgoals! Absolutely gorgeous!
This is so cool!!!
Seems like a good time to practice with what you have and then rent the fast strobes if needed. Thanks. A small trampoline is also a lot of fun for these motion shots, and a great workout
Totally! I have one that I bring out sometimes... fun little prop.
The model is gorgeous and you are lovely and energetic as always ❣️
Thank you!
Really amazing!!
Thanks so much! :)
Very cool! Thanks for making this video!
You're very welcome!
Thank you! Very clear and well explain. This is the video I was waiting for.
Prophoto is the best, no doubt about, I use 2 Godox QT 600 in speed mode. Not the same, but a good strobe. Learning and studying to grow. Thank you for your generosity sharing your knowledge 🙏🙏🙏🙏🙏🙏🙏🙏
Glad you enjoyed it! ;)
@@pellier08 hi! So...I usually shoot dancers, and I go for a single shot because my eye is trained for that ( I have been a dancer all my life). So I am interested is shooting motion. I see some dance photographers that use flash duration, others HHS. Depending on what I am shooting, I use both ( depending on the situation )
BUT ... What if I have to shoot some movement that I am not really used to ( gymnastics, sport )...then I might need to rely on a powerful burst of shots.
And... While my camera is really fast ( 10 shots for a second - sony alpha R IV ), my Godox strobes are not up to it...
The recicle time is not comparable. So yes, It was really useful to see how profoto works, and how it works with a fast mirrorless camera. I use godox monolight in speed mode. It is good, but, in the future, I would like to be able to buy a profoto, because it is actually better ( I think ) . So... Lindsay's video showed me how and where to place the lights, how she sets them, and she showed how actually she did the shooting. She could have done the same in single shots? Yes, I think so. But showing different ways and thinking outside the box is something I like and appreciate. This wonderful fashion photographer is helping a dance photographer ( and many others I believe), so yes, to me, It was really helpful. I hope I answered your question.
Have a wonderful day 😊😊😊
@@trudansing
@@lindsayadlerphoto ahahahah! My pleasure, I really mean every single word. So thank YOU for sharing to us all around the world ( Italy here :D )
❤️❤️❤️❤️! So fantastic 🔥!
Thanks so much! :)
Ouh I can see how exciting it must be to shoot so many pictures in this short amount of time ! Aaaand then it's selection time ... !! :D
Great video, beautiful results, as always !
The selection is a bit tedious when you have that many shots lol. But at least you know you'll have one hopefully that works!
@@lindsayadlerphoto That's the most important in the end :) It's just that I know I already tend to shot a lot even though my flashes can only handle one flash every one or two second, so I'd be worried if I had such a massive flash weapon in my hands :p
You mean my Yongnuo flashes won’t keep up! I ❤️ your vids and dig your overall personality and precise explanations. 👍
haha they might run out of breath. :P
Well I am 2-3 on backgrounds
I live that red for my panthers in flagstaff
Great job thank for sharing
Thanks for watching!
STUNNING!! I went straight to your site to purchase the tutorial...can’t wait for when it’s available!! ❤️🔥
:D
Eu realmente amo o seu trabalho
Thank you!
Excellent 👍
Thanks so much! :)
Oh I guess you've forgotten something... the HUGE budget to purchase 3 Profoto strobes !!! 😉
You also welcome to research other options, and even people in the comments have suggested some. I think I'm allowed to show the gear I use. smh. :P
Another interesting thing to note… I love how you use High Speed Continuous in this instead of HSC+… HSC+ is 12 frames per second… And you mention HSC is 8… It's interesting because I tried my strobes with my R5 and had to dial down the power quite a bit for the flash's recycle to keep up with the camera in HSC+ (12fps)… It's a FABULOUS option we have to knock the camera down to 8fps to give our strobes a little bit more room to breathe! :D I mean, in this lighting setup with a magnum and zoom reflector, those lower power settings should be plenty. But man… The R5 gives such an amazing range of options!!
Amazing
if I ever spring for Profoto gear Lindsay will be the reason
Yeah I'll just make my model work harder for that lucky shot. That's insane recycle speed
lol thanks.
This is 🔥I can’t get enough of these! Thank you!
Glad that you're enjoying them! :)
@@pellier08 Please check out the video I have about water freezing motion. Also, I talk about recycle times, camera shooting modes as well. :P
I just purchased a Godox QT 300iii strobe for freezing motion. I have a Nikon D750 and my camera shoots 6fps in continous high. Is that the limit on how many shots I can capture?? Is there a work around where I can shoot more fps with my freeze flash strobe ( as it has the capability)? I'm new to shooting like this but I want to shoot hair in motion and now I can with the flash. Also what is the best focal setting to shoot in? Thank you for the amazing video! I ALWAYS learn so much from you💓 Your the best! 🙏
This a bit of a complex question to answer. Basically yes the max you can capture is 6fps but that should be more than enough for hair. There is a work around capturing more flashes but in a single frame (stroboscopic effect which isn't what you are looking for). Focal length all depends on your compression-- I'm usually around 50-70 for these sorts of shots Best!
As always pretty cool, I wonder how my Elinchroms would keep up, I have not tried something like this with them, I may try soon and see. Just not ready to swap 8 strobes out.
You don't know until you try! :P
I don't have a high speed strobe.. but I enjoyed this video
Amazing photos. Pro foto D2 is a costly piece of hardware for beginner photographers. Is it Ideally possible to use lowest output number of a strobe to freeze actions so as to apply high recycle speed throughout the photoshoot and balance the exposure in post production?
Check out some of the comments below about other options of fast flash duration strobes.
At 0:56 you can see that the camera settings are f11, shutter speed 1/200 and ISO 200.
Great shots! For my B10 Plus strobes to keep up with the R5, I will need to keep the power down. Lindsay, on the R5, what is your comfort zone for ISO as I suspect I will need to bring that up some for proper exposure? Also, where did you have your apretaure set in these shots?
She is using hard silver reflectors, not softboxes so probably getting decent enough output to stick to 100-200 ISO and still get a decent aperture like f8/f11, would be interesting to know the settings though.
At 56 seconds the back of camera shows 1/200sec, F11 and ISO 200 .... So looks like it's a nice dark room, close flashes on lower power output, so instead of needing HighSpeedSync the very short flash duration will be freezing everything and making it sharp.
That's not really accurate. Just because it's at a high shutter speed would not freeze the action and expose the photo like you're suggesting without high speed sync.
@@lindsayadlerphoto Thanks for replying.... but now I'm confused... what was the settings set up? Were settings changed from what we saw in the back of camera? Isn't HSS only needed for shutter over the 1/200 ? If you were using HSS as your reply suggests, what was your shutter? Thanks for the help in understanding your set up better!
@@TheDanHB Apologies that wasn't clear. I was using a fast flash duration in the freeze mode of my strobe. Shooting at F/11 ISO 400.
awesome. beautiful captures. I'd love to know how to edit the hair so it looks so amazing. :)
There are a lot of tutorials on that. It's not something I get into unfortunately.
@@lindsayadlerphoto for sure. I'll do some research. Your tutorial are awesome. Thanks for generously sharing so much of your talents with us.
Also, true story , these have very very minimal retouching on the hair-- we cast the model specifically because she has great hair and I had an epic hair stylist.
amazing Lindsay
Thanks so much! :)
what shutter speed are you at for this?
That is irrelevant, what matters is your flash t0.1, shutter can even be 1/20 if room is dark and t0.1 is 1/20.000
Shutter speed is irrelevant!
Great super easy! So I just need 3 x Profoto D2 at $2400.- each? 😀👍
You can achieve it with other equipment. This was simply a demo using what I use. It was more about using high speed sync and a flash with a quick recycle time.
I'm sure you can. This is just what I choose to use. I didn't say you can only do this with Profoto. ;)
What was the ratio between main and fill?
it was probably half stop less.
Are you shooting high speed sync? What is your shutter speed?
I explain everything in the video. The camera is using continuous drive mode.
Camera settings???
1/200 sec F11 Iso 400 probably
whats your focal setting at?? wide, afc, afs, @@lindsayadlerphoto
With a sync flash, how did you manage to shoot faster than 125/s (since they're moving) without getting that black bar caused by too high shutter speed when syncing flas? Dont laugh, my equipement is going to be upgraded.
Hi there! You should watch my video about how 'settings in the studio don't matter-- kind of". It is not the shutter speed freezing the hair, its the flash duration
For anyone using Godox/Flashpoint strobes, the 400 Pro and 600 Pro especially have plenty of speed with both recycle time and flash duration for these speeds! In that system, having the Color Accuracy Mode turned OFF (which it is by default anyway) is the Godox equivalent of Profoto's Freeze Mode. It's perfect in this demo that this is using reflectors and a bare bulb that don't have diffusion because it keeps the power output that is needed for the shot down, and at those low powers, Flashpoint will easily keep up as well! Including with super fast flash duration!
I also LOVE how this uses the R5's super fast frames per second! One thing to note is OEM and native lenses like the RF lenses actually generally focus way faster and more accurately to where they can keep up with the eye tracking at really high continuous mode speeds. Especially as we start getting into the upcoming R1 which will reported have as much as 40 frames per second, 3rd party or DSLR lenses can slow a camera down with focusing. Adapter EF lenses will likely be slower too. That RF 24-105mm is PERFECT! 😍
The Godox QT400II, QT600II, QT800II and the QT1200II monolights have the same short flash duration ability like the Godox AD400 Pro and AD600 Pro, also the AD1200 Pro, so you have a lot more options, to do freezing action photos with Godox monolights.
Yup. I just use what I use. I suggest others find something that suit them there are plenty of options.
@@bp-blackshark The problem with that end of Godox's lineup is currently none of them have a pro-grade stable color mode. The stable color option on those is +-200K which is what the higher end Pro lineup has with color mode OFF. While these may provide some options with creative stuff like fast flash duration, I prefer my strobes to be engineered with color accuracy in mind. With the 200/300/400/600/1200 Pro strobes, Color Accuracy is around +-50K.
@Aries I'm not entirely sure because I never use that, but a quick web search suggests that's when you want the strobe to fire repeatedly creating multiple exposures in one image!
@@longliveclassicmusic The Godox AD1200 Pro, AD600 Pro and AD400 Pro have 5600K +-75K in stable color temperature mode, the AD300 Pro and AD200 Pro only 5600K +-100K in stable color temperature mode. But that can only be supportet in non high speed mode, so it is probably much worse than you think. The non Pro line QT400, 600, 800 and 1200 have 5600K+-200K in stable color temperature mode, but are showing 5600K - 9000K color temperature in high speed mode...i didn´t find any high speed color temperature data in the Pro line.
Its cool to have have a lot of money and gear to do the work for you. But with for example an godox ad400 pro that is a fraction of the money and a good hand for capture the right moment you can do the same. Just don´t think you nead a D1 and a R5. But is cool just to have that and let the gear do the job. But I like Lindsay work and if I can I will buy the best money can buy too. But I will prefer have an Hasselblad medium format with better colour and use my hand to get the shoot. If I have the money.
I do, however, feel there is a place to showcase what high end gear is capable of and show what I actually do in my job rather than just the cheapest. Know what I mean? I think just showing the cheapest even if you dont use it is fine, but not always required or even genuine.
@@lindsayadlerphoto Cool I think your work is great and I understand . I am just saying that in my point of view is more important where is the light than if it is profoto. That is a good brand with good products but with ridiculous prices. And you will se if in 3 or 4 years the prices will not change or they will lose a lot of the market.. But I understand you. Thanks for your response and work. It is only an opinion.
@@GNDavid73 That's not really the point of the video though... you're arguing on why spend more money on equipment when something else can do it ... but that is true with everything in life. A car can get you to the same place, yet we have choices, options etc. I find that most people argue that I showcase "expensive" gear but that is just because I found that is what I LIKE and therefore what I USE. To each their own.
Cool. You are doing your job. Thanks
My comment is just because in the video you are selling Profoto: ....my Profoto.... with my Profoto..... and my Profoto. Daniel Norton sometimes says : i receive money every time I say the word Profoto joking and it is like that. But it is what I say you are working. But I can give my opinion respectfully. I have a White, and a silver profoto Softlight reflector. And a Magnum. But i buy chimera softboxes and godox lights. I wold like to buy an Hassemblad medium format with lens if I can.