3 Tips for Successful Continuous Light Portraits
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- เผยแพร่เมื่อ 22 พ.ค. 2024
- In today's video, I'm excited to share my three tips for successfully shooting with continuous lights in your studio portraits. Continuous lighting has become a game-changer in my work, providing me with the flexibility to capture stills and motion simultaneously without changing the lighting setup. Join me as I discuss the importance of managing ambient light, optimizing camera settings, and selecting the right continuous light sources for your specific needs. Whether you're new to continuous lighting or looking to enhance your studio shoots, these tips will help you integrate continuous lights seamlessly.
I have an entire episode of Learn+ dedicated to continuous lights. You can check out the preview for that here: learn.lindsayadlerphotography...
0:00 Introduction
1:06 Controlling Ambient Light
1:48 Watch your camera settings
2:26 Shutter speed
3:16 Image stabilization
3:32 ISO
3:54 Aperture
4:11 Color Temperature
4:29 Know your output
6:48 Shooting groups
⭐ Highlights
📷 To successfully shoot with continuous lights in a studio, eliminate all unwanted ambient light.
📷 Be conscious of your camera settings, especially your shutter speed, which should be at least 1/200th of a second for best results.
📷 Higher ISO settings may be necessary when using continuous lights, and image stabilization should be activated to counteract camera shake.
📷 Consider the output of your light source when choosing your camera settings and aperture.
📷 Always be aware of the color temperature of your light and set a custom Kelvin white balance.
📷 For close-up shots or product work, around 200 watts of output can suffice, while shooting groups may require 500 watts or more.
📷 Keep in mind that most affordable continuous lights do not have as much output as strobes, so choose your light's power carefully based on your shooting needs.
📸 Continuous lights I recommend:
✅ NanLite PavoTube 30C 4' RGBW LED: adorama.rfvk.net/vnQVoW
✅ NanLite Forza 300B II 350W Bi-Color LED Video Spotlight: adorama.rfvk.net/QORZxa
✅ NanLite Forza 720B 800W 2700-6500K Bi-Color LED Monolight: adorama.rfvk.net/4eZOBL
✅ NanLite Forza 500: adorama.rfvk.net/6bA0yb
✅ NanLite PavoTube 30C 4' RGBW LED: adorama.rfvk.net/vnQVoW
✅ Flashpoint monolights: adorama.rfvk.net/ZQXK5R
✅ Godox monolights: adorama.rfvk.net/Wq4dr3
🔥 To learn more about using continuous lights check out my brand new guide The Creative Studio Lighting Guide II 👉 lindsayadler.photo/clg2
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👉 Portfolio: lindsayadlerphotography.com
👉 Instagram: / lindsayadler_photo
👉 Facebook: / lindsayadlerphotography
👉 Twitter: / lindsayadler
👉 Education: learn.lindsayadlerphotography.com
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The secret is out! Continuous light is versatile and efficient...thanks for this!
The Nanlite FS300 and FS300B are bowens mount.
I hate that I’m just now seeing this and also just now thinking of using continuous for portraits. I’ve always used it with food and product photography because I put the lights closer but using continuous with portraits, GAME CHANGER!!!!
I've fallen in love with them, very versatile!
Great advise. Thank you Lindsay!!
I always love how you break things down practically.
Great video and information Ms. Adler. Thank you!
Excellent video and explanations Lindsay. Thank you so much. ❤👏
Great information on lighting and gear... Thank you!
I always watch your channel since it has great information. Wish you great success this summer with your workshop and much more.
Fantastic advice! You put this is a way that was so easy to understand, I'm already more confident!
Loved this. Thank you very much.
Awesome! Love it! Thank you for the education
Thank you Lindsay ❤❤❤
Thank you for another great share!
wow!! thank you for this. so much great information, it’s been a lot for me to consider and this helped me categorize my thoughts and learn more. appreciate it!!
I'm going to be in a studio tomorrow and am looking forward to comparing my 600ws strobes to a pair of 1000w LEDs. My plan is to set my exposure for the strobes and then move in the LEDs with the same modifiers and see how close to full power they need to be. I'll be aiming for 1/200, ISO 200, f8. For photography I think strobes will always be king because I don't see me dragging a continuous led outside during the day for a photoshoot when a speed light would probably have more power.
Always the most intelligent and complete explanations about a topic. Thank you for sharing your knowledge.
Thank you!
Your posts are always authoritative, immediately actionable and engaging. I started using Rotolighs LED lighting3 years ago and use them both in my home studio as well as for corporate event photography and it has changed the game for me. Thank you for yet again another excellent post.
Thanks so much for watching!
When I go to a musician’s gigs and only have like 5-10 mins to shoot quick pics, I find that a fast set up of small continuous light in extremely dimly lit place afterwards seems to suit me. I took umbrellas modifiers & and stuff to a gig and just seems to be too powerful & too much. Still learning to deal with situations. Thanks Lindsay for helpful suggestions. 💖👏
I love your work, you are an inspiration for everyone and I hope one day to reach your quality.
Several years have passed but damn, you seem always unreachable! Time to study more!
Outstanding job on website and tutorials. Hope to see another video soon or by summer if not busy.
Thank you as always for the kind words and support!
More videos are coming! :D
Far and away the best thing for me about continuous lights is the way they let you watch the model in the light even without the camera. I end up seeing shots that I wouldn't have otherwise. I do love the "magic" of popping a strobe and creating a totally different image to what your eyes could see, just as I loved that same magic of using a DSLR and the difference between what you saw in the viewfinder and the final capture. But just like switching to mirrorless, what was lost in magic was more than made up in efficiency.
While I do love this benefit of shooting continuous lights, there is one issue that I'm always aware of if I'm going for a hard light look... they can absolutely blind your model. Strobes allow you to capture shots without worrying about the model squinting, having pinpoint pupils, or being uncomfortable.
Excellent as always Lindsay
Thank you!
FANTASTIC explanation! Right know I’m trying to decide between strobes or continuous to upgrade from my speed lights. Since I’m doing more video now I wanted to see the possibilities of portrait work with continuous lighting and you’ve inspired me. Thank you! Liked. Subbed. I can’t wait to learn more from you.
Thanks so much!
Lindsay you inspire me 🤩
Thank you so much!
Great to see this and get your experience - ive got some very budget LED lights 60W and less and mainly for video work but my Canon 700D is too noisy beyond 800 ISO - im looking forward to an impending upgrade to Canon R7 which will give me more image quality with better dynamic range and less noise and also in body stabilisation all which will help me make more use of my budget constant lights - im planning also to try out using 4K video to capture video of a session but where I might be able to grab stills from that 4K video
Well done on the videos on your website.
Thank you. Please keep it going. I've learned a lot. :)
Happy to help!
GREAT tutorial. Thanks, Lindsay! I'm using continuous light for most of my portrait work now and love it.
Great work team Adler! Excellent tips and honest advice especially around multi format content shoots, which are increasingly the "norm"👍
Thanks.
Best photography teacher
Thank you so much!
Cheapest option for continuous light: halogen or LED construction floodlight + a diffuser from your basic 5 in 1 background/screen set. The only downsides: WB a bit tricky, heavy equipment (for halogen, lighter for LED).
Yes don't all want the "cheapest option". There are other benefits to using lights designed for photography lighting.
Thanks, not a fan of continuous lighting but willing to learn. Hopefully I'll get to meet you Saturday in NJ, signed up for your workshop.
Awesome! See you Saturday!
I LOVE using continuous light. This was a helpful video. Thanks Lindsay.
Thank you, Lindsay, your comments, suggestions, and product reviews are always useful and accurate. I have mostly Profoto light modifiers in my studio, are there adapters available?
I have Bowens to profoto mounts, and I think there are some adapters the other way but it does depend on the modifier. Softboxes/octaboxes for example are just different speed rings.
Great video
Thank you!
I got zsyb light as my first light it gets very bright it has white light, yellow and even goes on strobe mode.
All that she said it's true!
I need one of this 😢
Most informative, thank you. Much to consider but continuous lights seem to be good partners for mirrorless cameras re wysiwyg.
This is great Lindsey, the only problem seems to be that Adorama shows the Nanlites, all except the Forza 300B, as no longer available..
You can get them through Nanlite directly if they are still available! :D
@@lindsayadlerphoto thanks Lindsay, I will take a look. 📷🙌🏻
Hi Lindsay- great video and thank you for listing some specific options. Would you say your workbooks are still applicable if you work solely with continuous light? Thank you.😊
It depends on what setups you're doing. Sometimes the continuous lights might not be powerful enough so it really varies.
I have continuous lighting setups in a lot of my newer stuff including the Creative Studio Lighting Guide II.
@@lindsayadlerphoto thank you, I am mostly looking at headshots and single portraits - would there still be value in those books and the exclusively continuous set up?
Such a useful video, thank you so much! I so would like to know what you are thinking about the falcon eyes 68td. Its such a slim light and i am thinking about buying it for continous photography jobs where i am surrounded with small rooms. Do you thinks it has enough outcome for people and portrait photography?
Hi there! Glad you enjoyed the video. Honestly I am not familiar with it all.. id have to see and test it go give real thoughts !
Amazing knowledge. I value that a lot.
Pls can you teach us the business side of Photography ma'am?
Yes! I have some classes up at learnwithlindsay.com
I really enjoyed your book on posing and I am in the middle of changing my setup to use continuous lights so perfect timing. I do a lot of full length fashion - single subject. So bigger modifiers like you mentioned. Is 300 watts continuous enough for that? I've always been able to get away with 200 watt strobes for this.
Thanks so much! The continuous lights are definitely something fun to experiment with! I've always used strobes but there are definite benefits to using continuous now as you can see.
I think you'll probably want more like 500 watt if you can afford it in the budget!
Great video! What about subject eye-squinting, particularly at higher continuous wattages? Do you encounter that?
Hmm... not particularly!
"Open your eyes wider" lol.
your makeup is so nice girl
Great Video.
However I still couldnt bring my self shooting anything over ISO100 . I guess I was trained in 70's with Fujichrome / Ektachrome / Kodachrome 25!
I've had a pleasure to attend your presentation at Unique Photo expo a week ago and you mentioned two famous portrait/fashion photographers from the 90s (or 80s?) that you were influenced by. I can't recall the names, can you share that again? Thanks.
Herb Ritts! Thanks for coming!
@@lindsayadlerphoto Thanks!
Watts aren’t a measure of light output of course, so you can have a high efficiency 100w light with the same output as a 200w light. It was once a good guide, but not so much anymore. I’ve gotten away easy shooting clean portraits with two Colbor CL60 60w COB lights (one at 100%, and a fill at 20%) no problem. I was at 100ISO, 1/200 but wide open at f/1.2. I have Godox bowens 34” octoboxes on both.
output over time to be exact!
@@lindsayadlerphoto I'm here watching a pro (you) for a reason lol. Your results look fantastic. I was disappointed not seeing you on the speaker's roster for this year at ProFusion BTW.
@@chosenideahandle Thanks for watching! Sorry I won't be there this year, just a super busy schedule. :D
And what if I shoot with a 90mm 2.8 lens...that's not gonna work so well..I'll have to raise my iso which I really don't want to do..
@@therealdeal4492 Well really those are you only options. Raise the ISO, get stronger lights, or move the lights closer!
Can you do full body e-commerce photos on seamless white with that Forza 720B? Is it enough light for photos? I have 1x SL200, 1x SL300 and 1x SL60 and it's still not enough for a full body full white seamless e-commerce photography type shoot. I'd guess if you wanna go continuous, for these type of shoots, 2x 300 for the white background, 1x 600D or 720 as a key light. All diffused. The 60w does great for hair lighting. What would you say? Thanks
When it is diffused I think it becomes a bit tough as the main light if your subject is moving and depending on depth of field. I have done TWO 720b behind a scrim before for this.
I was wondering if you had your students bring a crop sensor Mirrorless or DSLR to your workshop and used your Profoto remote strobe trigger to fire off the strobes. I was wondering if it work properly. The reason why I ask I was at San Francisco Canon Headquarters a few years ago (Before it closed), and they used the Canon trigger and it did not work properly on a Canon Crop sensor DLSR on speedlight trigger.. Just curious.
yep! no problem at all. we use the universal remotes
@@lindsayadlerphoto Thanks
Can you mix and match continious and strobes together at the same time??
Of course you can and I do it all the time. Check my other videos!
Which kit light will you consider!
?
You look lovely.
Isn’t light fall off from flash different than that from continuous light? I feel when I shoot with flash using the exact same modifiers, there’s better tonal gradation than when I shoot the same subject with continuous light.
yes it is. And it varies between tungsten light vs leds
So do you need to remove natural light when working with continuous lights? or simply having as little of external light as possible?
Little external light as possible as it might affect the exposure.
Does watts effect brightness more than lumens?
different measurements. Watt is a measurement over time technically.
Can someone tell me.. when shooting with continuous lights. Can we actually just use Semi manual exposure settings? Such as Aperture priority?
Thanks!
yes thats correct you can!
@lindsayadlerphoto I have shot with continuous light on aperture mode but shutter is very slow ...
plz create tutrial skin tone color plz plz plz
I do plan on having a color grading tutorial in the future! :D
@@lindsayadlerphoto The issue of color seems to be very hidden from the magazine editors
Hi! I like to watch your videos but please do put the music level non that high because is really too much. Music should be just a bit lower than your voice.
I'll definitely take note of your feedback, thanks!
@@lindsayadlerphoto Thank you for amazing tutorials Lindsey! 💖
Thanks for watching!
Geese after spending all this money on strobes now we are going to continues light! 🤦🏾♀️🤦🏾♀️
I know right, the struggle is real lol. I still use strobes of course but I do love the continuous lights now for their versatility.
U talk too fast
I case you didn't know, you can put on subtitles or play it back at a slower rate. This is very helpful for those who may not have English as a first language or who think I talk too fast. :P
Also, sorry that you listen too slow. :)
Some people like continuous light but for me no i hate it . I do use it a lot on products and that's all for portraits it is a non starter