Pachebel CANON-"ULTIMATE" version in Pure Intonation
ฝัง
- เผยแพร่เมื่อ 7 ม.ค. 2022
- We wish you all a very happy and healthy new year of 2022!
For last two years, the humanity has been seeking for the absolute harmony more than ever.
Canon, as a musical form, which is composed by more than two layers of the identical melody after a given duration, has certain limit in the harmonic progression.
This draws the music to the simplicity and allowed us to try pure intonation.
We even speculated that maybe the composer hid his dream of utopia with absolute pure harmonies in trinity of three voices.
Hope you would enjoy it!
Yun Kim- harpsichord, violin
François Fernandez- viola da gamba, tuning the harpsichord, violin
Violin by Eric Lourme 2003 copy after Andrea Guarneri 1690
Viola da gamba by Nicolas Bertrand, Paris 1704
Harpsichord by Ivan de Halleux, Bruxelles
Filmed in the chapel of Begijnhof in Kortrijk, Belgium
Used images:
Nicolas Colombel (1644-1717), ‘Saint Cecilia playing upon a seven stringed Viola la Gamba’, c.1695,
Jan Miense Molenaer (1610 - 1668), 'Two Boys and a Girl Making Music', 1629
#pachelbelcanon
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Encore une belle interprétation grâce au talent de Yun Kim, à l'imagination de François et à la technique du re-recording. Un grand bravo doublé d'un grand merci !
Merci Jean, pour votre commentaire flatteur!
음악과 함께 행복한 제주의 아침을 엽니다. 감사해요.
초여름의 제주는 얼마나 아름다울지 상상해 봅니다~ 먼 거리에서도 음악을 나눌 수 있다니 참 감사한 일이네요!♥️
Bravo chers violons Fernandez avec de gros bisous de votre vieille amie de Montauban ! Continuez cette belle aventure de la musique et de l’amour !
Wouaw ! Connectée ! Elle gère, la « femme de SON Tauban » !....
Magnifique interprétation de ce ‘classique’. C’est tellement beau et paisible.
Très bonne année!!!
Merci beaucoup, Enrique! Contents de te lire!!
New Year's first performance. It's grand and beautiful. I look forward to more activities in the new year.
Thank you always! We won't stop it! ;)
Merci pour cette très belle proposition 🙏🙏🙏
Très beau! Merci François et Yun , belle et heureuse année à vous!
Merci Sylvie! Nous espérons qu'on se voit bientôt!
This is lovely, you all play so well 🙂👍🏻 It is so relaxing yo listen too 🙂
We are glad that you liked it! Thank you, John!
So beautiful!! Thanks a lot
Thank you!
너무좋아요!!
Magnifique!! Bravoooo!
Merciiii!
Envoûtant! Merci.
Merci, Marcel!
Felicidades. Y muchas gracias 🙏
Gracias!
@@FernandezViolons La afinación es muy agradable.
Bravissimi 🌹🌹🌹
Grazie, Antonio!
👌
🤜🤛
🙏 🤜🤛
I don't know if you still monitor the comment here, but I would love to hear more detail about which just intonation system you used and how you tackled pitch drift and commas. (Is it adaptive 5-limit just intonation? Or something else?)
Since the diversity of the harmonies used in this piece is well limited, we used all the fifths and thirds in pure intervals. Hope this explains well for you.
Maestra! I am very pleased with your performance! 👏🏻❤️ If you could tell me, what is this way of holding the violin based on?
I am glad that you liked it! You might have missed the painting showed at 4:36 by Jan M. Molenaer, 1629. There are many other paintings in Baroque period showing that kind of violin hold. Check this page-> www.baroque-violin.info/icon.html
And Geminiani said in his treatise(1751); The violin must be rested "just below" the Collar-bone... There are also many other treatises mentioning the hold like that. BUT that is not the only way of the holding, either!
@@FernandezViolons Thank you so much for the important information 🙌🏻
Tnc a lot
Vous avez une Bertrand ? 🤩
Disons que j'aimerais beaucoup avoir une Bertrand! Et que j'ai eu beaucoup de chance de pouvoir emprunter cette originale... Elle est à vendre.
Beautiful execution. Too bad for the janky mixing!
We wanted to show that it is a canon. 😉