How to Use The DeEsser in Adobe Audition
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- เผยแพร่เมื่อ 22 ก.ค. 2024
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#Audition #DeEsser #Sibilence
0:00 Tutorial start
0:06 Getting started
0:23 Using Spectral frequency display
0:51 Identify sibilance
2:04 Using frequency analysis
3:09 Setting up the DeEsser
4:25 Setting the threshold
5:44 Wrap up
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OMG!!! THANK YOU SO MUCH!!!! One of the few tutorials I have seen where we use analysis tools to get right to the root of the issue. Most tell people to just mash some buttons till it sounds better. THANK YOU!!!!
This was the absolute best understanding on DeEssing. Thank you so much!
You are awesome! Thank you so much for this clear, concise video. You helped me out so much getting my audiobook sounding perfect!
Great to hear - thanks Leah!
Thank you so so much, you saved me hours and hours of just manually taking the volume of every "s" down, this is amazing!
Great!
Super solid tutorial with noticeable effects on the final audio.
Thanks for this 👌
THANK YOU. I'm trying to get better at audio (always been my weakest post production skill)- and this was so informative, short, and concise. Exactly what I needed. Thanks! Can't wait to keep applying this!
So great to hear - thanks!
Just recently started getting into doing voice over/acting work these tutorials have been MONUMENTAL in helping me figure out what the hell I am doing. Seriously, SERIOUSLY, seeeeriously, thank you!!!!!
Good luck with the voice work Tommy
I certainly learned something valuable with this vid, not only to be applied for the deEsses, thanks a lot, sir!
Dude. this is STELLAR thank you! I love it. I use fabfilter and waves deessers. but using the spectral analyzer and frequency analysis to FIND the target frequency range is GENIUS!
Great to hear Will!
SUPER Helpful. Crash course in DeEssing. Thank you!
Hey man! I wanna thank you for making this! Sibilance has been the biggest issue in my recordings and I zero in on it every time I record! Bought a DBX 286s just to try and kill the sibilance and it still wasn't satisfactory although much better than the manual way of doing it! And I knew about and tried to use the De Esser in Audition before but didn't know a damn thing about how to operate it! Today I was turning in a project and watched your video before submitting it, and my god did understanding how this thing works make such a huge difference! I greatly appreciate you making this, I can't express that enough! Keep it up man!
Thank you so much!
Thank you so much!!! This is one of the best tutorials I've found explaining how to do this in Audition.
Thanks Tracey
Thank you for this excellent tutorial. You are a great teacher! I have a terrible "S" and your technique helped me polish up my voice for online classes. Thank you! And I'd now love to learn how to add some warmth like you have in your voice. Best regards!
Hi Sonya, glad to have helped and good to hear you've got the Deesser working for you. Check out this video on making your voice sound better th-cam.com/video/8cR5vkOWR0M/w-d-xo.html
Even I understood the process and I am a complete new user of audition (less than a week) Fantastic instructions!!
Thank you 🙏
Thank you for showing this process in detail. Waaaaay better than just running a plugin.
I'm glad you found the detailed tutorial helpful! Learning to manually use tools like the DeEsser in Adobe Audition can really take your audio editing skills to the next level.
Awsome videos as always, helping me gettting much better sound for our podcast! Thank you Mike!
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Hi Mike, just wanted to say this is the third tutorial of yours that I've watched, and they excellent. I just subscribed!
Thanks Max
Thank you for this video - SO clear and easy to follow along and understand how to adjust depending on your recording
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Great video! I was struggling with just using my ear to find the right frequency... this takes the guess work out. Awesome!
Glad to have helped Dougie.
Man, thank you so much!
This annoying sound was really taking my peace away, but now I've got a straight response to this issue.
Great to hear!
@@MikeRussell I see what you did there 😉
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Thank you so much!!!! Very clear and easy to follow, even for beginners!
Thanks
You have such a womderful voice to listen to. Thanks for the vídeo!
Thank you
Wow, thanks a lot man, that's a very good organized and useful guide!
Thank you 👍
Most detailed tutorial I've seen so far besides just taking the heal tool and painting whatever
Thanks
Mike, you rock man. What a cool straight to the point video. This is really going to help me. 🎤
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fantastic your way of explaining, step by step here in my auditition to attest good results, thank you Russel
Thank you so much!
Hey mike! Your videos is very informative, i've got one project which recording an interview in a crowd place. Could you show/tell me how to make the sound better in the crowds? Or maybe any trick to reducing the crowd noises? Thank you so much
Your videos are incredibly useful. Thank you so much !
A good question. No specific tutorial but I'll get it in my list to create!
Clear, concise, straight to the point, thanks a lot !
Thanks
Absolutely useful. Thanks alot !!
Thanks André
Wow that was extremely clear. Thank you!! :)
thanks for helping me curb those S sounds! video still relevant 2 years later!
There’s also an updated Deesser video just released 👍
Thank you for tutorial. Very nice and bassy voice of yours
Thank you
Hi, Mike. Very good your videos learn a lot with them ... Obriagdo for sharing your knowledge !! Big hug from Brazil - Junior Flain!
Thank you so so much!
Thanks! great job explaining
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Great! thanks for the help first time using this plugin nice and easy!
Glad to have helped
You are the man, Mike!
Thanks
Fantastic tutorial as always Mike. The hertz range is something you don't often hear discussed it's usually just said "press this".
Thanks. Glad it was helpful
Thanks for the tutorial.
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Wow, I love your content! Keep it coming!!!
Thank you
This is very informative. But here's another way. I have a cheap condenser microphone that has a lot of sibilance. And even I use a deesser, some sibilance sounds still get through because those sibilant sounds have different bandwidths. The technique I use is I open the spectral frequency window, highlight the entire high frequency range then set up a hard limiter. It clips those high frequency sounds that tend to emphasize sibilance but keeps the loudness of those other high frequency sounds that don't have sibilance. It really works and clips those sibilant sounds even if they have different bandwidths...
wonderful. so helpful!
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Thanksssss. It was a big help!
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This is INCREDIBLE, thank you for this :)
Thanks Sean
Fantastic, as always!
Thank you!!
Best Audition tutorial on youtube!
Woo, thanks!!!
Amazing!! Thats all I needed to understand that
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Thanks Mike!
Thank you so much!
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This is exactly what I was looking for. THANKS!
I'm not clear on how to take a print.
I found it. Click on the 1 in a square, above the red color (to the right of the word "Hold").
Thank you again Mike Russell
A pleasure!
Cool. That has helped a lot.
Mike, you are the man!
Thank you
thank you maaaan. it was very helpfull
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Yowsa. I've been struggling with identification of the right center and width. This is a more drawn out approach than anything I've seen, but also something where I can go into it with confidence that I really have the right spot and am not impacting anything I don't want to. In short, this was a head and shoulder's higher bar set for deessing, and I love it. Perhaps the biggest beauty of it is that, after the first use, it's going to be a "jump right to the spot and verify that it hasn't meaningfully moved or grown/narrowed in width and then fine tune. Not long after that I'll know the behavior for a given voice/mic combo very well and know exactly why I have confidence in it - deessing in moments and then only this detail again with a new voice or new mic. I presume one would also want to carefully analyze the before after if using this on a track where any pitch shifting is occuring.
Once again, thanks bunches. I love your very on point coverage - my time feels well used. I'll definitely be looking for any pop-up sale or the like on your courses.
Two questions on the audio production course:
How much total course time is there in terms of instruction time (not time spent on assignments)? I get that time isn't a great measurement of content/value (which varies a lot by how clear and concise you are and even how fast you talk), but it gives a flavor of time to complete the course and general scale of content.
Are the assignments graded or is there feedback of any kind in them? One issue I've had with a very narrow course I've taken (on EQ) is that, while there is a "solution", there really isn't a method for feedback on what *I* did. Mine may be different, but that could just mean it's done to a different taste or it could mean (like it or not) it's awful. Helping understand if anything I did was worthless or harmful and why would be invaluable to learning. My wife has done cooking classes where her assignments are graded (odd for a web based course, but they have a methodology that adds value).
Again, thanks for all you do for the community.
Thanks for asking this Rob! You'll find around 2-3 hours worth of content in the Audio Production Course specifically and, YES, all your assignments are reviewed by me. So you'll get personal feedback based on what YOU do. Hope that helps - for more detailed information do feel free to drop us a line musicradiocreative.com/contact
Very helpful tutorial ! 👍
Thank you so much!
as ever, so very useful!
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This definitely helped, thanks!
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ty for such useful videos
😃
This was super helpful. The default setting for Male DeEsser just wasn't cutting it
Glad to have helped 👍
Thank you Russell
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Could you please help in bringing Reaper plugins to Audition? It seems it can't be done. thanks. There's no video for it. All of my Reaper's plugins just don't show up after setting directory and scanning it.
Thank you very much
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Thank you!
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thank you so much. I wish you'll have 1m subcribers!
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Like I said mad skills :-) :-) :-) great info Mike
Awesome! Thanks!
Muchas gracias, perro ❤
Any time!
Thanks for the info!
You are very welcome!
Mike what is the cost for an hour tutorial / screen sharing on this ... I have watched the video, I am not confident that I am using this feature correctly and I have a client that is annal about the "S" so I would be willing to pay for an hour session... please advise... Thank you. - Trei (tree)
great video
Thanks
Mike hello from Hellas. My name is George i would like to thank you thousand times for yr helping videos. Thank you so so so much you hane been helpfull ang easy learning.
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holy SHIT this is probably the first time I've gotten my de-esser to really work on my voice. I think because I have some buck teeth, I get bad sibilance
usually I try to use the de-esser and estimate where the sound is in Premiere pro, but thissssssssssssssssssssssssssssssssssssssssssssss is a way better way to do it and it sounds so much better. Its crazy, my Sibilance is way sharper than your examples, and it still took care of it!
yay. but I think because its so high, it limits it, so theres a somewhat noticeable "limiter" in the sound but this is great
Thank you, pal!
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thank you sooo much!!!!!!!!!!!!!!!!!!!!!!!!!
My pleasure.
hey thank you so much, but I can´t see in my adobe audition the the menu where you can see the HZ, just in the right at the end
It's the Frequency Analysis window.
Thank youu, thank you....
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Muchas Gracias !! me salvaste de las malditas "S"
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what are your playback settings to be able to loop the selected portion so accurately? i use spacebar btw
Just default settings with loop mode enabled
Hey Love your videos but I am still confused on the Bandwidth portion. Not sure how to properly set mine. Your sibilance starts at 6k Hz and ends at 15k Hz. How did this let you know roughly 4k Hz of bandwidth was proper?
Thanks
Hi Austin, Sibilance differs for everyone. Everyone's voice is different and different microphones have different frequency responses. You can enable the Spectral Frequency View to help you identify your range. This video explains how to use it th-cam.com/video/S_twOrxYKHo/w-d-xo.html
Hi Mike, thank you so much for this video this really helped me a lot!! My one question is after you’ve done everything in the video, do you apply it to the entire audio file or one by one with the specific “s” spots??
Hi Isaiah, you would apply the De-esser to the entire audio as if set correctly as per the video it would only apply to the harsh "s" sounds anyway.
@@MikeRussell ok thank you so much!
This looks great! How did you get the print? I clicked on the "1" at the top and nothing saved.
Timing is everything 😉
I know there's some variation but if I came out with ~4850 Hz which is FAR lower than the examples here, is that normal too or am I not doing it right?
Sibilance is dependent on a number of factors, the most important being your voice and your microphone so frequencies differ for everybody. One easy way to check when you set the DeEsser is so to check the ouput sibilance only option at the bottom. If you're hearing just the sibilant "S" sounds then you've set it right, if you're hearing a lot of other sounds then you haven't found the affected frequency range yet.
Great tuto. What i i am missing is ... things with bad audio stuff... sometimes i get a video with a interview where the mic is overbossting the voice .. or the interviewer puts the mic to far from the person... can you make like one of those " REAL LIFE " examples.
Thank you! Added to list 😃
Excuse me, i dont understand from the part you typed 8000 HZ and 4000 Hz, I don't get acording to what information that you get those number? thanks
Watch the part where I’m analysing the spectral frequency display. That’s how I’ve worked out the frequencies.
What's the coloration Mike makes with the bandwidth? He see's the symbalince starts at at 6000 and ends around 15000 and decides the bandwidth should be around 4000...how why? I don't get that seems important to get the bandwidth right.
How do you determine what to set the bandwidth to initially?
Start around the 8000 mark.
Yo mike! Iv got a question, so I stumbled along an old song, probably 40 or 50 years old, and I want to make the sound quality better, like modern audio. Any ideas?
Great one for the community here: community.musicradiocreative.com/
is it actually possible to do this in premiere pro? their De-essers don't seem to cut the mustard for particularly sharp Ses and short of actually exporting the audio out to audition, editing it, then replacing all the audio and exporting again (omg talk about a ballache) i don't see how it would be poss
The effects available inside Premiere Pro are the same effects available in Audition. The one advantage of processing in Audition is you have more tools available to ensure you have the DeEsser set correctly.
@@MikeRussell ah ok - the audition ones seem to be a bit more effective in my incredibly limited experience with it - although i think 90% of this is because i don't really have a clue what i'm doing with PP.
My last question in the previous thread must have fallen through the cracks :-) That issue still hasn't gone away, so I will ask again if that's ok. How can I completely clear the frozen outline from the Frequency Analysis window? Double click on the same Hold colour button only changes the colour of the outline but it does not delete it. Even when I closed and reopened Audition, and updated it to the current version - when I opened this window, that OLD graph was still there! I can use live display and take prints of them, but they are all sitting over that OLD outline which simply doesn't go away. How can I completely remove it?
Have a look at this old video which should help th-cam.com/video/RhPHntuTDQU/w-d-xo.html
@@MikeRussell Thanks, will check it out. Another issue and a painful lesson - I applied De-esser to my file before normalisation, and now it sounds as if there was no De-Esser applied at all! Now I have to do it all over again, and still did it manually. How come higher volume pronounces the hissing? Do you have a video on the sequence of .effects when one is cancelling out or changing another?
Check out this video th-cam.com/video/Xl0vk00vw4M/w-d-xo.html
@@MikeRussell Love it! thanks! just what I was looking for :-) as easy as 1,2,3 :-)
super tutorial thanks! but you have skipped showing us where/how to take a print of the frequency analysis view...can't see any button to do this...could you explain pls
A the top of frequency analysis there are a number of coloured buttons, those are what you click to capture a print
@@MikeRussell aha…. Thanks! Do those colours mean anything or do I just pick whichever I like?
The colours are just to help you identify the print you've captured, you can chose any colour
@@MikeRussell thanks a lot :-)
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Thanks For SUB-TITLE sIR.....
lol No haters made it there way here yet. Thanks for another video as always!
Thanks! Survived so far 😉
THANK YOU! Do you have patreon or something?
Thanks so much Daniel - glad to be of help! If you wanted to say thanks why not donating to Red Cross Ukraine efforts? donate.redcross.org.uk/appeal/ukraine-crisis-appeal - much appreciated!
Sir how to export audio without losing the quality... Please make a video
There is no lessening in quality when exporting audio if you save in a lossless format such as .wav
@@MikeRussell but how I will import the .wav file in premiere pro
You can easily import a .wav file into Premiere Pro and add it to your timeline.
@@MikeRussell thank-you sir
I didn't understand, how did you look at the peaks between 15 and 9 Mhz, and decided that 4k is the right bandwidth?
A lot of audio production comes from experience giving you an "ear" for what you're working with.
@@MikeRussell thank you very much for a reply, Mike! But still, how is the "ear" worked there, when you literally used your eyes...
I've been producing a long time, you learn to be able to develop an ear for things and also an eye. It comes with experience
I am sorry, would you agree that the Russian "s" sounds will require a little higher threshold?)
Maybe, need to try!
I really don't know what I'm doing wrong. It just doesn't seem to work for me.
Great one for the community here: community.musicradiocreative.com/
please translating
Why 4'000? in Bandwith
I'm using 4000 here as it works on the voice that I'm using but you'd need to set this up individually for the voice your using for the frequency and bandwith.
Hi Mike how r u doing .. I have an offer for u can but I need u to help me in the price .. I have about 30 to 40 old recorded lectures every one is about 1:30 hour in average.. how much .do u want for each lecture.. and they are very noisy 🙄
Please drop us a line if you'd like to book a producer to work on a project with you musicradiocreative.com/contact