I think this is my favorite violin out of the entire series. When I was a teen, I always loved del Gesu's work because of the dark and powerful sound, but as I've gotten older, I find my ears longing for the sweeter side. To me this instrument is the perfect example of the power and dark nature that I still love, but with the added sweetness I now desire.
In spite of "having the hands of a 9 year old with little sausages on top", you play quite amazingly!!! This was very interesting (as usual) - thank you for presenting these videos!
It's interesting that you mentioned that it's hard for people with small hands to work their hands around the top bought of some violins. I had thought of making a violin with the top plate having a smaller radius than the bottom plate just for that reason. That would have made the ribs on that side have to be formed at an angle rather than straight up and down. This would increase the difficulty of making the ribs. However; it would act like the cutaway in a guitar making it easier to play the high treble notes. After watching this video again, It appears by the wear pattern on the upper treble bout and upper treble ribs of this violin, that whoever played it before on a regular basis also had trouble reaching around the upper bout. This is a very nice sounding violin, especially when you play it. Please continue to make these wonderful videos.
I have had two Lupots-one from Orleans in 1792, and the other from Paris, c.1815. Now I play a violin by Benjamin Ruth. It has a warmer sound. The greates Lupot I ever saw, or heard, was a cello that I believed belonged at one time to Zara Nelsova. That was really magnificent.
Nice sound! It is rich, sweet and powerful. I have a violin by made by Joseph Hill in 1759 and the Lupot reminds me of mine. The Lupot has a better low range, but mine is slightly better in the high range. I love hearing this, thank you. I agree it would be fantastic to spend some more time with the Lupot! Like a lifetime ;)
Excellent video & history lesson. Have you ever tried a Vuillaume like Hilary Hahn plays… Would like to know more about him and his career. Thanks for these great historical insights int to great of the past.
What a wonderful site you have here. I found my new favorite place to go in the morning while eating my breakfast. One small and hopefully not too controversial comment. I watched this after watching your video about Ole Bull. The French violin in no way compares to the Italian one. At least not on my cellphone and I'm making a joke there. Thanks again..
IMHO there are Lupot violins out there, which sound even better than some strads - the "French Stradivari" Lupot is still underrated. But unfortunately already unaffordable.
Bob Childs, in the Boston area, (?), makes very consistent sounding violins that sound a LOT like this Lupot. Very crisp with a chocolatey G string, and good volume. A few violinists in the BSO play Childs violins, along with some very talented fiddlers.
Thank you for educating me about Lupot violins Katha. I like their tone but was not particularly moved by its sound. And again like Stainer, the bridge may not have been making complete contact with the belly. She did have a sweetness of a young ladies singing voice but there was no fire in the instruments emotion. Your playing as usual impecable! The violin was just o.k. thank you again again Katha!😅
Using lead tape of half an inch around the center of the sound post makes the sound we have on our collection violins which have Evah Pirazzi being 150plus violins of that set alone while the violins all are master violins of great quality. dear dear friend peace
Thanks so much for the great and interesting videos. I would personally be so happy and intrigued to hear you try a more confidential but really powerful French luthier: Lucien Schmidtt from the XXth century. If you get a chance!!!
Very interesting history lesson and an equally interesting violin. Very powerful instrument, a lot of depth yet a very smooth sound. It does not have the bite of the earlier Italian instruments (at least some of them) but it is a smooth and pleasant instrument to listen to.
Hi Katha, thank you for another fantastic video. My luthier believes that 18th and 19th century French instruments are generally of superior construction as compared to their Italian counterparts. It might be interesting to explore the construction differences between the various European schools of making.
I am a beginner player - wow do I wish I could play like that! This was fascinating. Your videos are always so interesting, you should be on Curiosity Stream or one of those others, even Nebula. Thank you. p.s. - that violin sounds amazing.
Lupot is credited as being the first to introduce the Stradivari model to France. I sometimes wonder however if there are any modern soloists who play a Lupot. I know there are several using Vuillaumes. Thank you for the historical journey. This violin sounds big, although I suspect a little nasal.
By the way. A while ago you gave advice on purchasing a bow. We discussed my Coda Marquise bow at the time. I just thought you might like to know I ended up purchasing a J.J. Martin 1880 bow in the end using your advice as a starter. Thank you.
I'm so happy and excited that the "nice old violin" series is not exhausted yet :-) - no need to switch off, even Bach looks very attentive from his place on the bookshelf. I'm a little sorry for you that you could to take the violin home with you, as it seems to have been "love at first sight". But don't sell Illyas grand pianos to buy the Lupot from Mr. Wen-Long, it may make him sad (but increase Yoga space dramatically)...
Not sure if you have time to answer this but if I may ask a very basic question: with any instrument built several hundred years ago by the master luthiers, how is the body/frame of the violin able to support the following additional stresses: 1. modern strings are metallic not cat gut or some other animal gut and therefore (I would think) generate more pounds of tension when tuned 2. the higher standardized tuning - modern A440 vs. let's say A415 300 years ago must account for a not insubstantial additional stress on an instrument Forgive me, I'm not a violinist or a string player at all, but I've always wondered about this. Fascinating channel, keep up the great work.
Hi Brian, almost all violins from this time have been adapted, even the strads. They got different neck angles and longer necks, other fingerboards (affects sound massively), other tailpiece, other bridge, other basebars... For the wood itself they do not build it thicker nowadays because they calculate with a higher string tension. It's more about catching the right resonance tones while tuning front and back plate (so, a modern instrument should sound more resonant tuned with a modern A than an old one). There is some kind of arching that works better with the modern setup, usually the flatter ones. This means flatter string angle, and therefore less pression on the top. Of course, a different string angle at the bridge and more string tension affects also massively the sound. But the instrument will not collapse. Wood is strong. Interestingly, the string tension makes a violin belly wider with time, so the soundpost seems becoming "too short" and has to be changed from time to time especially on new instruments.
@@johannesbachlein149 Yes all of this makes total sense. I figured it must be so but I didn’t know the adaptations were so extensive. Thank you for the detailed explanation 🙏
This has to be my favorite violin you have presented thus far. It suits your playing quite well compared to the others. Im curious, if playing these amazing instruments make you reassess your own instrument?
That's a tough one- I get to play these instruments for such a short time, and my own instrument is, at this point, like an extension of my arm! Putting these videos together, though, definitely makes me pause when I come back to my own, in terms of just creating sound: each one speaks so differently!
That's Bach's Sonata for Violin and Harpsichord No. 6. We have a recording of all six of those pieces incidentally, check it out on Apple Music or whatever streaming service!
It's interesting: I am the opposite type. I liked the Steiner and one of the Guadagninis best and am not the type for "powerful". I play-tested several violins in the 1500-2300 € range, I believe, and found most too bright, extremely too loud - I felt dizziness when walking outside for about 3 weeks after the testplaying - and too coarse on the G- and often D-string. The one I finally picked was warm, somewhat dark, rather mellow and low, even though more "powerful" than the one I already owned. It seems that violin-picking is a deeply personal business and not all of us would want to actually own/ play one of the very expensive Italian Master-violins (or the very expensive violins from other countries). This one, I would also define as a little to coarse and too loud for me, which is a shame, imagine someone would offer me this expensive and famous violin and I'd say THAT!
I'm not sure exactly, but here's all the specifications I could get- tarisio.com/cozio-archive/property/?ID=47655 It is a full size, if a bit on the big side!
I think this is my favorite violin out of the entire series. When I was a teen, I always loved del Gesu's work because of the dark and powerful sound, but as I've gotten older, I find my ears longing for the sweeter side. To me this instrument is the perfect example of the power and dark nature that I still love, but with the added sweetness I now desire.
I enjoy your love for violins and history. Keep doing these videos.
Very rich pleasant tone at the lower register.
In spite of "having the hands of a 9 year old with little sausages on top", you play quite amazingly!!! This was very interesting (as usual) - thank you for presenting these videos!
Lol, little sausages. This was a great and educational video, especially about the purfling.
Glad you enjoyed it and could learn from it! :)
It's interesting that you mentioned that it's hard for people with small hands to work their hands around the top bought of some violins. I had thought of making a violin with the top plate having a smaller radius than the bottom plate just for that reason. That would have made the ribs on that side have to be formed at an angle rather than straight up and down. This would increase the difficulty of making the ribs. However; it would act like the cutaway in a guitar making it easier to play the high treble notes.
After watching this video again, It appears by the wear pattern on the upper treble bout and upper treble ribs of this violin, that whoever played it before on a regular basis also had trouble reaching around the upper bout.
This is a very nice sounding violin, especially when you play it. Please continue to make these wonderful videos.
I find these posts about violins and makers interesting!❤
I have had two Lupots-one from Orleans in 1792, and the other from Paris, c.1815. Now I play a violin by Benjamin Ruth. It has a warmer sound. The greates Lupot I ever saw, or heard, was a cello that I believed belonged at one time to Zara Nelsova. That was really magnificent.
Very Interesting!! Thank you!! Lovely sounding instrument.
Nice sound! It is rich, sweet and powerful. I have a violin by made by Joseph Hill in 1759 and the Lupot reminds me of mine. The Lupot has a better low range, but mine is slightly better in the high range. I love hearing this, thank you. I agree it would be fantastic to spend some more time with the Lupot! Like a lifetime ;)
Thank you for showing us the video of Lupot violin and purfling. Nicolas Lupot's violins are indeed the French Strads and their prices reflect this.
Oh, a Lupot! The French Strad!! Amazing! Great job, love the history.
Nice French violin. Lovely sound with sweetness and richness.
I don't play violin, but I love your videos! I enjoy how you explain the history of music.
As always very cool and informative! Thanks so much.
Amazing Lupot violin sound mellow bold robust. Thanks.
Great stuff! Thanks!!! Happy Christmas and New Year! 😎🌞✌️🎻🎅🏻
Excellent video & history lesson. Have you ever tried a Vuillaume like Hilary Hahn plays… Would like to know more about him and his career. Thanks for these great historical insights int to great of the past.
I've not done a Vuillaume, but I would really like to! Definitely at the top of the list!
What a wonderful site you have here. I found my new favorite place to go in the morning while eating my breakfast. One small and hopefully not too controversial comment. I watched this after watching your video about Ole Bull. The French violin in no way compares to the Italian one.
At least not on my cellphone and I'm making a joke there. Thanks again..
Great Lupot!!
A very enjoyable talk. That violin sounds just like my viola.
Love your smile and enjoy the music you play.
IMHO there are Lupot violins out there, which sound even better than some strads - the "French Stradivari" Lupot is still underrated. But unfortunately already unaffordable.
What a marvelous, sweet and balanced sound this Lupot has! Also, your choice of music is perfect for it!
Thank you! What a treat!
Bob Childs, in the Boston area, (?), makes very consistent sounding violins that sound a LOT like this Lupot. Very crisp with a chocolatey G string, and good volume. A few violinists in the BSO play Childs violins, along with some very talented fiddlers.
I'll have to check him out! Thanks for the tip! :)
I could listen to your well thought out videos and violin playing for ages! So I will :) keep it up!
Wonderful video and stories! Can't wait to hear more about the French school of violin making.
@aTonalHits I seriously love these videos, i also appreciate you putting all the sound clips together at the end!
Wonderful video-very informative!
I’ve been waiting for you to do a video on a French violin. They really are exquisite.
Aren't they? I feel like they don't get as much love as they should!
thanks a lot for your video
Henley had a higher opinion of Lupot than Vuillaume even. Considered him the greatest French maker.
I love this violin!
My, profoundest thanks!❤❤❤❤❤❤❤❤❤!❤❤❤❤❤
You are a true "artiste".....
Thank you for educating me about Lupot violins Katha. I like their tone but was not particularly moved by its sound. And again like Stainer, the bridge may not have been making complete contact with the belly. She did have a sweetness of a young ladies singing voice but there was no fire in the instruments emotion. Your playing as usual impecable! The violin was just o.k. thank you again again Katha!😅
Using lead tape of half an inch around the center of the sound post makes the sound we have on our collection violins which have Evah Pirazzi being 150plus violins of that set alone while the violins all are master violins of great quality. dear dear friend peace
What’s the purpose of the tape and what is “lead tape”?
like and love your violin sound.😍😍. it's warm...
That violin is a cannon!
Thanks so much for the great and interesting videos. I would personally be so happy and intrigued to hear you try a more confidential but really powerful French luthier: Lucien Schmidtt from the XXth century. If you get a chance!!!
Very interesting history lesson and an equally interesting violin. Very powerful instrument, a lot of depth yet a very smooth sound. It does not have the bite of the earlier Italian instruments (at least some of them) but it is a smooth and pleasant instrument to listen to.
I love this channel.
Love her stories ❤
From now on I’m getting all my French history right here!
Hi Katha, thank you for another fantastic video. My luthier believes that 18th and 19th century French instruments are generally of superior construction as compared to their Italian counterparts. It might be interesting to explore the construction differences between the various European schools of making.
That's a really good idea- I'll put it on my list! :)
Enlightening!
Love your videos!
Good stuff !
Excellent. I hope you two will contact Bein & Fushi--I'd love to see you play all of those Stradivari Society instruments.
A very good idea, definitely on the to do list!
Great french accent and history background ✨
Thanks very much! Glad the accent is still holding :)
I love this violin!!
I am a beginner player - wow do I wish I could play like that! This was fascinating. Your videos are always so interesting, you should be on Curiosity Stream or one of those others, even Nebula. Thank you. p.s. - that violin sounds amazing.
Lupot is credited as being the first to introduce the Stradivari model to France. I sometimes wonder however if there are any modern soloists who play a Lupot. I know there are several using Vuillaumes. Thank you for the historical journey. This violin sounds big, although I suspect a little nasal.
If I recall, one of the members of the iconic Guarneri Quartet actually played a Lupot.
@@vorspiel1023 Yes, the 2nd violinist was playing on a 1810 Lupot, but my question was about soloists using a Lupot.
By the way. A while ago you gave advice on purchasing a bow. We discussed my Coda Marquise bow at the time. I just thought you might like to know I ended up purchasing a J.J. Martin 1880 bow in the end using your advice as a starter. Thank you.
I'm glad I could help! Bows are so personal, I hope you're enjoying your new one!
Bresian Arching and great content.
I'm so happy and excited that the "nice old violin" series is not exhausted yet :-) - no need to switch off, even Bach looks very attentive from his place on the bookshelf. I'm a little sorry for you that you could to take the violin home with you, as it seems to have been "love at first sight". But don't sell Illyas grand pianos to buy the Lupot from Mr. Wen-Long, it may make him sad (but increase Yoga space dramatically)...
Not sure if you have time to answer this but if I may ask a very basic question: with any instrument built several hundred years ago by the master luthiers, how is the body/frame of the violin able to support the following additional stresses:
1. modern strings are metallic not cat gut or some other animal gut and therefore (I would think) generate more pounds of tension when tuned
2. the higher standardized tuning - modern A440 vs. let's say A415 300 years ago must account for a not insubstantial additional stress on an instrument
Forgive me, I'm not a violinist or a string player at all, but I've always wondered about this. Fascinating channel, keep up the great work.
Hi Brian, almost all violins from this time have been adapted, even the strads. They got different neck angles and longer necks, other fingerboards (affects sound massively), other tailpiece, other bridge, other basebars... For the wood itself they do not build it thicker nowadays because they calculate with a higher string tension. It's more about catching the right resonance tones while tuning front and back plate (so, a modern instrument should sound more resonant tuned with a modern A than an old one). There is some kind of arching that works better with the modern setup, usually the flatter ones. This means flatter string angle, and therefore less pression on the top. Of course, a different string angle at the bridge and more string tension affects also massively the sound.
But the instrument will not collapse. Wood is strong. Interestingly, the string tension makes a violin belly wider with time, so the soundpost seems becoming "too short" and has to be changed from time to time especially on new instruments.
@@johannesbachlein149 Yes all of this makes total sense. I figured it must be so but I didn’t know the adaptations were so extensive. Thank you for the detailed explanation 🙏
Looks like Johannes covered this one for me! Thanks, Johannes- spot on! :)
This has to be my favorite violin you have presented thus far. It suits your playing quite well compared to the others. Im curious, if playing these amazing instruments make you reassess your own instrument?
That's a tough one- I get to play these instruments for such a short time, and my own instrument is, at this point, like an extension of my arm! Putting these videos together, though, definitely makes me pause when I come back to my own, in terms of just creating sound: each one speaks so differently!
Anyone know the name of the piece @15:52?
That's Bach's Sonata for Violin and Harpsichord No. 6. We have a recording of all six of those pieces incidentally, check it out on Apple Music or whatever streaming service!
What instrument do you play on, and do you own it or is it on loan?
Does anyone know of the Panormo shop in Paris?
It's interesting: I am the opposite type. I liked the Steiner and one of the Guadagninis best and am not the type for "powerful". I play-tested several violins in the 1500-2300 € range, I believe, and found most too bright, extremely too loud - I felt dizziness when walking outside for about 3 weeks after the testplaying - and too coarse on the G- and often D-string. The one I finally picked was warm, somewhat dark, rather mellow and low, even though more "powerful" than the one I already owned.
It seems that violin-picking is a deeply personal business and not all of us would want to actually own/ play one of the very expensive Italian Master-violins (or the very expensive violins from other countries).
This one, I would also define as a little to coarse and too loud for me, which is a shame, imagine someone would offer me this expensive and famous violin and I'd say THAT!
This one sounds a bit muffled. It's interesting. Some french violins are super loud, some sound very muffled....
Lovely playing although I personally prefer the vibrato to start at the very beginning of every note
Reminds me of John Dalley's Lupot -- perfect sound for 2nd violin.
According to my source, Spohr traded his GB Guadagnini for his Lupot and not a "German violin."
Very Comfortable for the sound
What about the size of this instrument please?
I'm not sure exactly, but here's all the specifications I could get- tarisio.com/cozio-archive/property/?ID=47655
It is a full size, if a bit on the big side!
Đây là cây đàn violin nổi tiếng của pháp thấy của vuillum ,,,,nhưng dù sao âm thanh ko bằng đàn ý
I have 1 nicolas lupot Violine
1'26" the BIBLE! D'oh!, π, and oh let's see?, mankind's lust for power? Just a few Ms. History.
French sounds...
#92_comment_2_yearsSinceLastViewing_StillOneOfTheFinestTH-camVideos_VeryHighPraiseFromMe_VeryInteresting🇺🇸✡️✝️