You can make it in most programs. Look for 'color dynamics' or 'color jitter' in brush settings. I added it to the default hard round brush. It's pretty easy!
@@leif1075 i have a huge amount of free references and writings that I've done in my discord. Youre also watching a free lesson right now in this video, I have dozens more!
It’s like how rhythm is more memorable to our ears than pitch. Super interesting. I should make myself a brush like this in Krita and practice. Thank you for sharing :)
Yep! Rhythm, intervals and relative pitch are more important than absolute pitch in music, the same way value, shape and relative hues are more important than exact absolute hues in visual art.
I feel like this becomes very obvious when studying in a classic way cuz u taught to do the underdrawing first before you even proceed with colors, where you could be making the entire painting in detail in monochrome until your values r abs perfect
this is somewhat of a misconception. Almost all the art that i show on this channel was not painted with an underpainting technique. including the image i show here. Almost all artists in the 19th century were doing a drawing and then painting with color directly over the top of the drawing with no glazes, layering or underpainting/grisaille.
@@JakeDontDraw Could you please show us the difference in technique between what the comment says vs what you are saying? I feel like I will only understand when I see it lol
@@IfYouMeetAWolfUnderpainting is when you paint the painting twice - first in one single colour so you can see where the light and shadows should go, then again covering the values in over the top, using the underpainting as a guide to tell you where to use shadow colours/highlight colours. It would be the same as here when he initially had his greyscale filter on, if afterwards he'd then painted the right colours over the top, using the greyscale version as a guide. OP says this is a classic way to paint. Jake is saying that's a misconception, and instead the classical artists in his vids skipped doing an underpainting, and just went straight into painting with colours over a sketch because they had enough knowledge of lighting that they didn't need the underpainting as a guide.
@@JakeDontDraw I honestly can’t remember which century what happened cuz we were taught technique separately from history but I remember doing oils in like 6 layers n up which was pretty damn satisfying
I don't draw a lot anymore because of my tremors but I'm still into photography and this is a wonderful demonstration of why I love taking photos in monochrome instead of turning them monochrome in post.
I purchased your drawing course because your shorts keep popping up on my feed and you break things down so well. Can’t wait to get into it once I get a chance to
This guy was lucky enough to have a very skilled mentor who wanted to learn the craft at its core. He reminds me of Madame and Franco Corelli who teach belle canto which is the most practical and wholistic approach to singing
I teach classes! I currently have a round of livestreamed classes going right now. Next one will be in late august/early september. I have a basics course on my gumroad you can check out all that stuff at jaketaplin.art
That's exactly why I love not choosing naturalistic colors in basically all my paintings! A monochromatic color palette is beautiful if you explore the values to their fullest and I like to show that in my art
value is part of color. it separates red from pink, brown from orange, and white from black. just as hue and saturation is part of color. it's still color
u lowkey helped my skills feel better because i've got too much of a habit of focusing on one part of my art instead of the whole page in the beginning 💀
As part of my computer vision project i have written some code that thresholds an image into as many shades as i like. Makes this all the more convincing. Even with a binary image (just black and white) you can read a lot of detail.
Important: Hues have lightness values independent of the value of the color you're using. Blue and red are always going to be darker green, yellow, cyan, ect. regardless of the numerical lightness value in the program, you're using. Blue is always going to be darker than yellow at the same value. That why you use blue for shadows and yellow for lights, because they stay saturated (also because blue light from the atmosphere bounces onto shadows in daylight)
I once did this by turning down the saturation of my monitor. The result looked like trash and I learned that the value is also dependant of hue. Saturated blue is always darker tgan saturated yellow, but the monitor will turn both into the same grey.
If you want it to read well without squinting your eyes than duplicate the layer make sure its above the non blurred one and blur it than lower the opacity of the blurred one and it has the similar effect but no squinting needed
Because you have zoomer brainrot and only shortform content can hold your attention. Basically, it's not your teacher's fault that you don't pay attention
As someone who casually draws for the past 29 years, It's funny, coz I didn't take notice of all these things, I just do it instinctively and only realising right now. ❤
For me, this issue is I draw differently depending on the tool, traditional medium, ipad, or my wacom tablet. For some reason, I can express my art as freely on a wacom. I think it's the pen, so Im gonna get a Huawei tablet. See if that helps.
do pen excersizes and stuff to get comfortable with the medium also just draw more, i hated digital art for a long time, took a few paintings to finally get comfortable enough to use it as my daily driver
@@harrietjameson I appreciate your help, I’ve been a graphic designer for 10 years but traditional artist for about 30 years. It’s more just about how a pen feels in my hand haha. I hate anything thicker than pencils and paint brushes since that what I grew up using. I’m just weird but appreciate your helpful suggestions, you’re great thank you.
While you don't need the colors, I do feel like you're wrong a bit as color helps make things looks realistic. Colors don't matter if you are doing a certain type of art style. But in realism, they do. So yes actually they both do and don't matter, it depends on the art. Because those colors can make or break the realism in your piece.
Creating neuralink with the intention of helping humans keep up with AI while also trying to create the leading AI superintelligence kinda feels like trying to deal with a fire by scrambling to make everything in the world flame resistent instead of trying to just put out the fire. I feel like 99% of elon musk's claimed motivations are a smokescreen for just wanting more power
Imo art is being thought all wrong in schools and universities. You cant jump into expressing your emotions and ideas. That comes after learning about colour theory, values, anatomy, art theory, aesthetics. Then you can use those tools and play with them. The example i use is picasso. He didnt start with cubism. He was a classical artist. But throughout his life , his style changes. Or the pre raphaelites. Without those foundations they wouldn't have been able to go against the establishment.
Wait this is why they slap chop miniature painting method works isn’t it You make some sculpture do the hard work of making interesting shapes and forms Then use dry brushing the get cheap and effective value differences Then paint it whatever color who care too
![กี่หมื่นฟ้า | Your Sky Series EP.1 [1/4]](http://i.ytimg.com/vi/vLGjxFL6U_I/mqdefault.jpg)
I'm running a 50% off sale on my drawing basics course for this week! jakedontdraw.gumroad.com/l/AcademicDrawing
Can I have the the brush with it as well? Pleaeaeaeaease? ❤ Ty so much for all the content
You can make it in most programs. Look for 'color dynamics' or 'color jitter' in brush settings. I added it to the default hard round brush. It's pretty easy!
Love you art daddy
@@JakeDontDrawCan you offersny FREE Courses please??
@@leif1075 i have a huge amount of free references and writings that I've done in my discord. Youre also watching a free lesson right now in this video, I have dozens more!
This guy has taught me more in shorts then my last 2 art teachers.
I hope you continue learning and having fun with art
@@clownjuice_blue4899 thanks! I do, ive been drawing off and on for the last 30+ years, now i just have more time to actually do it lol
How do you know he's wearing shorts?
@@brucewayne2184we all know that if only our top body is gonna be showing we’re gonna be wearing shorts 😂😂
Saaame
It’s like how rhythm is more memorable to our ears than pitch. Super interesting. I should make myself a brush like this in Krita and practice. Thank you for sharing :)
Yep! Rhythm, intervals and relative pitch are more important than absolute pitch in music, the same way value, shape and relative hues are more important than exact absolute hues in visual art.
This is the type of Art content we all need on yt
No
As opposed to…?
He must want more bucket hanging from a rope with a hole in it, dripping paint on a canvas. 🤑 you know, the money laundering genre. @kewitangold
its been on yt for ages, search marco bucci
"...and if you squint your eyes..."
Me: *immediately squints eyes*
I think composition is the hardest step to get down. Even when I try to break stuff down, it's often difficult to comprehend what I'm seeing
As long as you keep trying to break it down, it'll become much less fuzzy over time to get it down.
I highly recommend practicing gesture drawing to help with this. get yourself a piece of charcoal and a timer and go wild
Genuinely a fantastic communicator, thank you for these short tutorials! Very helpful, please make more!!
I feel like this becomes very obvious when studying in a classic way cuz u taught to do the underdrawing first before you even proceed with colors, where you could be making the entire painting in detail in monochrome until your values r abs perfect
this is somewhat of a misconception. Almost all the art that i show on this channel was not painted with an underpainting technique. including the image i show here. Almost all artists in the 19th century were doing a drawing and then painting with color directly over the top of the drawing with no glazes, layering or underpainting/grisaille.
@@JakeDontDraw Could you please show us the difference in technique between what the comment says vs what you are saying? I feel like I will only understand when I see it lol
@@IfYouMeetAWolfUnderpainting is when you paint the painting twice - first in one single colour so you can see where the light and shadows should go, then again covering the values in over the top, using the underpainting as a guide to tell you where to use shadow colours/highlight colours. It would be the same as here when he initially had his greyscale filter on, if afterwards he'd then painted the right colours over the top, using the greyscale version as a guide.
OP says this is a classic way to paint. Jake is saying that's a misconception, and instead the classical artists in his vids skipped doing an underpainting, and just went straight into painting with colours over a sketch because they had enough knowledge of lighting that they didn't need the underpainting as a guide.
@@JakeDontDraw I honestly can’t remember which century what happened cuz we were taught technique separately from history but I remember doing oils in like 6 layers n up which was pretty damn satisfying
Awesome videos, love those I always learn somethings I forgot.
Really cool brush actually, kinda makes the figure pearlescent
I don't draw a lot anymore because of my tremors but I'm still into photography and this is a wonderful demonstration of why I love taking photos in monochrome instead of turning them monochrome in post.
Hope you ll get better! ❤even if you draw badly because of tremors try you'll adapt or create a new style
Good luck!
Made me wanna try and complete a piece with this brush setting
I purchased your drawing course because your shorts keep popping up on my feed and you break things down so well. Can’t wait to get into it once I get a chance to
me with every drawing i make:
“and if you squint your eyes”
This guy was lucky enough to have a very skilled mentor who wanted to learn the craft at its core. He reminds me of Madame and Franco Corelli who teach belle canto which is the most practical and wholistic approach to singing
The part at the end when you squint your eyes is a great example of optical mixing!
Why aren't you an art instructor?
I mean, he's more of a instructor than any of those trying to sell their basic courses
He is
In the long form content he mentions that you can book for those too no clue how tho
I teach classes! I currently have a round of livestreamed classes going right now. Next one will be in late august/early september. I have a basics course on my gumroad you can check out all that stuff at jaketaplin.art
@@JakeDontDraw where do u livestreams?
Bro u taught me a lot over the last week, and that’s just off of me randomly seeing your videos here and there while doomscrolling.
I like that your channel started getting recommended to me as soon as I decided I wanted to improve my drawing skills 🎉
love your videos, I'm learning new things all the time from them
That's exactly why I love not choosing naturalistic colors in basically all my paintings! A monochromatic color palette is beautiful if you explore the values to their fullest and I like to show that in my art
Your stuff brought me back from burnout... holy shit these tutorials are good
colors are just the cherry on the cake
If you squint at all my work you can see that they read quite well too. Best way to view them is about 10 feet away.
Bro youre explanations are so good
So beautiful! (The art and the artist) 😊
That was really helpful thank you!!! ❤❤❤
Add to that your understanding of the tools your using. It’s all about limitations and being able to work within them
Im currently in digital art class learning this. Thanks.
Great job! Thank you for sharing such an insightful information ❤❤
learned more here than an entire semester of painting
This explains the vision of certain animals and their camouflage ❤
I've been thinking of trying to do this for a long time, cool that someone else had the same idea
So cool. Is there a way to randomize value instead of color? Idk how it would work, but it sounded cool as well.
value is part of color. it separates red from pink, brown from orange, and white from black. just as hue and saturation is part of color. it's still color
u lowkey helped my skills feel better because i've got too much of a habit of focusing on one part of my art instead of the whole page in the beginning 💀
I don't make art but this guy is an incredible teacher
If you can blur your vision a bit it kinda reads as light from colored glass when you refocus
You're as invaluable a code breaker as Turing.
That's so helpful tbh
As part of my computer vision project i have written some code that thresholds an image into as many shades as i like. Makes this all the more convincing. Even with a binary image (just black and white) you can read a lot of detail.
"If u squint your eyes" nah bro i dont even need to squint my eyes to see you actually succeeded in making a good face
I was taught that if something looks good in black and white, it will also look good colored.
Now I understand why art school starts off in black and white only for the first year or two.
Better than the original
Important: Hues have lightness values independent of the value of the color you're using. Blue and red are always going to be darker green, yellow, cyan, ect. regardless of the numerical lightness value in the program, you're using. Blue is always going to be darker than yellow at the same value. That why you use blue for shadows and yellow for lights, because they stay saturated (also because blue light from the atmosphere bounces onto shadows in daylight)
Hey I’m a big fan good to be here
Mix this knowledge with learning gradient maps
🎉congratulations!🎉 you’re a concept artist now 👏👏👏
I once did this by turning down the saturation of my monitor. The result looked like trash and I learned that the value is also dependant of hue. Saturated blue is always darker tgan saturated yellow, but the monitor will turn both into the same grey.
I aspire to understand value so well!
i would love to play around with this brush
thats really nice
If you want it to read well without squinting your eyes than duplicate the layer make sure its above the non blurred one and blur it than lower the opacity of the blurred one and it has the similar effect but no squinting needed
Really good tutor
Thanks man Its like doing a sketch.
You can make a portrait using only one color but you can’t using only one shade
The squinting my eyes thing is straight up scary
You turned her into Edward Scissorhands
She looked pretty spooky at the start
How do u make this brush? Id love to try this out for myself!💙
Bro is literally teaching me more about art than my art teach ever has😂
Because you have zoomer brainrot and only shortform content can hold your attention. Basically, it's not your teacher's fault that you don't pay attention
what brush did you use to make this, and can I recreate it on procreate? 😮
he just uses the round hard brush, there's no trick to it, and he probably used some feature to randomize the colors
As someone who casually draws for the past 29 years, It's funny, coz I didn't take notice of all these things, I just do it instinctively and only realising right now. ❤
What program is this?
I'm trying to paint a picture of my dog with rainbow colours. Focusing on light and dark has been helping, but it still looks a little crazy
How do you set up your program to draw like this?
Awesom!!!
Love it
I want this brush! Do you sell it?
someone else said the the brush is the "round hard brush"
For me, this issue is I draw differently depending on the tool, traditional medium, ipad, or my wacom tablet. For some reason, I can express my art as freely on a wacom. I think it's the pen, so Im gonna get a Huawei tablet. See if that helps.
do pen excersizes and stuff to get comfortable with the medium
also just draw more, i hated digital art for a long time, took a few paintings to finally get comfortable enough to use it as my daily driver
@@harrietjameson I appreciate your help, I’ve been a graphic designer for 10 years but traditional artist for about 30 years. It’s more just about how a pen feels in my hand haha. I hate anything thicker than pencils and paint brushes since that what I grew up using. I’m just weird but appreciate your helpful suggestions, you’re great thank you.
Ok polymaths, I'm a hobbyist musician thinking about how this is applicable to music. Any thoughts?
Best way to fight the AI scourge
Hate ai😔
You can’t fight ai if you don’t like it just don’t support it and support human art instead
I always struggle with composition
Why does this guy talk with the sane pace as a ai voice reading robot
what about traditional artists ? can u make a version of value study for us ?
i squinted my eyes right when he suggested to and i was freaking amazed
He got a little JBP in him with that hierarchy comment
How do i get a brush like that?? Can I take color out of procreate too?
He's right for sure because i know what color everything is but I can't draw shit.
Bro did some off camera mining 💀
How you use that brush? Like how do you program that in Ps?
I struggle with the how to get whats in your mind onto the paper
I'm not even an artist but I find your videos interesting.
What software do you prefer?
While you don't need the colors, I do feel like you're wrong a bit as color helps make things looks realistic. Colors don't matter if you are doing a certain type of art style. But in realism, they do. So yes actually they both do and don't matter, it depends on the art. Because those colors can make or break the realism in your piece.
so how do u get started and where to understand these major topics
AMAZING
Creating neuralink with the intention of helping humans keep up with AI while also trying to create the leading AI superintelligence kinda feels like trying to deal with a fire by scrambling to make everything in the world flame resistent instead of trying to just put out the fire. I feel like 99% of elon musk's claimed motivations are a smokescreen for just wanting more power
Final piece looks like disco elysium
Do you have a release on that brush? Or know something similar?
Imo art is being thought all wrong in schools and universities. You cant jump into expressing your emotions and ideas. That comes after learning about colour theory, values, anatomy, art theory, aesthetics. Then you can use those tools and play with them.
The example i use is picasso. He didnt start with cubism. He was a classical artist. But throughout his life , his style changes. Or the pre raphaelites. Without those foundations they wouldn't have been able to go against the establishment.
Wait this is why they slap chop miniature painting method works isn’t it
You make some sculpture do the hard work of making interesting shapes and forms
Then use dry brushing the get cheap and effective value differences
Then paint it whatever color who care too
Oh wow
Wow
God I love draring
The rainbolt of painting
Pov how it feels when you go into a acid trip then go to musiam of art
Awesome 😍🩷💙💜
Watching this in gray scale really makes the point come across and also makes the point not work at all
just look at the end product? looks like a face
What is the painting name?