Hey, Thanks for the video(s). BUT, what is the easiest way to change bass drum to snare etc...? I found that a bit tricky somehow. I noticed that if you create midi notes for example from snare, the default setting in Groove Agent is bass drum, and it is not too easy to change the instrument? What is the easiest way to change it? Can you make a video about that as well?
Hey Chris, great video and tutorial as always. I really appreciate your help. Does the same strategy applies to the rest of the drums kit, like snares, hihats, toms and crash? Or something of these quieter will not be targeted by treshold? I would grestly appreciate your guidance. Thanks
Thanks a million for this one Chris! I just tried this out and ended up getting a much better sound from the tracks I had because I had the sample right there to listen to! Made it way easier to hear where my kick was lacking and where the unwanted freq's were. I intended to just blend in the sample, but now I can hardly hear the difference!!! This will help in more ways than intended I'm sure... Cheers to you Chris!
Just gotta say thanks Chris, exactly what I set out to do today and you nailed it - ironically, I've played with Emily's drum tracks so this was a welcome bonus.
I just discovered this channel and I'm certainly glad I did! This is maybe one of the few videos where someone really explains the recording art in plain english! Love it!! Question: Would it be possible to record drums with REMO low volume mesh straight from a mic and then change the sound like you did in the video with a Cubase drums sample?
Chris, this is a very cool set of techniques! Just tested it using a different instrument to detect the hitpoints I want to remix with a drum and bass (acoustic piano). With just a bit of fiddling with threshold and intensity I've got a tidy little midi track drop my kick on to. Yeah, man...thanks!
As usual- highly inspirational & useful set of tools we often use to overlook.. You just make us realize why Cubase is easily the BEST DAW on the planet... Thanks a bunch Dear Chris & God bless...
Chris, thanks for sharing all those videos... a follower of you over here. I have a question about generating midi from hitpoints. I have been using Slate Trigger 2 since released, even if before Trigger I was using Cubase's hitpoints (a user of Cubase since +20 years). My question is about slight differences I found from generating the midi from Cubase's hitpoints and Trigger2 and how it does affect phase issues. I have been coming back to Cubase's hitpoints since I found some minor phase issues with Trigger, but I'm not sure if it was my fault or some other people had these issues too. Have you using and comparing hitpoints midi generation versus Trigger 2 midi generation? If yes, you get the same acurate results? If not, what is your trusted method to do that task. Anyway, it could be an idea for a video topic from you in order to continue sharing valuable content. Thank you again.
Hi can you make video have to correct hit And tempo on real classic drum kit . and just want to ask if i can do same tempo till end that to sound proffesional. becouse when i record real drum kit the tempo always not good thanks .
Hey Chris, I don't know if you're dealing with this, but is your hitpoint detection mostly accurate? Mine has been pretty terrible. I'm running the latest Cubase on the latest Windows 10 update.
This is the best video anywhere, about doing this very thing. Very concise! Thank you Chris! One question though, what if you want to replace a bass drum hit in your project using a better hit in the same project?
If it's only one Kick Hit, I just manually copy a good hit over the lousy hit to replace it. If you want to create a sample out of a recording, check this video th-cam.com/video/_bICY6sIWuo/w-d-xo.html
I’d like to share a trick I like to do additionally with the generated midi drums: You can use the stock plugin „MIDI Gate“ on the audio tracks to gate the drums (e.g. the Tom tracks) perfectly and fully controlled. With a copied midi track this can even be edited to correct wrong triggers or let some ghost notes through. It can also be moved in time to open the gate slightly earlier. This is especially helpful when there is much mic bleed.
I'm having problems adding my samples to groove agent. Since updating to 11, I can't properly drag them into the groove agent UI. I think it's got something to do with the resolution. Does anybody happen to know a fix for this?
You can go to your channel mixer and under the fader where it says "M" for Mute and "S" for Solo, there is also a button that says "e". Hit that button
Thank you for clarifying. With gratitude for your contributions, your question translated to English is: "Many thanks for the input, well explained... Question, is there a way to do something like what Felipe does in the video, but in Cubase? th-cam.com/video/CVNlAs40x3M/w-d-xo.htmlsi=xa07uXZhR_Sbqu6z
You run a great channel! Thanks a lot for your lessons
My pleasure! Thanks!
That's what I feel too... Keep doing this valuable lessons...
Hey Chris, you are my hero ;-) I was looking for this method since years! Now I got great drums...thank you so much and keep going like this.
This is so dope Chris. Thank you
Cool, many thanks
Hey, Thanks for the video(s). BUT, what is the easiest way to change bass drum to snare etc...? I found that a bit tricky somehow. I noticed that if you create midi notes for example from snare, the default setting in Groove Agent is bass drum, and it is not too easy to change the instrument? What is the easiest way to change it? Can you make a video about that as well?
I assume that we can not do this on cubase elements? is it just feature of cubase pro?
Thanks
This video was tremendously helpful. Bear in mind, I did buy your courses but these videos are an asset as well. Thank you1
This is exactly what I needed to know. Thanks!
Greetings from Madrid - Spain. Thanks a lot for your videos. I like your way of explaining
Thanks so much Chris. I knew there had to be a way to replace a kick or snare with Cubase tools.
If ever I need answers Chris is the quick reference. Seems to have an answer for everything I need.
Thanks CS! 👍🏾
Hey Chris, great video and tutorial as always. I really appreciate your help. Does the same strategy applies to the rest of the drums kit, like snares, hihats, toms and crash? Or something of these quieter will not be targeted by treshold? I would grestly appreciate your guidance. Thanks
Awesome 👏. I did the first part using a drumsampler but wasn’t aware how easy it is using single samples as well! 🙏
Cubase is full of surprises :-)
Chris, THANK YOU! I am inspired by this video lesson. You are the best, hands down.
Awesome Video! I recently jumped from cubase 6 to 11 and your videos helped me a lot to get to know version 11. Thanks a lot man!!
You're very welcome!
Thanks a million for this one Chris! I just tried this out and ended up getting a much better sound from the tracks I had because I had the sample right there to listen to! Made it way easier to hear where my kick was lacking and where the unwanted freq's were. I intended to just blend in the sample, but now I can hardly hear the difference!!! This will help in more ways than intended I'm sure... Cheers to you Chris!
Awesome! Glad you can put this to use
Just gotta say thanks Chris, exactly what I set out to do today and you nailed it - ironically, I've played with Emily's drum tracks so this was a welcome bonus.
Awesome, thanks for watching! Emily's drums are great!
Thanks for this, Chris!
Hey!! Great vid! Quick question, how do you render in place !?
Another awesome and "very practical" video Chris, another one to bookmark, thanks!
My pleasure!
great video Chris!...I definitely have to try this as well, thanks!
You're welcome Ruud!
Thank you for all 🙏❤ Great and usefull tips :)
I just discovered this channel and I'm certainly glad I did! This is maybe one of the few videos where someone really explains the recording art in plain english! Love it!! Question: Would it be possible to record drums with REMO low volume mesh straight from a mic and then change the sound like you did in the video with a Cubase drums sample?
Awesome! Thanks Chris
thank u bro, just what i was shearching!
Definitely Chris MAGIC. Great video. Thanks
Thanks for the wonderful video.
Very helpful, thanks! I lost hours of doing it wrong, so much easier now.
Awesome! Happy to help!
Great video and channel, Chris!
Much appreciated!
Chris, this is a very cool set of techniques! Just tested it using a different instrument to detect the hitpoints I want to remix with a drum and bass (acoustic piano). With just a bit of fiddling with threshold and intensity I've got a tidy little midi track drop my kick on to. Yeah, man...thanks!
Oh Yeah! Glad it was helpful!
Thanks Chris, this is very helpful and concise!
Glad it was helpful! You're welcome!
Thanks Chris! So enlightening as always!
You're welcome!
Thanks a lot for this knowledge.
Of course!
As usual- highly inspirational & useful set of tools we often use to overlook.. You just make us realize why Cubase is easily the BEST DAW on the planet... Thanks a bunch Dear Chris & God bless...
Totallt agree with you!
Great tutorial! Thank you!
You're welcome!
Great as always!
Thanks!
cool vid'z as always ! thanks Chris. It' will be great if you could make a complete video about Grove agent 5
Great suggestion!
Hi Chris, can you tell me wich keyboard you use on this video?
Chris, thanks for sharing all those videos... a follower of you over here. I have a question about generating midi from hitpoints. I have been using Slate Trigger 2 since released, even if before Trigger I was using Cubase's hitpoints (a user of Cubase since +20 years). My question is about slight differences I found from generating the midi from Cubase's hitpoints and Trigger2 and how it does affect phase issues. I have been coming back to Cubase's hitpoints since I found some minor phase issues with Trigger, but I'm not sure if it was my fault or some other people had these issues too. Have you using and comparing hitpoints midi generation versus Trigger 2 midi generation? If yes, you get the same acurate results? If not, what is your trusted method to do that task. Anyway, it could be an idea for a video topic from you in order to continue sharing valuable content. Thank you again.
Hi Chris always the best teacher. I wish one day I meet you in person...
Nice one Chris - Thanks.
You're welcome!
Hi can you make video have to correct hit And tempo on real classic drum kit .
and just want to ask if i can do same tempo till end that to sound proffesional.
becouse when i record real drum kit the tempo always not good thanks .
Definitely going to add this to my writing arsenal!
Yeah!
great tutorial! and excelente quality video
Thank you!
so nice, thank youu !!!
You're welcome!
Hey Chris, I don't know if you're dealing with this, but is your hitpoint detection mostly accurate? Mine has been pretty terrible. I'm running the latest Cubase on the latest Windows 10 update.
Straight 2the point. Awesome
If anyone is having trouble getting audio after creating Midi notes, make sure the note is C1 NOT C-1 like mine was when I first tried doing this 🥲
Thanks Brother!
Thanks. Great video. Just subscribed.
Awesome, thank you!
Excelente, gracias
Welcome!
This is the best video anywhere, about doing this very thing. Very concise! Thank you Chris!
One question though, what if you want to replace a bass drum hit in your project using a better hit in the same project?
If it's only one Kick Hit, I just manually copy a good hit over the lousy hit to replace it. If you want to create a sample out of a recording, check this video th-cam.com/video/_bICY6sIWuo/w-d-xo.html
@@mixdownonline thank you Chris!
Thanks man
Fantastic
Thanks
Thank you so much.
You're welcome!
Can this technique be used while recording or streaming drums live?
It can but with a Drum Replacement Plugin. You will have to deal with latency though
What a legend
I’d like to share a trick I like to do additionally with the generated midi drums: You can use the stock plugin „MIDI Gate“ on the audio tracks to gate the drums (e.g. the Tom tracks) perfectly and fully controlled. With a copied midi track this can even be edited to correct wrong triggers or let some ghost notes through. It can also be moved in time to open the gate slightly earlier. This is especially helpful when there is much mic bleed.
Thank U so much
great stuff. but Cubase is not always 100% accurate at detecting Hitpoints. Some times it off by quite a few samples. snare drum especially
Ty Master 🤗
lol Thanks!
Does anyone have a problem locating the "hitpoints" tab? I use 10.5 pro.
I'm having problems adding my samples to groove agent. Since updating to 11, I can't properly drag them into the groove agent UI. I think it's got something to do with the resolution.
Does anybody happen to know a fix for this?
Interresting, never happened to me so far
what version of Cubase are you using?
At the time of the video, C11... Now C13
I wish you showed how you open whatever that window is you started on
Does anyone know how he got that window at 7:21 ?
You can go to your channel mixer and under the fader where it says "M" for Mute and "S" for Solo, there is also a button that says "e". Hit that button
@@yoyoz333 Thank you sir.
@@lewisticknor alternatively, the way he did it was by hitting that same "e" button next to the record button
Thank you for clarifying. With gratitude for your contributions, your question translated to English is: "Many thanks for the input, well explained... Question, is there a way to do something like what Felipe does in the video, but in Cubase?
th-cam.com/video/CVNlAs40x3M/w-d-xo.htmlsi=xa07uXZhR_Sbqu6z
..can you please make another tutorial in cubase 13? cos its not the same, it wont convert the whole region just one note...regards
👍
Great! This will help me. Thank you.
P.S. Which model keyboard on your table? (I mean QWERTY keyboard.)
Clicked thinking it was Vsauce
No
No
wtf is cubase
a DAW
This was great! Thank you, Chris!!
Thank you! It's my pleasure!