ฝัง
- เผยแพร่เมื่อ 11 พ.ค. 2023
- So I finally got the chance to try the Marshall TSL 100.. Hear it dialed in, with & without a boost, in a mix & with some Van Halen, Dokken, Metallica & Ozzy riffs.
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MY FAVORITE AMPS, GUITARS, PEDALS & DIGITAL PLATFORMS
EVH STEALTH 100 - sweetwater.sjv.io/5g7OV9
MESA JP-2C - sweetwater.sjv.io/5g7OV9
REVV GENERATOR MKIII - sweetwater.sjv.io/1rWEma
DIEZEL HERBERT MKIIII - sweetwater.sjv.io/jrOKkv
EVH ICONIC - sweetwater.sjv.io/Jzm5ER
PRS MT15 - sweetwater.sjv.io/0Zd0LM
ENGL SAVAGE MKII - sweetwater.sjv.io/Y9yWQJ
EVH el34 100 - sweetwater.sjv.io/rQ2jvQ
DIGITAL PLATFORMES
TONEX - sweetwater.sjv.io/jrOKPe
KEMPER STAGE - sweetwater.sjv.io/Vm6orA
QUAD CORTEX - sweetwater.sjv.io/B02qW1
HELIX - sweetwater.sjv.io/nL2DO6
HX EFFECTS - sweetwater.sjv.io/3edb5K
HX STOMP - sweetwater.sjv.io/KjZkRn
OX BOX - sweetwater.sjv.io/DKkD5n
CABS
MESA 212 - sweetwater.sjv.io/jrOKP5
DIEZEL 212 - sweetwater.sjv.io/GmZrak
MICS
SHURE SM57 - sweetwater.sjv.io/MmNaPK
ROYER 121 - sweetwater.sjv.io/xkNAe5
ROYER R10 - sweetwater.sjv.io/jrOKN5
RODE WIRELESS GOII - sweetwater.sjv.io/ZQyPGR
PEDALS -
GRID SLAMMER - sweetwater.sjv.io/6eg20r
FLASHBACK 2 DELAY - sweetwater.sjv.io/R56JAg
REVV G8 NOISE GATE - sweetwater.sjv.io/y2mGJ2
TC ELETRONIC DREAMSCAPE - sweetwater.sjv.io/m52x9X
PHASE 90 - sweetwater.sjv.io/9gJv4y
MORLEY WAH - sweetwater.sjv.io/xkNAVv
STUDIO MONITORS
KALI AUDIO LP6 - sweetwater.sjv.io/1rWEnm
KALI AUDIO IN8 - sweetwater.sjv.io/g1WyM9
GUITARS
SCHECTER BANSHEE MACH 7 - sweetwater.sjv.io/jrOKoe
ERNIE BALL GUITARS
MAJESTY 6 STRING - sweetwater.sjv.io/q42eKn
JP15 6 STRING - sweetwater.sjv.io/rQ2AKG
JP15 7 STRING - sweetwater.sjv.io/eKAO0g
MAJESTY 7 STRING - sweetwater.sjv.io/AWEqOR - บันเทิง
Bought the TSL in 05.I have every Marshall and the TSL is still the best sounding amp I own.
I bought a TSL about 2005. I got trashed by so many people for buying the TSL instead of the DSL. But it's what I liked. I wish I still owned it. It sounded great. Good job, man.
Its been my main amp since 1999. everyone raves about my tone and sound. Some people just don't know who to tweak an amp and dial in your tone.
Sounds awesome, Great playing. Thanks for these kind of videos!
Thanks for reviewing this great amp. The TSL is a keeper. So far so good for a 2-decade amp for me. I owned it for 15 years with no repairs.
I scored one of these very cheap from a friend. It had been in storage for years. After jamming on it for about 15 minutes, it suddenly shut of. Then I noticed it was insanely hot! It turns out that it had the notorious PCB board issue that these sometimes have. The cool thing is that Marshall makes a handful of new boards every year, because of this reason. So I brought to our local amp tech, who’s Marshall certified, and he put a new board and some new power tubes in it, and it sounds amazing. I prefer the more open sound with the tone shift off, but to each their own. You made it sound great. Keep up the good work man. Cheers!
Thanks for commenting. I'm glad you got it worked out. It's definitely worth the efforts. After listening to the video on my car stereo system, I kind of prefer the sound of the tone shift off as well.
I wasn't expecting to like this amplifier as much as I did.
Sounds Fantastic 😎
Awesome review and great playing man. One of the best videos I've seen on this amplifier.
Thank you!
After not playing in about 10 years, I decided to start again a little over a year ago and this was the first amp I purchased when I started again.
It’s an absolute powerhouse and of all the other amps I’ve purchased (4 others), this is the one I’ve kept gravitating back to.
I’ve since sold all but one other so I can have a dual amp setup.
You basically favor the same settings I do including deep and tone shift switches in.
I also add an eq pedal in the effects loop for additional tone sculpting.
Other than the bias drift issue the earlier releases of this amp had before marshall corrected it, I don’t get the hate some people have for this amp.
I’ll keep this amp forever. Great demo! 🤘
Great notification! Jarrod with a JCM2000! What! Nice... My first Big boy was a 97 Marshall DSL
tried theses settings on my DSL and it works really well! It really opens up my amp
Awesome!! Glad it helped
When you engage the deep switch on the clean channel, it has one of the warmest and glassiest clean sounds I’ve ever heard on an amp.
I have this amp in a 212 combo 100 watt brought it over had the tubes biased brought it back home about 12 years ago and just never played it for some reason but after seeing this video I'm going to have to bust it out it's in mint condition 2 with a nice cover and the footswitch I'm glad I saw this!
I have a Tommy Folkesson (Europe Hammerfall) modded DSL. All my clients loves it more than any other amp i have every time. I have Mesa multi watt, EVH, Engl, Peavy etc.
When you are not familiar with the amp dont rush for video. Tone shift not tone boost, and the presence you are trying to use for ch2 is the upper knob- these amps are made to sound better without tone shift, if you are looking for mid scooped sound - get something else!!
For more mid scoop, all you need is an eq pedal in the effects loop but that can be said for any amp.
Killer sound, price range seems reasonable as well!
has a really nice crunch to it, not super heavy but great for 80s type of riffs and records nicely in a mix
A friend of mine let me jam on this for a while, and I felt like it had really good classic thrash metal tones. I didn’t really need to put a boost in front of it to get there either.
sounds good
You sir, "do not suck" I like your channel, you are entertaining on camera
Thank you!!
Such great amp. I own 2 TSL 100's and 1 TSL 60. Crunch channel with a good overdrive is incredible for live performance.
Almost at 10,000 subs!!
I owned the combo for a bit. Great amp. Would buy again.
When Marshall amps went public (inclusion of a board of directors) in 1998; Jim Marshall had to concede to letting the board take over on amp designs. Basically, Jim Marshall wanted to make a 5 channel amp that would TRULY cover all aspects of guitar. At the time, Mesa was selling the Mark 4 and even though Mesa was violently molesting their customers with way overpriced abysmal sounding amps.....JIm .Marshall felt Mesa had a good idea albeit it with teriible execution. So Marshall wanted to make a 5 channel amp with dedicated tone stacks and options for each channel. Each channel would have its own eq, m.v. and deep and bright circuits with high/low gain switching . Jim was outvoted at the board meeting and had to settle for making the TSL 100. The amp was originally going to be called the "Marshall Non Rectified X5" , but the board thought that would've been hard to market. Also springing up around this time is the highly underrated MODE 4 amp. That amp was used by the US Military for troop morale during concerts as it was the only amp that could take the heat of the Afghanistan dessert. Kid Rock took his band over seas to Kabul and the band had to put the Mesas into storage and BUY Marshalls in country because the sissy built Mesas could not handle the heat. Luckily there was a fantastic musical instrument store in Dohkanistan were the band could buy Marshall's. The US troops were said to be amazed by the guitar tones from the Marshall's and were extremely glad Kid Rock played for them. Over the years, Kid Rock did several shows to show support for the US Troops. The bottom line is this: Mesa is a horrible company and should be arrested and jailed for making terrible procucts. Marshall is superior in all ways and constantly pushing the boundaries for the betterment of rock music. Marshall gave us the Stones, Dire Straits, Lynard Skynard, Boston, Van Halen and the LA Metal scene. Mesa gave us Limp Bizkit and 'Nu-metal" Enough said.
Also, The real winner here is the EVH Iconic. The EVH Iconic blows everything away!! Best tube amp ever made. And it won't burn your house to the ground.
Cool story. Yeah, MESA sucks. But a lot of Marshall amps also suck, and have lots of design issues and quality issues. Same thing with EVH amps. The EVH Iconic is a hybrid amp that is mass-produced in CHINA. It's more reasonably priced, but it is not really all that great. I'll take a Boss Katana Artist head over the Iconic all day long, and for HALF the price. The Katana is also NOT made in China or Mexico. ( Which is a big plus. )
Thank you great review and geeat tone! My main amp last 25 years. I've had many folks go out of their way to compliment my tone. There are footswitch connection issues and I finally got them permanently fixed. These issues happen with frequent plugging/unplugging and if they remain unrepaired, the amp will eventually have no sound output. I know someone who bought one for a $200 Changed one channel switch resistor and got it working. I've always said it sounds "close to an 800" \m/
This video made me want to play my own jcm 2000 dsl 100. And I did. Love it. :D Also thinking of modding it (adding a choke)
We like the tone boost
Yeah that triple super lead sounded fantastic has that wonderful Marshall sound and I guess she could kind of play around with some pedals to and tweaker out probably a good EQ pedal to two Zone in those frequencies
I have a tsl 100 that I run through a 2x12 rectifier cab w/ vintage 30s and it sounds amazing. I prefer the mid boost and deep switch engaged on the crunch and lead channels with the bass eq at about 9 O'clock and mids at around 10 O'clock and treble at about 1 O'clock for a good in the mix tone. For unmixed chugging room sound, turn the mids down and the bass up.
This is a great amp that does not require a boost at all for just about any sound.
I used to run 2 4x12 marshall cabs, 1 with G1275s and 1 with 2 greenbacks and 2 vintage 30s for an absolutely glorious metal tone for live performances.
5:19 you're using the presence + deep control of the clean channel while being in the crunch channel, so that won't work (Crunch + lead channel have shared poweramp controls). Also, the crunch channel is basically an exact copy of the jcm800 2203/04 preamp except for the tone shift button. If you want 800 tones, you shouldn't engage the tone shift, just dial the mids back (like most do on an 800) to get a more compressed sound, then boost it with a SD1 for the metalz.
I own 2 of these, and the best thing for them to make these a beast, is JJ ecc83s in the preamp, and svetlana el34s in the power section, wholey mackral!!
Also, the bottom deep switch is for the clean channel and the top one is for the distortion channels
The overdrive pedals in front this amp to control the flubby mud, is the mudkiller or friedman buxom boost. These allows you dial in the right and perfect chug sound. I do prefer the jcm 2000 DSL 50 though. This one has a second lead channel, extra more gain which growls dark, lean and mean...
Yeah, the TSL 100 is great for those 80's metal riffs! It also has a really nice clean channel.
Good job on the "Bark Moon" song! ( I need to practice that one more. ) 😒
Thank you. That’s such a difficult riff. It's very rewarding to play too.
@@TONEWARSgearshow It's fast and busy. With a lot of flashy techniques thrown around. It's really hard to nail. I will never be able to play it like Jake does. I can't do the finger stretches. I have to play it my own way. I don't have those long spider fingers. LoL!
Good ol Marshally goodness
Great tones but ill still take my jvm 205 h over it . Great demo Jarrod.
Démo réaliste. Cet ampli est incroyable! Le secret pour avoir le son c'est (obligatoirement) une overdrive devant... 😉
Hello.
This amplifier, when the clean volume is set to Zero, is there any type of signal that continues to come out? With the Clean selected in the Foot of course.
I'm sorry, I don't know the answer to that question. I do not have the amp anymore because I sold it. I don't remember playing the clean channel very much so it's hard for me to remember.
@@TONEWARSgearshow OK!
Thank you very much!
I've got that 212 Mesa cabinet with the Vintage 30s I could set that jcm 2000 triple lead 212 combo on top and run all four speakers the 212 in the combo and the Mesa 212 cabinet I believe unless it will cut out the two 12's in the combo but I think it's has a extension speaker out just don't know if it will run out 4 speakers I kind of have that combo buried so if anybody knows that would be helpful thanks
Good question, I've never tried that but I hope somebody here can help you with that
@@TONEWARSgearshow yeah that would be cool hopefully somebody catches that and can respond
The tsl100 is great but I'm not sure how you can like this amp and not dig the JVM410h much. It's even better with more gain and options to dial in any tone you want. 🤟
Not if you get a good TSL its not ...and the JVM is a totally different beast sonically...more modern in the upper mids if you know what I mean....the TSL is older school type tone (well...maybe transitional from JCM800 to JVM)
@@timothymartin2137 Point is... the JVM basically has 6 gain channels, 3 crunch modes and 3 cleans. You can make a JVM 410h sound like a TSL 100 if you dial it in... it is THAT diverse / configurable. It's just a better amp overall in my opinion. You can even get very very close to a Jcm 800 2203 which Euge Valovirta has demonstrated.
No you cannot get it to sound exactly the same...the upper mids carry differently....people love to say I have a muti channel amp...with one grating sound all through it!!!!!!! The TSL has a Crunch channel clean and lead and they all do what they are supposed to...the JVM has everything you say BUT the channels are barely variations on gain amount and most could be dropped from the amp with no ill effect...I really dont see where it is as versatile as the TSL./..you do understand the TSL is PRE GAIN TONE STACK...so you get a variation on the gain sound...the JVM is post and you get a NEED for more channels with that type of tone stack (I am saying my TSL wil give me shit tons more tones than ANY JVM>>>PERIOD!!!!!!! yes...with less channels....all these amps could be distilled to one channel for all the difference you get in the channels (EXCEPT THE TSL>>>IT IS ARCHITECTURALLY DIFFERENT more like a Mark amp in some respects...and I own two Mark amps so I am not talking out of my ass!!!!)
@@timothymartin2137 lol righto 😉
The JVM410H has all the Marshall tones, no problem. It doesn't quite have the same feel of other amps though. So you can dial in a Plexi tone, but it won't quite have the immediacy of an actual Plexi. It's a small price to pay, considering the clean channel is incredible, and the OD1 green and orange modes are worth the price of admission alone. I sold my 1987x when I moved to modeling for cover gigs, but the JVM I just can't part with...just in case Alice Cooper calls one day 😂.
Great amp I got lucky and bought one for 350
I probably missed it, but did you like the TSL better than the JVM and do yo still have either of them?
I sold the jvm. It's a decent amp but it just didn't work for me. In my opinion, the TSL was better if memory serves
I wonder how you do it that you can't hear any humming. When I switch my beloved TSL on there is a loud humm from the transformer I think (sounds like 50Hz), after switching the standby to on, a hissing sound adds up to the hum. Any idea what that could be?
I use a noise gate. The Revv G8
@@TONEWARSgearshow Thanks, and where in the signal chain is it? In front of the amp (but this wouldn't help except for noise of guitar and effects), in the effect loop? I can't imagine that it is between amp and cab, except you got a loadbox, then you could put the gate between loadbox and cab.
It is a while since I last make music, amazing how much stuff you can forget.
@@marshallgibson89 I hook it up in 4 cable method.
That way it's both in front of the amplifier and in the effects loop
@@TONEWARSgearshow Cool, I will look for a noise gate and try it. Thank you.
Hello' from Rock N Roll Ray Guitarist, your the best and we share the same Marshall jcm 2000 tsl 100, I'll always support you, also listen to my Rock song Paradise, over & out.
It sounded outstanding with the pedal.
I gigged the Marshall TSL’s for a decade. They are ultimately a flawed design.
Both Amps have the flawed footswitch. I used to get through two a year & they were never fit for professional use.
The 100 is good apart from the FX loop, which for someone playing 90’s style alternative rock. Added a loss of top end to the overall tone.
The 60 watt version has a brilliant Fx loop. However it’s not really a three channel amp but a two channel amp with an extra gain stage. I could only get a decent tone by running the master volume at 4 O clock (any higher and you got a pop changing channels), then controlling the volume with the channel volumes and gain.
Ultimately the JVM is the better design. I ended going to a single channel Blackstar Artisan 30 & using pedals for my gain stages.
Also the early versions had an issue with arcing electrically. You can still buy the version 2 TSL100 motherboard in some stores. I think they updated the design in 2002.
I have TSL60 and it is good amp got it really cheap and it is mint condition and sounds awesome i dont know why thse amps are so cheap and hated but i dont mind that because its good amp haha 😄
Bloody best Marshall amp I own & have a collection,was such a underrated amp when they 1st came out & now that multi channel amps a more of a normal thing & guitarist’s being knobs could not get used to all the knobs back then lol,now if you can get one & put some nice tubes then wow they are so awesome
Even if you crank the gain on the clean channel it is an amazing amp
Also I have found using the VPR switch that knocks it into 25 watt mode & fully dime the amp it is fricken awesome
Don’t buy this amplifier, Jarrod, unless you can get a tech to confirm it has the latest circuit board upgrade. Otherwise you could be plagued by constant runaway tube bias issues that will your tubes go off like bottle rockets!
Not a bad amp, but a bit fizzy and scooped sounding
Because he had it set that way. You can turn the Presence down, and push that tone-shift button to make it sound better. Also: Boss SD-1 in front of the amp really helps it.
That lack of clarity and definition was my biggest problem with my TSLs. I replaced the EL34s with KT77 and it was glorious.
For some reason the frame rate of your videos seems really low for me. it's not smooth! Just an FYI
People can trash on these all they want but put a TSL and a Peavey 5150 in one room and the TSL just sounds like they took a blanket off the Peavey.
Great playing but if you would play iin time with the record especially the VH songs..Panama is played way to fast
I'm just playing the riffs. I'm not trying to be in perfect time or anything
@@TONEWARSgearshow it’s all good just a suggestion. We’d get a better idea of what the amps sound like
I hate to be this guy but…no more Enter Sandman. Like your videos though.
How about Stairway?
@@TONEWARSgearshow It's the only way.
Dude bark at the moon is way to fast. Slow down please
On the clean channel, engaging the mid boost disables the mid pot....the mid pot is only available when you have the mid boost off (on clean channel only) The Clean channel ins only treble and bass with mid boost on (TO MAKE IT CLEAR) (NOT EVERY CHANNEL SHOULD BE EITHER CLEAN OR RAGING HIGH GAIN>>>TRY DIALING IN A MASSIVE CRUNCH TONE!!!!!!!)
ok i subbed ... i live by Motor City Guitar...down the street.
Thank you!
maybe you should first have a look at the userguide. Trying to engage the deep button of the clean for the crunch channel