7th CHORDS - Chord Theory Part 2: Seven chords

This guitar lesson covers the music theory of 7th chords for guitar. You learn about the structure of the 7th chords like the major seventh chord and minor seventh chord, that are built upon the 4 types of triads: minor triad, major triad, diminished triad and augmented triad. Learn about the major 7th chord (maj7), dominant 7th chord (dom7), minor 7th chord (min7), minor major 7th chord (minMaj7), augmented dominant 7th chord (dom7#5), augmented major 7th chord (Maj7#5), half diminished chord (min7b5) and full diminished chord (dim7).
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0:00 Introduction
0:30 Types of extended triads
1:42 Introduction to 7th chords
3:42 Major family 7th chords
3:51 Major 7th chord
4:56 Dominant 7th chord
6:02 Minor family 7th chords
6:12 Minor 7th chord
7:21 Minor-major 7th chord
8:08 Augmented family 7th chords
8:18 Maj7#5 chord
9:07 Dom7#5 chord
10:08 Diminished family 7th chords
10:17 Half diminished chord (m7b5)
11:48 Full diminished chord (dim7)
13:09 Other 7th chords
13:25 Dom7b5 chords
14:57 Suspended dominant 7th chord (7sus4)
15:57 min7b5sus4 chord
16:36 Conclusion
Prerequisite Learning:
- Intervals for guitar ( • INTERVALS for Guitar -... )
- Triads ( • Chord Theory Part 1 - ... )
Chord Theory E-book Bundle (part 1, 2 and 3)
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Tabs and tracks at PATREON:
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(c)2024 Rob van Hal, Netherlands

[@user-zj8bg5cu4w]

Tanks for your excellent courses and explications.
A lot of pedagogy.
A pleasure for the mind and thé ears.
Bravo🎉

[@QJamTracks]

Thank you!!

[@B1bthinkin]

Excellent. You communicate these ideas so well. Often, watching your videos is the first time I truly understand the theory, Thank you!

[@Pedro_MVS_Lima]

This is an extremely valuable lesson about seventh chords and their possible usages, the harmonic demonstrations are very clear and expressive. Once again, the concepts are shown in a very straightforward and structured way. Excellent, outstanding stuff!
For a better didactic impact, it's natural that some inaccuracies are intentionally dialed in to put the listener to the test. These are the ones I found out: On the maj7 chord, there is a rogue X on the fourth diagram. On the discussion about the dom7#5 chord, the interval between the G# and the Bb has to be a third because any G to any B is always a third. G# to Bb will be a diminished third. In practice, it may be easier to think about it as a "major second" even if it is theoretically inconsistent. If this still breaks the stacking of thirds principle is kind of debatable but we were only allowing for major and minor thirds, so... On the Cdim7 fourth diagram, the bb3 should be b3 and the b7 should be bb7. The remaining three diagrams have the Xs wrong (copied from above?).
Thank you for the channel, I'm always thrilled to see a new video from you and I always learn something. Cheers!

[@QJamTracks]

Thanks and thanks for your contribution :) Unfortunately I can't correct the errors anymore.

[@amadeufonseca8410]

Right. Extremely useful

[@nipu5840]

Thank you

[@cristinamarin9041]

Very nice and interesting!!

[@fariasdelbianco]

Extremely useful 🎶 thanks 😎 🎸

[@Indigo-lucky]

“What’s the buzz? Tell me what’s happening 🎶” ✌️😊

[@QJamTracks]

;)

[@peanut71968]

Thanks, QJT! Really well thought out and presented so very well!

[@arjang1]

🙏🌺🌼🌹🌻😊🌞