ไม่สามารถเล่นวิดีโอนี้
ขออภัยในความไม่สะดวก
6 WAYS to improvise over MAJOR 7 chords
ฝัง
- เผยแพร่เมื่อ 3 ส.ค. 2024
- In this tutorial you’ll learn 6 ways to improvise over 7 chords. In this guitar lesson we look at the scales and arpeggios to use over the maj7 chord such as the major scale, pentatonic scale, superimpose a pentatonic scale over a maj7 chord, the maj7 arpeggio, superimpose a min7 arpeggio over a maj7 chord and superimpose a major 7 arpeggio of the 5th degree.
0:00 Introduction
01:17 Five important 7 chords
3:02 The Major 7 chord
4:12 The Major scale
5:39 Pentatonic scales
7:48 The Minor scale of the 3rd degree
9:45 Maj7 arpeggio over the Maj7 chord
11:24 Min7 arpeggio of the 3rd degree
12:40 Maj7 arpeggio of the 5th degree
13:48 Conclusion
---------------------------------------------------------------
Crystal Clear E-BOOKS with audio files:
qjamtracks.myshopify.com
---------------------------------------------------------------
Other E-books:
E-BOOK - Easy arpeggios for sophisticated results
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Improvising over dominant 7 chords (using scales)
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Modes of the major scale crystal clear
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Exotic Pentatonic scale for Guitar
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Modes of the harmonic minor scale
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Secrets of outside playing
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Superimpose Pentatonic scales
qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Traids and inversions for Guitar
qjamtracks.myshopify.com/prod...
---------------------------------------------------------------
PATREON:
You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks
---------------------------------------------------------------
Artwork: (c) 2021) Rob van Hal
Used:
Strandberg Boden Metal 8 NX (www.strandbergguitars.com)
Ibanez JEM 7vb (www.Ibanez.com)
Ibanez RT
Ibanez SD GR Bass (www.Ibanez.com)
Schecter Banshee GT FR (www.schecterguitars.com/)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Samson Concert 99 Wireless system
Rode Microphone
Axe FX II (www.fractalaudio.com)
BIAS FX (www.positivegrid.com)
Social Media/contact:
www.patreon.com/QJamTracks
QJamTracks
QJamTracks
/ qjamtracks
(c)2021 Rob van Hal, Netherlands
Subjects in this video:
Improvising,
7-chords,
7 chords,
Minor 7 chord,
Major 7 chord,
Diminished 7 chord,
Augmented 7 chord,
Dominant 7 chord,
Soloing over maj7 chord,
Scales for maj7 chord,
Maj7 arpeggio,
Min7 arpeggio,
Lydian mode,
Lydian scale,
Maj7#11 chord,
Music theory lesson guitar,
Music theory,
Guitar tutorial,
Guitar lesson,
Rob van Hal,
QJamTracks,
Q Jem tracks,
Q jam tracks
Crystal Clear E-BOOKS with audio files
qjamtracks.myshopify.com/
He is the best guitar teacher ever in youtube👍👍👍👍 .....better than music schools n universities
Hallo....i'm italian guitarist..your videos are very good!!!.....thank you for your lesson..😀🥳🥳👍
Nice just what i was looking for 👌
Thanks so much for sharing.Your lessons are really helpful. It has helped me a lot. Keep them coming!!
Your videos are, as usual, perfect!!
Thank you very much! Absolutely fantastic lesson!
Great Channel you have... one of the best in the Whole Platform
One of the best videos of the topic. Thanks a lot!
As always!! great lesson
Great and super job. Tx.
I appreciated a lot.Great class as always.
Fantastic lesson...
The Dutch accent suits guitar videos perfectly! Who knew? 😁
This channel is really underrated!
very inspiring, i´m allways impressed
Great, as usual! I love the Sat(ri)anic combination starting @ 8:45'. It rang a big bell in my small guitarist head!
Thanks mate. This is really helping a lot. Looking forward to the next lessons.
Awesome.
Very explanatory.
Thank you so much
Well done explained, I learn a lot of new things to apply to improve my guitar language, new sub here, greetings from Mexico.
I like you sound!
Excellent ... thank you Rob for this straightforward explanation. So it looks ... sounds ... like that you can play about anything over everything if you do it with the right attitude? ... "just play it like you really mean it!" ... 😎🙏
Exactly play it like if you mean it and practically anything goes. True!
@@QJamTracks 😎🙏 ... and a safe and inspiring weekend 😃 🤙!
Dynamite lesson
Playing E minor or G major over Cmaj7 is the same as playing C Lydian. The important thing to remember is that C is the root note.
ohhh... that one of the maj7 arpeggio on the 5th degree is the piece I was missing
If your adding F# to the Cmaj scale your just playing C Lydian irrespective how you want to explain it. if the scale contains 1357 then you have the freedom to do what you want such as the augmented scale or the 6th mode of the E harmonic minor (CMaj7) would also work.
Is there diminished scales and arps, and augmented scales and arps? What other types of arps are there besides 7th arps, and what are they and how to play them if they exist?
Yes there are. In part 3 and 4 I will mention these for sure
Tanxxx a lot..have each part can be a pdf or gpro for lessons?
That Em7 scale over Cmaj7 looks like a G major scale starting on the 3rd of G?
Can you please define what you mean by “avoid-note” and how is it determined what the avoid-note(s) are in a scale.
Of course I'm not Rob, but I can try to help anyway. Playing the F over a Cmaj7 gives you a tritone between the B that's the 7th of the Cmaj7 and the F you're playing. Which isn't bad or good in and of itself, but it's of course a very specific sound that you need to be going for rather than land on by accident.
Great video. Sorry if this is a silly question, I thought the 4th mode is Lydian in major scale, so why wouldn’t F major7 arp over the c maj7 give you the Lydian sound and not G major 7 arp?
Gmaj7 over the Cmaj chord result in C lydian because Gmaj7 contains the augmented 4th degree (f#).
So Fmaj7 arp over the Cmaj chord results in C major (C ionian)
Thecoterway around however, Cmaj7 arp over the Fmaj chord results in F lydian, because the Cmaj7 arp contains the augmented 4th in F. The note B.
@@QJamTracks Great! Thanks for the info. Keep up the great videos
great teaching but maybe hold the rock tone in the 2nd vid.. a clean tone helps learn better.. the jazz tone was great too
Maj Pent over a maj7 is more a Maj6 or Maj 69 sound.
I'm not getting your vids recommended, sadly
Yes, I hear that from others too...
you can tell in a split second when somebody is from the Netherlands after they open their mouths