Olga Scheps - 'Nocturne Des-Dur. OP. 27,2' (Frédéric Chopin)
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- เผยแพร่เมื่อ 26 ก.ย. 2024
- Take a minute and listen to the German-Russian pianist Olga Scheps, playing one of the famous Nocturnes of Frédéric Chopin.
"To me, music is an extension of my expressivity, the amplification of my language. The score is predetermined, but I am the interpreter. It is like acting -- like the work of an actress who follows a script." (Olga Scheps)
©WDR
(this video is shared under terms of fair use)
Olga Scheps ist eine faszinierende Künstlerpersönlichkeit. Wer sich in ihre Musikaufnahmen, Interviews, Portraits, Facebook-Beiträge vertieft, kommt kaum noch davon los . . .
zart beseelt und hochsinnlich zugleich ... 🌹
Cette jeune dame est si talentueuse et si grâcieuse, merci Olga Scheps
This is gorgeous by our dear Olga Scheps. Thank you for sharing. ❤️
she fascinates, i like her interpretations and her own style. not many pianists can play so emotional most joung pianists of our time make a show, Scheps just play music and it sounds marvellous
Exquisite and sublime to carry forever...never mind acoustics, brand of piano,etc.
i love her stockings
I heard her 2 times in concert, it was amazing and unforgettable. She has this unique gift to capture you and make you forget everything around you. it´s magic
Wow. It seems she hired Spiderman to do the camera work.
In all seriousness, this is a world-class interpretation. The sound she coaxes from the piano demonstrates that she's clearly in possession of a great ear.
I was looking for a comment like yours, just to agree! Camerawork almost unbelievable - even in sync with the mood of the music! Wish I was as good :-)
Absolutely the perfect touch for Chopin. Magical and wonderfully moving.
Chopin es mi compositor favorito desde la infancia. He escuchado muchos artistas de todos los tiempos, interpretando este nocturno, en particular, y nadie lo interpreta como Olga Scheps: los matices, el sentimiento que pone, la intensidad, velocidad, tiempos, etc., todo en conjunto hace que sea una perfecta interpretación. ¡Es, sin duda, su pieza musical! Gracias Olga.
Te admiro y sigo en tus redes. Sigue grabando y anímate a venir a Lima, Perú. Estaré en primera fila. Sabemos apreciar la buena música y a los buenos artistas también en Latinoamérica. Necesitamos alimentar el alma con esta bella música! He adquirido tus álbumes en línea. Son mis favoritos
She is gorgeous. Her warm and unique piano play is beautiful!
Chopin to najpiękniejsza spuścizna dla ludzkości ❤️
The most nuanced and expressive performance that I have heard of this deceptively simple piece. I am in awe!
Gran interpretación de Olga Sheps. Muy bien , el tiempo , los matices , todo estuvo muy bonito .Gracias ♥️🎹🎼🎵🎶👏👏👏👏👏🤗🤗🤗Saludos desde México.
I never thought I'd find an interpretation of this extremely delicate work which totally satisfied me, but now I have. Not ever having heard O.S. before (consciously, at least), I was pleased to see how she infused this nocturne with just the right amount of drama and played it with wonderful attention to phrasing. Mark my words: She'll be the next Sokolov. I'm looking forward to hearing her live!
sokolov ?
@Olga Scheps (VIDEOS) cierto Olga... me olvidé de ese detalle. y es así. Los rusos de por sí, son de sentimiento mas duro.. por su idiosincrasia, educación, el clima tal vez... Gracias Olga por tu aclaración. un abrazo desde Argentina
@Olga Scheps (VIDEOS) escuchandote a ti , me encanta tu forma de ejecución. muy limpia, exquisita.
@@azulpiano Grigory Sokolov, naturalized Spanish pianist
A super performance, each and every note clearly heard, splendid pace with a well placed rubato.❤
Absolutely captivating! Olga always plays with an inner beauty and with great passion and dedication.
What a beautiful Chopin Nocturne , so warm and her touch mesmerizing .
Ahhh the magic of the Salon. Chopin would be so pleased with you Olga.
I love how no matter how beautiful or life-enhancing something is, people in TH-cam comments will go 1000 miles to find - or imagine - something negative about it. Just live.
I'm amazed by this pianist's approach to Chopin . This is so absolutely feeling and it speaks in every note and phrase . even this iano I dont like here but which too sounds like the old erards and tinny pleyels .I wonder also too if th music doesn't sound better in this smaller venue than in the large concert hall required ways one must play to be comprehended in a large hall. These Nocturnes are perhaps better serbed this way . Pires and Arrau are unforgettable in these Nocturnes .I need to go back and hear Rubinstein and Freidman again !
I was on her yesterdays concert where she played chopins first concerto (first row) ... absolutely stunning it was so surreal
I know, I'm two years late, but: you might mean, she played YOUR first concerto, aren't you?
No, the concerto was composed by Fryderyk Chopin - same surname, but Polish - not French - Christian name.
marvellous, thank you a lot Olga
Que hermosa interpretacion OLGA CHEPS , su interpretacion muy emocional.
Great performance, soft touch and strong sound, wonderful balance.
She is 'The Complete Package' without question.
Young Paderewski absolutely
except she is not a "package"
Léo Jaller
Semantics
Bravo Olga! Bravo!
Какое-то сухое, рваное исполнение. Не тронуло душу, не смотря на то, что само произведение очень красивое.
How cool is this? What an awesome intimate setting to perform at, that Chopin would have certainly appreciated because that was what he did. Wish I could have been there. I believe Olga is a great interpreter of my favorite nocturne, and Chopin in general
Olga, a sempre maravilhosa. A musa de Chopin.
Perfect musically played Olga. Pleasure. really!
intense chills every time I listen! The interpretation that captivates
It's a beautiful and lovely performance by Olga in romantic settings. Thank you 💒🌼🌠
Romantic song. Olga is the best
Semplicemente SUBLIME!!!!!❤❤❤❤❤😊
Tenderest Heart !! Hugs for Olga.
Oli ihana aloittaa uusi elämäni päivä tämän kauniin suuremmoisen klassisen teoksen saattelemana juuri tähän hetkeen joka saa unelmani haaveeni eläviksi romanttisessa rakkaus maailmassani jossa sain kokea suuren pettymyksen. Silti tämä kaunis klassinen kokonaisuus jonka Olga esitti saa sydämmeni iloitseen koska tunnen että on jonkun joka tekee mut onnelliseksi. Kiitos Olga kun tavoitti sydämmeni. Asmo Karlsson längelmäki. Finland
Wunderbar gespielt! Fantastisches Fingerspiel 4:27! Ich bin begeistert.
Gracias Olga por tu interpretación , 👍❤️
Sure you act through your finger touch. So beautiful.
Always like your interpretations
Absolutamente impresionante! 👏👏👏
Y el sonido del piano, excepcional. Perfectamente entonado! 👍
Трогательно. Спасибо)
Very smooth, highly articulates every note, thoroughly enjoyable.
Hermosa , ademas de Talentosa en el arte del Piano .
Brillante
Beautiful talent !!
Beautiful talent !!!!!
Goodness, she makes Chopin sound so great
Olga linda,profunda,e muinta sorte quem pode assisti um concerto desta deusa ao vivo
It's well interpretaded.
Wonderful performance!
Very good performance!
Bravo 👏
wonderful interpretation
DrRock Why whould she? Anybody can produce noise.
Magnifico.
beautiful!!!
you play Chopin my God , first time play live since Chopin
Best performance ever for this piece 👏
thank You Olga
Awesome play !
Klavier Göttin...Unseres Jahr Hundert... Chopin hatte es nur geträumt und wir dürfen es erleben...
Puro sentimiento 🌹
Linda!
Sublime.
Sehr schön
Sehr gerne schönen Tag wünsche ich Dir
Bravo excellent.
Tasteful and clear. Not easy in that deaf accustic!
very cool
How you become german-russian? Like born in the middle of the division?
beautiful
Вы супер!!!
breathtaking
Her interpretation with this very beautiful Nocturne was so brilliant and way beyond what one could ever imagine. Way better than any other famous pianists and synthesia. Although that one mistake from 4:54-4:55 just made me not to download her playing in my phone for mp3 to be saved. Other than that, her interpretation again, to me, is simply perfect.
We´re humans, not robots. Interpretation and sensibility is what makes music music. There's plenty of pianists who won't miss a single note but that's worthless because those many play without that feeling Olga simply has in every note.
Hi, @JuanRamonSilva! Thanks for your hope. I already found one for my phone. by the way my phone isn't an iPhone lol 📳
@Marisol calderon Urritia,...what? FYI, there's still a pianist out there who is a "HUMAN".. and not a ROBOT, BUT plays this song with full of Emotions, and sensibility or whatever you call it, BUT with NO wrong note... u know.. hahaha. Chopin actually wrote the piece and he didn't include that wrong note😂 and he probably played this song with full of Emotions as well as.. no wrong note . He's human by the way😂 yeah, Olga isn't chopin right?..😂I would appreciate if Olga would play this again, but WITHOUT .. u know.. that note🤣 And AGAIN, I still like her style of playing, her interpretation, I mean. Not being rushed and she's feeling every note she press on that wonderful piano.
@@miguelcardenas6468 you clearly didn't get what I said which is fine, I don't really care. This was not a piano competition, she plays beautiful, that's it, you're just pointing out that wrong note like it destroyed the whole interpretation. By the way, believe me, even Chopin missed some notes sometimes, because actually many pieces by great composers were by then improvised. Even Arthur Rubinstein has a great video talking about what I'm trying to explain if you're in the mood, go check it out.
@Marisol Calderon Urrutia, You definitely did not understand what I just posted in the beginning. I repeat, I won't save her performance because of the wrong note she made. That's it. It's my opinion. It's my phone. Leave it alone. 😆 I surely did not put Olga doesn't have any emotions with her playing at all lol.
🎉🎉🎉🎉🎉🎉🎉
No 1
❤
Ela me leva para dimensões imagináveis .❤🌹🌹🌹
Muy buena melodia
Loistava suuremmoinen pianon käsittely taitosi sydämmesi klassinen romanttinen minun sydämmeeni tavoittanut taitava esityksesi jää sydämmeeni jos tulet esiintyy lähellä minua olen siellä. Kiitos ihanastasi esiintymisestäsi olet sydämmessäni. Asmo Karlsson längelmäki. Finland.
I would be in my sleepers, reading my favourite book by the fireplace. And she would play Chopin, forever.
at 4.30
no idea how she plays 48 notes in 4 seconds???
excellent thanks
vaaaamos.... no seas tonto... de verdad la pregunta?
間近でオルガシェプスを見られるなんて羨ましい・・・
Delicious interppretation!!!
She play Chopin She PLAY my God
Where the words stop comes my music:Chopin
milyen Szép is!
El más bonito nocturno para el más bello hombre del mundo te amo vida 💗
Siempre juntos contigo siempre vida mía
**# SÓ EM CERTOS MOMENTOS A PIANISTA >OLGA< TEM GESTOS E OLHARES PARECIDOS COM A CANTORA >SADE< É LINDO
MUITA MEIGUICE(MIMO)#**
Feliz noche se feliz se tu vive disfruta de cada momento de la vida dulces sueños hasta mañana si Dios quiere 🙏😍
ear and eye catcher :)
Desde México 🎁🎶🎶🎶☑️
Ahora no toco antes si ya sabes que si eso no se olvida te amo más de lo que puedes imaginar más
Meravigliosa
she 's cute. But more importantly, she has a very unique style
terrible microphone placement. Makes the piano sound like the hammers are rocks. Too brittle. Such a good performance, a shame that the A/V is not up to par.
Agree. The sound engineer should be shot, but of course not literally. Many sound engineers have zero concept of ambience. Everything has to be miked within four millimeters, for some ridiculous reason. The price paid for technical obsession over aesthetics.Of course the sound is also brutally compressed which ruins any natural dynamic variation.
Keep in mind that if you look at the decal, this is an older Steinway that is smaller and it's being played in a smaller venue. If you are expecting this to sound like a Steinway D in a concert hall, prepare for disappointment. This sounds just like my Steinway or even my old Kawai would sound in my living room (which is a good sound, but not the same as a larger piano and venue). Just my $0.02 as a piano tuner who has tuned and owned many different pianos.
Exactly!
David, I agree. Not a lively environment, with carpet and padded armchairs! I think the audio tech did pretty well - I wouldn’t call the sound brittle at all, I find it quite mellow, and the hammer noise is hardly there. (Retired audio tech, 40 plus years with studio, radio, tv and live)
It's difficult understood what is the balance from real recording and compression of the media (YT limitation). Where are the microphones and what type ? I didn't see any mics. Did use PZM on floor under the piano?
Audio engineers are restricted by filmmaker avoid to view the microphones and its stands.
Many people prefer to view the interpreters and camera ability than quality of sound and Music😢
❤❤
1:05, 4:54
Foz noche amor mío gracias eres el mejor con humildad como eres tú te amo feliz descanso vida piensa en nosotros besos a mi reina que Dios os bendiga cuídate te amo 😘😘✝️😚🙏🙏🍀😃
前のヤツ、えらそうに足を組んで聞くな。オルガさんが弾いているんだぞ。
美人ピアニストを代表する方ですね。
Si tú dices que me vaya que intentas olvidarme tus órdenes son ley para mí
The acoustics in that room are exceedingly dry.....
Carl Hopkinson ... “She is the most photogenic of players: young, pretty, bare-footed;
and, with her long dark hair and exquisite strapless dress of dazzling
white, not only seemed to imply that sexuality itself can make you a
profound musician, but was a perfect visual complement to the sleek
monochrome of a concert grand... [but] there’s more to her than meets
the eye.”
The male reader is clearly expected to get a stiffie trying to imagine
what that might be. To help his imagination along, the piece is
accompanied by a photo of the young lady in question reclining on her
instrument in a pre-coital position with an unmistakable ‘come and get
it’ expression on her face. The ‘monochrome’ piano is actually
bright-red, a colour usually found not in concert halls but in dens of
iniquity.
Nowhere does the review mention the fact obvious to anyone with any
taste for musical performance: the girl is so bad that she should indeed
be playing in a brothel, rather than on the concert platform.
Can you, in the wildest flight of fancy, imagine a reviewer talking in
such terms about sublime women artists of the past, such as Myra Hess,
Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite
Long, Kathleen Ferrier? Can you see any of them allowing themselves to
be photographed in the style of “lads’ mags”?
I can’t, which raises the inevitable question: what exactly has changed
in the last say 70 years? The short answer is, just about everything.
Concert organisers and impresarios, who used to be in the business
because they loved music first and wanted to make a living second, now
care about nothing but money. Critics, who used to have discernment and
taste, now have nothing but greed and lust for popularity. The public…
well, don’t get me started on that.
The circle is vicious: because tasteless ignoramuses use every available
medium to build up musical nonentities, nonentities is all we get. And
because the musical nonentities have no artistic qualities to write
about, the writing nonentities have to concentrate on the more jutting
attractions, using a vocabulary typically found in “lads’ mags”.
The adage “sex sells” used to be applied first to B-movies, then to
B-novels, and now to real music. From “sex sells” it’s but a short
distance to “only sex sells”. This distance has already been travelled -
and we are all being sold short. ALEXANDER BOOT Author, critic,
polemicist
i encourage you to listen to her interpretation of the gnossiennes of satie. i encourage you to find someone who can play them better than she can. i have not been able to. when i first saw an album cover of hers i thought as you, untill i listened to other people playing satie. she is the only person i have found who can actually feel satie. also, this video sounds like shit because that steinway is way out of tune, and they did a bad recording. stupid shitty sound engineers. i agree, she does not feel chopin. but really, listen to her satie album, and you will change your mind
I think your wrong, like this performance isn't the best, but also not the worst, and I love teh way she played Rachmaninov Prelude op. 23 No 5, I think it's the best recording of the piece, from the slow middle passage, to the thick, juisy and energetic theme, with great pedal juse, super dynamics and a feeling of what Rachs sounds like. But I agree with you, she can't interpret Chopin, her 1st Ballade is also to emotionless and fast, in my opinion
Tenía que ser así tú tenías que hacer tu vida yo la mía pero al final nos hemos juntado porque el amor puro sin nada más que nuestro amor estamos aquí
Zum Ausklang des Tages:
Frédéric Chopin - Nocturne Des-dur op. 27, Nr. 2:
Lento sostenuto
Piano: Die Deutsch-Russin Olga Scheps
Viel Spass!
Lieber Rolf! Zum Ausklang des Tages:
Olga Scheps - ein typisches Produkt von PR- und GLAMOUR- Industrie. SPIEGEL ONLINE UNISPIEGEL schreibt in einem Artikel "Karriere in der Klassik: Primadonna am Piano":
Finanzielle Probleme kennt Olga Scheps schon lange nicht mehr, was auch daran liegt, dass sie viel Werbung macht. Ein Autohersteller spannt sie vor den Karren, eine Schweizer Schmuckmanufaktur lässt sie Dinge sagen wie: "In diese Uhr habe ich mich gleich verliebt. Selbst am Flügel stört sie mich nicht."
Die Liaison aus Klassik und Kommerz ruft Kritiker auf den Plan. Eine Konzertkarriere sei heutzutage nur noch möglich, wenn man sich den Strategien der Vermarkter beuge - und wenn man schön sei, lautet der gängige Vorwurf. Tatsächlich ist in den Klassikregalen der Plattenläden mittlerweile auffällig viel nackte Haut zu sehen. Als die chinesische Pianistin Yuja Wang in Los Angeles im orangefarbenen Minikleid musizierte, schrieb ein Kritiker: "Noch ein paar Zentimeter knapper, und das Konzert hätte nicht mehr jugendfrei sein dürfen." Ein Kommentar zu Lola Astanovas TH-cam-Auftritt im kurzen Lederrock lautet: "Exzellente Interpretation. Aber ich bin nicht sicher, ob das der einzige Grund ist, warum ich das Video heute zum hundertsten Mal spiele. ..."