Really inspiring stuff. Kinda feels like the philosophy of avante garde tape music applied in a way to make face melting glitch music. Cable management is on point as well!
Super informative thank you for taking the time to put this out into the world. I would love to hear about how you find and select your samoles as well as what if any processing you do prior to loading them up! Everything sounds so polished and works well level wise and i feel that is one of the biggest struggles i have when using eurorack samplers.
Thanks! I make all my sample. As for processing for levels, I’m a huuuuge overcompressor haha so that helps. Then I compress again coming out of the rig ( WMD MSCL) then again in ableton. So that’s how the sausages are made you might say 😀
This is really excellent and informative stuff, thanks for sharing. The Nerdseq is the latest addition to my setup, which is where I found this vid. I think we might have a vaguely similar musical aesthetic, though definitely some different module choices going on as well of course. I have a Bitbox, a Rample, and 2 Disting EX's which - I think! - are doing something similar to the Assimil8or and 301 here ... feel free to browse the channel and see what you think. I've been on a bit of a break for the last 6 months for various reasons but am hopefully getting back into it all now. Anyhow, easy sub! Keep up the good work boss.
Thanks for giving us a look into your world. I’ve always enjoyed your sound and rig. Some day when my Digitakt and Assimil8or are full of goodies, I want to downsize and just let my samplers do all the work. Some day.
I’m perving over the nerseq, currently rocking a Hermod and varigate as an upgrade from the Rene mk1 but the more I see the nerseq being used in the kind of creative context you are using it I’m more and more tempted. I’m a big warp records / idm fan and think the nerdseq can give me the results I’m after. The only thing putting me off is that there are times I just want immediate jamming fun ( which is why I enjoyed the Rene) and the nerseq seems like it requires a fair bit of menu diving to get the best out of it. I’ve got a fairly decent sized system and eloquencer is competing with nerdseq for my replacement
Eloquencer is almost exponentially faster than Nerdseq. It’s truly a pleasure to work with and super powerful. As far as overall control and and power though, it can’t really compete with Nerdseq unless you’re super hands on. The biggest reason I use nerd is because I actually need all of the cv and trig expanders as well as the local ones. It is certainly a module you have to dive into and program. Honestly, given what you’ve said, i’d try elo first. When you first dive into nerd it will be frustrating enough that you’ll just be left wondering about the elo. Not that I question your ability to learn nerd, it’s just.. it takes some getting used to haha
@@userfriendlysounds such is the way of GAS. I have a plan im about to.implement where i use hermod as a midi to cv converter and play my modular with ableton push, record and live sample the modular in ableton etc so.im gonna see how that works out before i buy anything else. In the meantime it gives me time to save money before i decide what the next step is.
How do you chop/slice drum breaks on this thing? I have a hardware tracker and renoise but kinda thinking heavy to eventually delve into this because I wanna get into modular and enjoy the tracker workflow but not sure or haven’t seen anybody slice up breaks like how it’s done in other trackers yet
Found you instagram, just to find your TH-cam channel by looking for 301 Sampler Techniques, then to find your music on Bandcamp. Gonna buy that now & support! Love your style, this is the most fun I’ve seen in eurorack lately… the high fidelity samples and broken yet masterful rhythms are stuff of dreams. If you ever posted your samples for the sd cards/wave files to make it simple to upload onto the er-301, I’d be willing to buy that. Just wanna recreate even part of what you’re doing
any modules youd recommend for approximating the er301? I was looking at the bitbox micro but the er301 seems much more capable, but i simply dont have the cash to spend on a 2.5k module used
The er301 is vastly more capable than the bitbox. That said, even if you did have 2.5k is spare cash, you’d be crazy to spend that much on a 301. It’s just not worth all that. The way I use the 301 can be approximated with just a few more modules. A couple of disting ex could get you close. But like, it depend on what you want to do exactly.
Amazing setup that creates a lot of interesting sound👍 I gone think a really want the NerdSeq, that thing is powerfull.I own the assimil8or too and have a smaller Erica Drum Sampler that use sample slicing. The Nerd Seq gives a lot of control over CV in your setup that can be changed in a short time to something completely different ! I want to be a nerd too 🤔🤪🙃😍! Thanks for sharing 🙏
re 301 patch for routing mixed outs, if you can't just set negative gain on one of a pair of crossfaders - does the 301 not have a crossfader unit or something that can do that job?
Great rundown and explanation! I was always curious how the 301 fit into the setup. Thanks for the inspiration for working with rhythmic samples that are not sync'd or even temporally related. My brain would have always wanted to sort out samples/loops based on tempo.
Thanks! Glad you liked it. 😊I’ve actually been contemplating doing something a little different where the sample prep and design process is the same but every thing is designed at the same bpm. Just to see what happens. Back to basics sort of idea haha
I don’t know. I doubt O|D even knows. This can be done without the 301 though. You just need a few more modules. For example I think the tiptop audio One can select samples per cv.
I say this but own way to much modular myself so I truly don’t have any right saying anything. Honesty I’d love to see what you could do with my setup. Also, if I had a dollar for every time someone said you could do the same with a Octatrack. Why all them digital samplers. I chuckle inside.
@@Nastermusic honestly, this system I have is basically something like an octatrack with an even worse UI. haha So it is true. I'd say the biggest things this system has over octatrack is more storage space and better FX. (i mean the system as I use it. it is over all more capable than an octatrack). but I don't know. To me, this is not modular synthesis. Modular synthesis is logic, and clock dividers and lfos and envelopes, oscillators and noise sources, offsets and attenuators. this is case is a groove box.
Huge thanks for this one! I hope you're gonna keep posting things like this. One thing: you mentioned you use a lot of rhythms produced beforehand. Does it mean that you keep the SD cards filled with those samples? Like pre-production must be a great effort here, right? In another video perhaps you could show which sounds come from the Assimil8or and the ER301. Again, thank you, enjoyed it a lot!
Yup that’s right! Sd cards are always filled with things to work with. Pre production is actually easier than you would think for the glitch stuff. I’m planning on doing a video on how that works at some point in the future.
Thank you for sharing this, I'm in love with the Nerdseq and really like your approach overall, great job! As a cheaper alternative, do you think a 1010 bitbox would do the job well as a sampler here? 301 is really out of my range right now
Yeah, the 301 prices are crazy right now and the module is just not worth that much coin. Don’t get me wrong, it’s great, just not 1.5-2k great. To an extent, yeah it would work. The problem is (if I remember correctly) you can’t sequence sample slices. I also just really don’t jive with 1010. They’re not bad modules, I just don’t like how they operate. I think I’d actually recommend disting or tiptop audio one. I’m pretty sure they can both sequence sample slices, and that’s most important imo
Another question, I can’t seem to find it in the manual, so I’m assuming NerdSeq doesn’t do it…but, can it do the random fill with conditions like the Polyend does (by with conditions I mean setting % of filled slots, note range, scales etc)? From time to time I need a nudge from another source to get things going.
I’m 90% sure it can’t do it the same way the polyend does (that was actually one of my favorite features of the polyend). I’m pretty sure you can highlight and fill with random triggers and notes ect. But not the way polyend tracker does
I don’t think I would go for that as your main reason especially if you otherwise like pt. Pt is quite a bit different than Nerdseq and Nerdseq has a decent learning curve even if you have a history with trackers. The midi sequencer is way more user friendly and overall useful on the pt than Nerdseq. Nerdseq fits my system perfectly. I’ve tried to use it in many other contexts (meaning outside of euro) and it can be really cumbersome in that context. Powerful, but cumbersome. Pt and nerd are both “trackers” but they are by no means interchangeable in my honest opinion.
@@userfriendlysounds not married to the PT. Just like it’s fill feature the most. Don’t use it for samples or anything internal really. I just use it with my rack, and the 8 tracks run out quick. Another reason for thinking of swapping. Other than that I don’t really use the PT.
If you mean the samples inside the 301, no it’s not exactly a one-shot or a loop. It’s basically a chunk of sound. So like, if you took a song and randomly cut a short piece out of it and then shaped it with an envelope a little bit. Does that make sense?
I love the concept of looking around for relationships between the samples. I'm incredibly interested to learn more about your 301 routing and the 4 x 120 sound samplers...does each sampler have a single track/buffer that has 120 sounds on them? Are all 4 the same 120 sounds? And then is NerdSeq just calling splice markers based on the 10 octave note values? etc. etc. etc.....very awesome system and control you have over it
So cool to see how you've got this system set up! So powerful with the two 127 sound samplers. That's basically how I have my video clips set up. You can transpose and instantly have something new and interesting. I also love the recursive re-sampling concept! So cool! There's a couple of moments in the video where you copy and paste the row of blocks and then bring up the nerd menu maybe? But then it suddenly sounds completely different. What menu item were you hitting there? There were some really nice beats that came out of just your demonstration!
Thanks for watching! It’s actually 4 120 sound samplers! 😋 pretty sure what you say was me transposing all of the steps. If you do it from the menu you can select how much you want transpose then hit okay so you can prep and time when you actually transpose. There’s several ways to do it, but it’s exactly like you say with your video rig. You always get something new and interesting!
@@userfriendlysounds wow! I have thought about doing something similar with the Erica Synths Sample Drum. Just load up a few wav files with a bunch of drum hits with cue points. On the docket!
@@userfriendlysounds I love this video. Thank you, so much -- still trying to wrap my head around how you're doing the recursive sampling bit within the ER301...not even sure where to start with the questions! Maybe a separate video or flow diagram of the routing would make it easier to understand?
@@tomio_ueda thanks so much, Tomio! Yes, this video was mostly just to give a quick overview of generally how the system works. I plan on doing videos that take a closer look at the 301, Nerdseq, and assimil8or and how I use them. :) stand by!
@@userfriendlysounds if you don’t mind, I’ve got another question for you. I’ve been trying to use my MPC to trigger slices in the ER301, 12TET, but each sample in my sample chain gets triggered by 3 to 4 pads before triggering the next. I’m using an FH-2 to convert midi to cv. Tested using a midi kb controller with the same result. Is it possible that in order for 12TET to work you need 120 samples in a chain, and my result is because it’s splitting the octave range across my sample chain (mine only have something like 30 samples). I’m just trying to figure out why it’s not working. I thought nearest or index might have helped with that, but, no luck. Thanks
@@TRaddcliff No i dont mind at all! hmmm. I'm not entirely sure. There is a lot of variables in that set up. I know I have done 36 (3 octaves) samples before with no issue, but I've not tried 30. Also, are all of the samples evenly spaced? like exactly? lastely, I assume you have the trigger delay on the gate of the sampler in the 301 right?
This is a Trogotronic case. I swapped out the power supply for eskatonic buss boards though. Trogotronic supplies are SUPER powerful, but too noisy for me especially with so many digital modules. Haha
@@userfriendlysounds Thanks which Eskatonic case are you using? And did you get black faceplates for some of your modules like the ER-301 and Assimil8or?
@@blendragon28 no, it’s a Trogotronic case. 84hp, 6U. It’s eskatonic power supplies. The panels for the Erbverb, ER301 and Assimil8or are all from Audio Parisites in Australia. They do great work!
sick walkthrough, Gus! i love every second of it! i got two questions: what are the settings on the mscl, and how do u get your mixes that tight with no mud? are your samples eq'd before going into assim/er301 to help with the mixing?
Thanks my friend! I don’t have any one particular setting. I just kinda noodle around until it sounds right. I usually will do a little work to the samples, some eq and compression. But a big part of it is arrangement. Like just allowing sounds the room they need when they do. Also, ableton drum buss makes everything sound great haha
@@userfriendlysounds dope. do you mainly limit or compress on the mscl? and at which point do you use the drum bus? are you recording everything separately into ableton?
@@Trentabyte usually compress. I can do a patch where a multi track to some extent. But most of the time I work stereo out. Drum buss would be at the very end in that case.
@@userfriendlysounds do you find yourself smashing or slight compression? and is that stereo out of assim(drums) to ableton for drum bus? and then just mix that with the er301 samples in ableton? sorry if im asking too many questions. lol just nerding out over here
@@Trentabyte i mean i love smashing stuff from time to time, not with MSCL for the most part though. I dont think it sounds that great when you really push it. No, everything in Assimil8or is mono. You see the left and right out put patched so that I can send different samples to different inputs on the 301. So for example I have the toms and kick (low frequency) on the left output, and everything else on the right output. Everything is mixed together in the 301. everything comes out of the 301 into morphagene and lastly into mscl. From mscle to ableton!
@@NothingNowhereNoOne definitely. It’s a really tricky balance. This is definitely not a performance based system, not that I know anything about performing. But it seems like it would be tricky to do on this case haha
@@userfriendlysounds I keep coming back to this video. I don't know, mannnnn... you say no but I say mayyyybe ( on just using this system to play live). You got any albums out somewhere we can listen to?
@@NothingNowhereNoOne I mean it’s certainly possible! Only one way to find out! And yeah I sure do. This album was made using this setup: userfriendly1.bandcamp.com/album/apf7u
I have been collecting samples from all over for the past 15 years or so. So no place in particular. I just go through my collection and find drum hits i like!
Tried watching this video but couldn’t understand anything through the weird modulation and voice processing, you should redo the video in your normal voice
I mean, you could at least put some subtitles on it like your other videos. Totally articulate and understandable in every other video but then you gotta throw us a curve ball and be all weird in this one? SMH
Look, I can’t help it that I fell into a vat of acid and became more Intellijel-able due to mutations caused from radiation poison AFTER recording this. The past is the past.
I promise it won’t happen again. Now please, CHECK THE LINK IN THE DESCRIPTION DONT FORGET TO LIKE AND SUBSCRIBE AND SIGN UP FOR 9 OTHER WEBSITES I MAY OR MAY NOT BE ON. NEWS LETTER.
Woah, been waiting for this since I first started following you on Insta (I'm yea lace on there) huge fan of your work and also personally obsessed with the pairing of nerdseq and assimilator (and nerdseq + midi sequencing) But ultimately with you I'm very curious about your generative stuff and how you plan it out so I'm so excited to watch this! I probably will never be able to afford an ER 301 at this point but I know it will still be very insightful ( and maybe I can hope to replicate something like this with something like Daisy patch perhaps but my version would probably also use Desmodus Versio in stead of Erbe-verb and probably a disting or two heh .... also I prefer to use Befaco hex mix for each of the Assimil8or channels rather than L/R output like you have.... but of course the way yr doing it saves that valuable space. If I had one request from Rossum it would be to add filters to the Assimil8or channels so I can isolate frequencies of the drums for better mix etc...
Assim and Nerdseq is SUCH a power combo. Honestly, the 301 is not necessary to run something very similar. Might need a bit more hp, but it’s definitely doable. Thanks so much for watching! Hope you can grab a few ideas from it!
He has a human voice !!!!
triangles don't exist
Nooooooooo🥴
Really inspiring stuff. Kinda feels like the philosophy of avante garde tape music applied in a way to make face melting glitch music.
Cable management is on point as well!
You’re way too underrated. Saw your stuff on insta and you make the most complex yet masterfull stylish modular stuff I ever heard. Much respect
Thank you so much. I really appreciate those kind words. It means a lot!
Jesus after having a nerdseq over 1year，your video（and you talk like a real human） shocks me still
This is so sick!
Thanks you so much for giving some insights on how you are using Er 301, nerdseq and the assimil8or
Massive sound for a tiny case 🔥
Very nice utilization of the currently available digital power we have available in euro. Its refreshing to see and hear.
Thanks very much!
Super informative thank you for taking the time to put this out into the world. I would love to hear about how you find and select your samoles as well as what if any processing you do prior to loading them up! Everything sounds so polished and works well level wise and i feel that is one of the biggest struggles i have when using eurorack samplers.
Thanks! I make all my sample. As for processing for levels, I’m a huuuuge overcompressor haha so that helps. Then I compress again coming out of the rig ( WMD MSCL) then again in ableton. So that’s how the sausages are made you might say 😀
This is really excellent and informative stuff, thanks for sharing.
The Nerdseq is the latest addition to my setup, which is where I found this vid. I think we might have a vaguely similar musical aesthetic, though definitely some different module choices going on as well of course. I have a Bitbox, a Rample, and 2 Disting EX's which - I think! - are doing something similar to the Assimil8or and 301 here ... feel free to browse the channel and see what you think. I've been on a bit of a break for the last 6 months for various reasons but am hopefully getting back into it all now.
Anyhow, easy sub! Keep up the good work boss.
Taking a lot of notes... Really cool and well thought through setup, definitely informing a few workflow changes for my own rack already.
Glad to hear it! Thanks very much. I plan on doing another video or two to focus in on the 301 and Nerdseq. Thanks for watching!
this is incredible. really cool stuff very inspiring! would love to know more.
Thanks for the walk thru. Nice to see your super cool workflow M808
Thanks for giving us a look into your world. I’ve always enjoyed your sound and rig. Some day when my Digitakt and Assimil8or are full of goodies, I want to downsize and just let my samplers do all the work. Some day.
Don’t tell anyone I said this, but I think assimil8or with some waveshapes sounds better (and obviously tracks better) than most analog oscillators. 🤫
Very interesting, definitely like more tips on er-³⁰¹
I’m perving over the nerseq, currently rocking a Hermod and varigate as an upgrade from the Rene mk1 but the more I see the nerseq being used in the kind of creative context you are using it I’m more and more tempted. I’m a big warp records / idm fan and think the nerdseq can give me the results I’m after. The only thing putting me off is that there are times I just want immediate jamming fun ( which is why I enjoyed the Rene) and the nerseq seems like it requires a fair bit of menu diving to get the best out of it. I’ve got a fairly decent sized system and eloquencer is competing with nerdseq for my replacement
Eloquencer is almost exponentially faster than Nerdseq. It’s truly a pleasure to work with and super powerful. As far as overall control and and power though, it can’t really compete with Nerdseq unless you’re super hands on. The biggest reason I use nerd is because I actually need all of the cv and trig expanders as well as the local ones. It is certainly a module you have to dive into and program. Honestly, given what you’ve said, i’d try elo first. When you first dive into nerd it will be frustrating enough that you’ll just be left wondering about the elo. Not that I question your ability to learn nerd, it’s just.. it takes some getting used to haha
@@userfriendlysounds such is the way of GAS. I have a plan im about to.implement where i use hermod as a midi to cv converter and play my modular with ableton push, record and live sample the modular in ableton etc so.im gonna see how that works out before i buy anything else. In the meantime it gives me time to save money before i decide what the next step is.
@@jonridley an excellent plan!
How do you chop/slice drum breaks on this thing? I have a hardware tracker and renoise but kinda thinking heavy to eventually delve into this because I wanna get into modular and enjoy the tracker workflow but not sure or haven’t seen anybody slice up breaks like how it’s done in other trackers yet
That gets done on the ER301. You can find more detailed information in this video th-cam.com/video/1eYJD2V15nU/w-d-xo.html
amazing insight!! youre a great inspiration!
Found you instagram, just to find your TH-cam channel by looking for 301 Sampler Techniques, then to find your music on Bandcamp. Gonna buy that now & support! Love your style, this is the most fun I’ve seen in eurorack lately… the high fidelity samples and broken yet masterful rhythms are stuff of dreams.
If you ever posted your samples for the sd cards/wave files to make it simple to upload onto the er-301, I’d be willing to buy that. Just wanna recreate even part of what you’re doing
Thank you so much for the support! I’ll definitely consider that!
Great video! Thanks 😊
any modules youd recommend for approximating the er301? I was looking at the bitbox micro but the er301 seems much more capable, but i simply dont have the cash to spend on a 2.5k module used
The er301 is vastly more capable than the bitbox. That said, even if you did have 2.5k is spare cash, you’d be crazy to spend that much on a 301. It’s just not worth all that. The way I use the 301 can be approximated with just a few more modules. A couple of disting ex could get you close. But like, it depend on what you want to do exactly.
Beautiful 😍
This is still so awesome man… I’m trying to stay away from menu diving but really thinking about the nerd seq 😫 your setup looks/sounds so fun!
Hey thank you so much! It’s definitely a lot to take in haha
Finally got to watch this - excellent walk-through!
Hey Stu! Many thanks!
I love this video and I love that system.
My man! 301 gang let’s fucking go
Amazing setup that creates a lot of interesting sound👍 I gone think a really want the NerdSeq, that thing is powerfull.I own the assimil8or too and have a smaller Erica Drum Sampler that use sample slicing. The Nerd Seq gives a lot of control over CV in your setup that can be changed in a short time to something completely different !
I want to be a nerd too 🤔🤪🙃😍! Thanks for sharing 🙏
Thanks for watching! Yeah it's a really powerful module for sure. There's a bit of a learning curve, but its worth it!
Need more upload with explanation your patches! Have the same modular system and want make something similar… subscribed
Many thanks! What do you think you’d like to see more information on?
re 301 patch for routing mixed outs, if you can't just set negative gain on one of a pair of crossfaders - does the 301 not have a crossfader unit or something that can do that job?
Not sure I understand what you mean?
@@userfriendlysounds sorry it’s not very clear and I’m not sure I can explain any better without first trying it out myself. I’m a 301 noob still.
Super smart use of the modules. Nice one Gus!
Thank you!
Great rundown and explanation! I was always curious how the 301 fit into the setup. Thanks for the inspiration for working with rhythmic samples that are not sync'd or even temporally related. My brain would have always wanted to sort out samples/loops based on tempo.
Thanks! Glad you liked it. 😊I’ve actually been contemplating doing something a little different where the sample prep and design process is the same but every thing is designed at the same bpm. Just to see what happens. Back to basics sort of idea haha
You have made me want a er301. Will they ever make one again or will it always be expensive and no production.
I don’t know. I doubt O|D even knows. This can be done without the 301 though. You just need a few more modules. For example I think the tiptop audio One can select samples per cv.
I say this but own way to much modular myself so I truly don’t have any right saying anything. Honesty I’d love to see what you could do with my setup.
Also, if I had a dollar for every time someone said you could do the same with a Octatrack. Why all them digital samplers. I chuckle inside.
@@Nastermusic honestly, this system I have is basically something like an octatrack with an even worse UI. haha So it is true. I'd say the biggest things this system has over octatrack is more storage space and better FX. (i mean the system as I use it. it is over all more capable than an octatrack). but I don't know. To me, this is not modular synthesis. Modular synthesis is logic, and clock dividers and lfos and envelopes, oscillators and noise sources, offsets and attenuators. this is case is a groove box.
Huge thanks for this one! I hope you're gonna keep posting things like this. One thing: you mentioned you use a lot of rhythms produced beforehand. Does it mean that you keep the SD cards filled with those samples? Like pre-production must be a great effort here, right? In another video perhaps you could show which sounds come from the Assimil8or and the ER301. Again, thank you, enjoyed it a lot!
Yup that’s right! Sd cards are always filled with things to work with. Pre production is actually easier than you would think for the glitch stuff. I’m planning on doing a video on how that works at some point in the future.
Thank you for sharing this, I'm in love with the Nerdseq and really like your approach overall, great job! As a cheaper alternative, do you think a 1010 bitbox would do the job well as a sampler here? 301 is really out of my range right now
Yeah, the 301 prices are crazy right now and the module is just not worth that much coin. Don’t get me wrong, it’s great, just not 1.5-2k great. To an extent, yeah it would work. The problem is (if I remember correctly) you can’t sequence sample slices. I also just really don’t jive with 1010. They’re not bad modules, I just don’t like how they operate. I think I’d actually recommend disting or tiptop audio one. I’m pretty sure they can both sequence sample slices, and that’s most important imo
wait, wait. did you just mark and transpose a pattern from the sequencer screen? I never knew about that!
Yup! I can’t remember the key combo, but I want to say it’s mark>shift+nerd? I’d have to check if you can’t find it! 👾
Another question, I can’t seem to find it in the manual, so I’m assuming NerdSeq doesn’t do it…but, can it do the random fill with conditions like the Polyend does (by with conditions I mean setting % of filled slots, note range, scales etc)? From time to time I need a nudge from another source to get things going.
I’m 90% sure it can’t do it the same way the polyend does (that was actually one of my favorite features of the polyend). I’m pretty sure you can highlight and fill with random triggers and notes ect. But not the way polyend tracker does
@@userfriendlysounds trying to reduce space used and was looking at Nerd to replace PT. Hmmm 🤔
I don’t think I would go for that as your main reason especially if you otherwise like pt. Pt is quite a bit different than Nerdseq and Nerdseq has a decent learning curve even if you have a history with trackers. The midi sequencer is way more user friendly and overall useful on the pt than Nerdseq. Nerdseq fits my system perfectly. I’ve tried to use it in many other contexts (meaning outside of euro) and it can be really cumbersome in that context. Powerful, but cumbersome. Pt and nerd are both “trackers” but they are by no means interchangeable in my honest opinion.
@@userfriendlysounds not married to the PT. Just like it’s fill feature the most. Don’t use it for samples or anything internal really. I just use it with my rack, and the 8 tracks run out quick. Another reason for thinking of swapping. Other than that I don’t really use the PT.
Ahh I see. In that case, definitely worth thinking about 👾
been looking forward to this :)
Please enjoy! Let me know if you have any questions or concerns =)
@@userfriendlysounds the Live stream sounds like a great idea.
16:30 is sick! 👍🏿
Thank you!
@@userfriendlysounds ya man, that vid was really inspiring. Cool setup.
So great to see you set up in some detail. At 13.00 you say that’s one sample, so is that a loop, not a one-shot, right?
If you mean the samples inside the 301, no it’s not exactly a one-shot or a loop. It’s basically a chunk of sound. So like, if you took a song and randomly cut a short piece out of it and then shaped it with an envelope a little bit. Does that make sense?
Excellent.
Thanks!
hot damn. love this setup
Thanks! Its been really fun. Lots of power if you are into programing stuff! =)
ok so where did you get the black Assim faceplate?!?!?!
Audio Parasites!
Ayo I was NOT expecting to hear your real voice. I'm mentally pitch shifting you.
This video was shot before I fell into the
vat of acid
I love the concept of looking around for relationships between the samples. I'm incredibly interested to learn more about your 301 routing and the 4 x 120 sound samplers...does each sampler have a single track/buffer that has 120 sounds on them? Are all 4 the same 120 sounds? And then is NerdSeq just calling splice markers based on the 10 octave note values? etc. etc. etc.....very awesome system and control you have over it
Thank you so much! I’d like to do another video taking a close look at the 301 and it’s routing. Stay tuned!
So cool to see how you've got this system set up! So powerful with the two 127 sound samplers. That's basically how I have my video clips set up. You can transpose and instantly have something new and interesting. I also love the recursive re-sampling concept! So cool! There's a couple of moments in the video where you copy and paste the row of blocks and then bring up the nerd menu maybe? But then it suddenly sounds completely different. What menu item were you hitting there? There were some really nice beats that came out of just your demonstration!
Thanks for watching! It’s actually 4 120 sound samplers! 😋 pretty sure what you say was me transposing all of the steps. If you do it from the menu you can select how much you want transpose then hit okay so you can prep and time when you actually transpose. There’s several ways to do it, but it’s exactly like you say with your video rig. You always get something new and interesting!
@@userfriendlysounds wow! I have thought about doing something similar with the Erica Synths Sample Drum. Just load up a few wav files with a bunch of drum hits with cue points. On the docket!
@@userfriendlysounds I love this video. Thank you, so much -- still trying to wrap my head around how you're doing the recursive sampling bit within the ER301...not even sure where to start with the questions! Maybe a separate video or flow diagram of the routing would make it easier to understand?
@@tomio_ueda thanks so much, Tomio! Yes, this video was mostly just to give a quick overview of generally how the system works. I plan on doing videos that take a closer look at the 301, Nerdseq, and assimil8or and how I use them. :) stand by!
@@userfriendlysounds would love that so much!
holy shit cant believe i stumbled upon this gem. Where do you live man?
Hey thanks! I’m in Maryland.
For ER-301 slice selection, which setting are you using…Nearest, Index or 12TET
12TET
Also, I forgot to tell you, I’ve been using the heck out of that FUNC+Track on MD to select the tracks. It’s SO MUCH better.
@@userfriendlysounds ya FUNC+track = 👍🏿
I’d actually love to see you incorporate the MD in with your setup in a vid.
@@userfriendlysounds if you don’t mind, I’ve got another question for you. I’ve been trying to use my MPC to trigger slices in the ER301, 12TET, but each sample in my sample chain gets triggered by 3 to 4 pads before triggering the next. I’m using an FH-2 to convert midi to cv. Tested using a midi kb controller with the same result.
Is it possible that in order for 12TET to work you need 120 samples in a chain, and my result is because it’s splitting the octave range across my sample chain (mine only have something like 30 samples). I’m just trying to figure out why it’s not working. I thought nearest or index might have helped with that, but, no luck.
Thanks
@@TRaddcliff No i dont mind at all! hmmm. I'm not entirely sure. There is a lot of variables in that set up. I know I have done 36 (3 octaves) samples before with no issue, but I've not tried 30. Also, are all of the samples evenly spaced? like exactly? lastely, I assume you have the trigger delay on the gate of the sampler in the 301 right?
So cool thanks for the breakdown. What case are you using for everything?
This is a Trogotronic case. I swapped out the power supply for eskatonic buss boards though. Trogotronic supplies are SUPER powerful, but too noisy for me especially with so many digital modules. Haha
@@userfriendlysounds Thanks which Eskatonic case are you using? And did you get black faceplates for some of your modules like the ER-301 and Assimil8or?
@@blendragon28 no, it’s a Trogotronic case. 84hp, 6U. It’s eskatonic power supplies. The panels for the Erbverb, ER301 and Assimil8or are all from Audio Parisites in Australia. They do great work!
wow, how do you even get started with learning all of this? this looks so complex and intricate
VCV rack is a free software online that is a GREAT place to start, it’s super powerful and loads of fun!
sick walkthrough, Gus! i love every second of it! i got two questions: what are the settings on the mscl, and how do u get your mixes that tight with no mud? are your samples eq'd before going into assim/er301 to help with the mixing?
Thanks my friend! I don’t have any one particular setting. I just kinda noodle around until it sounds right. I usually will do a little work to the samples, some eq and compression. But a big part of it is arrangement. Like just allowing sounds the room they need when they do. Also, ableton drum buss makes everything sound great haha
@@userfriendlysounds dope. do you mainly limit or compress on the mscl? and at which point do you use the drum bus? are you recording everything separately into ableton?
@@Trentabyte usually compress. I can do a patch where a multi track to some extent. But most of the time I work stereo out. Drum buss would be at the very end in that case.
@@userfriendlysounds do you find yourself smashing or slight compression? and is that stereo out of assim(drums) to ableton for drum bus? and then just mix that with the er301 samples in ableton? sorry if im asking too many questions. lol just nerding out over here
@@Trentabyte i mean i love smashing stuff from time to time, not with MSCL for the most part though. I dont think it sounds that great when you really push it. No, everything in Assimil8or is mono. You see the left and right out put patched so that I can send different samples to different inputs on the 301. So for example I have the toms and kick (low frequency) on the left output, and everything else on the right output. Everything is mixed together in the 301. everything comes out of the 301 into morphagene and lastly into mscl. From mscle to ableton!
Niiiice. How much did this set up cost, may I ask?
Thanks! Around 5k USD. 😅🥲💸💸💸
@@userfriendlysounds not too bad. I’m
Always looking for the ultimate set up for home AND live Performance. .. tough to do.
@@NothingNowhereNoOne definitely. It’s a really tricky balance. This is definitely not a performance based system, not that I know anything about performing. But it seems like it would be tricky to do on this case haha
@@userfriendlysounds I keep coming back to this video. I don't know, mannnnn... you say no but I say mayyyybe ( on just using this system to play live). You got any albums out somewhere we can listen to?
@@NothingNowhereNoOne I mean it’s certainly possible! Only one way to find out! And yeah I sure do. This album was made using this setup:
userfriendly1.bandcamp.com/album/apf7u
This is dope
Thanks!
Where do you get your samples (ones not created)?
Super happy to see a breakdown of your rig
I have been collecting samples from all over for the past 15 years or so. So no place in particular. I just go through my collection and find drum hits i like!
Do you offer for sale your sample packs?
Yes. I have a collection on Isotonik Studios website, as well as a bunch of downloads available on my patreon 🙂
Tried watching this video but couldn’t understand anything through the weird modulation and voice processing, you should redo the video in your normal voice
Oh the misery of it!
There is no voice modulation on this video.
I mean, you could at least put some subtitles on it like your other videos. Totally articulate and understandable in every other video but then you gotta throw us a curve ball and be all weird in this one? SMH
Look, I can’t help it that I fell into a vat of acid and became more Intellijel-able due to mutations caused from radiation poison AFTER recording this. The past is the past.
Well, at least you apologized, that’s all that really matters
I promise it won’t happen again. Now please, CHECK THE LINK IN THE DESCRIPTION DONT FORGET TO LIKE AND SUBSCRIBE AND SIGN UP FOR 9 OTHER WEBSITES I MAY OR MAY NOT BE ON. NEWS LETTER.
Woah, been waiting for this since I first started following you on Insta (I'm yea lace on there) huge fan of your work and also personally obsessed with the pairing of nerdseq and assimilator (and nerdseq + midi sequencing) But ultimately with you I'm very curious about your generative stuff and how you plan it out so I'm so excited to watch this! I probably will never be able to afford an ER 301 at this point but I know it will still be very insightful ( and maybe I can hope to replicate something like this with something like Daisy patch perhaps but my version would probably also use Desmodus Versio in stead of Erbe-verb and probably a disting or two heh .... also I prefer to use Befaco hex mix for each of the Assimil8or channels rather than L/R output like you have.... but of course the way yr doing it saves that valuable space. If I had one request from Rossum it would be to add filters to the Assimil8or channels so I can isolate frequencies of the drums for better mix etc...
Assim and Nerdseq is SUCH a power combo. Honestly, the 301 is not necessary to run something very similar. Might need a bit more hp, but it’s definitely doable. Thanks so much for watching! Hope you can grab a few ideas from it!