pie189 you sound like a very smart guy let me ask you a question - i shoot a video at 30 fps and i add like 3 extra clips that i shoot at 60 fps slow motion now for the best quality how or which would be the right way to render this video?
@voelkerb A few reasons. 1) the episode was shot edited and delivered in one day. 2) The shots aren't graded, just a preset applied. 3) compression. We show off the quality that the EPIC can achieve in the short film we are shooting with it.
Anyone here in 2019 looking up old reviews for these cameras now that they are somewhat affordable? lol Yea, you can't see the difference much between 24fps and 48fps at the rendered video at 720p. Seems like Film Riot should have known that back then but hey, hindsight being 20/20 and all The Hobbit at 48fps looked way too much like the video smoothing everyone has hated for years. It's just not the cinema 'look'. The slow motion shots in this video really sold the camera though. The type of slow-mo in this video is slo-mo done right. Soooooooooo many movies screw up slo-mo and I don't understand how they don't catch that in post. You know, the shots that are slow but seem like they have less frames? Oh well. Great review. I think these cameras are awesome!
I got to use this bad boy last weekend. It's such an amazing camera, so much heavier than I expected considering the size. Our kit included some nice Zeiss CP.2s as well which are very nice lenses, I would love to own a set for my 7D. I was definitely felt like a kid in a toy store haha.
@FRISKIE889 It's actually $55,000 just for the body of the camera. But as compared to other cameras that come close to it's quality, that is pretty cheap.
Ryan...Thank you so much for bringing us this channel! I am super excited to see what you have in store next. I am curious about your audio production though, as I have noticed quite a bit of heavy clipping throughout some of your recent casts. I have more of an audio background than video, so any pointers to problems experienced with audio during pre or post would be greatly appreciated. Thanks again for what you and your team are doing. I am really excited for you!
@RodyPolis that's because of the youtube compression. On a big screen you would see the difference. Also this camera can record at up to 5k, and it has a lot of pro features.
@ThoseFilmGuys The reason they are using digital is because this will allow much easier color correction as well as dodging the need to convert the film files to digital in order to edit which can be costly especially if they didn't like how the color came out.
Just remember that he isn't that good at using the RED EPIC, he has only used it for a few weeks and the people that shoot professional films have been working with these kind of cameras for quite a while, ik what you mean though Lol
that camera is a must have for everyone who wants to do their own film...and I am one of them. 1- Have at least $2 million 2-Get this camera 3- get your mates to practice screen acting 4-write a screen play about a horror/comedy genre film (because that will be a kick start 4 low budget film) 5-start principal photography & scene recording 6- Post production/editing 7-look 4 a film distributing company 8-get a lawyer 10- market your film 11- let it be a straight to dvd film 12-Next big project
Ryan, thank you very much for sharing with your experience with this cinema-grade camera. While I appreciate your more "low-budget" tips, I also found this video very interesting and could see it being helpful in the future. Keep up the good work!
***** people are mistaking they have brought this idea to the public that if you want a excellent high quality video you can only achived it with the RED - well i have seem a lot of high qualities videos and they got a super excellent result and they did not used the RED - a friend of mine got frustrated cause he wants to shoot a rap video for a client with a RED he when to rent it and the rental cost more than his mortgage. RED is not for people that works in mcdonals or burguer King even if you got the Cash to affort one you need to spend in Glass another piggie braker and when you got it all completed them you need the knowleage of how to get the best of it....lol i thnk if anyone wants 4k your best bet is a GOPRO lol...peace my brother and sister in film.
Any camera will clip. When you are outside, wide open with no ND, you will have blown out highlights. Niko is referring to the Scarlet's dynamic range which allows it to take in detail from the bright and dark parts of the image. Like how eyes would see something.
They were only comparing the frame rate the footage was shot at, not what it's uploaded at, because it doesn't matter what you do to footage in post, the "look" of the frame rate you shot at will stay the same, you can't actually change the frame rate. The camera takes 30 stills in 1 seconds, there's no way you can change that in post.
one of favorite camera of real sk in his masters hand.. now feeling vary positive that real SK is gonna make an EPIC film on RED under your Blessings Support and teaching... master Ryan Connolly ✌😎🙏
I am extremly happy that you made that video because it Helped me so much when i picked my red epic 2 Weeks ago...THANK YOU! AND THANK TO KESSLER CRANE
@Conspiracy52 actually it apparently will. The EPIC and other cameras like it are pretty much exactly the same, and unlike prosumer cameras there aren't special features inside the camera everything is the internal awesomeness like the sensor, the massive resolution, and the color space. so cameras like this are not only really similar but using them is extremely easy... although tech support is reserved for pros only and is really important.
@KoltMekka most probably they are exporting at 60p, or yes at 30p so there is not really any point them showing us different frame rates since when they rendered the different footage together the program would have used frame blending to fill in the gaps that were left with odd frame rates.
Its not $55,000 for just the body. Its $39,500 for the body but tack on another 15,500 for 4 SSD's, the Titanium PL Mount, the Bomb EVF, the 5" touchscreen, the REDMote, a laser cut case, and 4 RedVolt batteries. Waiting patiently for the Epic-S!
It's because youtube is the largest video hosting website there is. They compress every video to not only save their servers and some money (because most people will never know the difference), but also to keep the buffer speed unanimous from video to video. If someone uploaded a 3gig video at 60fps, it would load significantly slower than most other videos if it wasn't compressed.
The relevance of higher frame rates is for the feel of their motion, it has nothing to do with shutter speed. If you don't understand this you must have never seen 48p or 60p played back properly.
The biggest issue with using hire frame rates is its affect on motion blur, which is also directly affected by shutter speed. Assuming you apply the 180 degree shutter rule for both 24p and 48p, 48p is going to have much less motion blur than 24p which will make it feel much smoother. No one is shooting 48p at 1/48th shutter speed. TH-cams frame rate does not transcode the video from the original frame rate. If it did, the 24p would be sped up, the 48p slowed down. So your argument is invalid.
@xremdog29x It's actually not bad. "To get 300 FPS you must drop to 2K and an aspect ratio of 2.4:1" That's way better than I expected! Pretty crazy camera, that's getting close to Phantom HD territory.
@Conspiracy52 $58K is for the EPIC M package. The EPIC X is $25K for the brain. for the minimal setup he had there would be under $5K but you obviously want all the accessories for a shooting package. Hardly anyone buys expensive glass, you hire it when you need it, although you can get some nice rehoused glass or put some stills glass on there like Canon L-Series. A full shooting EPIC will be less than a basic Alexa. Considering you can own what the biggest budgets are using, its a bargain.
@iSOBigD i think its 1080p, but it wouldn't surprise me if it is limited to 720p since the file sizes would be monstrous enough with 720... ie 1 minute of footage taking up a full red ssd, which if im not mistaken is 16 gig. check the website as it shows all the stats.
@voelkerb You never worked with one have you? When editing, they compressed it to a resolution lower than what they recorded with so therefore it was compressed and their color correction is fine.
In short....1080p = 1920 X 1080....OR.....1920 horizontal pixels X 1080 vertical pixels (just shy of 2K). 4K = 3840 X 2160 5K = 5120 X 2700 Its a MUCH higher resolution within the picture that you are seeing. Which means you can blow it up on a much bigger screen without losing any resolution.
Ryan, congratulations, this is awesome. Great episode! The way you talk and, well the info and all in it self is superb. And you are right, my goal or our goal shouldn't be to make zero budget films. Great Ryan, love your show. Since I've watched it from the start, I feel like it is something that is mine too. In a weird way of course!
Omg that camera is so awesome, I also love the SLOW MOTION when the tackle scene happen and the guys face made that hilarious ape like look, I never laughed so hard! Check it out and see for yourself, its effing funny!!! Ryan, you guys are awesome, love watching your episodes.
@gatler05 No, I have never worked with RED footage, but it sure look lousy on this episode since it was not color corrected. If you think this whole episode's color correction/grading is fine, then you have low standards. There are hundreds of excellent color corrected footage on both TH-cam and Vimeo. Filmriot, however, did a good job on RED footage they put out today though.
@SpecialFxKid I got a small video company, but now a client has asked us to make a feature film, which is like the most amazing thing ever. I get that you look up to Brandon and Freddie, but they also made a commercial for Battlefield, they are also planning on making a feature film using Kickstarter. I guess when you're young you can think about just doing what you like. But eventually you should want to turn that into something you can make money with.
@TheCrushMedia Phantom is inherently flawed with their sensor design. Their base ASA is in the range of 50-100 while RED's is base ASA is 800. So RED's sensor is much more light sensitive, however cannot do the insane speeds that the phantom can.
Thanks for clearing that up! I'd be guessing they would allow videos with less than 30fps and not adjust it to their preference. If it exceeds, then that's where they employ the limit. c:
Peter Jackson bought 48 Red Epics at $56,000.00 a piece. James Cameron bought 50 of them at $58,000.00 a piece. His cost more than Peter Jackson's because he had special hand tooling done to them. James Cameron won't tell what he's using the 50 for. Some are speculating it's only for Avatar 2. But most of the wok in that film will be in computer animation not in shooting. Others say he is working on a new, innovative film that will change the industry the way Titanic, and Avatar, did,
You still not understand me.This guy has recorded at 48 fps, but was rendered 24 fps and sent to youtube. Record a something in the 30 and 300 fps and render at 25 fps and you will see the difference.And those 300 fps does not mean "slow motion" ,just real time.This means that these 300 frames will be "squeezed" to 25 and the video will be smoother.
TH-cam only being able to playback at 30FPS is irrelevant. The difference is in how how much information the camera picks up in 48FPS which can be seen when played back at 30FPS.
I love you.... You have quickly become one of my favorite youtube channels. Some day I will own 7 OF THESE CAMERA'S!! WHY!?!?!? Because i can..... well not yet.... but soon.
4K doesn't necessarily mean REAL cinema movies. 4K is basically the quality of a video. 5K in definition takes in a lot more information (hence the bigger gulps of precious megabytes it takes per second), 4K takes a lot less, and the list goes on til' you get to the average 360 and 240p. A 10 minute video of 240p should give you about 4-5mb. A 4K counterpart would go as much as 3-5GB due to the information. I might be giving false file sizes, but in a nutshell it should give you similar figures
if i'm not mistaken, youtube only supports 25fps, 30fps and 29.97fps. if it's not one of those, it will be converted. Basically, you can't watch 48fps footage on youtube.
@Numaltar yep, this video runs at 29.97, so yeah.. not exactly a good way to compare 24 and 48. Also, i don't get it. there's really no need to have a red camera to see what 48fps look like. You just need a camera that shoots at 50i, deinterlace the footage and you'll get 50p, just 2fps more than 48p.
@DigiBlabfilms it's the same as 1080p, however since it's a K it's in fact a thousand... so instead of saying you're shooting 4000p, you just say, 4k, which is the same thing... basically, almost 4x the resolution from 1080p,.. 4k, I think is the standard cinema resolution they project on the theaters...
That slow motion was very impressive, although sadly, I don't think I'm likely to be able to afford a Red Epic to get the same kind of silky smooth quality. I wasn't impressed with the 48fps though, even taking into account that TH-cam doesn't show 48fps.
true they do answer questions from twitter/facebook, but i have seen them do youtube questions too.. and i mean they make how-to videos about film/cinematography
Correct me if I'm wrong, but how can you show the difference between 24fps and 48fps if they're both conformed as real time in a 24fps video? The difference is motion blur? If you want less motion blur then why not increase the shutter speed? On most digital cameras the shutter speed is going to be double the frame rate unless you manually change it. Faster frame rate = faster shutter speed = less motion blur. I don't think motion blur is why you would choose 48fps over 24fps.
Since we can't really see what the epic looks like I do give dabs the slow motion which was soooooooooooo awesome - fight choreography can't come soon enough.
@Conspiracy52 I'm saying this in a hypothetical statement where you have the money and the urge to switch, the process wouldn't be difficult physically or mentally, but you are right, in the real world spending a 10's of thousands of dollars on the alexa and it's gear then trying to switch to the RED is really gonna wreck your bank account.
That's strange... perhaps youtube formatted the video to be in the same fps? or something else happened? because 48 fps looked very similar to 24, and I know you mentioned it, but I usually get annoyed with 30 fps, let alone 48.
![[Full Episode] MasterChef Junior Thailand มาสเตอร์เชฟ จูเนียร์ ประเทศไทย Season 3 Episode 10](http://i.ytimg.com/vi/8kldrPPsDZs/mqdefault.jpg)
it's so ironic how this video is in 720p...
Posted in 2011 bud
+noah Reihm It works with the Super 8 background
+Ayush Saha how did you get this profile picture?
Photo shop
There is nothing wrong with 720, infact all the TV networks such as ABC, FOX, ESPN and A&E use only 720p.
TH-cam only does 30fps not 48
Now it does 60fps lol
Lol yup
pie189 you sound like a very smart guy let me ask you a question - i shoot a video at 30 fps and i add like 3 extra clips that i shoot at 60 fps slow motion now for the best quality how or which would be the right way to render this video?
KOKOLISO HD no idea, go on creative cow
KOKOLISO HD if you're slowing down the 60fps video by half, then render the whole thing to 30fps
@voelkerb A few reasons. 1) the episode was shot edited and delivered in one day. 2) The shots aren't graded, just a preset applied. 3) compression. We show off the quality that the EPIC can achieve in the short film we are shooting with it.
Ryan Connely: Let's get the Red Epic and shoot in 5K, and then upload it to youtube in 720p! and then show people how great the footage looked!
TH-cam playback only goes to 25fps.
Nope, it's 30 fps.
dont wanna know how long a 500GB SSD would last in 5K RAW 200fps...
+Jakob Auer About two minutes...
+Jakob Auer You need a 100 terabyte to shoot movies with the red epic. hobbit used it.
+Jakob Auer why the fuck in 200fps..
+Slash Pictures™ hobbit used like 3 though lol
I was estimating.
Anyone here in 2019 looking up old reviews for these cameras now that they are somewhat affordable? lol Yea, you can't see the difference much between 24fps and 48fps at the rendered video at 720p. Seems like Film Riot should have known that back then but hey, hindsight being 20/20 and all The Hobbit at 48fps looked way too much like the video smoothing everyone has hated for years. It's just not the cinema 'look'. The slow motion shots in this video really sold the camera though. The type of slow-mo in this video is slo-mo done right. Soooooooooo many movies screw up slo-mo and I don't understand how they don't catch that in post. You know, the shots that are slow but seem like they have less frames? Oh well. Great review. I think these cameras are awesome!
I got to use this bad boy last weekend. It's such an amazing camera, so much heavier than I expected considering the size. Our kit included some nice Zeiss CP.2s as well which are very nice lenses, I would love to own a set for my 7D. I was definitely felt like a kid in a toy store haha.
When will you be doing a RED giveaway?
Please!
Yes please
Wait what?!?
5K that's a dream.
a dream that's completely pointless
8k
@FRISKIE889 It's actually $55,000 just for the body of the camera. But as compared to other cameras that come close to it's quality, that is pretty cheap.
Luckily the price finally came down enough for me to buy one second hand...
The super slow motion footage is impressive! This camera is SO powerful...
Too bad TH-cam doesn't play videos in more than 30fps
smernst 4k 60 happens
this video is only 720p!!!!
#2011
SO THERE WAS NO 1080 P IN 2011??
Indratanu Bhattacharya oh yea WTF
Cactus Indratanu Bhattacharya They used to make everything in 720p because it went up on the revision3 website I'm pretty sure
Sam Thomas ok
Ryan...Thank you so much for bringing us this channel! I am super excited to see what you have in store next. I am curious about your audio production though, as I have noticed quite a bit of heavy clipping throughout some of your recent casts. I have more of an audio background than video, so any pointers to problems experienced with audio during pre or post would be greatly appreciated. Thanks again for what you and your team are doing. I am really excited for you!
@RodyPolis that's because of the youtube compression. On a big screen you would see the difference. Also this camera can record at up to 5k, and it has a lot of pro features.
Pause at 7:37
HIs Face
It's just a box with a hole in the front.
A very very very expensive box with a hole in it
D. P. L Still just a box with a hole.
Room 641A Yeah... What do you want a palm sized cylinder?
vinducas No, an adequate price.
Room 641A I just want you to know that I'd really like to offend you
@ThoseFilmGuys The reason they are using digital is because this will allow much easier color correction as well as dodging the need to convert the film files to digital in order to edit which can be costly especially if they didn't like how the color came out.
Matte Box (Pronounced as Mat Box). Its used to cut the light falling directly on the lens.... avoids glares, lens flare...
I just bought 2!
jk i'm poor :(
So am I atm
mitchell2820 They are still considerably expensive but you can shoot 4k with Sony cameras for a few grand.
+Alberto Romero but can you shoot 6k with 14 stops of dynamic range?
somehow you managed to make the epic's footage look horrible
Just remember that he isn't that good at using the RED EPIC, he has only used it for a few weeks and the people that shoot professional films have been working with these kind of cameras for quite a while, ik what you mean though Lol
that camera is a must have for everyone who wants to do their own film...and I am one of them.
1- Have at least $2 million
2-Get this camera
3- get your mates to practice screen acting
4-write a screen play about a horror/comedy genre film (because that will be a kick start 4 low budget film)
5-start principal photography & scene recording
6- Post production/editing
7-look 4 a film distributing company
8-get a lawyer
10- market your film
11- let it be a straight to dvd film
12-Next big project
Ryan, thank you very much for sharing with your experience with this cinema-grade camera. While I appreciate your more "low-budget" tips, I also found this video very interesting and could see it being helpful in the future. Keep up the good work!
WHY DON'T I HAVE MONEY
how a normal person can buy this expensive sh*t!!!!! i need this camera, man!!!!
***** thanks man! i really need a red camera because i nedd 400 fps and 2k... you know
***** but i can't. I'm from in another country
***** people are mistaking they have brought this idea to the public that if you want a excellent high quality video you can only achived it with the RED - well i have seem a lot of high qualities videos and they got a super excellent result and they did not used the RED - a friend of mine got frustrated cause he wants to shoot a rap video for a client with a RED he when to rent it and the rental cost more than his mortgage. RED is not for people that works in mcdonals or burguer King even if you got the Cash to affort one you need to spend in Glass another piggie braker and when you got it all completed them you need the knowleage of how to get the best of it....lol i thnk if anyone wants 4k your best bet is a GOPRO lol...peace my brother and sister in film.
***** i was watching a footage, film with the canon 5D mark III that make me think a lot in getting me that camera. you live here in nyc?
Easy, save up
Any camera will clip. When you are outside, wide open with no ND, you will have blown out highlights. Niko is referring to the Scarlet's dynamic range which allows it to take in detail from the bright and dark parts of the image. Like how eyes would see something.
at first I thought that the camera was pretty much the same as 24p but WOW that slow motion made it a super camera.
dear Santa!
The footage from the RED EPIC looks amazing, I can't wait to use one in the next couple of weeks =D.
That slow motion cannonball at 7:10 was EPIC!!
sweet camera i have a show as 1st AC with this camera for the first time tomorrow for a few days and im PUMPED!! Thanks for the video!
The RED system is one of my favorites to shoot on. I am hoping to shoot a lot on it when I start at New York Film Academy in a few days....
THANKYOU FOR POSTING EVERYWEEK \m/ --- Sent From filmriot's AppRats (Facebook App)!
The slow motion segment just made my day
The music and slow mo epic combo? EPIC.
OMG I'm here 12 years later, I remember i wanted this camera so bad when it came out!
They were only comparing the frame rate the footage was shot at, not what it's uploaded at, because it doesn't matter what you do to footage in post, the "look" of the frame rate you shot at will stay the same, you can't actually change the frame rate. The camera takes 30 stills in 1 seconds, there's no way you can change that in post.
I'm so gonna add that camera to my wish list this chistmas...santa better get a bank loan to afford it.
I'm a huge fan of RED and I'm glad you've done an episode about it. :)
Such an awesome camera! One of my fav channels on youtube!
one of favorite camera of real sk in his masters hand.. now feeling vary positive that real SK is gonna make an EPIC film on RED under your Blessings Support and teaching... master Ryan Connolly ✌😎🙏
I am extremly happy that you made that video because it Helped me so much when i picked my red epic 2 Weeks ago...THANK YOU! AND THANK TO KESSLER CRANE
you like minecraft so you're probably 12. bullshit you picked up a red epic you child
@pogopicture
you can prevent light going into the lens from the side to avoid glare and lens flares
that test footage at the end was epic
@Conspiracy52 actually it apparently will. The EPIC and other cameras like it are pretty much exactly the same, and unlike prosumer cameras there aren't special features inside the camera
everything is the internal awesomeness like the sensor, the massive resolution, and the color space.
so cameras like this are not only really similar but using them is extremely easy... although tech support is reserved for pros only and is really important.
@ThoseFilmGuys you can adjust settings on a digital camera to look like film.
@KoltMekka most probably they are exporting at 60p, or yes at 30p so there is not really any point them showing us different frame rates since when they rendered the different footage together the program would have used frame blending to fill in the gaps that were left with odd frame rates.
Jeez, the damn description scared me there for a second!!!
Is TH-cam gonna be able to handle the awesomeness of the quality of this camera?!?!?!
@brandonlamarmusic Not to mention it shoots raw footage and has a well respected array of accesories.
@MinecraftSesh Yes, shoot at a high frame rate or use frame blending and stretch your regular footage if it doesn't have much motion blur.
The slow-mo tackle starting at 7:33 is epic!!
Its not $55,000 for just the body. Its $39,500 for the body but tack on another 15,500 for 4 SSD's, the Titanium PL Mount, the Bomb EVF, the 5" touchscreen, the REDMote, a laser cut case, and 4 RedVolt batteries.
Waiting patiently for the Epic-S!
Wow ! What a Great Camera
It's because youtube is the largest video hosting website there is. They compress every video to not only save their servers and some money (because most people will never know the difference), but also to keep the buffer speed unanimous from video to video. If someone uploaded a 3gig video at 60fps, it would load significantly slower than most other videos if it wasn't compressed.
@sevenoh9 of course it does't slow it. It does some sort of conversion to drop the extra frames.
The relevance of higher frame rates is for the feel of their motion, it has nothing to do with shutter speed. If you don't understand this you must have never seen 48p or 60p played back properly.
I look forward to future episodes that cover Matthews dollies, HMI lights, and full steadicam rigs that I can't afford either. :P
Bruno's face @ 7:24 is hilarious!
Brilliant stuff ! Nice to get an intro into some of the big cameras!
I got to hold a RED camera at my film school last year. It was... AMAZING!
The biggest issue with using hire frame rates is its affect on motion blur, which is also directly affected by shutter speed. Assuming you apply the 180 degree shutter rule for both 24p and 48p, 48p is going to have much less motion blur than 24p which will make it feel much smoother. No one is shooting 48p at 1/48th shutter speed. TH-cams frame rate does not transcode the video from the original frame rate. If it did, the 24p would be sped up, the 48p slowed down. So your argument is invalid.
@xremdog29x It's actually not bad. "To get 300 FPS you must drop to 2K and an aspect ratio of 2.4:1" That's way better than I expected! Pretty crazy camera, that's getting close to Phantom HD territory.
@ClaytonOrgles Okay, that makes a lot of sense. Thanks for the help!
@Conspiracy52 $58K is for the EPIC M package. The EPIC X is $25K for the brain. for the minimal setup he had there would be under $5K but you obviously want all the accessories for a shooting package. Hardly anyone buys expensive glass, you hire it when you need it, although you can get some nice rehoused glass or put some stills glass on there like Canon L-Series. A full shooting EPIC will be less than a basic Alexa. Considering you can own what the biggest budgets are using, its a bargain.
@iSOBigD i think its 1080p, but it wouldn't surprise me if it is limited to 720p since the file sizes would be monstrous enough with 720... ie 1 minute of footage taking up a full red ssd, which if im not mistaken is 16 gig. check the website as it shows all the stats.
@voelkerb You never worked with one have you? When editing, they compressed it to a resolution lower than what they recorded with so therefore it was compressed and their color correction is fine.
That footage is so AWESOMLY AWESOME !!!!!!
In short....1080p = 1920 X 1080....OR.....1920 horizontal pixels X 1080 vertical pixels (just shy of 2K).
4K = 3840 X 2160
5K = 5120 X 2700
Its a MUCH higher resolution within the picture that you are seeing. Which means you can blow it up on a much bigger screen without losing any resolution.
majority of cinemas present movies in 1080P... LMAO looks like you have to downscale your footage moron.
Ryan, congratulations, this is awesome. Great episode! The way you talk and, well the info and all in it self is superb. And you are right, my goal or our goal shouldn't be to make zero budget films. Great Ryan, love your show. Since I've watched it from the start, I feel like it is something that is mine too. In a weird way of course!
Omg that camera is so awesome, I also love the SLOW MOTION when the tackle scene happen and the guys face made that hilarious ape like look, I never laughed so hard! Check it out and see for yourself, its effing funny!!! Ryan, you guys are awesome, love watching your episodes.
@gatler05 No, I have never worked with RED footage, but it sure look lousy on this episode since it was not color corrected. If you think this whole episode's color correction/grading is fine, then you have low standards. There are hundreds of excellent color corrected footage on both TH-cam and Vimeo. Filmriot, however, did a good job on RED footage they put out today though.
@SpecialFxKid I got a small video company, but now a client has asked us to make a feature film, which is like the most amazing thing ever. I get that you look up to Brandon and Freddie, but they also made a commercial for Battlefield, they are also planning on making a feature film using Kickstarter. I guess when you're young you can think about just doing what you like. But eventually you should want to turn that into something you can make money with.
@TheCrushMedia Phantom is inherently flawed with their sensor design. Their base ASA is in the range of 50-100 while RED's is base ASA is 800. So RED's sensor is much more light sensitive, however cannot do the insane speeds that the phantom can.
Thanks for clearing that up! I'd be guessing they would allow videos with less than 30fps and not adjust it to their preference. If it exceeds, then that's where they employ the limit.
c:
Peter Jackson bought 48 Red Epics at $56,000.00 a piece. James Cameron bought 50 of them at $58,000.00 a piece. His cost more than Peter Jackson's because he had special hand tooling done to them. James Cameron won't tell what he's using the 50 for. Some are speculating it's only for Avatar 2. But most of the wok in that film will be in computer animation not in shooting. Others say he is working on a new, innovative film that will change the industry the way Titanic, and Avatar, did,
You still not understand me.This guy has recorded at 48 fps, but was rendered 24 fps and sent to youtube. Record a something in the 30 and 300 fps and render at 25 fps and you will see the difference.And those 300 fps does not mean "slow motion" ,just real time.This means that these 300 frames will be "squeezed" to 25 and the video will be smoother.
TH-cam only being able to playback at 30FPS is irrelevant. The difference is in how how much information the camera picks up in 48FPS which can be seen when played back at 30FPS.
Damm the slow motion part got me! Dope ass cam!
I love you.... You have quickly become one of my favorite youtube channels. Some day I will own 7 OF THESE CAMERA'S!! WHY!?!?!? Because i can..... well not yet.... but soon.
ahhh.. film riot + mcdonalds breakfast meal + RED EPICness = good breakfast
4K doesn't necessarily mean REAL cinema movies. 4K is basically the quality of a video. 5K in definition takes in a lot more information (hence the bigger gulps of precious megabytes it takes per second), 4K takes a lot less, and the list goes on til' you get to the average 360 and 240p. A 10 minute video of 240p should give you about 4-5mb. A 4K counterpart would go as much as 3-5GB due to the information.
I might be giving false file sizes, but in a nutshell it should give you similar figures
if i'm not mistaken, youtube only supports 25fps, 30fps and 29.97fps. if it's not one of those, it will be converted.
Basically, you can't watch 48fps footage on youtube.
Re-watching this to learn how to use the epic for my FIRST Epic shoot.. epic.
@Numaltar yep, this video runs at 29.97, so yeah.. not exactly a good way to compare 24 and 48.
Also, i don't get it. there's really no need to have a red camera to see what 48fps look like.
You just need a camera that shoots at 50i, deinterlace the footage and you'll get 50p, just 2fps more than 48p.
6:54 Thunder. Thunder! THUNDERCATS! HOOOOOOOO!
Damn, the music during the slowmo reminded me of the good ol' 'Mouse Hunt' movie. Good times.
@DigiBlabfilms it's the same as 1080p, however since it's a K it's in fact a thousand... so instead of saying you're shooting 4000p, you just say, 4k, which is the same thing... basically, almost 4x the resolution from 1080p,.. 4k, I think is the standard cinema resolution they project on the theaters...
That slow motion was very impressive, although sadly, I don't think I'm likely to be able to afford a Red Epic to get the same kind of silky smooth quality.
I wasn't impressed with the 48fps though, even taking into account that TH-cam doesn't show 48fps.
304 views, 348 likes. This ep is so epic people are time traveling to see it.
now that tackle really was EPIC!
press 6 for yeah! and 8 for floating bruno.
Did you figure out how are you going to broadcast Tell online? I'm super excited and I can't wait to see it. :)
true they do answer questions from twitter/facebook, but i have seen them do youtube questions too.. and i mean they make how-to videos about film/cinematography
Correct me if I'm wrong, but how can you show the difference between 24fps and 48fps if they're both conformed as real time in a 24fps video? The difference is motion blur? If you want less motion blur then why not increase the shutter speed? On most digital cameras the shutter speed is going to be double the frame rate unless you manually change it. Faster frame rate = faster shutter speed = less motion blur. I don't think motion blur is why you would choose 48fps over 24fps.
that slow motion is awesome!
Since we can't really see what the epic looks like I do give dabs the slow motion which was soooooooooooo awesome - fight choreography can't come soon enough.
@Conspiracy52 I'm saying this in a hypothetical statement where you have the money and the urge to switch, the process wouldn't be difficult physically or mentally, but you are right, in the real world spending a 10's of thousands of dollars on the alexa and it's gear then trying to switch to the RED is really gonna wreck your bank account.
That's strange... perhaps youtube formatted the video to be in the same fps? or something else happened? because 48 fps looked very similar to 24, and I know you mentioned it, but I usually get annoyed with 30 fps, let alone 48.
I have to admit that Red cameras look great. But I still love 35mm film and I don't want to see how D-Cinema is replacing film