Mastering Advanced Film Look Techniques | DaVinci Resolve Guide
ฝัง
- เผยแพร่เมื่อ 19 มิ.ย. 2024
- Learn advanced techniques to achieve the film look when shooting on digital.
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TIMESTAMPS:
0:00 Look Teaser
0:08 Intro
1:01 Masterclass Overview
2:42 What is Film Emulation?
4:19 Using References
3:27 Node-Tree Buildout
7:28 Proper Color Space Transform
8:28 Film Lut
9:00 Building the Look
15:01 Halation made Easy
26:14 Easy Look Modification
27:00 Look Recap
30:00 Final Look!
30:10 Conclusion
About:
I am a professional colorist and have worked with brands such as Prime Video, Adidas, Toyota, Vizio, etc. Outside client work, I run a color academy with over 6000 students. My channel mostly focuses on the taste-making (subjective) aspect of color grading. With the rise of AI, I truly believe that most of the grunt, technical (how-to) tasks will be handled by the software, and the job of a colorist will be purely driven by their art and imagination.
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#davinciresolve #colorgrading #resolve17 - แนวปฏิบัติและการใช้ชีวิต
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1970 "Man I wish I had a computer to clean up these lens artifacts and grain"........2020 "Man im glad I have a computer to add all these artifacts and grain".
Pretty much.
The glow filter trick is incredible. That alone gives my footage a huge professional upgrade. Thank you!!!
the edge detector node makes the whole image to another level!! Completely amazing!!!
JUST THE TUTORIAL THAT IVE BEEN SEARCHING FOR FOR YEARS!! THANK YOU SO MUCH!!
I think this is the best tutorial I've seen on film emulation. Thanks a ton for this!
Very nice tutorial. Love that you explain the purpose of every step in the workflow clearly, and recap all of them at the end.
Great tutorial. Thanks for making it straight forward and easy to understand.
Pure gold in this tutorial!! Thanks a lot!
its good to see you here buddy!!
What I really appreciate above and beyond this quality tutorial is the recap you do. It makes a world of difference in putting the steps together to help memorise these steps.
Same. That makes a very serious tutorial, with a real intent to teach
thank you, first time to fully understand the concept behind film emulation
pro mist in post hahaha, greaaaat dude!
💪🏾
Thanks a lot man, this knowledge surely increases my imagination while filming
stunning results, thanks man ❤
Learned so much, thanks for the walk through!
This was epic thank you JAKE ❤️
thank you very very very much for this amazing film emulation tutorial !!!!! I will keep watching it millions times until I can master it !
Best tutorial I ever seen!!! Thank you sooo much 🙌🙌
This is excellent! Can't wait to try it! Thank you!
This looks amazing man
WOW! what a class...... I am speechless!
Great Job Jake! Very informative!
epic content !! love it this evolving to a new level.
Amazing tutorial. Thank you very much!! 🙏
Awesome ! Can't wait for part 3 !!!!
Very clear! Thank u! Great value!
This was freaking awesome.
AMAZING thank you straight to the point no over selling and I felt like this was your true impression on how you color
Love to hear that. Thank you!
This tutorial was amazing. Thanks for your calm and welcoming demeanour.
Thank you!!
I really appreciated your straightforward approach to it. Thanks! :)
Thank u so much for making this vid
Thank you for sharing all those informations !!!
Thank you, nice material
Right on guys!
This is really insane! Thanks man
Thanks for this great valuable tutorial Sir !
Super cool thanks!
The value you provide is mind-blowing
🤟🏼🤟🏼appreciate you
Great explanation!
That is looking HELLA good
So Helpfull, thanks :D
This was great, thank you.
thank you so much for the rgb mixer lifehack!!!
Thank you. You are amazing.
Very nice looking results. It is worth pointing out, when it comes to contrast, creaminess, halation, flare, etc. lens selection cannot be over-stated for its contribution to the final image, regardless of recording medium. And so part of what is also happening here isn't just film emulation, it's lens emulation as well.
You the best - thanks for the info!
thank you. its very good tutorial :)
This is nostalgic 😩🖤
AMAZING!!!
Awesome tutorial, can't wait for part 3!
Part 3 is in the Masterclass.
Thanks so much from Venezuela, you are a free film school :)
That was awesome, took notes all along :D Will try this on my next grade !
Love it!!
wooooooooooooo!!! what a job!!!!!!!
Great man
Thanks so much!
Thank my friend!
this is awesome 🔥🔥
Thanks
amazing!
Beautiful tutorial, instantly subscribed
Let's go!
wow thank you
great video!
videos like this show me I'm lucky to have even found the "Import Footage" option in Resolve, what the hell man this is next level
😂this cracked me up
Excellent Video
Jake appreciate you buddy
The film look is the reason why I still use the Blackmagic Pocket Original and the Canon EOS M with Magic Lantern. But, the flip side is that sometimes I do not like the film look and have a hard time editing the footage to change that.
EPIC!!!!!!!!!!
Jake, you're great. Keep it up
Thank you!!💪🏼
very good , thank you
You're welcome
best tutorial of this channel
🙏🏼🙏🏼
Great video!
WHAT A IN DEPTH TUTORIAL. I FILLED SO MANY PAGES HAHAHA. THANKS SIR.
damn! i ve learned so much from this!
man this is sick
Ty
Amaazing!
Top stuff
Great tutorial, one of the best I found out there. Just a question, compared to the ahalation OFX now built into Davinci, would you advice to go with your halation emulation or simply use the halation OFX? Thanks for the info, amazing stuff.
Great thanks 😊
You're welcome
Jake is killin 🔥🔥🔥
🤟🏼🤟🏼
What a great explanation on how to grade the film look. Good Job! 💪🏼
But one question though:
My problem is that the color is breaking in some midtones and shadow areas. I get these ugly and chunky blocks of color. Quite big ones.
Is there any workaround or fix for that?
I already tried a bunch of stuff and the only half decent solution is cranking the Chroma NR (first node) and getting rid of some saturation in the shadows and mid tones (later down the line)... But than the skin looks pale.
I filmed with my brand new Canon EOS R6.
Shot in Clog 3 with Canon Cinema Gammut at the base ISO. The footage is in 10 Bit 4:2:2.
Thanks in advance, guys!✌🏼
cool tutorial
Ok here's the deal.
I thought the last tutorial I saw from you was awesome.
It was actually. Now, this one is mind blowing!!!
I had issues with a particularly "poorly filmed" grade but your tutorial helped push it out.
I can't wait to take that course of yours!!!!
Let's go. See you in FCM. 💪🏾
I have an idea!
We buy the most expensive camera with huge dynamic range and 6k resolution, and we also add an arri master prime lense to remove any chromatic aberations, halitions and other artifacts to make it all look like we actually did not spend so much money on that kit :) Genius!
I can not believe it. One video in the morning and now another.
You know how we do
very interesting choice on the edge detect for halation, ive never considered that before for halation. looks veerrrryy subtle. i like it tho.
Intensity is all up to the artist! Unless you’re specially trying to get a 1:1 match from a certain reference.
Jake the machine🙌🔥
The highlight glow in the Django Unchained tree image comes partially from stockings behind the lens.
From ASC Mag 2013: "When Richardson wanted to soften a shot, he’d ask Tavenner to glue a stocking across the rear element of the lens. This was done mostly for scenes set in the South to reduce overall contrast and add a slight bloom to the highlights. “That reflects the nature of the light down south, which is kind of humid, a little glowing,” Tavenner notes. The stockings varied in their styles and patterns, “but [the effect] mostly depended on how it was stretched and matched to the different focal lengths,” says Tavenner. “Over the years, all these nets have gotten mixed up in my kit, so I just grab a stocking and judge the quality by eye.”
I would be too afraid to do this but I want to try.
@@TheGalacticWest I tried it with my photo camera. Was kind of an akward situation me as a guy shopping for stockings and judging them by looking through them in the store. Haha
Good luck!
@@dolcevita9382 hey man sorry, im in a very entrylevel condition about this argument but i would really like to fully understand what did u mentioned in the comment above… there are even some terms or way to say that i dont really know the meaning because im not a mother language, i’m italian ahah. so can u please explain me a bit more😅. thank u so much
This is really neat! Always learning.
Very Very Nice❤️❤️❤️
This is unreal stuff. Very interested in learning film emulation related topics. Can you do a film print lecture explaining what's the difference between film emulation and film print emulation? Maybe all other aspects that we don't know.
When you shoot film, you are shooting a negative. The negative has inverted colors, so in order to get a displayable image for projection, you need to "print" the negative on to positive film, hence the name "print film". Kodak 2383 is the only print film that Kodak still produces. If you go to a theater that still projects 35mm film today (probably for a Tarantino or Nolan movie), you are watching the movie being projected on a Kodak 2383 print.
Negative film examples:
Kodak 5207 250D - Daylight balanced color negative film
Kodak 5219 500T - Tungsten balanced color negative film
Positive film examples:
Kodak 2383 - Color print film
Kodak 2393 - Color print film (discontinued)
In Davinci Resolve, the built in Kodak and Fuji print film emulation LUTs are designed to be applied to film scans in order to recreate on a Rec. 709 display what the film negative will look like once it is printed and projected. That's why they need a Cineon film log input. Cineon is a type of film scanning system.
Resources & useful tools:
Juan Melara has some good info and powergrades on print film emulation
As does Tom Bolles with a super in depth powergrade / node tree for film emulation (CinePrint16) which I highly recommend. Very powerful if you learn how to use it right.
Check out Kodak’s website for detailed specs/info on their film stocks
@@annabelsamantha6982 Man, you really hittin us with the knowledge! This is the second time I've seen a comment of yours on a Qazi vid dropping in-depth explanations. Thank you!
@@annabelsamantha6982 thanks for your valuable knowledge 🤗😊
@@annabelsamantha6982 Annabel, I subscribed to your youtube channel just because I read this reply!
@@annabelsamantha6982 I have a question with regards to Tom Bolles’ cineprint 16. Why do I always get a green tint on skin and highlights when I apply the power grade ?
Awesome Thanks, When is part #3?
Wow just did this with 8bit a6500. It looks amazing. Thank you. Have you used the halation nodes?
thanks for the tuturial and visualising the content thaat was great. So can i ask to understand better when i went to see the Batman film the other day i noticed grain, what would that fall under and why in this digitaal aid? was it added? or was it an affect of the picture being stretched over a huge cinema screen? Or was it the affect of the process?
Wow 30 minutes video 💥
A master class. No doubt . Congrats. Is there a way to save those presets color grading?
What the heck! Fantastic content!!
What the heck! Thank you🤟🏼
This is in fact a properly done tutorial
what key do you use to move around the clip (zooming in and out) while color grading? I really found how you do this. Thanks
This content is freaking awesome
great tutorial. Any reason to not use the Halation effect? Also why did you choose to use the mixer for saturation and not the saturation slider?
My wife says this man sounds like Alex Hormozi. And now I can’t unhear it!
Great vid! Where is part 1? Cant seem to find it?