Emulate Film Characteristics with Split Toning for Look Development | Davinci Resolve
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- เผยแพร่เมื่อ 20 มิ.ย. 2024
- Split toning is a foundational build block of look development in filmmaking. In this video we chat about best practices when using these tools at a professional level including an analysis of common film characteristics along with a technical understanding of how middle grey plays into how we build the look. This technique works in just about any software that has a "curves" tool like Davinci Resolve 19 (and previous versions) along with most popular editing software.
⬇️ Grey Test Chart and Utility Powergrade
resources.revolutioncontent.c...
Barrett Kaufman - Film Colorist
Instagram: / barrett_kaufman
For business inquires reach out here revolutioncontent.com/#contac...
0:00 My background with split toning
1:22 Color theory on middle grey
3:33 Inspiration from Print Film
10:01 Breaking the mid-grey rule
14:43 "Subtractive color" split tone
15:31 Look Development Mindset
#davinciresolve #colorgrading #film - บันเทิง
Wow, this was an exceptionally well articulated video! Thank you Barrett!
Sure thing!
One of my best color educators in this space
Thanks Mfjae!
This is the best color grading technique I have ever discovered.
👍🏻👍🏻
Learned so much from your substractive color series too. It's always great to see you go beyond just showing steps on editing software and explaining how the real thing physically happens on film.
Great to hear!
Thank you so much for your time and knowledge! this is a great lesson!
Glad it was helpful!
Barret i love your videos so much! please keem them coming. Love the approach and everything about them.
Thank you! Will do!
Very intuitive ! Thank you !
Totally!
Learning so much. Wow. Great job, B! 👏👏👏
👍🏻👍🏻
Love the input. Thank You!
👍🏻👍🏻
Learned a lot from this video. Thank you ☺️
Glad it was helpful!
Thank you so much! This video is very helpful to me 🎉
Glad it was helpful!
Great video and love your approach!
Thanks!
Amazing Barrett, more than the knowledge, I like your philosophy!
Thank you!
great stuff!! Thank you!
Sure thing 👍🏻
Amazing tutorial!
Thank you!
Great tips. Thank you
👍🏻👍🏻
So much great info here this is Good!
👍🏻👍🏻
can you please do a tutorial on how to achieve a day for night look? man i love your videos…nobody on youtube explained the fundamentals of split toning the way you did! Thanks a lot…
Appreciate it! I'll keep that in mind for future educational content 👍🏻
Amazing mate great work
Thanks!
Great Stuff Barret ! 🔥🔥🔥🔥
Thanks!
love this!
👍🏻👍🏻
thank you! good tutorial!
You're welcome!
This was awesome bro
Glad it was helpful!
great I feel like this is exactly what I needed, I'm tired of adjusting the implemented Film LUTs this is much more handy and variable
👍🏻👍🏻
Loved this video bro
Appreciate it
Just subscribed your channel is amazing
Welcome aboard!
holy what a great video
Thanks!
Thanks for your tutorial. I have a question : have you a color management on this project or not ?
Thanks
Great channel, very well done! Your camera and DavinciWG Intermediate specific 18% gray charts are great. Did you create these? If not can you share where you got them from? If you did create them, would love to see a video how you made them. Keep up the great work!
Thanks! The DWG grey chart is free on my resource page. Link in description
You can also enable splines if you’re having a hard time making smooth curve edits.
Hi Barrett, great video. I've seen a lot of colourists use CSTs in the node view to control when the transformation into the output colour space happens, but DaVinci seem to encourage the use of colour management to convert to the output colour space before the node tree. Do you use CSTs in nodes out of habit or is there some tangible benefit to this? Thanks!
Hey! Biggest benefit is control. Nothing wrong with using Project Level color management, but node based allows more options
❤
Turning down the key output gain before you start split toning is brilliant. These adjustments are way too strong without that key step. Thank for sharing!
Where can one find the test mid grey chart you used here?
Hey! The test chat is at the resource link in the description. It will be under the "Split Tone Downloads" toggle
It should be one of the very first things on the page
Awsome video how do we make a ArriLogc or canon one is it same method or would we need to find it
Camera manufacturers publish white papers on their log flavors and the mid grey point is mentioned in each one
You can use that to verify where the mid grey patch would be for Arri and Canon
Blow me mind .....this is easy
Awesome!
I definitely went through a split tone ptsd phase haha
Yeah, this is one of those tools that looks really bad when executed poorly
The VSCO photo app has a "split tone" tool that is an example of bad implementation IMO
@@BarrettKaufman this is the exact tool I think of when people mention split toning something
I subscribe
Make tutorial on how make Gray chart
I'll keep that in mind 👍🏻
Seeing that you’re using FilmUnlimited - where would you put this operation in that node tree?
I purchased FilmUnlimited a while back but am not using on this project. However in general, global look adjustments should go towards the end of any color processing
Love the video, but the download link never showed up.
Weird, sorry about that. Shoot me a DM on instagram with your email and I'll look into it
instagram.com/barrett_kaufman/
Can't find the test chart :(
Resource Page under "Split Tone Downloads"
Sorry, there is ;)
It's a kind of religion
i love your videos, but please fix your audio voices, because its not really good to hear
Thanks for the feedback - I'm working on finding more consistent audio solutions
People editing 8bit video with uncalibrated monitor l:
IT DOESN'T WORK HOW TO DO THIS 😆😆😆
😅
This was great, thanks so much man!
Totally!