I’m not sure that Beethoven 1 is underrated, but you are absolutely right that it is a far more radical work than often suggested by the so-called experts. To label the work ‘Classical’ thereby suggesting that is is something that can be tagged onto the world of Mozart and Haydn is I think very misleading; Beethoven 1 sits at the dawn of a new age in music, not at the dusk of the previous one.
@@elaineblackhurst1509 well this is a misconception People think classical music means music from the classical era. But classical music actually means. Music from ever since the baroque era till today that uses the logic of music theory and orchestration and the forms of classical pieces like sonatas, symphonies,concertos,suites
@@celloplaysmusic7330 There are plenty of different definitions for what counts as "classical" music, but the term usually does mean music either coming from the classical era or being characterized by classicism typical of that era when used in the context of differentiating the different composition styles that emerged as "classical" music developed over time.
There's a lot of historically informed practice happening even with mostly modern instruments mixed in with natural horns and trumpets. Notice how the strings and the winds let their phrases rise and fall without vibrato. This orchestra can just as easily pull out a late 19th century piece true to that later era. Now that's range.
Now THAT'S Beethoven!! Yay, Frankfurt! This group has the precision and fineness of a Geneva watch. Can't say enough about the conductor. Nothing was overlooked. He brought out every texture and nuance and made sure it had the bite it's supposed to have. So many performances of Beethoven are too smoothed out. Performances like this one are very rare. This may be the best that I've heard. I hope he compiles a very long recording list, I'll listen to anything he does. I can't imagine anything better than a Beethoven cycle with him.
I've viewed this Frankfurt Radio Symphony performance of Beethoven #1 many times. It really is a top-notch! Thanks for sharing with the rest of us. Handsome concert hall, by the way....
I. Adagio molto - Allegro con brio ∙ 0:37 II. Andante cantabile con moto ∙ 9:56 III. Menuetto. Allegro molto e vivace - Trio - Menuetto ∙ 17:37 IV. Finale. Adagio - Allegro molto e vivace 21:18
Beethoven synphony No. 1 first preormed publicly in March 1795 (Wiki2020). It was is only published synphony in the Eighteenth Century as his other eight synphonies were after the year 1800.
@@ДанилНиконоров-ъ5з You need to either edit or delete this comment which is inaccurate, and therefore misleading and unhelpful. Beethoven’s Symphony 1 was first performed on 2 April 1800.
hace 197 años que bethoven murio y su musica sigue viva...ejejje lo que hacen los genios naturalmente es un legado para todas las generaciones....gracias a Dios por les genios sin ellos el mundo tuviera poco sentido...ejej
This performance of Beethoven (and all the others under Sr. Orozco-Estrada) are proof positive that South America is no vast wasteland musically speaking. I could point to numerous popular singers who prove the point by themselves, but also to Sr. Orozco-E. and Sr. Eras-Casado (never mind the composers Villa-Lobos and Piazzola). Numerous poets too. I am glad that HR is liberally represented here. Enhorabuena, JAT
Chaque jour, j'écoute une œuvre interprétée par cet excellent orchestre et dirigée par ce chef dynamique, c'est toujours un ravissement ! Merci à vous !
Orozco Estrada is the best for Mozart, Beethoven, Schubert.... Future may show what he will be the best for in addition to that. Long may he live and work and do his art for us. His tempi are the best. He is so comprehensive for those compositors. He makes them sing, dance, shout and dream directly in front of us. HR Symphonic Orchestra's Capacity of course is the best partner for this art. Thank You to the Orchestra and the Conductor!
One of my favorite Beethoven symphonies. Hard to believe this is Beethoven's first symphony. So unique and sophisticated. Also this reminds me of Shumann's Spring symphony.
Vln 1 has their spiccato/sautille game down tight. That finale is brutal on the violins. Unfortunately, they don’t get paid more for the difficulty factor 😂. Bravo violins.
Beautiful execution. Displays the energy and creativity of the master. I agree Sym No 1 is underrated. The performance has excellent audio and video. I had not seen Estrada before and was most impressed. His colorful style reminds me a bit of Carlos Kleiber
Sehr klare und gut artikulierte Aufführung dieses echt klassischen Meisterwerks ohne überflüssige Dynamik oder Agogik. Das kompakte Orchester ist wirklich ausgezeichnet, und die rhythmische Leitung vom genialen Dirigenten ist einfach wunderbar.
Fellow music lovers. May I suggest another FANTASTIC performance by this orchestra and conductor; Creatures of Prometheus also by Beethoven. You will not be disappointed
Estoy acuerdo completamente!Saludos desde Ucraina,una de los paices que corren de la Union Sovietica.Siempre me gustaria su muzica ecpecialmente 9 simfonia!
In many ways Beethoven was discourage after this amazing yet different composition, first symphony’s for the era followed a strict pattern, Master Ludwig completely departed from this construction.
Beethoven symphony No. 1 first preformed publicly in March 1795 (Wiki2020). It was his only published symphony in the Eighteenth Century as his other eight symphonies were after the year 1800. Editors notes: After 6 months it has been found that my comment is inaccurate as is revealed in a further comment lower in the comments below. So please do not accept my first comment as factual. It is briefly left (if I ever get around to it again) so as not to remove the comments below before they have been read and my appology accepted as acknoledged. Sorry all. TY Elaine Blackhurst.
It does no service to anyone to write poorly researched comments, with factual errors, that do nothing but mislead readers. Beethoven’s first symphony was first performed in Vienna on 2 April 1800; it was part of a big concert that included other music by himself, and works by Mozart and Haydn.
@@elaineblackhurst1509 Thank You very much. It appears after checking that you are right and my comment wrong. So thank you for pointing that out. I clearly miss read, or miss interpreted what was there for all to see. His first public preformance in Vienna was in March 1795 but that preformance was not a preformance of his first symphony. So my statement was wrong there. He apparantly had finished the composition's principle outline of his 1st symphony in March 1795 (From Wiki2021: 'It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795'). But that is not the same as preforming it publically. So yes. You are correct and my comment was clearly wrong. So sorry for my error.
@@MikeGreenwood51 No problem, my point was that it’s important to be factually disciplined. One thing worth remembering with Beethoven generally, and the first symphony in particular, is that he didn’t publish anything until he was ready; from his arrival in Vienna in November 1792, he clearly still had much to learn. The Opus 1 piano trios, Opus 2 piano sonatas, Opus 18 string quartets and Symphony 1 for example when they did appear, were all I think startlingly new, more so than they are often credited to be. You are quite right that in some of his earliest published works, he occasionally used older sketches - he did so also with the slow movement of the f minor piano sonata Opus 2 No 1 which I think is slightly old-fashioned and Mozartian - but generally speaking, Beethoven is clearly a new voice.
I've always wondered if the conductor does much during the actual concert. I understand his role in rehearsal and interpreting the music, but nobody but the audience seems to look at him. Explanations welcome 🙂
Remember, even if it doesn't seem like the orchestra is looking at them, they always are via peripheral vision. No matter how easy a piece is, no matter how well-rehearsed, a full orchestra will always fall apart without a conductor. Even if you aren't directly looking, it's very easy to see the conductor while focusing on the music, and usually, people are paying more attention to the conductor anyway since they're rehearsed enough to get the music. The conductor is also extremely important to an orchestra because light travels faster than sound. In an ideal concert hall, with the ideal seating arrangements, the sound goes towards the audience. If you're at the back of the orchestra, the sound of the people at the front will travel all the way to the back of the concert hall before reaching your ears. It sounds ridiculous due to how fast we think sound travels, but it's much slower than we think. Especially if it was a huge concert hall, there would be at least 1-2 seconds of delay for the players at the back. This makes listening a hugely ineffective way for an orchestra to be together, the conductor is hugely important to an orchestra, even at the concert when everyone is already well rehearsed.
@@harryhagan5937 Really, the conductor does a lot of stuff. Think about it this way, an orchestra is just a really big instrument, and the conductor is the one playing it. He controls everything from dynamics to phrasing, to tempi changes, to general interpretation, etc. Anything an instrumentalist could do on their instrument a conductor can do with a well-trained orchestra. What I said before was mostly just a general overview of why conductors are still important, not even close to everything.
Beethoven's First Symphony contains an array of fresh, unprecedented sounds and rhythms, especially compared to his Second, which in its own way, is a wonderful piece as well, yet it never quite feels like an evolution from his First. Sometimes I've wondered. . .Was Beethoven's Second Symphony really his original FIRST, before mid- composition, he'd unexpectedly stumbled upon a voice so unique from both Haydn and Mozart, that he discarded it, and began composing a new revolutionary work that would eventually become his official Symphony #1, while returning to that first project and making it his Symphony #2?
Certainly not, imo. The beginning of 2nd alone is more mature and refined than whole 1st is. Also, 2nd unmistakingly Beethoven's while 1st sounds like kinda competent symphony written not necessarily by Beethoven. I have listened both back to back and 1st sounds even kinda empty compared to 2nd.
Aha! Da hat es jemand geschafft die Musiker dazu zu bewegen Inventionstrompeten und Naturhörner zu spielen. Bei uns in Bonn ist der vorherige GMD mit seinem Vorstoß am Widerstand der Musiker gescheitert.
I have an earworm from what I think to be a beethoven orchestra work. But I only remember this instant where the whole orchestra plays this fanfare unisono with the timpanies rolling on the long second notes. They are fourths, slowly, thriumphant. Like tadaaa tadaaa tadatadatadaaaa! (C-F-- C-F-- CFCFCF---...) Does anyone know what I mean?
if anyone knowledgable sees this comment let me know what you think are the celli & basses at 25:16 on pizzicato or is it just staccato arco (spiccato or something)
This movement to incorporate the natural brass instruments into the Beethoven symphonies is the best idea since the invention of the wheel.
Bro, u deserve more than 3 likes.
Well since toaster at least
And trumpets of the Judgment'sDay!
Beethoven 1 is vastly underrated. So many of the innovations that made Eroica the symphony it is were already at play here.
I’m not sure that Beethoven 1 is underrated, but you are absolutely right that it is a far more radical work than often suggested by the so-called experts.
To label the work ‘Classical’ thereby suggesting that is is something that can be tagged onto the world of Mozart and Haydn is I think very misleading; Beethoven 1 sits at the dawn of a new age in music, not at the dusk of the previous one.
@@elaineblackhurst1509 well this is a misconception
People think classical music means music from the classical era. But classical music actually means. Music from ever since the baroque era till today that uses the logic of music theory and orchestration and the forms of classical pieces like sonatas, symphonies,concertos,suites
@@celloplaysmusic7330 There are plenty of different definitions for what counts as "classical" music, but the term usually does mean music either coming from the classical era or being characterized by classicism typical of that era when used in the context of differentiating the different composition styles that emerged as "classical" music developed over time.
🏳️🌈🏳️🌈i love big black cocks
Not his most famous work no. But it is wonderful.
There's a lot of historically informed practice happening even with mostly modern instruments mixed in with natural horns and trumpets. Notice how the strings and the winds let their phrases rise and fall without vibrato. This orchestra can just as easily pull out a late 19th century piece true to that later era. Now that's range.
That’s why I like this orchestra and this conductor. Modern instruments, classical attitude.
Now THAT'S Beethoven!! Yay, Frankfurt! This group has the precision and fineness of a Geneva watch. Can't say enough about the conductor. Nothing was overlooked. He brought out every texture and nuance and made sure it had the bite it's supposed to have. So many performances of Beethoven are too smoothed out. Performances like this one are very rare. This may be the best that I've heard. I hope he compiles a very long recording list, I'll listen to anything he does. I can't imagine anything better than a Beethoven cycle with him.
I've viewed this Frankfurt Radio Symphony performance of Beethoven #1 many times. It really is a top-notch! Thanks for sharing with the rest of us. Handsome concert hall, by the way....
I. Adagio molto - Allegro con brio ∙ 0:37
II. Andante cantabile con moto ∙ 9:56
III. Menuetto. Allegro molto e vivace - Trio - Menuetto ∙ 17:37
IV. Finale. Adagio - Allegro molto e vivace 21:18
Beethoven synphony No. 1 first preormed publicly in March 1795 (Wiki2020). It was is only published synphony in the Eighteenth Century as his other eight synphonies were after the year 1800.
@@ДанилНиконоров-ъ5з
You need to either edit or delete this comment which is inaccurate, and therefore misleading and unhelpful.
Beethoven’s Symphony 1 was first performed on 2 April 1800.
@@ДанилНиконоров-ъ5з q
رقي واناقة وروعة تحيا المويسقی والعالاقات الانسانية من المغرب احييكم ۔ morroco
The orchestra is perfection. Never heard Beethoven’s First Symphony played with such note accuracy. Excellent!
I was looking the same Directors as usual and I found Maestro Orozco. I can only said "Bravo". Beethoven is alive again👏👏👏👏👏👏👏👏👏👏👍
古楽器🎺Trumpet📯Horn＆Oboeの響きに感激です！
hace 197 años que bethoven murio y su musica sigue viva...ejejje lo que hacen los genios naturalmente es un legado para todas las generaciones....gracias a Dios por les genios sin ellos el mundo tuviera poco sentido...ejej
Estrada is such a great conductor I am confident that the musicians are inspired by his expressions and movements.
I like his movements. It’s like he’s acting out the music
Such a wonderful orchestra!
Bene che ogni tanto si vedono in orchestra i clarinetti in do. Mi fa piacere che si usano. Ottima performance dell' orchestra
DIE beste Sinfonie !!!!
Old Ludwig would have approved, I'm sure! Excellent interpretation!
愉悦感にあふれた素晴らしい演奏です。指揮者も素晴らしい。I love this performance. what a wonderful music.
big thanks for sharing.
Thank you for Translating your native language to English for us.
この曲は、かなり演奏が難しいのですが、十分な注意をしながらの指揮振りだったと思います。🎉ブラボー。日本🇯🇵からありがとう
What an excellent orchestra, with an excellent conductor
This performance of Beethoven (and all the others under Sr. Orozco-Estrada) are proof positive that South America is no vast wasteland musically speaking. I could point to numerous popular singers who prove the point by themselves, but also to Sr. Orozco-E. and Sr. Eras-Casado (never mind the composers Villa-Lobos and Piazzola). Numerous poets too. I am glad that HR is liberally represented here. Enhorabuena, JAT
나는 베토벤을사랑하고 존경한다 교양곡이 너무좋아 매일 듣는다
*1st movement
0:43 begins | 1:54 theme transition | 3:50 theme | 5:19 theme (more energetic) | 7:06 theme | 8:22 ending checkpoint | 8:57 close to end | *9:04 checkpoint | 9:23 ending notes |
2nd movement
10:02 begins | 11:12 theme | 12:57 theme | 15:41 theme |
3rd movement
17:41 begins
4th movement
21:21 begins
Chaque jour, j'écoute une œuvre interprétée par cet excellent orchestre et dirigée par ce chef dynamique, c'est toujours un ravissement ! Merci à vous !
I would love knowing if the Master himself ever heard such splendid orchestral playing.
I think he could hear it in his mind.
When he wrote his first symphony he heard fairly good.
vielen Dank... te amo Maestro Andre Orozco-Estrada... vielen Dank
I love Beethoven.
The start of a legend!!!
Diese Sinfonie ist mir vertrauter, als ich vermutet habe, habe diese Musik also schon öfter gehört, ohne zu wissen, welche Sinfonie das war.
Danke fürs posten, Gottes Segen euch! Jesus liebt euch so sehr!
Travolgente, spettacolare .... che dire di più ... una parola nuova .... da brividi
21:45 ❤❤❤ Kindheitserinnerungen. Da kommen mir die Tränen, so schön ist das.
World best music symphony my favorite only symphony orchestra world best Beethoven
La música clásica es una ayuda psicológica en estos tiempos de pandemia
Siempre!!!
de verdad !!
So true!
Orozco Estrada is the best for Mozart, Beethoven, Schubert.... Future may show what he will be the best for in addition to that. Long may he live and work and do his art for us. His tempi are the best. He is so comprehensive for those compositors. He makes them sing, dance, shout and dream directly in front of us. HR Symphonic Orchestra's Capacity of course is the best partner for this art. Thank You to the Orchestra and the Conductor!
Подяка музикантам!,Особливо духовикам!
Дерево-візитівка оркестру!
Бравіссімо!
One of my favorite Beethoven symphonies. Hard to believe this is Beethoven's first symphony. So unique and sophisticated. Also this reminds me of Shumann's Spring symphony.
Vln 1 has their spiccato/sautille game down tight. That finale is brutal on the violins. Unfortunately, they don’t get paid more for the difficulty factor 😂. Bravo violins.
Beautiful execution. Displays the energy and creativity of the master. I agree Sym No 1 is underrated. The performance has excellent audio and video. I had not seen Estrada before and was most impressed. His colorful style reminds me a bit of Carlos Kleiber
Primo monumentale composizione sinfonica prima sinfonia Ludwig Van Beethoven
Practicing marks:
I mov
11:18
13:52
15:45
16:35
III mov
19:50
Sehr klare und gut artikulierte Aufführung dieses echt klassischen Meisterwerks ohne überflüssige Dynamik oder Agogik. Das kompakte Orchester ist wirklich ausgezeichnet, und die rhythmische Leitung vom genialen Dirigenten ist einfach wunderbar.
haben wir dasselbe gehört ? das hier jedenfalls war Beethoven zum Abgewöhnen.
This conductor brings so much energy to every piece, but yet it’s well balanced. So enjoyable!!!!
Wow, da wird Beethoven ganz lebendig. Hut ab vor dieser Leistung und Interpretation! Bravissimo!! Und DANKE
Fellow music lovers. May I suggest another FANTASTIC performance by this orchestra and conductor; Creatures of Prometheus also by Beethoven. You will not be disappointed
Como sempre, Beethoven é maravilhoso ! Parabéns Andrés, parabéns orquestra.
Magnífica interpretación de esta maravillosa sinfonía. Los timbales, de lujo.
Buena interpretación. No sabía que Debussy tocara la flauta travesera.😉😉
Great! Precision and joy. Congratulations from Poland!
Thank you very much for this magnificent interpretation of this work of art.
I admire them ALL
Wahnsinn! Mit ordentlich Feuer an den Verstärkerausgängen schiesst mich diese Sinfonie jedes mal nahezu aus der Unterhose 🙃
Ja? Also mir geht es so bei den Rolling Stones.
@@klauskruger6187 Na dann hau rein 👍
Замечательный оркестр исполняет гениального Бетховена!
the 3rd movement is just so cleverly inventive, amazing!
This performance has brought life to this piece for me. Thank you. Spectacular.
I am no expert. Estrada is my favorite!
Superb! Both the orchestra and the conductor are just great!!!
I:
Exposition: 1:54
Reprise: 7:06
IV: 21:21
Love this orchestra and conductor so much!!!
Meraviglioso beethoven musica classica per orchestra completa
Yet another wonderful performance ! Thank you so much for sharing this great orchestra with TH-cam viewers all around the world.
Welcher Mensch, der noch alle beisammen hat, disliket dieses Video?!
Ich muss das wegen Schule hören und zwar noch drei weitere von Beethoven 😑
Die Anton Eberl Ultras
Maravilhoso! Espetacular! Greetings from Brazil 😃💚💛
Estoy acuerdo completamente!Saludos desde Ucraina,una de los paices que corren de la Union Sovietica.Siempre me gustaria su muzica ecpecialmente 9 simfonia!
In many ways Beethoven was discourage after this amazing yet different composition, first symphony’s for the era followed a strict pattern, Master Ludwig completely departed from this construction.
Muy bien maestro. La hizo sonar como en su estreno (la Imagino). Bravo!
Surely with Petrenko the best conductor at the moment because i am sure he created this wonderful Orchestra sound, quite close to perfection.
Que hermoso suena el comienzo, por dios ❣️
Obrigado amigos e amigas musicistas!
I like the fact that the recapituation is honoured
Als ich diese Sinfonie das erste Mal bewusst hörte, (das war vor ca. 55 Jahren), erinnerte sie mich sofort an Mozart.
Razor cut, sharp but not machine like ensemble like no other. Very impressive.
The camerawork is great
Bravo👏👏👏 phenomenal
Beethoven symphony No. 1 first preformed publicly in March 1795 (Wiki2020). It was his only published symphony in the Eighteenth Century as his other eight symphonies were after the year 1800.
Editors notes: After 6 months it has been found that my comment is inaccurate as is revealed in a further comment lower in the comments below. So please do not accept my first comment as factual. It is briefly left (if I ever get around to it again) so as not to remove the comments below before they have been read and my appology accepted as acknoledged. Sorry all. TY Elaine Blackhurst.
I'm guessing it's the first important symphony written after Haydn ?! But it's sounds totally different in style...
It does no service to anyone to write poorly researched comments, with factual errors, that do nothing but mislead readers.
Beethoven’s first symphony was first performed in Vienna on 2 April 1800; it was part of a big concert that included other music by himself, and works by Mozart and Haydn.
@@elaineblackhurst1509 Thank You very much. It appears after checking that you are right and my comment wrong. So thank you for pointing that out. I clearly miss read, or miss interpreted what was there for all to see. His first public preformance in Vienna was in March 1795 but that preformance was not a preformance of his first symphony. So my statement was wrong there. He apparantly had finished the composition's principle outline of his 1st symphony in March 1795 (From Wiki2021: 'It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795'). But that is not the same as preforming it publically. So yes. You are correct and my comment was clearly wrong. So sorry for my error.
@@MikeGreenwood51
No problem, my point was that it’s important to be factually disciplined.
One thing worth remembering with Beethoven generally, and the first symphony in particular, is that he didn’t publish anything until he was ready; from his arrival in Vienna in November 1792, he clearly still had much to learn.
The Opus 1 piano trios, Opus 2 piano sonatas, Opus 18 string quartets and Symphony 1 for example when they did appear, were all I think startlingly new, more so than they are often credited to be.
You are quite right that in some of his earliest published works, he occasionally used older sketches - he did so also with the slow movement of the f minor piano sonata Opus 2 No 1 which I think is slightly old-fashioned and Mozartian - but generally speaking, Beethoven is clearly a new voice.
Magnífico !
capolavoro classico
Orozco makes these symphonies always sound sooo energetic!
Fabulous!!!!
I've always wondered if the conductor does much during the actual concert. I understand his role in rehearsal and interpreting the music, but nobody but the audience seems to look at him. Explanations welcome 🙂
Remember, even if it doesn't seem like the orchestra is looking at them, they always are via peripheral vision. No matter how easy a piece is, no matter how well-rehearsed, a full orchestra will always fall apart without a conductor. Even if you aren't directly looking, it's very easy to see the conductor while focusing on the music, and usually, people are paying more attention to the conductor anyway since they're rehearsed enough to get the music. The conductor is also extremely important to an orchestra because light travels faster than sound. In an ideal concert hall, with the ideal seating arrangements, the sound goes towards the audience. If you're at the back of the orchestra, the sound of the people at the front will travel all the way to the back of the concert hall before reaching your ears. It sounds ridiculous due to how fast we think sound travels, but it's much slower than we think. Especially if it was a huge concert hall, there would be at least 1-2 seconds of delay for the players at the back. This makes listening a hugely ineffective way for an orchestra to be together, the conductor is hugely important to an orchestra, even at the concert when everyone is already well rehearsed.
@@stephenwu1524 Right. Not to mention the dynamics the conductor reiterates.
@@harryhagan5937 Really, the conductor does a lot of stuff. Think about it this way, an orchestra is just a really big instrument, and the conductor is the one playing it. He controls everything from dynamics to phrasing, to tempi changes, to general interpretation, etc. Anything an instrumentalist could do on their instrument a conductor can do with a well-trained orchestra. What I said before was mostly just a general overview of why conductors are still important, not even close to everything.
@@stephenwu1524 Yes. I know. Thx.
They watch him. They know when to glance up.
Bravo! So good! :-)
Natural horns and trumpets, hell yeah
obrigada! bravo!
Happy birthday！
Brilliant 👍
Beethoven's First Symphony contains an array of fresh, unprecedented sounds and rhythms, especially compared to his Second, which in its own way, is a wonderful piece as well, yet it never quite feels like an evolution from his First. Sometimes I've wondered. . .Was Beethoven's Second Symphony really his original FIRST, before mid- composition, he'd unexpectedly stumbled upon a voice so unique from both Haydn and Mozart, that he discarded it, and began composing a new revolutionary work that would eventually become his official Symphony #1, while returning to that first project and making it his Symphony #2?
Certainly not, imo. The beginning of 2nd alone is more mature and refined than whole 1st is. Also, 2nd unmistakingly Beethoven's while 1st sounds like kinda competent symphony written not necessarily by Beethoven. I have listened both back to back and 1st sounds even kinda empty compared to 2nd.
From 21:46 = the concluding chorus in Handel’s ‘Ariodante’ 🤓
Pray tell how it was possible for Beethoven in 1800 to know the concluding chorus of Handel’s Ariodante.
Io la uso per fare i compiti mi divertito di più
Aha! Da hat es jemand geschafft die Musiker dazu zu bewegen Inventionstrompeten und Naturhörner zu spielen.
Bei uns in Bonn ist der vorherige GMD mit seinem Vorstoß am Widerstand der Musiker gescheitert.
Супер!!!!!
베토벤의 교양곡이 9 그이외에 서곡 피아노 다방면으로 많은 곡들이 있는바 음악공부 의 스승은 누구였을가 알고싶네요 현시대는 베토벤을 배우고 있는대 말이죠
The second movement is pure Haydn. The whole symphony is firmly in that style
Hermoso, pero es extraño que ese último atril de los 2s violines este detrás de un atril de la violas.... ¿No había más lugar?
Ruhuma renk kattı
colored my soul
Just 30 min 😮
🔥🔥🔥💪❤️💎
2:08 4:10 17:40 18:10 20:45 21:43
I played in it, I was the man with no hair
26:05 🙏🏻
I have an earworm from what I think to be a beethoven orchestra work. But I only remember this instant where the whole orchestra plays this fanfare unisono with the timpanies rolling on the long second notes. They are fourths, slowly, thriumphant. Like tadaaa tadaaa tadatadatadaaaa! (C-F-- C-F-- CFCFCF---...) Does anyone know what I mean?
👍👍👍👍👍👍👍👍👍👍
if anyone knowledgable sees this comment let me know what you think are the celli & basses at 25:16 on pizzicato or is it just staccato arco (spiccato or something)
It's arco. I'm playing this symphony now and it's not hard to do.
18:45 19:50
21:46
❤