I'm new to audio so I'm still learning. Recorded this NOT planned interview with the iphone 15 Pro Max and not with 32-bit float audio. Sean talked about 32-bit float audio while using a 48kHz/24bit wireless audio. I will not be using non 32 bit audio recorders ever again as I get way to excited and my voice really needs 32 bit float to bring down the gains. This was an iPhone recording so I apologize.
Current prices for the LUMIX GH5S and the LUMIX GH7 (without the ARRI LogC3) are only $100 difference on B&H Photo Video website. Having fewer but larger pixels than the GH5, the GH5S has dual-native ISO, wider dynamic range and very good low-light performance. I wonder if there will be a LUMIX GH7S with fewer but larger pixels (say, 18MP), even wider dynamic range (perhaps 14+?) and even better low-light performance (compared to the GH5S), and come with dual-native ISO? If the trade-off is no in-body image stabilization, I would still go with a GH7S.
Thank you. It wasn't a planned video so it was just my iPhone and cheap wireless audio. Plus, my excitement is genuine which does blow out the non 32 bit audio.
I'm just an end user that gets way excited around new gear plus I was exhausted from three days at Cine Gear Expo. I hope you got something through my effort. Thank you for watching.
Thank you. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit float recorders ever again!!!
100% as my voice is very loud. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit audio recorders ever again. This was an iPhone recording so I apologize.
I don’t care how good you imagine the camera is, it’s a micro 4/3… So in low light it will suck and the blacks will be noisy. If this was a full frame camera I would be buying it in a heartbeat. Micro fourth third sucks… Whether you believe that or not
I'm new to audio so I'm still learning. Recorded this NOT planned interview with the iphone 15 Pro Max and not with 32-bit float audio. Sean talked about 32-bit float audio while using a 48kHz/24bit wireless audio. I will not be using non 32 bit audio recorders ever again as I get way to excited and my voice really needs 32 bit float to bring down the gains. This was an iPhone recording so I apologize.
Current prices for the LUMIX GH5S and the LUMIX GH7 (without the ARRI LogC3) are only $100 difference on B&H Photo Video website. Having fewer but larger pixels than the GH5, the GH5S has dual-native ISO, wider dynamic range and very good low-light performance. I wonder if there will be a LUMIX GH7S with fewer but larger pixels (say, 18MP), even wider dynamic range (perhaps 14+?) and even better low-light performance (compared to the GH5S), and come with dual-native ISO? If the trade-off is no in-body image stabilization, I would still go with a GH7S.
Thank you for your comment.
Great Show.🎉Thank You
Thank you. It wasn't a planned video so it was just my iPhone and cheap wireless audio. Plus, my excitement is genuine which does blow out the non 32 bit audio.
Finally companies doing what sony has been doing for years
Looking forward to your sharing of materials, :)))
Arri Log!!! So nuts!
Big time. I hope LUMIX gets more ARRI Log licenses on their full frame cameras.
Love the end sequence 😅
Great and interesting conversation
Thank you.
Interesting conversation
I'm just an end user that gets way excited around new gear plus I was exhausted from three days at Cine Gear Expo. I hope you got something through my effort. Thank you for watching.
So we cannot use the XLR2 32bit float on any Lumix cameras apart from the GH7?
The video about camera with 32bit recording and it's clipping so badly, you can't listen to this... Guys...
Thank you. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit float recorders ever again!!!
talking audio... fix your levels. 32BFloat seems to be your saviour.
100% as my voice is very loud. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit audio recorders ever again. This was an iPhone recording so I apologize.
Sean might be a Californian ?
Austin Texas. Very calm compared to my excitement and 100% in need of 32 bit float
31:36 Lost focus and did not recover for a while.😲
Sorry, I'm a Sony user and my first time using a LUMIX camera. Not the cameras fault, user error.
My guess is that the MF clutch was engaged by mistake - happened to me once with an Olympus Lens...
If you want perfect focus all the time, buy a Sony.
I don’t care how good you imagine the camera is, it’s a micro 4/3… So in low light it will suck and the blacks will be noisy. If this was a full frame camera I would be buying it in a heartbeat. Micro fourth third sucks… Whether you believe that or not