He would be quite startled and even appalled to be referred to as God, quickly giving all the credit and glory to the True God who simply worked through him to create such heavenly music
no: it isn't a fact. It's just your evaluation. According to your (abused) metaphor, "Western Classical Music" is a polytheistic religion. Bach is one among others, in a prominent position, of course, but not less than, let's say Monteverdi, Mozart, Machault, Beethoven, Debussy and others I won't mention here.
Chi ha detto che Bach è "freddo", "troppo intellettuale" etc. etc. non ha ascoltato queste esecuzioni: intenso, trascinante, eppure rigoroso. Grazie, grazie, grazie!
La musica da allora non è stata polifonica ma omofonica e l'accordo arpeggiato e in particolare nelle fughe con i suoi cicli di 3a 4a e 5a e da relativa chiave maggiore a relativa minore o viceversa è il leitmotiv di un genere di media illuministi ( TV Film), che rappresenta una visione molto razionalista e limitata del periodo ma produce anche pregiudizi. Organo e Clavicembalo hanno anche un tono molto meno variabile rispetto al pianoforte, quindi la nostra visione del Barogue è colorata dal progresso della strumentazione del periodo romantico. Il libro Godel, Escher Bach e le successive ripetizioni della natura "matematica" di Bach si cementano nella psiche pop, ma TUTTA la musica è matematica.
... my impression is alike, not only for the cello partitas but even for the violin solo partitas | sonatas by JSB. been part of my musical survival pack on iphone for yrs (in rec. with hopkinson smith, that is). actually, I'm a keyboard instrumentalist (esp. clavichord) - where 'lute-esque' take on striking chords is (to my taste) a nice way to avoid 'drumming' small soundboards with too many strings plucked at once... needless to say, I sincerely appreciate having found yt-vid.s as above by this lutenist. great stuff.
@@2010georgian1 are you sure about first ?! as far as I recall, jsbach and slweiss, the then 'official court lutenist' in dresden - whilst being of almost same age - personally knew and appreciated each other. and with such regard, jsbach would then have been fully aware of what was possible to be done by masters on lute of his time (i.e. a 'baroque' one, seen from today). but maybe, they both only met later than time of origin of compositions above. in leipzig however, in jsbach's immediate circles, chitarrones | players may not have been present in abundance (other than on eg italian courts | more relevant opera houses), I'd guess...
This is just as good as Bach playing gets, on any instrument or ensemble. It is not possible to surpass Ms. Mascardi's feel for and mastery of this complex, inward utterance of the greatest composer. Casals had nothing on her. Even more than the cello, the lute with bass courses grants this music the unapproachable, unfathomable dignity in which it was conceived. Magnificent. As good as it gets. The _Sarabande_ of this/BWV1011 may well be the most esoteric and subtle, and one of the deepest and most affecting, of all the movements of Bach.
It's the subtlety with which she approaches her interpretations of volume, tempo, timbre and tone as well as a profound understanding of the whole composition and the rest of Bach's oeuvre that is to me what marks her as true genius. From the opening notes to the reverberating last string plucked there's absolutely nothing to disagree with or are we even listening critically... we're lost in the music floating along happily in the currents. I am pleased to see so many agree with me/us as well.
I’m trying to add up the years it took and the hours of practice it takes to become a virtuoso like this. There would never be enough time unless there was some innate grasp of the music and the inspiration of the compositions to inspire that time.
I have said this before, it bears repeating. Every time I hear her playing a piece or suite I have known for many years it is still like hearing it for the first time. If only she would come and perform in New Zealand, which is where I live, then I would be there like a shot.
. . . Where in New Zealand are you?.. It is such a long way. Which would be your nearest concert venue? I was down your way a decade ago looking for such venues from Auckland to Dunedin - 'scarce' best described my findings .
@@donaldcook3112 - In Auckland there is the Aotea Centre which includes the Kiri Te Kanawa Theatre seating 2000 and the Herald Theatre which seats about 80 - 100. Adjacent to the Aotea Centre is the Auckland Town Hall which seats about 1500. (Julian Bream and John Williams have both performed there.) A venue called Dolphin Theatre is an intimate theatre seating 119. There is a flexible seating venue called The Factory Theatre seating up to 100. In West Auckland there is a performance venue called TAPAC. It is flexible seating from between 120 and 160 depending on the configuration. In East Auckland there is a venue called Howick Little Theatre, seating about 80 with flexible seating. In Wellington there are also other small venues, but the largest would be the Michael Fowler Centre which seats just over 2000. Christchurch also has a town hall suitable for classical performances. I cannot comment on Dunedin.
An extraordinary performance on an incredibly demanding instrument, but what a wonderful period sound, I feel sure Johanne Sebastian would have been impressed.
I recently started to learn the prelude wich by itself is so demanding that I don't expect to master it within 4-6 months or maybe a year of practice. That she plays the whole piece by memory indicates that she also had to practice it a long time. She makes it look so easy but this performance is only possible with years of dedication and hard work!
Evangelina Mascard is unique and creative lutist. Evangelina certainly seems to have her own inner world. It will be the love of Bach and lute. It is elaborate and enthusiastic performance.
I keep checking back at the video to see if she’s playing woodwind because of all the breath work. 🙂 it’s ok. It adds something interesting to the music ❤
.ok, am an amateur horn player found some music for horn and it is a book of cello suites... played a couple of sarabands, dances and when it came to suite 5 my excitement changed to despair, i turned to cellists now lute. This, playing on a lute is definitely the most courageous and one of my favorite. Courante on cello is usually overexpressed but here in the favor of dance I am able to hear constant like trotting pace which makes perfect marriage to other dances of this suite. Beautiful musicianship.
The years of practice and dedication to reach this level have always impressed me, and I appreciate that someone is willing to give up years of their life to create beautiful music. Thank you.
She is not giving up anything - this IS her life. It IS life. I don't know if you understand ? It is when playing that she lives. Mundane life is trifling and dull !
@@sunnyland3952 Eh, that might be overdramatizing it a little. What she does is 99% hard work and dedication. This isn't her life any more than your job is your life. This just happens to be where her attention has been placed in order to gain mastery. What she does is phenomenal, and she is obviously passionate about it. However, we are much more than something we engage in. The OP was correct- she has given up years to create this and will give up more. A sacrifice doesn't have to be negative- it just takes from other areas.
Very rewarding to watch and listen to this lovely recital. Excited just to see a baroque lute being played so brilliantly by Ms. Mascardi. The instrument is beautiful and exciting to behold and the event is nicely filmed and recorded. Ms. Mascardi plays so deftly one can easily follow her movements. Delightful! Thank you for sharing this recital with us all.
Ormai le Suite per liuto di Bach eseguite da Evangelina Mascardi, sono diventate per me un punto di riferimento per valutare altre versioni di altri liutisti e chitarristi ma, purtroppo, non sono ancora riuscito a trovare di meglio. Forse la questione è che ci si deve accontentate della perfezione! Grazie per questi capolavori Bachiani e per le tue interpretazioni impeccabili sotto tutti glia aspetti, tecnici ed espressivi; non aggiungo altro per non diventare pesante ma ciò che ho detto non sono esagerazioni, anzi!
Dici bene, è vero, ottima esecuzione, eppure la versione del 1974 di Narciso Yepes per Deutch Grammophon (non altre) è davvero ancora bellissima, eseguita in modo pressoché perfetto e registrata in studio in modo da esaltare ogni sfumatura dello strumento.
@@matteogazzolo1 Hai tirato fuori un'altra grande versione. Narciso Yepes, penso che eseguisse questa suite ed altre di Bach con una chitarra a 10 corde. Credo che non sia giusto fare un confronto tra le due versioni perché si ha a che fare con due strumenti diversi e poi quella della Mascardi è live, mentre quella di Yepes è in studio; mi ha stupito la Mascardi che in quasi mezz'ora non ha avuto mai un cedimento. Non per essere un patito della "filologia" ma a me personalmente a parità di bravura, emoziona più una versione con il liuto che con la chitarra. Yepes comunque è fantastico e questa versione del '74 è straordinaria, perciò ti ringrazio per averlo citato e a permettere eventualmente ad altri di ascoltare uno dei più grandi chitarristi del '900.
I agree with you very much. His level is so high, in everything, that it is almost impossible to find versions that come close to the quality of his interpretations.
Даже её лицо, внешность как нельзя лучше подходят для музыки Баха, отмечены харизмой (печатью Святого Духа). Это невероятное соответствие. Это кроме изумительного исполнения на лютне. Громадное спасибо замечательной лютнистке! Приходите и к нам на канал послушать и посмотреть, как мы поём и играем музыку Баха, барокко и другую.
This performance rocks. Skillful, persuasive, and emotionally engaging. I love this suite dearly, but few performances have kept me on the edge of my seat like this one.
La magnífica interpretación de Mascardi hace resaltar el ingenio de Bach, cada voz clara, independiente y a la misma vez colaborando con las demás para darnos una composición para todos los siglos. Evangelina, eres inolvidable!
Every video I've seen of this woman is incredible. She must be the best lute player of our time.
. . . Yes, must be.
Agreed, I would love to see her live
Yes, I feel the same. Never seen such a passionate performer for baroque music like her.
I agree wholeheartedly!
She and Xavier Diaz Latorre is the best
Fabulous. Such a gifted artist reaching back into history on a beautiful instrument.
I have listened to cello version of this piece tens of times. Sounds angelic.
Thanks a lot
Incredible. Here is a person who has never missed her 38 hours of practice each day
Divina!
All the 38 hour days doesn't obscure the fact you have to have aptitude to play this well.
Angels only practice on stage, and the rest of time, they just fly into heaven.
There are only 24 hours per one day. Anyway, she is a great artist, 38 or 24 hours...
One hour per string
This is what's called "playing by heart."
Breathtaking
thank you
Thanks!
thanks to you for the support
Thank you Evangelina for making our lives more worth living!
Top 99%+
I love listening to her play
Magical !!!
Bach ed Evangelina Mascardi, la perfezione. Mille volte grazie.
Add my voice too. Mille grazie.
Gràcies per el vídeo. Bravo.
This is the one Bach piece i've learnt on classical guitar. But this takes on another level. Learnt a lot by listening it
OUR QUEEN IS BACK AND BOI IS SHE SLAYING
Thank you for bringing her performances to youtube. What a treasure.
I was going to say that they could chose a better thumb nail picture, then I found out I was wrong.
Johann Sebastian Bach is the God of Western Classical Music and that’s a fact
He would be quite startled and even appalled to be referred to as God, quickly giving all the credit and glory to the True God who simply worked through him to create such heavenly music
no: it isn't a fact. It's just your evaluation. According to your (abused) metaphor, "Western Classical Music" is a polytheistic religion. Bach is one among others, in a prominent position, of course, but not less than, let's say Monteverdi, Mozart, Machault, Beethoven, Debussy and others I won't mention here.
Chi ha detto che Bach è "freddo", "troppo intellettuale" etc. etc. non ha ascoltato queste esecuzioni: intenso, trascinante, eppure rigoroso. Grazie, grazie, grazie!
Magnifico questo commento, mi è quasi scesa una lacrima 💜
😇🫴🏼🎸🎵👏🏼😇
Molti sentono ma pochi ascoltano.
La musica da allora non è stata polifonica ma omofonica e l'accordo arpeggiato e in particolare nelle fughe con i suoi cicli di 3a 4a e 5a e da relativa chiave maggiore a relativa minore o viceversa è il leitmotiv di un genere di media illuministi ( TV Film), che rappresenta una visione molto razionalista e limitata del periodo ma produce anche pregiudizi. Organo e Clavicembalo hanno anche un tono molto meno variabile rispetto al pianoforte, quindi la nostra visione del Barogue è colorata dal progresso della strumentazione del periodo romantico. Il libro Godel, Escher Bach e le successive ripetizioni della natura "matematica" di Bach si cementano nella psiche pop, ma TUTTA la musica è matematica.
e la signora è una grande grande artista.
Very elegant and with a refined sense of fire.
La présence du grand Jean Sébastien tangible sous les doigts d Evangelina et de son magnifique instrument .
Un moment de grâce. ..
Sublime. Performance to be preserved for the ages. Thank you.
Thank you Carlos
th-cam.com/video/oaU73hOKrK8/w-d-xo.html
I’m a cellist and have to say that this suite is much better suited to the lute than the cello. Beautiful playing!
I agree though i love the cello.
It was originally written for Chittarone but bach re wrote it for Cello also, and Clavichord
Splendidamente giocato! Che padronanza del tuo strumento! È meraviglioso vederti giocare con tanta gioia! Mille grazie!
... my impression is alike, not only for the cello partitas but even for the violin solo partitas | sonatas by JSB. been part of my musical survival pack on iphone for yrs (in rec. with hopkinson smith, that is). actually, I'm a keyboard instrumentalist (esp. clavichord) - where 'lute-esque' take on striking chords is (to my taste) a nice way to avoid 'drumming' small soundboards with too many strings plucked at once... needless to say, I sincerely appreciate having found yt-vid.s as above by this lutenist. great stuff.
@@2010georgian1 are you sure about first ?! as far as I recall, jsbach and slweiss, the then 'official court lutenist' in dresden - whilst being of almost same age - personally knew and appreciated each other. and with such regard, jsbach would then have been fully aware of what was possible to be done by masters on lute of his time (i.e. a 'baroque' one, seen from today). but maybe, they both only met later than time of origin of compositions above. in leipzig however, in jsbach's immediate circles, chitarrones | players may not have been present in abundance (other than on eg italian courts | more relevant opera houses), I'd guess...
great, this is the nectar of bach's lute works
This is just as good as Bach playing gets, on any instrument or ensemble. It is not possible to surpass Ms. Mascardi's feel for and mastery of this complex, inward utterance of the greatest composer. Casals had nothing on her. Even more than the cello, the lute with bass courses grants this music the unapproachable, unfathomable dignity in which it was conceived. Magnificent. As good as it gets.
The _Sarabande_ of this/BWV1011 may well be the most esoteric and subtle, and one of the deepest and most affecting, of all the movements of Bach.
It's the subtlety with which she approaches her interpretations of volume, tempo, timbre and tone as well as a profound understanding of the whole composition and the rest of Bach's oeuvre that is to me what marks her as true genius. From the opening notes to the reverberating last string plucked there's absolutely nothing to disagree with or are we even listening critically... we're lost in the music floating along happily in the currents. I am pleased to see so many agree with me/us as well.
just calm down
@@mopsydaisy What an odd thing to say! You think my tremendous esteem for this first-rate musicianship is misplaced?
Love You!!! Love!!! My Friend!!! Thank You!!!! V
❤
@@evangelinamascardiofficial4766 LOVE LOVE V
Can you imagine being her lute tech? Tuning would be an all-day job.
Bravo Bravo Bravo!
The gavotte is among Bach's finest compositions, and also a great favourite of classical guitarists.
super!
I’m trying to add up the years it took and the hours of practice it takes to become a virtuoso like this. There would never be enough time unless there was some innate grasp of the music and the inspiration of the compositions to inspire that time.
That was lovely. She is so incredibly skilled and you can see how she just loves the music 🎶 🎵
Bravo Evangelina!!! Bravíssima!!!
The texture she gives to lute is great, the best performance 👏👏👏
she is amazing!
Muchas gracias, tack så mycket Evangelina 🙏
I’m an organist, and I’m blown away by her virtuosity and musicality. Wow!
Buon Appetito
Er… what?
Merry Christmas
This woman is amazing! Great Evangelina! Regards from Argentina
ella es argentina capo, orgullo nacional desconocido
Most beautiful - what a great find - and 36 hours a day is not enough to play like this
sweet rhapsody! thank you mam!
She is a very talented, and moreover a very worthy woman. This is music, firstly because she owns a good soul.
Nice compliment..thanks a lot
I have said this before, it bears repeating. Every time I hear her playing a piece or suite I have known for many years it is still like hearing it for the first time. If only she would come and perform in New Zealand, which is where I live, then I would be there like a shot.
. . . Where in New Zealand are you?.. It is such a long way. Which would be your nearest concert venue? I was down your way a decade ago looking for such venues from Auckland to Dunedin - 'scarce' best described my findings .
@@donaldcook3112 - In Auckland there is the Aotea Centre which includes the Kiri Te Kanawa Theatre seating 2000 and the Herald Theatre which seats about 80 - 100. Adjacent to the Aotea Centre is the Auckland Town Hall which seats about 1500. (Julian Bream and John Williams have both performed there.) A venue called Dolphin Theatre is an intimate theatre seating 119. There is a flexible seating venue called The Factory Theatre seating up to 100. In West Auckland there is a performance venue called TAPAC. It is flexible seating from between 120 and 160 depending on the configuration. In East Auckland there is a venue called Howick Little Theatre, seating about 80 with flexible seating. In Wellington there are also other small venues, but the largest would be the Michael Fowler Centre which seats just over 2000. Christchurch also has a town hall suitable for classical performances. I cannot comment on Dunedin.
Bach esalta ogni strumento
vero
E che bello sentire alla fine il sospiro di sollievo di Evangelina !
Ahahah mi ha fatto sorridere
😂
An extraordinary performance on an incredibly demanding instrument, but what a wonderful period sound, I feel sure Johanne Sebastian would have been impressed.
Si no lo veo no lo creo. Cuánta belleza y cuánta y qué extremada precisión en la interpretación de Bach de esta mujer.
I recently started to learn the prelude wich by itself is so demanding that I don't expect to master it within 4-6 months or maybe a year of practice. That she plays the whole piece by memory indicates that she also had to practice it a long time. She makes it look so easy but this performance is only possible with years of dedication and hard work!
It takes long but is a nice work!
The best music never dies...
Another simply sublime performance.
Evangelina simplemente impecable eres una exelente interprete de Bach bravo
Evangelina, my heart is on fire, as guitarist, when I realise, that this is possible on our earth! Thank you for warming me! 💫
❤
The breathing and articulation is just unparalleled. Thanks for this gift.
Thanks a lot
A lifetime of work I m very touched
Evangelina Mascard is
unique and creative lutist.
Evangelina certainly seems to have her own inner world.
It will be the love of Bach and lute.
It is elaborate and enthusiastic performance.
thanks a lot
Thank you for your kindness
and consideration
C est merveilleux, Bach , d où il est, il doit être fier.
You are divine
I`m from Ukraine and always looking forward for your new video. J. S. Bach helps to live inside the flame we are. Thank you
the problem with Evangelina is that she is proRussian, sadly.
@@Roman-Turovsky I didn`t know.... so sad...
Evangelina, I will remember that name forever
❤
Support this wonderful woman and musician. Purchase her CD!
Yesss!
@@mariaevangelinamascardi7919
Thank YOU for your skills and passion. It is that combination that makes great musicians and great music!!
Where is it available for sale?
@@theodosios2615 I purchased mine at Amazon. I am in North America
@@alexkiddie2022 . . . Search out independent stores ... and gladly pay a few schekels more - I do. Fuck 'Amazon' -
the g r e e d purveyors .
Una delizia per le orecchie e per l'anima. Grazie Evangelina e grazie Bach!
🎉
Marvellous rendition.
Beautiful instrument
Чудове вмконання!
Grazie
This was unbelievable. A masterful performance that I will be listening to for a long time to come. Thank you!
Gran registro.. una obra esperada, de calidad impresionante. 5:30 esos bajos estremecen el alma.
I keep checking back at the video to see if she’s playing woodwind because of all the breath work. 🙂 it’s ok. It adds something interesting to the music ❤
Gracias por mostrarnos este tesoro. Evangelina , una MAESTRA!
A D O R O !
🎉
.ok, am an amateur horn player found some music for horn and it is a book of cello suites... played a couple of sarabands, dances and when it came to suite 5 my excitement changed to despair, i turned to cellists now lute. This, playing on a lute is definitely the most courageous and one of my favorite. Courante on cello is usually overexpressed but here in the favor of dance I am able to hear constant like trotting pace which makes perfect marriage to other dances of this suite. Beautiful musicianship.
🙏
fantástica! un placer escuchar y ver tocar a Evangelina. Bach en su dimensión absoluta
Makes me glad to be human
The years of practice and dedication to reach this level have always impressed me, and I appreciate that someone is willing to give up years of their life to create beautiful music. Thank you.
She is not giving up anything - this IS her life. It IS life. I don't know if you understand ? It is when playing that she lives. Mundane life is trifling and dull !
@@sunnyland3952 Eh, that might be overdramatizing it a little. What she does is 99% hard work and dedication. This isn't her life any more than your job is your life. This just happens to be where her attention has been placed in order to gain mastery. What she does is phenomenal, and she is obviously passionate about it. However, we are much more than something we engage in. The OP was correct- she has given up years to create this and will give up more. A sacrifice doesn't have to be negative- it just takes from other areas.
титаническая работа... и всё время с закрытыми глазами и от всего сердца.
Incredible how she plays all of these pieces from memory. impressive musician.
Grazie
This work reminds me of some of Louis Couperin's harpsichord preludes. So free. Beautiful playing!
So rare to see someone playing the musical piece, as opposed to the instrument. Immacuately recorded as well. Grazie and brava to the performer!
Beautiful music and performance, thank you dear friend 👏 I wish you a good weekend
bravo。
Lento beautiful played in the spirit of J S Bach, compliments, you are a wonderful mucical woman, thank you!
美しい…
14コースですね
Very rewarding to watch and listen to this lovely recital. Excited just to see a baroque lute being played so brilliantly by Ms. Mascardi. The instrument is beautiful and exciting to behold and the event is nicely filmed and recorded. Ms. Mascardi plays so deftly one can easily follow her movements. Delightful! Thank you for sharing this recital with us all.
Meravigliosa Evangelina! 💜
Abbiamo due nomi molto simili ☺️
É vero!
Fantastic.... Gerade am Abend zum Entspannen. Dabei sehr klasse dargeboten.
I love to listen to you play and your music choices. I don't know how you can do it, but please keep doing it. :)
I'll do!
최고의 류트 연주자인 그녀의 연주를 이렇게 고화질 고음질로 즐길 수 있게 해주셔서 감사합니다.
que maravilla. Marvin costa rica
Ormai le Suite per liuto di Bach eseguite da Evangelina Mascardi, sono diventate per me un punto di riferimento per valutare altre versioni di altri liutisti e chitarristi ma, purtroppo, non sono ancora riuscito a trovare di meglio. Forse la questione è che ci si deve accontentate della perfezione! Grazie per questi capolavori Bachiani e per le tue interpretazioni impeccabili sotto tutti glia aspetti, tecnici ed espressivi; non aggiungo altro per non diventare pesante ma ciò che ho detto non sono esagerazioni, anzi!
Perfettamente d'accordo con lei, sig. Lamborghini.
Dici bene, è vero, ottima esecuzione, eppure la versione del 1974 di Narciso Yepes per Deutch Grammophon (non altre) è davvero ancora bellissima, eseguita in modo pressoché perfetto e registrata in studio in modo da esaltare ogni sfumatura dello strumento.
@@matteogazzolo1 Hai tirato fuori un'altra grande versione. Narciso Yepes, penso che eseguisse questa suite ed altre di Bach con una chitarra a 10 corde. Credo che non sia giusto fare un confronto tra le due versioni perché si ha a che fare con due strumenti diversi e poi quella della Mascardi è live, mentre quella di Yepes è in studio; mi ha stupito la Mascardi che in quasi mezz'ora non ha avuto mai un cedimento. Non per essere un patito della "filologia" ma a me personalmente a parità di bravura, emoziona più una versione con il liuto che con la chitarra. Yepes comunque è fantastico e questa versione del '74 è straordinaria, perciò ti ringrazio per averlo citato e a permettere eventualmente ad altri di ascoltare uno dei più grandi chitarristi del '900.
I agree with you very much. His level is so high, in everything, that it is almost impossible to find versions that come close to the quality of his interpretations.
beh, Hoppy non se l'è cavata così male direi...
Anche nelle versioni delle sonate e partite per violino, sublimi.
Mascardi, eres fantástica ¡Bravo!
gracias
Muchas gracias
Wonderful to see and hear
Celeberrima suite del grande Bach eseguita da una virtuosa del liuto come Evangelina...👏👏👏👌👌👌👍👍👍👍
Quel sentimento profondo plasmato per una interpretazione organica molto umana; articolazione e agogica sorprendente.
This just blows me away . . . she's amazing on that thing!
😂
Даже её лицо, внешность как нельзя лучше подходят для музыки Баха, отмечены харизмой (печатью Святого Духа). Это невероятное соответствие. Это кроме изумительного исполнения на лютне. Громадное спасибо замечательной лютнистке!
Приходите и к нам на канал послушать и посмотреть, как мы поём и играем музыку Баха, барокко и другую.
Im relistening! Such exquisite playing!
Grazie
Sweetness from the deep.
Espectacular, especialmente la Gavotte, que es mi movimiento favorito de la Suite
One of my favorite works by Bach. Beautiful real music from eternity!
This performance rocks. Skillful, persuasive, and emotionally engaging. I love this suite dearly, but few performances have kept me on the edge of my seat like this one.
Thanks a lot
Interprete Argentina asombrosa
❤
La magnífica interpretación de Mascardi hace resaltar el ingenio de Bach, cada voz clara, independiente y a la misma vez colaborando con las demás para darnos una composición para todos los siglos. Evangelina, eres inolvidable!
Muchas gracias
Beautiful music. Must be nightmare to tune that thing 😊
😂
Bravissima!! Bach immenso! Spero di esserci a Milano ad agosto per sentirti dal vivo!! 👏🏻