The shot at that old man, who is always there, when there are scenes at the restaurant, after Tony says "Change ain't good" Is quite smart, in my point of view.
@@LeonandMathilda He is probably a southern Italian immigrant, like Léon. In a cosmopolitan city, the tendency is, in communities like, for exemple, Little Italy itself, for the old people to stay in the neighborhoods their people have built, instead of "integrating" into the rootless metropolis that surrounds said community. The relation I've made, from Tony's words, with the old man is that he is always there, in that corner of the restaurant, thus, not making any changes in his life. Much like Léon would probably always be taking new jobs from Tony, in that very restaurant, had Mathilda not came along. One other thing that I find interesting, also, is that Léon is, practically, a post-modern "Bounty Hunter". His immitation of John Wayne, as a cowboy, reinforces this, in my point of view.
Change in this job, and changing like Leon did is a pure suicide. Caring about a children, laughing again like never have maked, this things change a killer in the level of Leon, not a weakeness because of Mathilda, but a weakness in a heart, Leon is a human weapon in the beginning of the movie, never guard down, but meeting Mathilda all's have changed.
When growing up Me and my mates would recite quotes from this film But most especially Tony's scenes YOU WERE STILL WET BEHIND THE EARS CHANGE AINT GOOD LEON ONE THINGS GOT NOTHING TO DO WITH ANOTHER and my all time favourite LIKE A BANK NOTHING TO READ 📄 NOTHING TO WRITE ✍🏾 NOBODY KNOCKS OFF OLD TONY 😂
What a scene, and great foreshadow, the dialogue in this film is such a masterpiece.
The shot at that old man, who is always there, when there are scenes at the restaurant, after Tony says "Change ain't good" Is quite smart, in my point of view.
I always ask myself who is that old man.
What's your interpretation of the old man with Tony's words?
@@LeonandMathilda He is probably a southern Italian immigrant, like Léon. In a cosmopolitan city, the tendency is, in communities like, for exemple, Little Italy itself, for the old people to stay in the neighborhoods their people have built, instead of "integrating" into the rootless metropolis that surrounds said community. The relation I've made, from Tony's words, with the old man is that he is always there, in that corner of the restaurant, thus, not making any changes in his life. Much like Léon would probably always be taking new jobs from Tony, in that very restaurant, had Mathilda not came along. One other thing that I find interesting, also, is that Léon is, practically, a post-modern "Bounty Hunter". His immitation of John Wayne, as a cowboy, reinforces this, in my point of view.
Change in this job, and changing like Leon did is a pure suicide. Caring about a children, laughing again like never have maked, this things change a killer in the level of Leon, not a weakeness because of Mathilda, but a weakness in a heart, Leon is a human weapon in the beginning of the movie, never guard down, but meeting Mathilda all's have changed.
0:42
That smile
😆😆😆
When growing up
Me and my mates would recite quotes from this film
But most especially Tony's scenes
YOU WERE STILL WET BEHIND THE EARS
CHANGE AINT GOOD LEON
ONE THINGS GOT NOTHING TO DO WITH ANOTHER
and my all time favourite
LIKE A BANK
NOTHING TO READ 📄
NOTHING TO WRITE ✍🏾
NOBODY KNOCKS OFF OLD TONY
😂
0:56