"Exclusive Access" post available: Quartal Voicings (Dorian) If you are a member you'll find a link to the download in our membership tab. Or become a member today th-cam.com/channels/BCch4Wd-JAuyURvmmA1oyQ.htmljoin for an ever expanding library of music resources.
Your videos on jazz are simply the best. I know it's not a competition, but, as a pop and rock pianist, I watch jazz lesson videos as inspiration to become more dedicated to expanding my Knowledge and technique. MDecks ALWAYS sounds hipper...seriously. The presentation and explanation quality is like taking a ride in a Bentley. Cheers, thanks a lot.
I’m viewing this on my iPad and for the life of me I can’t find the link to download the PDF for this lesson. I’m signed into TH-cam. I’m signed into your page. I clicked the Word membership on your page and this lesson is nowhere to be found can you please help me thank you very much, Robert.
Hi Robert, that's because that pdf is older than 2 months. Remember that the window of accessibility for members is always the last 2 months in a revolving fashion (that's to be fair with members that have been active for longer) But no worries, I can help you with one pdf, just email me at mdecksmusic@gmail.com
Hello mDecks staff, great lesson as always. Could you please tell us the chords used in the intro ? I hear and see Cm7, C#m7, Cm7, then I am lost. That would be very informative as an example of this lesson.
Probably because (after that) we are playing other quartal voicings. We'll get into those on the next videos, including the pentatonic voicings we've just done here: th-cam.com/video/Lwt2xOPmpwM/w-d-xo.html
Very good explaining and thank you. One question I have about Q chords is that you have to build a melody around it, right? Just take a popular song and try to use Q chords, I have not been successful at it. Or is that possible, and can you do one, like The Xmas Song, for example, to see how we can do it. Thank you so much.
I struggle to understand the key point behind this. At first, you play chords that are diatonic within C Dorian, I think. So that means the fourths are not always perfect fourths, and that is what leads to the trtione Eb-A. Then the exercises show chords that have perfect fourths, plus the major third on top, whether they fit C Dorian or not. Is that the lesson/point/conclusion? If so, won't the A-flat in some chords clash with the A if you are improvising in C Dorian?
I think this is what is going on: the only quartal voicings that fit diatonically into Cm Dorian or if you're playing a 251 B flat major are the voicings that start on the first second and fifth step of the scale. But he is only showing us the so what voicing of Miles Davis
"Exclusive Access" post available: Quartal Voicings (Dorian) If you are a member you'll find a link to the download in our membership tab. Or become a member today th-cam.com/channels/BCch4Wd-JAuyURvmmA1oyQ.htmljoin for an ever expanding library of music resources.
Thank you❤
That's sounds is very cool❗️
Very very very very good!
Thank you very much!
Good jazz teaching
Modal is indispensable.....Mccoy was such a master of that mode
Quartal is the Sh#t! Sweet lesson! Tyner sent me. Thank you friend!
Your videos on jazz are simply the best. I know it's not a competition, but, as a pop and rock pianist, I watch jazz lesson videos as inspiration to become more dedicated to expanding my Knowledge and technique. MDecks ALWAYS sounds hipper...seriously.
The presentation and explanation quality is like taking a ride in a Bentley. Cheers, thanks a lot.
Thank you for explaining this! Didn’t understand this many moons ago. Back at piano now and this is making it much more fun.
As always. Informative, interesting, well-made.
What else do we intermediate-to-advanced musicians want. This kinda quality video
Very good.
Thank you ❤
Goated
I’m viewing this on my iPad and for the life of me I can’t find the link to download the PDF for this lesson. I’m signed into TH-cam. I’m signed into your page. I clicked the Word membership on your page and this lesson is nowhere to be found can you please help me thank you very much, Robert.
Hi Robert, that's because that pdf is older than 2 months. Remember that the window of accessibility for members is always the last 2 months in a revolving fashion (that's to be fair with members that have been active for longer) But no worries, I can help you with one pdf, just email me at mdecksmusic@gmail.com
Hello mDecks staff, great lesson as always. Could you please tell us the chords used in the intro ? I hear and see Cm7, C#m7, Cm7, then I am lost. That would be very informative as an example of this lesson.
Probably because (after that) we are playing other quartal voicings. We'll get into those on the next videos, including the pentatonic voicings we've just done here: th-cam.com/video/Lwt2xOPmpwM/w-d-xo.html
Very good explaining and thank you. One question I have about Q chords is that you have to build a melody around it, right?
Just take a popular song and try to use Q chords, I have not been successful at it.
Or is that possible, and can you do one, like The Xmas Song, for example, to see how we can do it. Thank you so much.
Sounds like a good idea.
@@mDecksMusic You only have to do verse 1 and verse 2 so that we can learn how to improvise like that. Thank you so much if you can do it.
How do I reach you please ? Wanted to buy a few of your books perhaps if you could please discount them please
We're on sale right now! But you can always send me an email to mdecksmusic@gmail.com
Can you use these quartals in a choir ?
Yes! They sound amazing! Many choir arrangements use them
Hi, Can I still get the pdf of this video?
Send me an email to mdecksmusic@gmail.com or check out the mDecks music journal. mdecks.com/musictheory.phtml
Possible to find the backing track anywhere ?
We used Mapping Tonal Harmony Pro for most backing tracks in our videos
Hi teacher. Aren't those So what chords?
Yes they are!
I struggle to understand the key point behind this. At first, you play chords that are diatonic within C Dorian, I think. So that means the fourths are not always perfect fourths, and that is what leads to the trtione Eb-A. Then the exercises show chords that have perfect fourths, plus the major third on top, whether they fit C Dorian or not. Is that the lesson/point/conclusion? If so, won't the A-flat in some chords clash with the A if you are improvising in C Dorian?
I think this is what is going on: the only quartal voicings that fit diatonically into Cm Dorian or if you're playing a 251 B flat major are the voicings that start on the first second and fifth step of the scale. But he is only showing us the so what voicing of Miles Davis