I'm sure Haydn wasn't a human, no ordinary human being can create such a highly detailed and delicate music, he was an alien in the form of human living at this planet for a short period of time, by the way, this was absolutely beautiful and strong performance of one of Haydn's creations.
Haydn was an imense genius, sometimes, or often, in the shadow of Mozart and Beethoven (and I LOVE Beethoven and Mozart, whose geniuses are beyond question 💗). This great genius, master of Classissimus is the most prolific and never prolixic. Amazing creativity! The creator of the string quartet (a passion of my entire life) no mean thing!!! (so incredible are Haydn SQs.). Idolized by Mozart and Beethoven too... And on top of such a grace a special sense of humour, sometimes in his SQs amazingly bold too. Haydn is Legacy of Mankind ... This interpretation is superb, so elegant, with plenty of grace!
I have heard this scores of times but never like this. No grandstanding, just as though they received the score a couple of days ago and rehearsed it a bit. Like a big kiss from the 18th century.
I heard Harriet Krijgh in August last year in the palace of Brühl, Germany, when she played this concerto by Haydn together with the Württembergische Kammerorchester Heilbronn. It was great. Beyond this I've got a CD of her playing the two cello concertos by Haydn together with the Wiener Kammerphilharmonie - also an eccellent performance.
I think so... I always like to believe a conductor is completely essential and horrible stuff would happen without someone controlling a large number of musicians with different parts to play
EXTRAORDINARIO TODO !!!!... El gran salon, la Orquesta de camara, la genial virtuosa del violonchelo; Harriet Krijgh y las tomas o enfoques muy buenos del camarografo. Gran interpretacion del GENIAL Haydn . Gracias AVROTROS K. !!!!
ԑ̮̑♦̮̑ɜܓ Glückwunsch Harriet Krijgh für Ihr gutes Spiel, bravo. Wunderbarer Joseph Haydn! Wir sollten nie den Komponisten vergessen, IHM haben wir das Werk zu verdanken.
A truly new 2018 year gift! A perfect Miss Krijgh interpretation on her wonderful cello, followed by a suitable Concertgebouw Chamber Orchestra. As always, the sound is cristal clear, and detailed as AVROTROS used to bring us.
you prolly dont give a damn but does someone know of a tool to log back into an instagram account..? I stupidly lost my account password. I would love any help you can give me!
@Devon Cyrus thanks so much for your reply. I got to the site through google and I'm waiting for the hacking stuff now. I see it takes quite some time so I will reply here later with my results.
Хорошее звучание и хорошая акустика радует, как и само произведение Гайдна и его исполнения оркестром и солисткой. Тут, видимо, есть и заслуга звукорежисера. Все молодцы. Спасибо. Привет из Киева.
wonderful ensemble playing and communication with the soloist. Krijgh is stable and has magisterial control of the ebb and flow in this music. Others, like Ha-Na Chang or Elisabeth Hecker may generate more spark.
This performance is great! So light and really sounds like what Haydn wanted! Intonation could be better, but that goes with all the greats of the 20th century and 21st century.
I agree, I also much enjoyed this performance for those reasons! May I inquire, out of curiosity, what particular moments (perhaps the earliest couple of occurrences) stand out for you as of relevance with respect to the first part of your second statement? I have a strong interest in the perception of intonation in discerning sets of ears among us. Cheers.
@@YapLapWombat Hi... I see this is a year later... but since the original poster hasn't answered maybe I can. First off let me say I love this cellist Harriet! I have newly discovered her and I think she is just a beautiful musician through and through. Her phrasings and passion for whatever piece she's playing at any given moment are wonderful. But yes, in any of her scaly runs you can hear several pitches just slightly off pitch, either flat or sharp. That's in most pieces she plays, too, not just this one. And guess what? That's with ALL great and professional cellists and ALL great and professional musicians. What people don't seem to understand these days, thanks to recordings that have "fixed" pitches and natural tones to give them an unrealistic technical edge, this is what music IS. We practice and practice the make the best pitches possible, and our passion and musicality in performances over-rides things like pitch, posture and balance, as it well should because that IS music! The best thing anyone can do is to NOT listen to recordings. If we listen to recordings of, say, Yo Yo Ma, get that sound in our heads, then go hear him play in person, we will be sorely disappointed, blaming him, which is completely wrong. I hope that helped. Cheers!
Este canal inegavelmente é dos.melhores na escolha de repertório. E esta peça é maravilhosa. Deus concedeu a alguns humanos algumas aptidões superiores para.nos mostrar que podemos fazer algo semelhante com nosso esforço pessoal! (Carlos Bernardo González Pecotche - RAUMSOL)
I apologise for this daft question but, knowing nothing about this type of music, is someone leading the music? In other words in the absence of an obvious conductor does someone else take over so to speak? If so is it the tall, blonde lady near the cello player? Although I’ve never listened to this type of music before I love watching experts performing their art - and this to me looks and sounds wonderful.
In Haydn's time there was still something baroque, the harpsichord, an instrument of the continuous bass led the orchestra, that is to say the musicians knew the markings. The "spala" (1st violin) or soloist (clove case) could do it. In this concert he is the first violin that he directs.
Molto brava anche se io preferisco Elisabeth Hecker (più elegante e migliore cadenza al primo tempo). Decisamente questo concerto viene meglio alle donne che a certi famosi violoncellisti maschi...
![Haydn: Celloconcert in C - Marie-Elisabeth Hecker & Radio Kamer Filharmonie [HD]](http://i.ytimg.com/vi/PulffEOx1W4/mqdefault.jpg)
Now watching it for 3rd time, love the sneakered foot in the front row, swinging about in 3rd movement. Pure gold.
0:05 1st Mov. Moderato
9:51 2nd Mov. Adagio
17:45 3rd Mov. Allegro molto
I'm sure Haydn wasn't a human, no ordinary human being can create such a highly detailed and delicate music, he was an alien in the form of human living at this planet for a short period of time, by the way, this was absolutely beautiful and strong performance of one of Haydn's creations.
Haydn was an imense genius, sometimes, or often, in the shadow of Mozart and Beethoven (and I LOVE Beethoven and Mozart, whose geniuses are beyond question 💗). This great genius, master of Classissimus is the most prolific and never prolixic. Amazing creativity! The creator of the string quartet (a passion of my entire life) no mean thing!!! (so incredible are Haydn SQs.). Idolized by Mozart and Beethoven too... And on top of such a grace a special sense of humour, sometimes in his SQs amazingly bold too. Haydn is Legacy of Mankind ... This interpretation is superb, so elegant, with plenty of grace!
@@luizamsalgado Yes agreed, but Haydn is in the Leonardo class for inventiveness.
Im Sommer 2018 auf dem Flug von Amsterdam nach Osaka insgesamt dreimal gehört und gesehen - ich konnte nicht genug kriegen. Einfach schön ...
I have heard this scores of times but never like this. No grandstanding, just as though they received the score a couple of days ago and rehearsed it a bit. Like a big kiss from the 18th century.
Omg what an exquisite cellist precise execution beautiful tone such gorgeous musicality and so clean. I love this performance.
The swaying St Cecilia. Harriet is perfect and I have seen many.
I heard Harriet Krijgh in August last year in the palace of Brühl, Germany, when she played this concerto by Haydn together with the Württembergische Kammerorchester Heilbronn. It was great. Beyond this I've got a CD of her playing the two cello concertos by Haydn together with the Wiener Kammerphilharmonie - also an eccellent performance.
你的琴技精湛非凡。。惊人的演奏，奇特的精彩。音色透明，优美，动听。表情优雅，多姿多彩，生动，感人。你的一切都那麽的完美，令人仰慕难忘。能欣赏到你的出色华丽演奏，是人生最好的享受。ThanK you，l love you play!
Note to self for learning this music:
1st page: 1:19
2nd page: 3:34
2nd page 32th note: 4:06
2nd page string crossing: 4:21
2nd page Express part: 4:45
3rd page: 5:51
3rd page new notes: 6:08
3rd page Troubleclef: 6:31
3rd page Tenorclef: 6:46
3rd page chords: 7:24
Where did you get the music?
@@evansanders14753 My private tutor gave it to me.
@@evansanders14753You can find this piece easily on IMSLP
Perfect synchronization and harmony without conductor. Really excellent chamber orchestra!
Yes indeed... always better without a conductor!
There's a kind of conductor the first violinist leads the small orchestra
@@nawarbmansour6510 I know that. But is that the case in this chamber orchestra?
I think so... I always like to believe a conductor is completely essential and horrible stuff would happen without someone controlling a large number of musicians with different parts to play
@@nawarbmansour6510 Probably the threshold number is 30.
Pure beauty and joy watching her play the cello
EXTRAORDINARIO TODO !!!!... El gran salon, la Orquesta de camara, la genial virtuosa del violonchelo; Harriet Krijgh y las tomas o enfoques muy buenos del camarografo. Gran interpretacion del GENIAL Haydn . Gracias AVROTROS K. !!!!
Kunst kommt von Können. Perfekt synchron gespielt und das ohne Dirigent. Bravo an Harriet Krijgh und an das Orchester. Grüße aus Deutschland 🇩🇪
Noch wichtiger ist, dass Kunst aus Kreativität und der Fähigkeit entsteht, in diesem Fall Gefühle durch Hören zu übertragen ...
I've seen her perform this exact piece live this week and it was absolutely breathtaking. Far better than this recording even
ԑ̮̑♦̮̑ɜܓ Glückwunsch Harriet Krijgh für Ihr gutes Spiel, bravo.
Wunderbarer Joseph Haydn!
Wir sollten nie den Komponisten vergessen, IHM haben wir das Werk zu verdanken.
BRAVO!!!!! GRACIAS POR COMPARTIRLO!!!!
Eccezionale la Violoncellista e tutta l' Orchestra che L' accompagna !
Wow, I've never heard of this cellist but she is fabulous.
Ye, shes amazing!
Haydn und Harriet Krijgh zusammen mit dem CCO sind einfach unschlagbar. Glückwunsch!!!
Wow so good I might cry!
A truly new 2018 year gift! A perfect Miss Krijgh interpretation on her wonderful cello, followed by a suitable Concertgebouw Chamber Orchestra. As always, the sound is cristal clear, and detailed as AVROTROS used to bring us.
Jose Llorca q
Ww
Yes please I want to be that good😎
you prolly dont give a damn but does someone know of a tool to log back into an instagram account..?
I stupidly lost my account password. I would love any help you can give me!
@Langston Felix instablaster =)
@Devon Cyrus thanks so much for your reply. I got to the site through google and I'm waiting for the hacking stuff now.
I see it takes quite some time so I will reply here later with my results.
Cello y contrabass, marcas perfectas en la sonorización. Una gema AVOSTROS Klassiek
Хорошее звучание и хорошая акустика радует, как и само произведение Гайдна и его исполнения оркестром и
солисткой. Тут, видимо, есть и заслуга звукорежисера. Все молодцы. Спасибо. Привет из Киева.
A perfect comment. Thank you.
Slava Ukraini 🇺🇦🇬🇧
C'était une très belle interprétation, merci.
Beautiful! Thank you
Bravo Harriet !! Superb.
Awesome !
Buena música y muy buena orquesta.
maestosa e sublime,brava!!!
Vibrante!
wonderful ensemble playing and communication with the soloist. Krijgh is stable and has magisterial control of the ebb and flow in this music. Others, like Ha-Na Chang or Elisabeth Hecker may generate more spark.
This performance is great! So light and really sounds like what Haydn wanted! Intonation could be better, but that goes with all the greats of the 20th century and 21st century.
I agree, I also much enjoyed this performance for those reasons!
May I inquire, out of curiosity, what particular moments (perhaps the earliest couple of occurrences) stand out for you as of relevance with respect to the first part of your second statement? I have a strong interest in the perception of intonation in discerning sets of ears among us. Cheers.
@@YapLapWombat Hi... I see this is a year later... but since the original poster hasn't answered maybe I can. First off let me say I love this cellist Harriet! I have newly discovered her and I think she is just a beautiful musician through and through. Her phrasings and passion for whatever piece she's playing at any given moment are wonderful. But yes, in any of her scaly runs you can hear several pitches just slightly off pitch, either flat or sharp. That's in most pieces she plays, too, not just this one. And guess what? That's with ALL great and professional cellists and ALL great and professional musicians. What people don't seem to understand these days, thanks to recordings that have "fixed" pitches and natural tones to give them an unrealistic technical edge, this is what music IS. We practice and practice the make the best pitches possible, and our passion and musicality in performances over-rides things like pitch, posture and balance, as it well should because that IS music! The best thing anyone can do is to NOT listen to recordings. If we listen to recordings of, say, Yo Yo Ma, get that sound in our heads, then go hear him play in person, we will be sorely disappointed, blaming him, which is completely wrong.
I hope that helped. Cheers!
The orchestra is amazing.
Este canal inegavelmente é dos.melhores na escolha de repertório. E esta peça é maravilhosa. Deus concedeu a alguns humanos algumas aptidões superiores para.nos mostrar que podemos fazer algo semelhante com nosso esforço pessoal!
(Carlos Bernardo González Pecotche - RAUMSOL)
Excellent!!
Excelete interpretação. Gostaria de ouví-la interpretando Villa Lobos, que tem algumas obras específicas para o violoncelo.
Oops! "Excelente" perhaps? ☺
wow they are super!!!!!!!!!
You make me dizzy! But you are one of the best!
Bravísima!!!!
מדויק ונפלא !!!!!!!!
I. 0:05
II. 9:52
III. 17:46
Qué sonoridad!!!!
I wish there was more detail about these concerts. Why isn’t there? What would prevent it?
容貌姣好，氣質優雅，
琴技精湛，音色優美。
Bravo!
Amazing!
5:51 -mark to self
Muy expresiva
W⛅w 👀👀💗Y💗U Guys ARE💋 ALL AMAZING ThaNK Y💎U ALL CLaSsICaL PerFectioN😱👉🏆👌
Super
It seems that the cello soloist is also the conductor. That would explain where she is placed.
Is this her own cadenza in the first movement? I have a student who really wants to learn it!
hello
Qué dedos!!!!
お上手です。
How are they playing without a conductor?
How does one pronounce the cellist's last name? I assume she is Dutch.
Yes, it is! You pronounce 'Krijgh' like ' kr-aye-ch'. 'kr' like crayon, 'aye' like the pirates do, and the 'ch' like in machete.
@@jamie-zephyr3758 Thanks very much.
Sometimes, when it is worthy as in this performance, hollands miss what they should not by not making a "sold out" in their temple: the Concertgebow.
I apologise for this daft question but, knowing nothing about this type of music, is someone leading the music? In other words in the absence of an obvious conductor does someone else take over so to speak? If so is it the tall, blonde lady near the cello player? Although I’ve never listened to this type of music before I love watching experts performing their art - and this to me looks and sounds wonderful.
+ Empty Head So, you have very much to do now to discover all beautiful music. Go ahead, and much pleasure
In Haydn's time there was still something baroque, the harpsichord, an instrument of the continuous bass led the orchestra, that is to say the musicians knew the markings. The "spala" (1st violin) or soloist (clove case) could do it. In this concert he is the first violin that he directs.
How in the world does a person memorize a 24 minute concerto??!?!
Practice. It repeats a lot.
All soloists memorize their concertos 💀 haydn especially is easy to memorize
matteo goffriller?
...si es así, benditas manos del lutier Goffriller
Giovanni Paolo Maggini
Molto brava anche se io preferisco Elisabeth Hecker (più elegante e migliore cadenza al primo tempo). Decisamente questo concerto viene meglio alle donne che a certi famosi violoncellisti maschi...
Sorry, but too much gesture, seems somehow artificial and just a bit too much show...
I've been listening to these cello concertos. Very good, but I just don't like the cello.
Different tastes, I personally love the cello.