The Barry Harris Harmonic Method For Classical Pianists Lesson 15 Movement Over m7b5 Chords

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In this lesson I explain and demonstrate how to use upper structure triads and “borrowed notes” to create movement over a m7b5 (half diminished) chord. This is a link to the other lesson in this series.
• Barry Harris Harmonic ...

[@ZalexMusic]

These are the kinds of explanations I live for. Thank you!

[@peterbeadle1]

What a lovely comment, thank you!

[@JoeLinux2000]

Very well presented. There's a tendency among younger players for too much tension dissonance.

[@peterbeadle1]

Yes I agree, a bit like too much spice!

[@foaadfallah2143]

Very good❤

[@peterbeadle1]

Thank you! Cheers!

[@austinjoiner5968]

Glad both these series are still going ! Do you have any recommendation on learning melodic cells? Could there be a lesson on it in the future? Ive watched some videos but i believe i understand your teaching style better

[@peterbeadle1]

Thanks for this, I don't really have any suggestions for this but I think that's a good idea for me to do a lesson on!

[@humblemai2211]

😅😅😅 thanks a lot

[@peterbeadle1]

No problem 😊

[@jond532]

think like barry play like bill

[@peterbeadle1]

Absolutely!