🤨The Ultimate Practice Exercise: A Barry Harris Routine

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  • เผยแพร่เมื่อ 29 มิ.ย. 2024
  • Studying Barry Harris routines is one of my favorite things to do. So I have taken one of his practice exercises and made it my own. This isn't just a standard tutorial; you're getting a modern and versatile practice routine that will transform your playing.
    In this detailed video, we begin by breaking down the original Barry Harris routine, guiding you step-by-step through the process as we navigate through four different keys. Discover the beauty of the interplay between tension and release, uncovering the hidden depths of each chord's function.
    Our guide continues as we reveal our personal modifications to the routine, including how to utilize dominant chords in various creative ways, explore different harmonic choices, and understand melodic movement in both hands. We dive into the specifics of this transformative exercise, explaining each block and the intricate melodies associated with them.
    As we progress, we explore how this updated Barry Harris routine can be applied to other songs, using 'Somewhere Over the Rainbow' as our example. We reveal how understanding each section as blocks allows for a unique and innovative approach to familiar songs.
    If you've ever wondered how to take your practice routine to the next level, or how to blend the lines between different genres, this video is a must-watch. Perfect for both ear and theory players, this reimagined Barry Harris routine is set to inspire and enhance your musical journey. Tune in, play along, and discover your next favorite practice routine!
    🟠 IMPORTANT:
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    🟠 TIMESTAMPS
    0:00 Intro
    0:50 Barry Harris Exercise Explained
    7:04 Barry Harris Revised Exercise
    10:36 Somewhere over Rainbow
    🟠FAVORITE GEAR Sean uses in videos *affiliate links help to support this channel
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    Chordieapp shows the notes on the screen gumroad.com/a/1009529971
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ความคิดเห็น • 196

  • @wheatworkspro
    @wheatworkspro ปีที่แล้ว +17

    I remember this so well in class with Barry standing over my shoulder play play play!!!lol

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว +5

      Dude I forgot you were his protégé!! Ohh That’s why you be killing lol

    • @IPoopOnYouEveryLastOneOfYou
      @IPoopOnYouEveryLastOneOfYou ปีที่แล้ว +1

      You'll never believe what he did to a lobster that refused to play more than four notes at once. 🍗🍗

  • @doce7606
    @doce7606 9 หลายเดือนก่อน +30

    Barry describes how in the '30s and '40s the NY kids knew this stuff (role of diminished chord) from 'old-time' hymns and rags, and then adapted it to the 'pop' tunes of the day mostly penned by European immigrants with classical music backgrounds, who also 'knew' it ... bringing us the jazz standard american songbook with its mix of afro-rhythms/dominant sounds and european harmonic forms... hip lesson to add your own neo-gospel vibe, thanks ! subscribed !

    • @harrisbeatsfrankou6304
      @harrisbeatsfrankou6304 4 หลายเดือนก่อน +1

      I'm seeing it in 1890s ragtime Parlour Guitar Victory rag...and I see it in Bach's Etude 846 in C

    • @dananthony6258
      @dananthony6258 4 วันที่ผ่านมา +1

      That was so well said. This might be my favorite comment of all time. 😝 lol

  • @Bashanvibe
    @Bashanvibe ปีที่แล้ว +13

    I remember as a kid when my father had his advanced students come I would hear this style of teaching in the 80s!!! Bu t I like your version!!! I need to sit with that!!!

  • @Jazman0959
    @Jazman0959 7 หลายเดือนก่อน +8

    I have been watching you for a while. Your work is truly excellent. I am an old Jazz guy. I always have loved the way Gospel keyboardist would squeeze all the good flavors out of their chords. I also loved that distinct genre sound. You can't sit through a Gospel worship service without having your soul stirred. Thank you for your video on my hero Chick Corea. Thank you for your craftsmanship and your generosity.
    Barry Harris always seemed like a guy you might run into at Walmart. Nothing special humble guy... but when you look at his work, it is like he totally reimagined Western harmony. Thank you, brother. Excellent and useful work.

    • @SeanWilsonPiano
      @SeanWilsonPiano  7 หลายเดือนก่อน +1

      Theme do much for the insight and commentary! Appreciated!

  • @SoulStBlues
    @SoulStBlues ปีที่แล้ว +23

    This is the simplest and clearest way I've seen the 'Torture Test' explained. Thank you so much Sean, you're an amazing teacher!

  • @Locriantheory
    @Locriantheory 3 หลายเดือนก่อน +3

    This is absolutely the most powerful video I've seen on expanding the understanding the piano.
    Bravo!!

    • @SeanWilsonPiano
      @SeanWilsonPiano  3 หลายเดือนก่อน +1

      Thanks so much for the support!

  • @wheatworkspro
    @wheatworkspro ปีที่แล้ว +69

    I love what you did with it. Converting it to a Gospel feel. That was one of my greatest challenges. When I took lessons with Barry how do I apply to Gospel.

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว +6

      Doc!! Much appreciated man!

    • @mwangikelvin546
      @mwangikelvin546 ปีที่แล้ว +4

      I’ve followed your channel too and it’s pure gold!!!

  • @eugenebrown3281
    @eugenebrown3281 25 วันที่ผ่านมา +1

    Awesome! Thanks for sharing Barry's concepts.

    • @SeanWilsonPiano
      @SeanWilsonPiano  22 วันที่ผ่านมา

      Yeah man! Thanks so much for the support!

  • @MLaurence
    @MLaurence 10 หลายเดือนก่อน +14

    I couldn’t put my finger on what this reminded me of and then I realized this exercise is one of the songs in Zelda. I had to look it up but it’s called the fairy fountain theme. It’s just in the key of F and a major 4 instead of a minor 4

    • @arthurjackson3337
      @arthurjackson3337 10 หลายเดือนก่อน +1

      You sir…you really have an ear!!!!💪🏾🔥

  • @EliaGaitau
    @EliaGaitau ปีที่แล้ว +11

    Sean, you never cease to AMAZE me. I really hope someone in any of those established Jazz Faculties throughout America hires you for a few MASTER CLASSES. There's no one else breaking it down like you. God Bless from Japan.

  • @ber334
    @ber334 11 หลายเดือนก่อน +7

    Even though this is very basic material that most serious and professional musicians have already uncovered we need good teachers like this guy who can help the beginners and the self-taught players understand what they need to do to improve their musicality. This guy is very good

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน +2

      Appreciate it!

    • @alamolalamol9426
      @alamolalamol9426 2 หลายเดือนก่อน +2

      This is basic?! Pray, what comes next? Would love to hear…thanks…

  • @whatwassaid2314
    @whatwassaid2314 11 หลายเดือนก่อน +5

    Your take on this exercise sounds like Take 6 movements to me! I love this!!!

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน +2

      yeah man, thanks for watching

  • @user-kc1ku2wl1n
    @user-kc1ku2wl1n 11 หลายเดือนก่อน +2

    This freestyle or this mesh of a bunch of songs sound like a song on its own and it's crazy good! Wow.

  • @aidensullivan4662
    @aidensullivan4662 ปีที่แล้ว +5

    Can you please do more breakdown videos of the Jazz academy videos! This aside from robotically playing the 6th diminished scale over and over in different directions is the first time i truly understood and implented movement into my playing! Thank you so much i may not be the mastermind Barry Harris himself but i want to sound really close to that style and you are an amazing teacher 🙌🏾🙏🏾

  • @juicy_mango_paradise
    @juicy_mango_paradise 9 หลายเดือนก่อน +3

    such brilliant videos! i would love a whole piano book of your insights and explanations.

  • @sceptersax
    @sceptersax ปีที่แล้ว +3

    This is the exercise I’ve been waiting for my whole life.. thank you. Blessings

  • @carlinwoods245
    @carlinwoods245 11 หลายเดือนก่อน +1

    an ancient proverb says that we die twice. once is the physical death second is the last time your name is ever mentioned. thank you young brother for keeping Dr Harris alive...

  • @andrekillian8732
    @andrekillian8732 6 หลายเดือนก่อน

    Super Dope!

  • @CaesarBlackDown
    @CaesarBlackDown ปีที่แล้ว +1

    I like the simple explanation of theory. I need a lot more work here.

  • @merveilkioto933
    @merveilkioto933 11 หลายเดือนก่อน +1

    I think this is what I was lacking to make more movements in my playing. Because, I learned this about Barry Harris, but I needed much understanding on how to use it. You are helping us with your amazing ear and teaching skills. Thank you.

  • @bartie55
    @bartie55 7 หลายเดือนก่อน

    this is great

  • @AnneSajdera
    @AnneSajdera หลายเดือนก่อน

    Your expansion of Barry Harris's exercise is just beautiful. The exercise was beautiful to begin with, but now it's just beauty on beauty...

  • @praisechirombo2315
    @praisechirombo2315 11 หลายเดือนก่อน +1

    You make everything ridiculously easy to understand. I remember watching the original version years back and I was wishing could grasp the concept. Thank you sir!!

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      Doc!! Much appreciated man!

  • @iplay4iam
    @iplay4iam ปีที่แล้ว +2

    What a blessing incorporating this into my practice - not today but tuhday lol

  • @rogerpercival5486
    @rogerpercival5486 ปีที่แล้ว +1

    Sean you are so ethereal my friend I wish I could meet you God bless your one of a million points of light for Christ

  • @h0tsex0r
    @h0tsex0r 8 หลายเดือนก่อน

    Beautiful beautiful sounds 🤟

  • @Cozy_Infamous
    @Cozy_Infamous ปีที่แล้ว +2

    i saw barry harris video's when i just started playing the keys and as a beginner i went way over my head with all of this. thank you for giving me the chance to revisit the legend's teachings!! 🙏💫

  • @maxbryk
    @maxbryk ปีที่แล้ว +3

    Great vid man! Moving that melody to the left hand is so nice. First thing I thought of hearing this was Todd Galberth Lord you are good. Has that lick at one point in the arrangement

  • @MrFingazNYC
    @MrFingazNYC ปีที่แล้ว

    What a great video. Great stuff as usual

  • @mwangikelvin546
    @mwangikelvin546 ปีที่แล้ว +2

    Sean Sean !!! Thanks for sharing your experience with the world…. This video has explained and exposed secrets that open up unlimited possibilities in musicality!!!! RESPECT TO YOU SIR

  • @boomtao
    @boomtao 10 หลายเดือนก่อน +2

    I like your take on this Barry Harris exercise. Could you please elaborate a little more on your additions?

  • @denisblack9897
    @denisblack9897 ปีที่แล้ว

    i'm trying this on guitar tonight!
    seems very beneficial

  • @samssoniccanvas
    @samssoniccanvas 7 หลายเดือนก่อน

    Great fairy fountain!

  • @alamolalamol9426
    @alamolalamol9426 2 หลายเดือนก่อน

    14:52 Your application of this exercise here was really helpful Sean - thanks 😊…

  • @othinielkatembokainda294
    @othinielkatembokainda294 ปีที่แล้ว

    You're a Great teacher Sean Thank you

  • @joeymorris4787
    @joeymorris4787 29 วันที่ผ่านมา +1

    "Excellent Brutha!" THX!!

  • @josephgiuseppedegregorio4553
    @josephgiuseppedegregorio4553 11 หลายเดือนก่อน

    Great job brother, you're blessed with the gift of teaching. Praise The Lord for you.

  • @theoryman2
    @theoryman2 ปีที่แล้ว +3

    Thank so much, Doc. We appreciate this so much, you've taken it to a new level! Blessing to you...

  • @JoshuaStormmusic
    @JoshuaStormmusic 11 หลายเดือนก่อน

    Sheeesh... I'm definitely jumping on this. Thanks a lot, Sean!

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน +1

      Appreciate it man!! Thanks for watching!

  • @Rafaelfo.
    @Rafaelfo. 11 หลายเดือนก่อน

    Great video, great pace - I watched the whole thing. Cheers

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      yeah man, thanks for watching

  • @hermannakpa6116
    @hermannakpa6116 ปีที่แล้ว +1

    Yes @SEAN YOU ARE A GOOD TEATCHER

  • @Chiefmusician3
    @Chiefmusician3 ปีที่แล้ว +3

    Wow! Sean you are very much appreciated bro! I love learning stuff like this. You are a phenomenal musician and an excellent teacher! 👏🏽

  • @reinh
    @reinh ปีที่แล้ว +13

    For Barry Harris, it's the diminished chord (Ddim) that connects those four keys, not the minor chord. These four keys are "family" because they share the same diminished chord. This chord has a dominant function in each key so C and Eb aren't connected by Fm, they are connected by Ddim, a.k.a. Fdim, which functions as G7b9 in C and Bb7b9 in Eb. Your approach isn't "wrong"; it sounds great. It's just not what Barry taught.

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน +7

      hey thanks for writing. You're correct that I am not explaining Barry's approach here, but rather how his exercise has helped me. For me, the diminished chord is used to help with the order of what notes to practice in, but I am not seeing them as "connecting" chords. They just tell me what key to play next. I am using "connected" in the case of the Fmin, is because it happens to be in both keys (4 of C and 2 of Eb) so it helps me to see it as a sort of pivot chord for weaving in between those keys for gospel musicians (my channel is more gospel, a jazz approach could be entirely different)... Appreciate your comment!!

    • @ber334
      @ber334 11 หลายเดือนก่อน +3

      @@SeanWilsonPiano also I know you didn't want to explain it this way so as not to confuse the self-taught and beginners out there who you are trying to help but what's more important is the sound that you are hearing and not necessarily the name or the label that we put on it. It's someone called something an f-minor and someone else calls it a. D dim you're really splitting hairs. The teachers explanation of why he's calling it and f-minor makes complete sense because now you're talkin about functionality. Why confuse the beginning student with the diminished concept when it's easier for the beginner to understand that f-minor is now the two chord of the new key Eb major. A seasoned player can readily interchange d diminished and f-minor but not so much the beginning student or the self-taught player who has not analyze something like this yet

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน +4

      ​@@ber334 appreciate the comment, "splitting hairs lol"--- Since my target audience is mostly gospel musicians, most who already play well, but new to theory, they don't understand a lot of these "nuances..." or why they matter to the song, so my videos are actually speaking to them... however, I do depend on the jazz guys to provide context where appropriate but don't want to get into the "weeds" with it, if you know what I mean

    • @ber334
      @ber334 11 หลายเดือนก่อน +1

      @@SeanWilsonPiano exactly that's what I was trying to say !!!!

    • @tr00gaze43
      @tr00gaze43 9 หลายเดือนก่อน +3

      That's why it's called music "theory" - cause people argue over it

  • @joshuasamson6024
    @joshuasamson6024 ปีที่แล้ว +1

    This is a real rich sound. Thank you so much. I will really have to practice and practice until I understand it well

  • @alweathers9025
    @alweathers9025 10 หลายเดือนก่อน +1

    Thanks for another well explained lesson Sean.. i really appreciate you.🙏🏾

    • @SeanWilsonPiano
      @SeanWilsonPiano  10 หลายเดือนก่อน

      Thanks so much for the support!!

  • @maximesavard-beaudoin560
    @maximesavard-beaudoin560 9 หลายเดือนก่อน

    awesome vid

  • @HeavenlyBridegroomMusic
    @HeavenlyBridegroomMusic ปีที่แล้ว +1

    This is amazing

  • @samuelkissi6634
    @samuelkissi6634 ปีที่แล้ว

    Awesome Sean🤗. Thanks so much for this breakdown and not only that but also how to apply it. The application of it is always where the difficulty lies.
    You have indeed simplified everything🔥

  • @eliasviana9342
    @eliasviana9342 ปีที่แล้ว

    Great thanks ❤

  • @donmilland7606
    @donmilland7606 ปีที่แล้ว +1

    wow this video is excellent!

  • @user-kc1ku2wl1n
    @user-kc1ku2wl1n 11 หลายเดือนก่อน

    You're good man, I hope I grasp this music theory understanding soon.

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      Doc!! Much appreciated man!

  • @lamarredavy8145
    @lamarredavy8145 ปีที่แล้ว +1

    Ooh waaaw i love that move !

  • @CarlLaventure
    @CarlLaventure ปีที่แล้ว +1

    Sean! You the man bro! Such a beautiful exercise. Melody on the bottom is 🔥Lowkey reminds me of the melody from Andrae Crouch's song "The Promise". Keep up the great work my guy

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Appreciate it Carl!!!! Hope you been good bro

  • @sandalero
    @sandalero ปีที่แล้ว +1

    you're a beast sean!

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Appreciate you man! Thanks for watching!

  • @salehhayati1080
    @salehhayati1080 หลายเดือนก่อน +1

    I've been shedding this for 6 hours straight. it's really tricky to figure out on the fly!

    • @SeanWilsonPiano
      @SeanWilsonPiano  หลายเดือนก่อน

      Wow man, 6 hours?! You gotta break it up!

  • @gvibes9223
    @gvibes9223 ปีที่แล้ว +3

    I Swear ur the 🐐…

    • @HeavenlyBridegroomMusic
      @HeavenlyBridegroomMusic ปีที่แล้ว

      He is a lamb, like all sons of God.
      You know God isn't likened to a goat😅.
      Yeah, I know what you mean tho.

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Appreciate it man!

  • @annonymeandfish
    @annonymeandfish 11 หลายเดือนก่อน

    Genius, since the sequence repeats after that, you have 3 of these sequences , [diminished chords] , 3 family to go trough. And you can get mastery of this sound, these tentions!

  • @vladfarcam4817
    @vladfarcam4817 ปีที่แล้ว +1

    instant subscribe

  • @veebran7845
    @veebran7845 ปีที่แล้ว

    This was so eloquent I have to learn it. It'll change everything for me

  • @hakeemfayomi7776
    @hakeemfayomi7776 11 หลายเดือนก่อน

    So nice

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      Appreciate it man!! Thanks for watching!

  • @johnrothfield6126
    @johnrothfield6126 4 หลายเดือนก่อน

    Musical wisdom.

    • @SeanWilsonPiano
      @SeanWilsonPiano  4 หลายเดือนก่อน

      Doc! Much appreciated man!

  • @mikebozik
    @mikebozik 3 หลายเดือนก่อน +1

    It'll be another hundred years before we can fully flesh out what Barry Harris did for music. Kind of like Bach, where people forgot about him for a while but then was rediscovered.

    • @SeanWilsonPiano
      @SeanWilsonPiano  3 หลายเดือนก่อน

      Yeah man! Thanks for watching!

  • @kwamepi1
    @kwamepi1 ปีที่แล้ว

    I like this

  • @HeavenlyBridegroomMusic
    @HeavenlyBridegroomMusic ปีที่แล้ว

    Ooooooooweeee❤

  • @mahlonstrachan8075
    @mahlonstrachan8075 ปีที่แล้ว

    ❤❤❤❤

  • @19tet
    @19tet 5 หลายเดือนก่อน

    14:08 ayyee 😂

  • @homerdus9668
    @homerdus9668 ปีที่แล้ว

    How about finger positions, is there a routine ? Especially with melody here.

  • @showrunner2183
    @showrunner2183 ปีที่แล้ว +2

    Sean can you transcribe any song from Quenell and Jamar jones album. I’m a premium member btw. Pleaseeeee

  • @ewwitsantonio
    @ewwitsantonio 10 หลายเดือนก่อน

    Can really hear what may have influenced the Zelda Fountain theme

  • @sandrovilanova314
    @sandrovilanova314 ปีที่แล้ว

    Na parte do exercicio revisado, não peguei a logica da mão esquerda, como a progressão harmonica trabalhou. Alguem poderia dar uma ajuda?

  • @user-kc1ku2wl1n
    @user-kc1ku2wl1n 11 หลายเดือนก่อน +1

    Wow you really know your stuff lol, but how come some of the extra notes just don't sound well together? Is it supposed to or is it just an exercise? Because when I'm making beats and I use the piano roll, my cords they sound good together but idk if those cords are real cords and if they work together they sound good together, but then I got some "progression cords" at like 8 or 9 keys including top melody and my bass keys start to sound distorted in a way.. but when I take some away the sound starts to feel empty.. hard to explain haha trying to figure out how piano works, I can freestyle well I just can't understand music theory no matter how it's taught. It's weird. Haha

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      yeah I hear you, I think you gotta understand that "sounds" are subjective. So there could be some chord progressions in there that your ears just don't like, and that's ok. We all have our preferences. The goal of this channel is to experiment, find what you like, and create your own sound from the things you DO like

  • @klausbantzer4077
    @klausbantzer4077 ปีที่แล้ว

    Maybe you should revisit the F# block - in # scales are no b chords……

    • @SeanWilsonPiano
      @SeanWilsonPiano  11 หลายเดือนก่อน

      yes, this is correct. This is a gospel thing, we don't like saying A# lol...

  • @LonzCantiLife
    @LonzCantiLife 19 วันที่ผ่านมา

    first part in C sounds like "World 3" from super mario 3... the underwater land lol

  • @Mignuke
    @Mignuke ปีที่แล้ว

    Can you please cover any of the songs from Cory Henry’s newest album? It’s truly inspiring

  • @CaeSharp
    @CaeSharp 5 หลายเดือนก่อน

    7:25 Don't understand what the Gb is doing there theoretically in this context. Sounds good and familiar tho.

  • @19tet
    @19tet 5 หลายเดือนก่อน

    now every time i come across a minor iV ill alw think abt how i can modulate to that key a minor third away n up - good exercise to practice modal interchange?

  • @musiqisme26
    @musiqisme26 ปีที่แล้ว

    @sean question, would the “2” chord of the upcoming key be seen as the “5” setup to the new key, especially with the no 5 and the 7th added?

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Hmm, my ear tells me it could be a type of 5 into the new key...

  • @jaysilver9030
    @jaysilver9030 ปีที่แล้ว +2

    Sounds like a progression from Zelda Ocarina of time

  • @samrogers6890
    @samrogers6890 ปีที่แล้ว +1

    How does Barry Harris choose the four keys and their order to cycle through the chords ?

    • @stackman1525
      @stackman1525 ปีที่แล้ว +1

      The four keys are a minor third apart, which happens to create a closed octave loop (a m3 above A is back to C). So there are a total of three loops: one "starting" on C, one on C#, and one on D.

    • @samrogers6890
      @samrogers6890 11 หลายเดือนก่อน +1

      Thanks for answering.
      1. I understand the minor third relationship between the four keys and how they form a closed octave loop.
      2. How did you determine that there are three other octave loops mentioned above, “starting on keys C, C#, and D,” in this example?
      3. Can Berry Harris’s technique apply to these other loops as well?
      4. 😊If your explanation is
      too lengthy for this format, what source do you recommend, that I can learn more about this idea?
      Thanks a bunch! You’ve already been very helpful.

    • @stackman1525
      @stackman1525 11 หลายเดือนก่อน

      ​@@samrogers6890 So, by the definition of a loop, you'd agree that the loop "starting" on C is the same as the loop "starting" on Eb, right? What notes between C and Eb would be skipped over by this particular loop?
      I don't have specific resources to point you toward, but I think you need to hammer into your mind the distinction between *pitches* (i.e., notes) and *intervals* (the spaces between pitches). This "technique", just like literally every other melody playable on the piano, is just a series of intervals. When you sing Happy Birthday, does it /need/ to start on exactly B-natural for you to recognize it as Happy Birthday?
      This practice technique is just a specific melody (i.e., series of intervals) that gets your hands, fingers, and ears working in a particular way that is distinctly useful for jazz and gospel styles of piano. The only way I could imagine a melody "not working" in a different key on piano is if you physically run out of keys on one side of the keyboard... in which case you can shift the entire thing up/down by an octave and try again. :D

  • @bobbywebster2174
    @bobbywebster2174 11 หลายเดือนก่อน

    fairy fountain

  • @MrYoungpianoplayer
    @MrYoungpianoplayer ปีที่แล้ว

    Can someone tell me what VST's Sean uses?

  • @sheddybhulji8196
    @sheddybhulji8196 หลายเดือนก่อน

    Hi , any chance of getting the music score. Thanks

  • @abbos_axiy
    @abbos_axiy 5 หลายเดือนก่อน

    13:40 what's the song were you playing ?

  • @mjtthifb10
    @mjtthifb10 ปีที่แล้ว

    I was kinda lost with the application of the revised version, didn't which moves were being used

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Hey most of the application for the songs were taken from the 1st measure of the revised version, and loosely placed where my ear thought they could fit

    • @mjtthifb10
      @mjtthifb10 ปีที่แล้ว

      @@SeanWilsonPiano Thank you!

  • @user-kc1ku2wl1n
    @user-kc1ku2wl1n 11 หลายเดือนก่อน

    I didn't know two white keys next to each other work like that

  • @Sn00ze
    @Sn00ze ปีที่แล้ว +2

    The first exercise reminds me of Zelda music for some reason... The fairy fountain theme th-cam.com/video/5aX_IZr_a9Y/w-d-xo.html

    • @gumong3502
      @gumong3502 ปีที่แล้ว

      th-cam.com/video/tF-XoYlGy34/w-d-xo.html

  • @jamessullivan1830
    @jamessullivan1830 ปีที่แล้ว +1

    Why can we play the minor 4th of the major scale? Beginner theorist here looking for help

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว +2

      Hey James, typically the 4th chord in the scale is major, in this exercise it is minor because we are switching keys. The minor 4, is the same as the minor 2 in the new key

    • @ransomqhouhx7
      @ransomqhouhx7 ปีที่แล้ว +1

      Beautiful explanation

    • @jamessullivan1830
      @jamessullivan1830 ปีที่แล้ว +1

      @@SeanWilsonPiano Thank you for explaining that, music theory still seems so confusing at this stage. I appreciate your content.

    • @ugajin7348
      @ugajin7348 ปีที่แล้ว +1

      @@jamessullivan1830 The tonic notes keys: C E♭ F♯ A, or C E♭ G♭ B𝄫 are each a minor 3rd apart, which is also a C°7 chord.

  • @barrymurray6959
    @barrymurray6959 5 หลายเดือนก่อน

    I was wondering why is he says that the 6 note of d minor is B when it’s actually B flat?

    • @mathieuvallieres2993
      @mathieuvallieres2993 15 วันที่ผ่านมา

      Being the second chord of the next key it implies the dorian mode which has a natural 6th instead of a flatted 6th in the natural minor scale (aeolian mode)

  • @obakengandreck7051
    @obakengandreck7051 9 หลายเดือนก่อน

    I'm new to piano. Why is the 4th Chord a minor? Always hear 4th is major

    • @SeanWilsonPiano
      @SeanWilsonPiano  9 หลายเดือนก่อน +1

      The 4 chord is minor in THIS exercise

    • @obakengandreck7051
      @obakengandreck7051 9 หลายเดือนก่อน

      @@SeanWilsonPiano thank you

    • @barrymurray6959
      @barrymurray6959 5 หลายเดือนก่อน

      I was wondering why is he says that the 6 note of d minor is B when it’s actually B flat?

  • @avidreader6534
    @avidreader6534 ปีที่แล้ว

    How does one get as good as domi? Like what is the best way to get close to her skill level while not going to top notch music schools

    • @MrAshtonK
      @MrAshtonK ปีที่แล้ว +3

      Use a metronome and get your scales and arpeggios up to 140 eighth notes controlled

    • @avidreader6534
      @avidreader6534 ปีที่แล้ว +1

      @@MrAshtonK thank you. What scales should I focus on and then graduate to? I only know c major, and A. I can figure out the other major and minor scales pretty quickly but I don’t know them. And Anything else you recommend to practice or videos?? I’ll definitely be doing that

    • @MrAshtonK
      @MrAshtonK ปีที่แล้ว +2

      @@avidreader6534 all 12 major scales. You just need like 10 years of speed

    • @avidreader6534
      @avidreader6534 ปีที่แล้ว

      @@MrAshtonK 😂😭 thanks. Is it possible to do it in 5? And other things that are important?

    • @MrAshtonK
      @MrAshtonK ปีที่แล้ว +2

      @@avidreader6534 yes, a teacher. You wanna be domi self taught... Good luck. Pay a professor or someone professional weekly or bi-weekly. Hold yourself accountable and play pieces that apply the exercises.

  • @luar8286
    @luar8286 ปีที่แล้ว

    soo no body noticed the zelda fairy fountain theme?

  • @texanfrog1750
    @texanfrog1750 ปีที่แล้ว +1

    its the barry harris scale
    edit: can someone tell me why people keep calling it gospel when it is scriabin(the sus stuff), or is it different somehow?

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      Not sure if I understand your question but we’re not teaching the scale in this video. I’m teaching the practice routine shown at the beginning of the video

    • @texanfrog1750
      @texanfrog1750 ปีที่แล้ว

      ​@@SeanWilsonPiano​ I know I was just pointing out that the resolving stuff you talked about was based on the scale. The question is (at 9:11-9:23) you play a chord that is really just the mystic chord by scriabin. I was just wondering if in jazz(as it isn't called mystic and instead sus(i understand it stands for suspended)) it is different than Scriabin's chord, and if so how?

    • @SeanWilsonPiano
      @SeanWilsonPiano  ปีที่แล้ว

      @@texanfrog1750 oh ok got you, actually I’ve never heard that term ‘Scriabin’ so I’ll have to look into that. I’m more of an ear player than theory so I just pretty much discovered this voicing while practicing and figured I’d adopt to the routine. Great points tho and definitely smth for me to research further

    • @texanfrog1750
      @texanfrog1750 ปีที่แล้ว +3

      @@SeanWilsonPiano Now Way!!!! Scriabin is a classical composer. Listen to sonata 5, it will blow your mind. I'm so happy because if you have the patience to listen it will really widen your scopes. If you haven't heard of scriabin, you probably haven't listened to others either. Please listen to that and also Ondine by Ravel, it might seem a bit boring from the start, but please do. You will not regret it, they are both complete masterpieces!

    • @musical_lolu4811
      @musical_lolu4811 ปีที่แล้ว

      ​@@texanfrog1750 For me, music is music; the labels and eponyms aren't as big a deal as you're making them out to be. Stuff like the Mystic chord, the Tristan chord, the Picardy cadence, Barry Harris' 'scale of chords', and my favorite in jazz - the 'backdoor progression', while they are great as common terms of reference, may be termed differently in other circles. Why is that suddenly a problem?

  • @dentonharvey7947
    @dentonharvey7947 9 หลายเดือนก่อน +1

    I don’t understand one thing

  • @noswad75
    @noswad75 23 วันที่ผ่านมา

    Enough about Barry Harris. Oscar Peterson was on whole different level. Barry Harris looks like a tortoise compared to him. Makes Barry Harris's playing sound 2 dimensional and flat. Not sure why you guys jump on the band wagon just b cause everyone else jumps on the band wagon.