Brahms : Concerto pour violon (Hilary Hahn / Orchestre philharmonique de Radio France)
ฝัง
- เผยแพร่เมื่อ 4 พ.ค. 2024
- Hilary Hahn interprète le Concerto pour violon en ré majeur op. 77 avec l'Orchestre Philharmonique de Radio France sous la direction de Mikko Franck. Concert enregistré le 21 avril 2023 à la Maison de la Radio et de la Musique.
0:00 1er mouvement - Allegro ma non troppo
24:41 2e mouvement - Adagio
34:03 3e mouvement - Allegro giocoso, ma non troppo vivace
C’est en mai 1853, à vingt ans, que Johannes Brahms fait la connaissance à Hanovre du célèbre Joseph Joachim. Violoniste de deux ans son aîné, ancien élève de Mendelssohn, prodige admiré par Berlioz, Liszt, Robert et Clara Schumann, Joachim allait devenir l’un des plus grands interprètes de son temps. Entre les deux jeunes gens s’instaure une complicité musicale fraternelle. Joachim nota à propos de la rencontre de 1853 : « Johannes, tendre idéaliste… lorsqu’il me joua les mouvements de sa Sonate, je la trouvai d’une force et d’une originalité inimaginable, à la fois noble et inspirée ».
Cimentée par l’affection qui les unit, l’un comme l’autre, aux Schumann, l’amitié de Brahms et Joachim durera plus de quarante ans en dépit d’une brouille. On doit à cette amitié deux concertos pour violon : le Concerto hongrois, opus 11 de Joachim (1860), dédié à Brahms, oublié aujourd’hui, et le Concerto en ré majeur de Brahms dédié à Joachim. Solidité et puissance symphonique caractérisent cette partition où se succèdent vaillance, lyrisme, élans héroïques, virtuosité époustouflante.
Brahms a terminé son Concerto au cours de l’été 1878 à Pörtschach, petite ville autrichienne sur les rives du lac de Wörthersee en Carinthie, avant d’en retravailler en septembre la partie de violon avec Joachim. « Il y a quelque excuse à ce que ce concerto porte ton nom, écrivit-il ensuite à son ami, puisque tu es plus ou moins responsable de la partie du violon. » L’Allegro ma non troppo initial a la particularité de commencer par une vaste exposition dans laquelle l’orchestre expose le matériau thématique, avant l’entrée énergique du soliste.
Des épisodes virtuoses alternent alors avec de longs moments mélodiques. Brahms a laissé la place de la cadence vide, laissant le soin à ses interprètes de la réaliser comme ils l’entendent. Le paisible Adagio s’ouvre, lui aussi, par une page orchestrale, fameuse pour la belle mélodie de hautbois qui s’y déploie et que reprend le violon. Le violoniste Pablo de Sarasate, qui refusa de jouer le concerto au prétexte qu’il ne mettait pas assez en valeur son instrument, avait déclaré au sujet de cette mélodie, qu’elle était la seule qui soit réussie dans l’œuvre. Un Allegro giocoso, non troppo vivace, aux accents hongrois, aussi exubérant qu’énergique, incroyablement virtuose, referme la partition.
L’œuvre fut créée à Leipzig par Joachim avec l’orchestre du Gewandhaus sous la direction du compositeur le 1er janvier 1879. « En faisant hommage à son ami d’une œuvre qui est parfaitement digne du grand talent de Joachim, écrit Dörfel, critique au Leipziger Nachrichten, Brahms s’est mesuré à une tâche où il égale les deux chefs-d’œuvre du genre, Beethoven et Mendelssohn. Nous avouerons que nous avons attendu l’épreuve avec quelques battements de cœur (...) ; mais quelle joie nous éprouvâmes ». Les deux amis redonnèrent le Concerto à Budapest et à Vienne, avant que Joachim ne s’en fasse le défenseur à travers l’Europe.
#Violon #Brahms #HilaryHahn #OrchestrePhilharmoniquedeRadiofrance #MikkoFranck
-----------------------
⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la nouvelle chaîne TH-cam de France Musique : / @francemusique
🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
/ @francemusiqueconcerts
Découvrez tout France Musique :
► Site internet - www.radiofrance.fr/francemusique
► Espace Concerts - www.radiofrance.fr/concerts
► Newsletters - www.radiofrance.fr/francemusi...
Suivez-nous sur les réseaux sociaux :
► Facebook - / francemusique
► Twitter - francemusique?lan...
► Instagram - francemusiq...
► TikTok - www.tiktok.com/@francemusique... - เพลง
I had the privilege of listening to her play this 2 weeks ago in Cologne. After the performance, she went on to listen to the Schostakovich symphony 5 which was played after. She sat in the row in front of me and only about 6 seats to the right. Not many soloists of that caliber take the time to enjoy the rest of the concert like that.
Yes, she is one of us, and if I had the opportunity to talk to her I probably would talk about anything else but music.
@@staffanolofsson8201 я оркестрант. Первые скрипки, помощник концертмейстера. Мне играть через два месяца этот концерт с моим оркестром. Хилари, помоги!❤
@@user-gj7cr7bl9u Dear, I cannot read your words but I take it as you like my words. And the heart indicates that you like Hilary Hahn.
I am really pissed off that I missed this !
@@willemhaifetz-chen1588 Well, not so bad hearing this on TH-cam. Sometimes we have to accept the second best.
Hilary is such a goddess, queen of the violin!!
Let's none of us lose sight of what a blessing it is to live in a time when we can hear and see music such as this performed by artists such as these. It is a marvel, undreamt of when I was young.
Jack, I can nothing but agree, born 1945.
@@staffanolofsson8201 born in 2007😁
Young or old, we seem to be always grateful for this music.
Indeed!!
@@staffanolofsson8201I see your comments all over TH-cam. I always enjoy reading them. Cheers!
Everything she does with Radio France orchestra and Mikko Frank is magical. Their Paris CD, Sibelius, now this...
I am glad she has a foundation to create music. I wished she was in the US where I could enjoy her playing.
I don't like this conductor at all: Mikko Frank! This is the Achilles heel in the execution of this piece. His orchestration is clumsy and somber. Luckily, Hilary Hahn is here! Our best French conductor is Fabien Gabel. With Gabel, it's energy and flamboyance. Richard Strauss: Une Symphonie alpestre, Op. 64 : th-cam.com/video/XbiPrMLIriQ/w-d-xo.html by Fabien Gabel. Fabulous! *Lucien*
@@LucienMarine It isnt Mikko Frank who orchestrate the music. It is already done by Sibelius. Frank only direct this music. It you dont like him its ok with me. I respect your opinion, but I disagree.
@@LucienMarine Sorry, I apologize! How could I say Sibelius? It is Brahms! The only explanation I can get is that I have listened to both with Hilary very often. Best wishes! I can understand you also are a music lover. But why Strauss and his Alp Symphonie?
@@staffanolofsson8201
I am not in the habit of commenting on conductors' interpretations. Brahms' violin concerto is a true masterpiece: this piece deserved better execution especially with the presence of Hilary Hahn. I will not return to this subject! My choice on France Musique is Fabien Gabel. He is brilliant and fabulous. Everyone has their own timbres and voices. I wish you good music listening suite. *Lucien*
This conductor really knows how to make the soloist’s part be heard. Thanks always to the sound technicians.
Hilary is nowadays taking bigger risks about dynamics and intensive, almost harsh playing, combinened with exquisite lyricisms. Thats why I love her playing in this consert. She has matured wonderfully regarding this music. From perfect to even better.
Most certainly
Knowing she can also RIP this piece like a metronome (in other recordings) almost, yes I dare say at Haifetz level, makes this interpretation even more welcome.
Reminds me of Midori’s Prokofiev which you would not call pretty in every aspect, but where it’s not pretty it is at its most compelling!
No harsh never hear 👂 harsh.
Totally agree. When I would love to see her 'attack' Shosta's Violin Concerto no. 1 now (the version when she was 21 lacks some of the aggression I think she would add to it now)
It's not just the perfect intonation, tonal quality, musicality and projection. Just look at her hands to realise that even more than before she has perfected the art of making a beautiful sound with the minimum effort. Any aspiring violinists could watch this for hours to pick up tips about how to get the most exquisite vibrato with such economy of movement. And that's just her left hand. Look at the bow arm to see such mastery of bow control, projection and articulation. She is still up there with the greatest of all time.
A new aspect of regarding Hilarys playing! I totally agree. The art of Economy of Movements is still under development.
I'm a simple man, I see Hilary Hahn and Maestro Franck, I click.
Best version of Hilary Hahn playing Brahms! Her playing matured so nicely: longer phrasing, fearless strokes, unstoppable intensity, powerful projection. Packed with emotion. Technicality at the best serve of the dynamics. Without mentioning the impeccable intonation... I am so glad this video is available, not being able to make to the concert.
Wonderful comment, just how I think about her playing! Best wishes!
so excited to see it in person soon!
@@LucienMarine Enjoy JJ, but as a fmr dutch cello player in youth orchestra AJO I feel Hillary is the absolute ACE - IMHO.
@@LucienMarine that's just your opinion. They are both good friends and I'm sure Janine thinks differently of Hilary's playing. Bisous!
Very true. I've admittedly never been a huge fan of Hilary's playing, although her technical prowess cannot be denied.
That said, she's ascended to another level recently and I do love her playing now.
wow!!! this reminds me of her playing the sibelius a couple of years ago. It just blew me away. Just when you forget how awesome HH is, you get to hear this and then you're reminded of why she is so famous. i love her powerful tone, crystal clear intonation, and nuanced structure. thank you HH for performing for us. and thank you to the orchestra and conductor. Nice job!!!!!
I see many comments under this video that “something which was already perfect became even better”. Indeed Hilary has always been one of the most preeminent violinists of our times, but she has always continued to grow. And that’s actually unique: when a child prodigy becomes a really Great Musician after >30 years of continuous fame. Honestly I don’t know any other examples of such a resistance towards fame temptation in the present times: several Hilary’s colleagues, also very gifted musicians by nature, swirled in the whirlpool of popularity and did not reach the level of true greatness. But Hilary… having gotten 3 Grammy awards (!!!) and lots of other prizes and “recognition symbols”, having made recordings of almost complete violin repertoire with the best orchestras and best studios in the whole world, always hearing rave reviews of her genius and crowds of fans as if she was a pop/rock star and/or a Hollywood star, having given birth to two daughters in a marriage with her husband and looking now stunningly beautiful, like 25-27 years old (max)… and she’s playing now at completely different level in comparison even with herself 15-20 years ago. I even read in those days that she was called a genius, “the Menuhin and Stern of our day”, etc., but then I could not fully agree with this, to be honest. She was obviously great, but it would be difficult for me then to call her a genius. And now, after this rendition of Brahms, a truly grandiose discovery has happened to me: Hilary Hahn IS indeed one of the greatest musicians of all times. She’s not a child prodigy any more… she’s not the one with purest and most beautiful violin tone any more… she’s not a phenomenal and preeminent master of violin any more… she’s a truly Great violinist and Great Musician, because in her playing one can feel the breath of eternity and immortality. Now it became obvious to me that she is one of those people on whom our fragile world actually rests. THANK YOU! ❤
Where there is dexterity, the maturity is put in quotes. The particularity of Hilary Hahn is her crystalline game which becomes unstoppable. It's his trademark and therefore the weight of the years will not change anything. This register of Brahms is not his best performance but the one from 2014 with Paavo Järvi on Frankfurt Radio Symphony Orchestra Channel hr-Sinfonieorchester. Listen carefully to the interpretation of the Adagio which is immeasurably limpidity. We do not deceive the listeners with nearly 8 million. The reference is probably here ! *Lucien*
@@LucienMarine So Lucien, you use the same words for arguing with Mihail K as you use for arguing with me? As I said before, the only thing that really matters for me is that I love Hilary Hahns interpretation of this Brahms Violin Consert.
@@staffanolofsson8201 What dispute and with who therefore ? You wouldn't be an original by chance with all your amateur comments. Probably influenced by my analysis in headlining. Terminus : get off the train !
@@LucienMarine Dont be offended! We are both music lovers and I like your comments. And I agree about me beeing an amateur writing too many comments...
@@staffanolofsson8201 You have to remain objective without trying to influence others. Commentators don't necessarily think like you. Anyone on TH-cam can write a pretty comment. The key word being « *inspiration* ». I hope that one day, I will have the pleasure of reading you knowingly. *Lucien*
Le retour de Mikko Franck et Hilary Hahn ensemble, quelle joie :D !
As it was with the Sebelius concerto! :)
@@michaelowen7267 Exactly !!
Vous n'êtes pas fatigué des trois mêmes concertos pour violon ad nauseam depuis des années ?
Non pas du tout 😘
@@edouardmacarez6894 Très bien, ne vous plaignez pas du non renouvellement du public et que la musique classique garde son image poussiéreuse et vouée à disparaître 😘
Her emotional range is becoming wider. Her sound is smoother than ever. Hilary keeps amazing me with all the possibilities she made possible (of course, all with the phenomenal Mikko and orchestra). Bravo Hilary, Mikko, Orchestre philharmonique de Radio France!
Comparing this recording to her recording with the Frankfurt radio symphony in 2014, you can tell that she has really grown as a musician in 9 years. She is so much more expressive and I feel that she really lets go a lot more nowadays while being technically flawless, even more so than before. This just goes to show that even the best musicians can improve beyond their current ability!
I always found her playing a bit robotic. It has become a bit better over the years but i think for emotion there are way better players.
@@kladblok2729 I totally disagree.
Music is an art where I hope AI will never have a chance. Robotic like an AI or personal and lyric (as I understand Hilarys playing) has to be processed in a human brain, not in a AI computer. And we can all have our personal opinion.
Hilary Hahn's earlier performance of this (2014) has an astonishing 8 million views, but this one is even better in my opinion. Nine years later she has continued to grow and finds even more to say about this masterpiece than she did earlier.
Agreed!
The solo at the end of the first movement was perfect and very moving. Here plays a violinist who has reached full maturity and perfectly interprets the spirit of this concerto in addition to a perfect technique. The sympathetic conductor physically transfers the deep feelings of this concerto to the orchestra. Thank you very much for this video. An incredibly pleasant experience.
To see just how wonderful the 1st movement cadenza was, you need only watch the reactions of the orchestra's string players. They seem wrapped around the soloist in a spell-bound world of concentration and empathy.
As Hilary matures she revisits this concerto and immerses herself, and the listener in another why of interpreting this masterpiece. I remember first hearing her deliver a magnificent performance and left thinking she was Oistrakh reincarnated. Each time she comes forward with this work Hilary has been moving more into her own space. With this performance she owns the work as entirely hers. It will be fascinating to listen to how she builds on this over the coming decades.
i see
James, thank you. Yes, we look forward to experience the coming Hilary Hahn.
Agree with you about being very Oistrakh in her earlier interpretation...now she has found her own softness and suppleness within that interpretation....every note has a meaning and a drama...and she's only 43...holy cow, what's next??
As always when Hilary is playing, it is almost like watching a small ballet combined with her wonderful playing. Her perhaps unconscious small moves on stages contributes to my experience of this music as a whole. Music is in some way a movement from one place to another, and in this she has my full admiration.
Comfort is the essence of music
Her graceful performance evokes comfortable feelings and quench and moisturize the dryness of the soul
Excellent and sublime. I just bought two of her recordings on CD recently. I could not imagine living in a world without classical music, orchestras, musical instruments, and great performers. And of course composers of music too!
I. Allegro non troppo 00:00
II. Adagio 24:40
III. Allegro giocoso, ma non troppo vivace 34:01
Thank you.
Merci beaucoup !!!!
Always a pleasure to hear Mikko and Hilary together.
There is so much to love here. Feels like the orchestra is having fun! Love the smile of Mikko as he directs. Hilary is masterful as I have ever seen her, and beautiful in that great dress! The sound is marvelous!! I was in tears. Bravo 👏 👏 👏 👏 👏 👏 all!
Hilary + Mikko = le meilleur concerto de Brahms jamais entendu. Bravo et merci à tous.
I don't like this conductor at all: Mikko Frank! This is the Achilles heel in the execution of this piece. His orchestration is clumsy and somber. Luckily, Hilary Hahn is here! Our best French conductor is Fabien Gabel. With Gabel, it's energy and flamboyance. Richard Strauss: Une Symphonie alpestre, Op. 64 : th-cam.com/video/XbiPrMLIriQ/w-d-xo.html by Fabien Gabel. Fabulous! *Lucien*
After listening about one hour to this, I think Hilarys playing is better than ever in this Brahms Violin Consert. Something that is perfect has been even better. Truly amazing!
She's defeinitely been at another level recently
Just one hour after this was published. I happened to be there. And so my comment is nothing to take notice of. Even if I love Hilarys playing in this.
Wonderful performance, Hilary you are stunning, and the whole orchestra is wonderful, thanks so much for sharing your talent with all of us.
C'est si bon ! Chapeau Orchestre Philharmonique Radio France et Madame Hilary. Discutablement, Brahms violon concerto est le meilleur jamais. Passion, émotion, drame et spectaculaire jouant ! Madame Hilary's Guaneri de Jesus - Vuillaume modele violon ce sons spectaculaire !
There is a definite chemistry between Hilary and Mikko and I believe they bring out the best in each other. Mikko's glowing face and Hilary crushing it... they go together. So much fun! Thank you!
This video is like a breath of fresh air for my mind and spirit. It brings peace and simple joy that I haven't experienced in a long time.
Jesus Christ -- only Hilary Hahn can bring justice to this concerto. It is beautiful -- it is a masterpiece. But everything has to be in place, played, controlled structure and chaos -- only Hilary can summon the Spirit of Brahms from the graves and bring him to life. It is truly humbling to witness the very heights of humanity. Makes me tear up just realizing how good this was...
I have not mentioned this orchestra but we all know that they always are playing at their top. The support they give Hilary Hahn in this is essential for our experience of this work. One of this worlds best orchestras. So thank you for during so many years bringing the best music to us, Orchestre Philharmonique de Radio France!
Sempre m, agradat molt Brahms , i , al Palau de la Musica ❤
Wow! She has absolute and total control over that instrument. Very rare to see.
And a joy to experience!
Quelle émotion en écoutant et en visionnant cette œuvre, majestueusement interprétée par Hillary ,violoniste de renom.
Son interprétation me fait vibrer.
Sa complicité avec le chef d'orchestre me touche beaucoup.
A tous les deux ils nous emportent ,ainsi que les musiciens ,dans leur univers et c'est juste magique!!
Je vais le réécouter souvent!!
Merci pour cette oeuvre superbe et pour son interprète incomparable !
Wow! Such a stirring and inspiring performance! Hilary Hahn's incredible poise, piercing focus, clarity of sound, warmth of interpretation.... Brought tears to my eyes! It's been a long time since I've stayed up too late because I got sooo drawn into watching violin videos. I wanted to just watch a few minutes of this, and had to watch all the way to the end. Riveting! This is what music is all about. So excited to keep practicing my violin! :) Thank you to every single person who made this possible!
Nice to see Hilary mutualed from a young talented violinist, became a superior star. One of the best in the classical music world now. 🥰 🙌
Beautiful. Hilary just exudes confidence and energy, and the exchange between all of the performers and the conductor is electrifying.
Yes you are right, exchange in the small, without making it the main issue. Just a confidence among all participants.
The orchestra, the conductor, Hahn -making magic.
I could listen to her all day. Too bad I gotta work.
Iconic performance!! Such rapport between Hahn, Franck, and the orchestra. Beautiful beautiful beautiful. Like chamber music.
The violin intro in the first movement had me in tears. That's when I knew... Then came the Cadenza. About 4 seconds into it, 2 beautiful Sparrows came flying into my room! It would seem they too enjoyed the exhilarating and gorgeously moving performance by Hilary Hahn's rendition of the Brahms Violin Concerto! And to the Orchestre Philharmonique de Radio France directed by Mikko Franck, well done indeed!
Perhaps even sparrows like Brahms? We have no idea what they really like.
@@staffanolofsson8201 Haha! I wouldn't be surprised if they do like Brahms. In truth, I used the sparrows as a metaphor to describe how I feel about Hilary Hahn's magnificent performance. I'm quite sure it was the high pitched sounds of the violin which drew their attention.
Hilary Hahn playing Brahms - it just doesn't get any better. Thanks for sharing this beautiful performance.
Two Setters here just because of our love to Hilary. Beautiful performance
Hilary Hahn with Mikko Franck is iconic.
Great Hilary She play feeling AWESOME Brahms ❤❤❤
Jouer à Zelda : Tears of the Kingdom avec ce concerto en fond est la vie que j’ai décidé de mener
Tu es un homme de goût
de la musique classique avec un jeux d'exploration = meilleur combo
moi j’écoute de la musique classique pendant que je programme
😂@@gaetancoquilhat9708Aw😂
her daughter is named zelda if im not wrong 👌
Mais wtf🤣🤣
People need to realize that this young lady is right alongside the greatest artists of all times
She is 43 and all the other want to be as she is. One of the most highrated violinists in this world.
I am sure that Heifetz and Menuhin and all the other legendary violinists from long ago would have liked her playing. She is standing beside them in this interpretation of Brahms violin conserto. Eventually they all had taken a step backwards hearing this interpretation.
Hilary is such a goddess, queen of the violin!!. Hilary is such a goddess, queen of the violin!!.
you know , Hilary Hahn is really causing me to get more into classical - it's all her doing and thank you so much ! orchestra is great too -
Hilary is back!
Hilary looking like this magical musical gypsy faerie and I'm totally here for it.
Spicatto from orchestra is just a treat to hear ❤they are each note is perfectly plucked in time. Sounds absolutely beautiful 🤩
Simply stunning performance by all. Hilary's violin playing is the magnificent heartbeat of this Braum's symphony. Bravo...
Hilary Hahn Sibelius with this orchestra and Mikko Franck is my favorite recording ever and this just just as sublime. Thank you to everyone involved for creating such great music and making it available to all. Bravo!
@@LucienMarine Hilary Hahn has a unique sound that no other violinist can replicate her attack and crisp tone is what I love. I also love her artistic choices. For me, Janine comes nowhere close to Hilary's recent recordings. It's really all just preference at a point. I could find an article that says the same about Hilary she's just as famous if not more due to social media and works with the same conductors
Next year Sibelius at Mauson de la radio with them !!
@@hortenseveronique9961 sadly I live in America 😅. But I saw her play Sibelius in January. Best experience ever!
I don't like this conductor at all: Mikko Frank! This is the Achilles heel in the execution of this piece. His orchestration is clumsy and somber. Luckily, Hilary Hahn is here! Our best French conductor is Fabien Gabel. With Gabel, it's energy and flamboyance. Richard Strauss: Une Symphonie alpestre, Op. 64 : th-cam.com/video/XbiPrMLIriQ/w-d-xo.html by Fabien Gabel. Fabulous! *Lucien*
@@TacticalStrike I wish the Charleston Symphony would ask her to play here in Charleston, SC. I have not heard her play live since she was a child of 14, in Baltimore, MD. In a fourth of July concert at a park in Baltimore County for free with the Baltimore Symphony conducted by David Zinman. I am now 82.
I hear new additions to the concerto oh they are amazing Hilary!!!!!!
Can't get any better than this.
Hillary Hahn may be the most elegant being on earth.
This music so Beauty Tears coming but only Joy
Gosh Hilary, you're
so good and fun
to watch. ❤
Her wonderful performance will quench and moisturize the dryness of the soul
I was in the hall for this performance and was thoroughly impressed. This ranks with the Ginette Neveu one. And then last week I was in Denver when the Colorado Symphony gave it with Augustin Hadelich and I discovered an entirely different concerto, at an equivalent level of artistry as Hahn's own interpretation. Lucky me.
Thku so much. I can’t express what it has meant to me ❤
Hilary the world 🌍
adores you !!!!
Hillary Hahn
my all time idol
she plays Brahms like he probably heard it in his head
just the cadenza we went from Beethoven to Bach what a phenomenal performer
Absolutely phenomenal. Hilary Hahn is one of the greatest violinists. Excellent orchestra. Bravo, Maestro Franck.
Que maravilla !!! Que linda es la música. Que interprete! Wow. Gracias Hillary! Te amo❤
Thank You For Posting With My Favorite Violinist !
Wow! I haven't heard her in a while and didn't pay attention to what I was clicking on. My first thought was- "Who is that? It sounds like Hillary Hahn only better!" Blown away by how she keeps maturing over the years!
Simply one of the greatest works ever composed, exquisitely performed.
This is Hilary at her absolute best! Magnificent!!🎻👏👏👏
J'adorais écouter, et quand j'ai vue la vidéo .... le regard qu'ils ont l'un pour l'autre amène une puissance,une profondeur ,une satisfaction (je ne saurais comment dire avec exactitude)
la sensation dont on rêve a chaque concert ; spectateur ou musicien
Merci France Musique! What privilege it is to be able to listen to and watch this great performance in the comfort of one’s own home. Merci!
Fabulous performance from soloist and orchestra alike. Hilary never stops amazing!! Very fine conducting also.
Danke, danke, danke, daß es heute, in unserer komplett verrückten Zeit, überhaupt noch Menschen gibt, welche Kunstwerke wie ein Brahms Violinkonzert überhaupt noch zur Aufführung bringen. Danke!!!
Bei aller Dankbarkeit und bei allem Respekt sagt mein Ohr, daß l'orchestre wohl technisch perfekt spielt, daß es sein Möglichstes tut, um die Botschaften zu vermitteln, doch daß es häufig an der Oberfläche haften bleibt. In Brahms'scher Musik muß so sehr oft angespielter Ton dynamisch durchgestaltet werden. Wird er als wie starrer Orgelton gespielt, wird die Botschaft nicht entschlüßelt.
Danke trotzdem nochmal, liebe gute tüchtige Musiker, auch so hatte ich meinen Genuß.
Und Hilary Hahn tausend Dank für Deine komplette Hingabe!
Seid innig gegrüßt, Ihr alle, Ihr guten Musiker.
Stimme Ich eigentlich zu! The orchestra really plays a bit shallow. But Hilary is doing an amazing job in my opinion. Among all her interpretations of this concert this one is the best for me. Und danke für Ihren Kommentar!
0:02 - First Movement
24:42- Second Movement
34:02- Third Movement
Oh Hilary?❤??!!!!!! The double notes oh my oh my are no words to thank you 🙏 ❤
I now have listened to this more than ten times, still sort of "shivering in my soul" about the wonderful small details in Hilarys playing, all together with her masterly control of the main structure of this work. As I see it, her best performance so far. Notice, so far. Together with this orchestra she has the ability to make some more wonders, and I hope that I still will be there to admire her playing. For me this is a masterly playing, her best, it has taken my heart, I love her ability to make Brahms´music this space of love, hope and trust. Just listen to Hilarys way of playing the second movement. It is perfect. And so I can only say that I love Hilarys playing in this, even more than before.
Where there is dexterity, the maturity is put in quotes. The particularity of Hilary Hahn is her crystalline game which becomes unstoppable. It's his trademark and therefore the weight of the years will not change anything. This register of Brahms is not his best performance but the one from 2014 with Paavo Järvi on Frankfurt Radio Symphony Orchestra Channel hr-Sinfonieorchester. Listen carefully to the interpretation of the Adagio which is immeasurably limpidity. We do not deceive the listeners with nearly 8 million. The reference is here !
@@LucienMarine As a swede I have to use my english-swedish dictionary to understand some of your words. Yes I have earlier listened to this Paavo Järvi interpretation. And yes, it is good, I am very fond of Paavo Järvi in Sibelius interpretations. But I still think this new Brahms interpretation by Hilary is better than the one you prefer. Better sound is also one of my arguments. From a music lover to another. And best wishes!
@@staffanolofsson8201 Keep your sarcasm ! I don't consider you at all like a music lover but as an amateur who gets drunk his world with your many comments. With you, it's always the same insipid words. You will never know write or describe a work as I did here or elsewhere. It's the very essence of the music lover. Terminus : get off the train !
@@LucienMarine I agree. I like that older performance better. In this one the violin sounds much harsher.
@Lucien ? That was harsh on our fellow commenter. I didn't see him do anything worthy of that.
Okay ❤okay Hilary you are the female Jacha Heifetz! Thankyou. God gifted fiddler!! I’ve listened to all of these concertos over and over with attempting to play this whole concerto you have now given me the largest gift to listen so I can get this right. One day sooner rather then later I pray!! I want to make my violin 🎻 sound just like this flourless and god gifted.❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤more please . 🎉
Brilliant performance. The orchestra is beautifully sensitive and full of life; you can see the players are enjoying themselves and it comes through. Hilary is careful with every note and phrase and the performance as a whole has a profoundly majestic, seasoned quality. The true richness of Brahms!
My Dad played this when I was a child on one of the first home stereo. I found the Lp record years later and could follow it aĺ the way through.im 74 now and its still one of my favourites ❤
Bravo
Wonderful performance by Hilary and the orchestra, BRAVO!👏🏽👏🏽👏🏽
The second movement at 24:40 goes directly to my heart. The way Hilary play, with such a smooth approach, and with an intonation that is like heaven. At this moment we all are a little closer to heaven.
Hilary’s pinky is always unbelievable🎉🎉🎉
Hilary's pinky is something from another world!
She looks like a goddess in this dress 🥰❤️🔥 yes mother!!!
En estos últimos tiempos, Hilary H. es una de las VIRTUOSAS del Violín mas extraordinarias que hay...me agrada tanto como su igual y emotiva; Janine. J. saludos amigos desde Perú.
Ms Hilary gets better each year. She is a legendary violinist with technical virtuosity and great musicality.
J'y ai été il y a deux semaines !
C'était un concert juste magique !
Quelle fabuleuse Hilary !
I went to the concert in Berlin and I can still feel her playing. Definitely one of the best days of my live🥰
So this consert was in Berlin? I can´t find any information of where this consert was taking place.
This recording was made on the 21st of april in Paris, but at the 26th of april she was in Berlin.
I've been there in Berlin too and couldn't agree more with you! It's not "just" listening to her playing, but you can feel it in your heart.🥹
To me there's nobody like Hilary--and she just seems to keep on getting better--heavenly playing.
Super! Guzel! Kalbim titriyor dinledikce! Gozler yasariyor!
Bravo, Bravo ❤
Thank you for sharing 🎉🎉🎉
Super passionate performance. I also admire sound engineer. Hilary is always in front and with ample nuance of orchestra.
For all of you who are specially fond of Hilarys "Little Finger Vibrato" this is magic. And I know there are lots of you out there just waiting for Hilary to use her little finger. Now is your time.
Hilary Hahn just knocks it out of the park EVERYTIME. Such drive to the strings and fluidity in her arpeggio's. Nuance is what she IS.
Sempre ha sigut sensacional Brahms , el concert pour violon de Hilary Hahn L, em escoltat sempre al Palau de la Musica de Barcelona ❤
Bonjour quelles belles voix ❤❤❤❤❤
3.5 minutes in, and I am already overwhelmed with emotion.
Supreme music making!
Extremely talented Parisian orchestral players provide the prefect accompaniment to a goddess who has graced our world by descending from Mount Parnassus.
There might be a vocabulary to describe Hillary Hahn's level of genius, but it is unknown to me.
She is the power of Shakti holding a bow.
It is as if the Goddess Kali Ma were performing simultaneously with Hilary, in the single and heart-ravishing and most gracious form of this unbelievably talented, and learned and dedicated and beautiful woman.
I notice in passing that whilst all the women musicians in l'Orchestre Philharmonique de Radio France are perfectly dressed and made-up and with excellent hair-dressing (as expected and as is proper), too many of these Parisian gents are sporting a rather decadent nonchalance of undone collars and slack ties. Very BoBo.
Love andrea
An International Gold Standard performance of a dense & complex violin concerto.