Beethoven, sonata No. 1 in F minor op. 2 No. 1 - Sergey Kuznetsov
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- เผยแพร่เมื่อ 8 ม.ค. 2015
- Beethoven, piano sonata No. 1 in F minor, op. 2 No. 1.
Sergey Kuznetsov, piano, live at the Rachmaninov hall of the Moscow conservatory. Click to expand.
I. Allegro - 00:02
II. Adagio - 05:42
III. Menuetto. Allegretto - 10:32
IV. Prestissimo - 13:46
Бетховен, соната № 1 фа минор, соч. 2 № 1.
Сергей Кузнецов (фортепиано). Запись с выступления в Рахманиновском зале Московской консерватории
Beethoven, Klaviersonate Nr. 1 f-moll op. 2 Nr. 1.
Sergey Kuznetsov (Klavier).
Liveaufnahme eines Soloauftritts im Rachmaninow-Saal des Moskauer Konservatoriums.
Beethoven, sonate pour piano n°1 op. 2 n° 1 en fa mineur.
Sergey Kuznetsov, piano. Enregistrement en direct d'un récital solo à la salle Rachmaninoff du Conservatoire de Moscou.
ルートヴィヒ・ヴァン・ベートーヴェン作曲 ピアノ・ソナタ第1番ヘ短調作品2-1。
演奏： セルゲイクズネツォフ（ピアノ）。
モスクワ音楽院のラフマニノフホールでソロリサイタルからのライヴ録音。 - เพลง
I've been listening to Beethoven's Sonata No. 1, which has been played by many pianists, in recent days, and I like your performance the most until now. When I want to listen to Beethoven's Sonata No. 1 again, I think I will come back here to listen to your sonata! Thank you for the great performance.
Thank you very much!
My granddaughter and I are listening to this as she does her math. I'm trying to move her beyond Fur Elise. Wonderful playing!
Thank you very much!
Fminor has got to be my favorite key so far
C# minor is definitely my favorite. th-cam.com/video/SHKfu69rSsQ/w-d-xo.html
Sounds epic or beautiful depending on how you want to use it.
I know this was a long time ago, but this is still such an incredible performance! Inspiring musicality! Thank you so much for doing this 7 years ago. I still use this for reference as I work on my own interpretation of this sonata currently. I tend to listen to this and Daniel Barenboim recordings of this sonata the most. You are brilliant!
Thank you very much! And happy new year!
Bravo! As a amateur now im practicing this piece. Your playing really helped me a lot for my practice. Thanks!
Thank you! I'm glad it helps!
Splendid phrasing and dynamics making the music "live". Beautiful articulation. I'm thrilled I can return to this performance at will. Thank you for the opportunity to do so.
Thank you very much!
Wow! Great performance... I have to mention because I really enjoy that you are not afraid to "show the beast" in the finale movement! :))
Haha, thank you!
I love your interpretation of this sonata and I too shall be returning to listen to this performance again!
Thank you!
one of my favourite pieces of music..trying to play it. 😀 I play it everyday .My mother was a concert pianist but I only ever had a few lessons..I will never have the speed of hands you need for this ..not played for over 20 yeaes n only play a keyboard ..but it gives me such pleasure n my cats n dogs fall asleep n playing everyday helps my depression .Very pleased Ive stumbled onto you...thank you😊
💜
Я тоже под эту музыку душевно сплю.
Что интересно: просыпаюсь обычно в финале.
Поэтому менуэт пришлось включать отдельно: никак не запоминался.
Bravo!
Grazie!
I'm very new to the works of Beethoven, and in particular, the Piano Sonata's are my favorite.
Still trying to wrap my head around the terrible loss of life here in America.
Thank You Sir, Mr. Kuznetsov for this performance!
It's almost like you became Beethoven for this performance. Absolutely stunning.
Thank you very much!
Врло добро Сергеу Кузнетсов из Србије!!!
Хвала лепо!
I love the clarity of the interpretation.
Thank you!
This is such a beautiful work of art
Wow! Thanks so much. What a thrilling perfornance.
Thank you very much!
Movement 1 0:00
Movement 2 5:44
Movement 3 10:33
Movement 4 13:47
Большое спасибо.
Очень кстати.
На всякий случай -- эта информация есть в описании этого видео выше. :-)
@@sergeypiano They have edited the video description since I posted this comment two years ago
@@isaac_paech Thank you, that's very kind of you.
I love the way this is played. I feel this is the exact way that Beethovens wanted in one of his first pieces. I am definitely subscribing.
Luke Stumbo Thank you very much!
Wunderschön gespielt, es berührt meine Seele, vielen Dank!
Vielen Dank!
Wow! Wonderful job. Thank you for sharing this.
+Carol Payne Thank you!
+Carol Payne Sertraveco is very awesome maam. vai tomar no cul
Браво!Очень понравилось!Спасибо!)
Marina Summoner Большое спасибо!
Я тоже играю эту сонату) но у меня пока так не получается :)
I've listened to your performance of this Sonata several times now, and I am more impressed each time. Fantastic!
Thank you very much!
wow the 4th mvt is played very well
+MrFartyman44 Thank you!
I'm obsessed with your interpretation !!
Thank you very much!
You are a living legend thank you for your music
:-))) Thank you!
wonderful......you're nice pianist
+길구름 Thank you!
름길구 I agree
Fantastic!😍😍😍🔥🔥🔥🔥
Thank you very much!
AWESOME
Excellent performance. The right speeds, and expressive playing.
Thank you very much!
The touch matches all my imagination of Beethoven. You must be a Beethoven expert
Thank you very much!
I really enjoyed your performance Sergey. Full of dexterity and confidence. Prominently, you also displayed excellent technical control in this primary instrument of yours. It is rather based on conventional wisdom that Beethoven's music is described as one that's full of convulsion and unfathomable tonal harmony. However, you portrayed another hindsight to this and bring new colors to this extraordinary masterpiece with your enticing performance. Great job and best of luck in the future!
Thank you very much!
Listening to Russian pianists to remind myself that Russia still has a great heart. #Kyiv
Thank you very much.
Returned to studying this piece after I realized I attempted it 10 years ago and got mesmerized by the gentle melodies in the storm of the last movement :D Thanks for the performance!
Thank you! And good luck!
very precise and I love your staccato and sence of form.I always look fprwrd to your postings.
Thank you!
Es la interpretación que mas me ha gustado: fraseo, articulación, sensibilidad, velocidad, dinámica, etc... Lástima del escenarios tan deteriorado vs. la elegancia y magnífica interpretación, un buen cortinaje hubiera sido un digno marco. Felicidades y saludos desde Puebla, México. Efraín Dávila R.
¡Muchas gracias!
De hecho, las paredes de la sala de conciertos estaban en muy mal estado, pero se han reparado muy bien desde entonces.
@@sergeypiano Muchas gracias por su tiempo. Felicidades!!
It’s beautiful. I am french. I learnt piano with an old russian professor . I am so happy to Watch your vidéo.
Thank you very much!
Russian’s piano School of Moscou is best of the world.
Finest dry white wine you’ve got please - thank you......
Thank you very much!
Thanks
This is SO good I luv this😀😀😀👍👍👍
qin huang Thank you!
Questa è la migliore interpretazione che ho ascoltato, grazie mille per condividere !!....Mi piace tantissimo!!, sei molto bravo, infatti questa interpretazione mi piace più che quella di Baremboin., perché tu non hai comparazione, Sei bravissimo ... :)...grazie mille
Grazie molto!
Dear Sergey I am just starting to learn this sonata. You play so beautifully and i hope to play like that one day!!!!
Thank you! Good luck! :-)
20 февраля 2023.
Кажется, быстрее просмотры стали прибывать.
Поначалу было 5-6 в день, потом 20-25.
Теперь уже и 40, и 50 бывает.
Надо отследить.
brilliant
Thank you!
Quite fine playing. I like it.
Thank you!
Wonderful! (Please record and post more Medtner!)
Thank you!
I hope to be able to do so within a year.
Very well played
+Rohan Zakharia Thank you!
i really liked it!!
Thank you!
Me encanta tú música. Bien hecho Sergey
¡Gracias!
¡Gracias!
+Sergey Kuznetsov De nada Señor
"Как умеют эти руки
Эти звуки извлекать?!"©
Я последовательность звуков запомнить не могу. А ведь это надо ещё сыграть. Каждой рукой по отдельности. И вместе.
Хорошо, что есть возможность послушать.
Спасибо! :-)
it's lit fam!! :P
Thx dude! 8)
Magnificent!!! One of my favourite Beethoven's Sonatas in an excellent marvellous your
rendition, I'm very grateful for a great music (my "like"-"thumb up" for this performance).
Do you play my beloved his "Moonlight Sonata", "Appassionata Sonata" and "Pathetique Sonata"? I'm looking forward to the next your recordings of Beethovens, also Chopin's
pieces (my favourite composers) and regards from Poland.
Thank you very much!
I have the Appassionata in my repertoire and may play the Moonlight and Pathetique one day, but probably not in the nearest future. :-)
Already I've subscribed to your wonderful channel and often I will be listen to your delightful performances, greetings.
Serbicha vc é mto.bom
You're one of few people who used left pedal all the time. Nice job! When do you use it and when you don't use it? What's the specific function of it? Once again, nice interpretation.
멋지다!!!
고맙습니다!
I hope 2015 brings you much happiness.GOOD LUCK AND KEEP PLAYING
Thank you very much! Have a happy year too!
Awesome! I've listened to a lot of Beethoven recently, and you have in my opinion the best interpretations. Congratulations -- you're officially the first channel I'm subscribing to.
I'm really curious to know -- how did you get where you are? You are obviously very good, but how do you make the transition from lessons to concerts? Was it college or tutorship? As of now I'm 14 and striving towards a music major, and being a concert pianist is my ideal profession. I'm being tutored by a college professor, and probably going to go to his college (Sac State) when I get there. I'm curious to know how you did it; I've seen a good number of your concerts. Thanks!
Thank you!
I'm not quite sure I understand your question. How I switched from lessons to concerts? I didn't really switch, I started giving concerts during study at Gnessin special school of music in Moscow and have continued to do so ever since, during study at Moscow conservaory, at Vienna university of music and later when I finished studying.
@@sergeypiano Sorry, I'm not very good with words. I'm better with notes, you know? I guess you already answered my question pretty well in your reply. What I really meant was how you get to the point of performing concerts. From your explanation, it must be different for you than it will be for me because you went to a dedicated school of music and I am probably going to a regular college and majoring in music. It sounds like the concerts are linked to Gnessin. That makes sense. At first I thought they would be the same as the way the greats (Horowitz, Barenboim, Wild, Rubenstein, Schiff, etc.) do it. You know, we pay you and you play at our concert. It sure looks like you're going towards the greats, though. Thanks for taking the time to respond to my question, sorry I took so long to get back.
Man, Moscow... that sounds cool. I'm in Sacramento, California USA. It'll be a while till I go to Moscow. I want to go some day.
PS I looked at your youtube page hoping to watch all your videos.
Haha. Not.
Sorry, but I'm not about to spend a week listening to music, even yours. I did watch a lot of them though. I particularly liked Prokofiev Cinderella Suite and Scriabin Left-hand Nocturne. Scriabin in general is awesome.
хорошее исполнение.
+Маргарита Кузнецова Благодарю!
@@sergeypiano
Родня.
Mr. Kuznetsov, an excellent performance. I especially liked your interpretation of the second movement. Out of curiosity, which editions of the Beethoven Sonatas have you used? What do you think of the Schnabel edition? Thank you.
Thank you!
I was using Henle and consulted other sources including Czerny's book about Beethoven's pieces and Schnabel's edition.
As for Schnabel, I deem him to be one of the most unique artists from the 2nd third of the 20th century, but I must admit I'm glad that his style hasn't become the mainstream for Beethoven performances.
Many thanks for your thoughtful reply. From the recordings I've heard of Schnabel's Beethoven Sonatas, I agree with you; at the same time, I've found myself getting a wealth of information from his edition.
Oh, quite certainly, his edition is immensely helpful by providing insight into his way of thinking and thus helps us understand the music better.
Sergey me gusta tu sonido y lo que haces con esta sonata.
¡Muchas gracias!
cпасибо i mean
:-)
One happy person..
Who?
Престо сложно играть фразами из-за быстрого темпа. У исполнителя получилось. Это мне больше понравилось, чем остальные выложенные видео, даже немца.
А кто у нас немец?
Мне в рекомендациях выдают Плетнёва, Рихтера, Андреева, Баренбойма.
Я бы и немца послушала.
Иногда ещё Валентина Лисица появляется.
This is rather good, I quite like it. For Le first movement perhaps you could’ve removed the last repeat. If you had a big difference between the two then yeah that could be a good contrast. One reason way you may have put it in (and why most out it in) is because they want to remind people about the eneding
Twin dragons forever 😁
Dear Sergey you play really good, I must admit I like more your interpretation than Daniel's even tho both are different! I'm learning this piano sonata, any tip for the left hand in the 4th Mov? To archive this agile and lightly speed! I really love how it sounds with you, cheers Sergey.
Thank you! I hope that you mean Daniel Barenboim. :-)
As for the left hand there, I suspect that if you ask about it, it is probably because you use your hand movement too much where actually it is your fingers which have to work. That is, your hand should be light and quick like mercury and your fingers have to be able each to press their keys and go up immediately, almost like staccato. And your hand should not move too much from the left to the right in each triplet, just a little bit. So, if your fingers learn to act more independently here, not just as part of the hand, it will be easier for you to play it. And check the fingering: maybe 4-2-1 could work better for your than 5-3-1.
Sergey Kuznetsov thanks for the advice man I really appreciate it, my hardest problem is at the very beginning when you change to the lower octave, it's hard to control my Thumb, Im still practicing it slow where I have complete control of my fingers, but I'm afraid it doesn't get faster haha I'll upload a video when I can play it so you can tell my your opinion, cheers friend.
When you swith to the lower octave, try to move the hand leftward, without rotating it as though making a legato transition F-C. It's rather two positions, one is the upper triad, the other the lower one, and not six notes. And when you move the hand leftward, aim the thumb at the C as if it were jumping onto it.
Correction: the thumb may fall on F instead of C just as well, the rest still applies.
срасибо
que?
@@graeme011
Да, такая благодарность... Неоднозначная, прямо скажем...
Будем надеяться - опечатка.
Favorite part 12:41
Talented pianist - yet that slight touch of rhythmic eccentricity disturbs me.
Hello again, another question if you don't mind, in the 4th movement on the 8th measure there is a slurred descent in minor thirds that I need fingerings for. I have tried lots of things but nothing seems to really work. Thanks.
+Jonathan Walsh If I remember correctly, I play 21-53-42-51.
Thank You!
I'm have some trouble with the rhythm at the .part marked con espressione. It starts with the grace note going to D and B any tips please.
By the way great performance. So precise.
Jonathan Walsh Thank you!
You probably mean the measure 41 with the grace note from D to C flat. If you're playing the grace note on the downbeat and the difficulty you're having is one of rhythm, try to feel your left hand as the conductor. In addition, you've to get used to counting "one" exactly at the grace note even though the upper C flat should be louder. That is, throw your hand onto the grace note and play the two notes in one movement, making sure that the time between the grace note and the first left-hand chord is exactly the same as between the chord and the A flat in the right hand.
The performance and the comments have brought me much to refer on, I owe my thanks to the good questions from the floor and your reply.
And, is it just me or do you sometimes feel it's awkward to repeat the whole thing after the ending? I always find it weird to start again (especially after chordal endings). Since the composers'd want it repeat for some reason, is it a bad habit/way to interpret the works by skipping the repeats, or there's actually some rules about the repeating, say, it's some norms back in that period? Thank you.
Thank you!
As for your question, it's multifaceted. Mostly, it was failry customary and almost a must that repeats be repeated in Baroque time. Practically to the same degree the repeats were expected to be done in Classical time, although at times they were merely traditional whereas the music itself started to contradict the repeats (for instance, the repeats of the development and recapitulation in some Mozart sonatas suggest a whole-tone step down after the end of the recapitulation which sounds much like subdominant after the dominant which was almost impossible in the Classical style.
In Romantic time, the repeats became much less widespread and less automatic, so I'd say if a Romantic composer puts a repeat it's more likely that he did want it.
All in all, I usually prefer to do the repeats because the second run helps the audience understand the music much better and it helps myself to explore it better.
Sergey Kuznetsov thank you for the advice! I should find some way to make the first time ending sounds less like an ending 😅
If you're talking about the exposition ending, it isn't expected to sound like a movement ending anyway since it's in a "wrong" key.
Besides, if you play it "as if" it were the ending, that's not a problem because once you play it for the second time and the audience hears not the exposition for the third time but finally something new, this works very refreshingly.
Sergey Kuznetsov I now get the idea... things will sound 'right' if all movements are played as a whole, instead of playing mov1 only
Thanks again for the explanation (also the patience!) Never thought of interacting with pianists with this geographical distance
I didn't really mean anything about playing the whole sonata but it's a valid point as well.
I meant rather that, if you play a sonata allegro with exposition repeat, after the first run of the exposition that ends in a "wrong" key, the public hears the beginning again (and then the whole exposition for the second time). After the exposition repeat has come to its end, you play the exposition end again and the public is prepared to hear, sigh, this boring stuff all over again. But, surprise, you start playing something fresh not-before-heard (that is, development), and the public is very refreshed by this turn.
That is, besides the fact that the repeat helps understand the music better, in addition it first creates an expectation which is later broken, that creates a strong dramatic effect psychologically. It would be a pity to scrap it if one doesn't repeat the exposition (provided that the repeat is given by the composer of course).
working on the 1st mvt. you play it well, how can I achieve that?
Derpy_Eagle just do it
can u give me some tips when playing the first movement cuz I have my piano exam soon RCMS thanks❤️❤️
Hm. Can one give a sensible piece of adivce off-sight without even knowing how the other plays? :)
Probably only the most generic piece of advice might be appropriate, such as "pay utmost attention to different articulation, lest your staccati and legati should mix and infiltrate into each other. And try to remember always where your lines lead from and to, be it phrasing, crescendo or diminuendo". But it's really rather obvious recommendations. As for more piece-specific stuff, I might suggest trying to feel as if sitting on a chair edge, ready to jump at any moment, because it's about excitement.
thank u :)
This HELPSSSSS
I Play this Song 😉
Not a song
+Melina Missesbam piece*
It's a tune. ;-)
@@masonhmusic
Гугл это переводит как "часть Мелины Миссесбам.
Пусть уж лучше песня будет.
Serviado it is very good
Can u pls give me some tips for the second movement
Angel Zhao I can hardly invent anything special for it. Try to to it as vocal, even opera music, with the tempo convenient for a singer and very good separation in sound and articulation between the melody and accompaniment, especially in D minor.
how would you describe your intrpretation of the "menuetto"? :)
Ani L.A. Hm. It's not quite appropriate to explain one's own playing, but I'd probably say it's been an attempt to present an earnest, manly, at times austere menuetto with intense juxtapositions between ascending and descending intonations.
Sergey Kuznetsov OK, thanks! Could you maybe give me a tip or something like that for the Menuetto? I would be so thankful because I'm playing that now :)
I've to mention that I would probably play the movement differently now.
I'd suggest that you pay attention to the lower notes like, say, in the third beat of the first bar: they have to be like responses to the initial notes, hence they've to sound quite differently, not like mere continuation. Then you get the sense of volume, of space.
Also, pay attention to the rests where they're in both hands, this abrupt silence is important here.
And in the trio, try to set it in a different character; say, if the menuetto is more or less tragic, the trio might be softer, murmuring like flutes, except its middle part of course.
And of course, the difference between the short lines and slurs in the menuetto and the long ones in the trio is very apparent so you have to make it quite audible.
Good luck!
Sergey Kuznetsov Thank you very much! I think your detailed description will help me :)
Sergey porque escogió ese tempo para el segundo movimiento?
Pues, pórque ese tempo fue el mejor para mi. Por ejemplo, en ese tempo tengo un sentido de un aliento muy largo.
11:23 Eskalation!!
Надо же!
Слушают.
Я думала: старая запись, интересующихся нет. А по 5-6 человек в день набегает.
Ну, дальнейших успехов!
Это же классическая музыка, не новости на злобу дня, здесь интерес примерно постоянный.
@@sergeypiano
Когда я начала слушать (где-то неделю назад, до того перебрала Баренбойма, Плетнёва, Рихтера, Андреева), было 114141, сейчас, смотрю, 114192).
Спасибо.
Rachmaninoff's namesake. I'm jealous. :)
Hehe! :-)
Serbambi eres el mejor
¡Gracias!
Sergey Kuznetsov Serhomosexual, vc tb toca outros estilos??
Practicamente no, un poco de jazz, pero no jazz de verdad.
Wie es Beethoven gespielt hätte! Like Beethoven would´ve played it
+Deutscher Soldat Danke vielmals!
+Sergey Kuznetsov Gerne! You earned it,but one little question: Where are you from :)?
+Deutscher Soldat :-) I'm from Moscow.
The concert hall is in urgent need of renovation. Such a talented musician, playing beautiful music on an inspiring instrument - but the background? Disgraceful!
graeme011 Haha. Fortunately, the hall has already been renovated since.
I wanted to learn this piece but why is the development section not repeated on the prestissimo movement?
The repeats of development sections and recapitulations are much less obligatory than those of expositions in Beethoven. In this movement, the repeat would hinder the feeling of direction toward the end.
@@sergeypiano I honestly felt this way in Mozart although the only sonata I played by him was the k545 in c major
@@Garensonic I understand. Actually, even repeats of the exposition aren't always indispensable (even though I personally usually do play them), whereas repeats of the development and recapitulation sometimes are merely a formality and had better never been played out.
For example, in Mozart's sonata in B flat K. 570 the development begins with a dominant seventh chord for D flat. If one plays a repeat of the development after the music has arrived in B flat major, it sounds like an A flat chord after a B flat one, which sounds much like a subdominant taken AFTER a dominant which would be unthinkable of in Mozart's era. Hence I believe that sometimes Mozart didn't want some repeats to be observed even when they were actually written.
How long did you take to play the whole sonata, Sergey?
To play or to learn?
If to learn, it took me about two months I think, but that was in 1999 if I remember correctly.
Sergey Kuznetsov How long for you to memorize everything?
+Daniel Maia Difficult to remember exactly, but I think about a month, maybe a bit less. And then another month to get accustomed to the music.
Sergey Kuznetsov The 4th mov is a bitch to play.
+Daniel Maia I didn't feel this when I played. :)
Not bad.
Thank you.
Sergey Kuznetsov Why??
professor de portuga do YT Because "not bad" is normally a compliment. :-)
Sergey Kuznetsov ahh, pega nu mel pal ow!
Sergey Kuznetsov Sergey ou não sergey??? Eis a questão!
Holy shit, do u like tango Sergey? I want to hear some of Piazzolla from u!
+Jeremias Silvera I do! :)
Who knows, maybe one day... :)
+Sergey Kuznetsov Plz sergey u have a gift from god on your hands, keep on 4x4 and 8x8 PLEASE! i hope one day can seen you playing tango most of everything piazzolla. Ty for ur music!
Chwarae arbennig!
Gareth Davies Diolch! :-)
As of today Russian pianists are the best in the World. Great interpretation, excellent reading of the wonderful third movement, Beethoven square no more Haydn and Mozart!
Spazio Digitale That’s funny because this is dedicated to Haydn
Serbicha, ops, Sergey, vc toca muito bem! =D
professor de portuga do YT Obrigado.
Sergey Kuznetsov vc está bem vindo =D
Hello Sergey, I've enjoyed listening to your videos - you're incredibly talented! I am a piano composer. If you wanted to record and upload one of my pieces, I would let my subscribers know to check you out!
Осанка!Вот беда!
Sergey ou não Sergey, eis a questão! kkkkkkkkkkkkkkkkkkkkk
Dislike this mic’ing technique which ill admit is prevalent. But why didn’t they record Horowitz this way?
In Horowitz' case, all factors were different: the hall, the sound engineers, available equipment, probable purpose of the recording (it was probably intended for a swift public release), the main approach might have been intensity stereo rather than phase... In short, it had been some 28 years earlier, enough for many things to change.
@@sergeypiano Makes a lot of sense. His later recordings, made in his home, didn’t use this approach, from video I’ve seen.
I learned this piece too, and im only 13 lol
А я вот никак выучить не могу, а мне 64.
I learned the the piece when I was two months old ;)
Serbiba
tencent game
Врать-то зачем?
За десять центов можно яблоко помыть.
А тут превосходное качество.