András Schiff - Sonata No.1 in F minor, Op.2/1 - Beethoven Lecture-Recitals
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- เผยแพร่เมื่อ 10 พ.ค. 2020
- András Schiff - Beethoven Lecture-Recitals
Wigmore Hall (London, UK), 2004-06
András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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Full playlist:
• Beethoven Lecture-Reci...
View the MP3 files on the Internet Archive:
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Originally available at:
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His lecture recitals are just magnificient . It would be a long list of positive remarks on this master of piano , his deep knowledge
of the musical literature , and also , his often very humorous remarks. One can learn such a lot from him ,especially if one tries
to improve one's own playing.
Thank you so much for upping these.
This is my second listening of this series. They are simply enlightening.
LECTURE NOTES:
1. only 15 out of the 32 Beethoven Sonatas have manuscripts.
2. "Beethoven goes to heaven. Mozart comes from heaven."
---------------1st movt: sonata-------------
3. this sonata is in F minor, a very usual key with 4 flats, which shows Beethoven's ambition as a young composer. whereas Mozart didn't write any sonatas in any key as remote.
it's a la breve: you are courting 2.
4.@12:52 Funniest assessment of Schoenberg😉
5. starts with an upbeat.
6. first theme of the first movement is an ascending Mannheim rocket, second is a descending one.
7. third/closing(descending & then ascending I noticed, perhaps as a way to comment on the previous two? playing out the conflict?) theme of the first movement is marked "expressivo".
When Beethoven writes that, he wants the music a tiny bit slower.
8.@20:56 tuba-like offbeats~
9.@21:06 Fortissimo. Mozart's dynamics stop at Forte.
10.@23:27 the preparation of the return: a crushing dissonance, "like a little knife in the back".
Never fails to make me smile. Maestro really as a thing with imprinting vivid musical images on one's mind. And it doesn't go away. Can't wait for "the tamed beast" part he did for Op.7. Another little memorable Schiff gem.
11. continues with the preparation: the tails of the motif.
12. a little orchestra: clarinet & flute.
13. ends with Sforzandi in fortissimo.
-----------2nd movt: ternary form (or sonata form without development)-------------------
14. second movt in F major. Quite strange that all four movements are in the tonality of F. Same as the "Pastoral" sonata, Op.28, or the string quartet Op.59, No.2.
15. in Adagio. Shows the Haydnian connection because Hayden has many slow movements marked Adagio. Whereas Mozart almost never. The latter prefers andante, Andante Con Moto, and Adantino.
16. starts with an upbeat.
17. full of feminine cadences:
The meaning of FEMININE CADENCE is a musical cadence in which the final chord or melody note falls on a weak beat.
-------3rd movt: minuet & trio--------------
18. starts with an upbeat.
19. @30:44 four-part harmonies: possibly string quartet sonorities.
20. trio in 2-part counterpoint.
21. @33:17, chords of 6th. One of Beethoven's favorite devices, can't be heard in the 1st concerto.
---------4th movt: modified sonata-allegro movement, in which the development section has been replaced with a contrasting middle section (a riding piece)-----------
22. @37:07 inspired by teacher Haydn. Calling back to the 1st movement.
23. developement with new material. The phrase length , symmetry vs. asymmetry. Very 'Haydnesk'. Something Haydn invented.
24. Plunges straight to hell. Ends brutally with no release.
I just discovered this series of lectures - and I can't wait to hear them all! THANK YOU for posting them!
I'm so glad they're back, they've been missing for a good year now, thanks !
The collegue A.Schiff speaks about must have been M.Pollini as he and C.Abbado played in those factories in Milano....
Thank you soooooo much for uploading! Sir András Schiff is the best!
What a wonderful talk & demonstration
Yes, they are back! Thank you !!!!!!
This is amazing!
Fascinating lecture and playing!
Beauty is alive.
Wonderful😭
There’s no way that pianist giving a lecture on Schoenberg in Milan wasn’t Maurizio Pollini
It seems to me that the limiting range of Beethovens Piano was another reason to choose f minor for this sonata.
Very nice lecture
How do you mean? Please explain.
Danke sehr!
I loved the Mannheimer Rocket!
This is really helpful! You can perfect your playing with these tips and notes.
Absolutely!
Mr. Schiff is a great genius and musician! 🎼🎹🏺
I think hes Talking about Pollini as he mentions his collegue
I am kind of surprise Beethoven did not start his first piano sonata in C minor , his most favourite key and also my favourite.
13:00 I'm guessing Pollini ??
Which piano does he play?
A Pleyel, according to the music standard. A marvellous instrument.
13:00 Schönberg lol