Super informative vid! However, concerning your referenced presets (WhoIsMatt Luts) for this S-Cinetone profile; after reading the description it states "Works with Standard & LOG Footage." Could you share with me if this is for S-Cinetone as well, because it doesn't mention this profile? Thanks!
@@LennyandSandi Same information I'm looking for. I bought these LUTs and just noticed there is no LUT for filming in S-Cinetone (profile 11). Matt, can you help here? Thank you!
The redirection takes me to a lut package for log formats, pence find one for cinetone, you have that lut available, I am not interested in the slog I use fx3 to document my children and I will use s-cinetone to not colour more in the future
S Cinetone actually doesn’t clip until 109 (it’s in the Sony help guide). Setting your zebras to 100 is just going to waste dynamic range as you can recover your whites in post if you set zebras to 109. Alternatively, you can create a manual knee in the picture profile that brings your white point down to 100. I’m really shocked at the amount of TH-cam teachers who don’t know this. I didn’t find a single person who understood this information that Sony gives us for free. Also, slog3 clips at 94, so setting zebras to 100+ will make you think you are never overexposed.
If you create a manual knee in the picture profile that brings your white point down to 100, should we set the zebras to 100+ in that case?? Thank you so much
Do you know of any way to make the camera monitor show me the image with a white point of 100, while retaining the post superwhites to bring down in post? I keep getting my footage back overexposed by a little bit, compared to how I saw it while shooting.
Hi Matt, this is Bill Steele with Steele Visual Productions in Phoenix, AZ. Another very easy and fast method for determining dual native ISOs is to take the minimum available ISO in the picture Profile (base native ISO), multiply it x2 and then simply add a zero (0). Hopefully this helps. Thank you for the great tutorials and good information. All the best!
So the dual native ISO for Slog3 is 640 x 2 = 1280 + 0 added = 12.800 ??? Officially A7IV does not have native ISO. But it appears that at ISO 3200 the second step kicks in, and you’ll see less noise…
WOW!! What an awesome video and SO well explained. I ordered the a7Siii and still waiting patiently 6 weeks later (chip shortage) but in the meantime dude you are helping me big-time with your great videos!! Many thanks Matt 🇨🇦
Helpful tip for exposure: by default “spot metering point” is set to “center”. Changing it to “focus point link” like you showed, meters the exposure of what’s in focus. Perhaps still not entirely accurate, but a lot better than it’s default option “center”.
Another more old-school way to set your exposure is to use your camera like a handheld light meter. In your wide shot of people kissing, get two feet away from them, use manual ISO and exposure. Set the correct exposure as they fill the frame. The, when you pull the camera back for the wide shot, their faces will be properly exposed. Maybe the sky. blows out a bit, but it's the faces you want to be properly exposed.
Thanks Matt. I have been subscribed and watching your videos for a minute. I find them very informative and easy to follow and understand. I just purchased your complete LUTs package, as well as the discounted master class package. Got everything installed and set up, and now ready to see what becomes of it. I feel it was money well spent and if I still have that reaction after using them, I will add a T-shirt to my WHOISMATT Collection!!!
Love your channel Matt, thanks for making the LUTs but your link isn't clear that the LUTS are for S-Cinetone, am I missing something? Don't want to drop money on the wrong LUTS, please advise
Hey Matt, I tried the Preset on my FX3 and it wouldn't load. Also on the PDF you should add, save camera settings preset 1st because the folders path are not on the memory card until you do so.
Matt, some folks have suggested turning down the level in the detail to -7 to essentially remove a lot of the sharpness. Would you agree with that hypothesis? Thank you
I really want to thank you for this video, just subbed and hit the like. Appreciate it now my A7iv is workin' better for me and my YT videos will look better
gracias!!!!! llevo viendo barios videos porque estoy a 1 día de recibir mi a7s3, muy excitado intentando aprender de antemano lo más posible ya que vengo de una canon 60d! ajajaja en fin, me fue de mucha ayuda tu video, muchas gracias!
best video so far seen.. heads down.. can you please make a video on how to setup davinci (from scratch with project setting till rendering) for both s-cinetone and slog
Guys if you own a Sony A7iii you can create the s cinetone look with some changes to your picture profile, theres a few vids on you tube that gives you the settings that will match the a7siii cinetone look
4:59 vs 5:08 honestly those images look extremely similar, and the major difference I see is slightly different sky saturation, slightly different white balance / warmth in graded image. Nothing is clipped in either image
The only thing I don’t get is why you say to set zebras at 100+. S-Cinetone clips to white at 109. Is it just a little safety bumper or to give a little leeway in post?
Hey Matt, wonderful video as always. Can you make a video that compares pictures profiles between sony and panasonic cameras. I know that you used to shoot with a GH5.
It might be dumb, but for a video novice… since SS is a set speed (depending on what you want 24, 30, 60 fps) and aperture is set to what DOF you want (set f-stop); then can’t you just put ISO in Auto and let the camera do this rest?
Just to be clear, when using a Whoismatt LUTS, you will want to choose “Standard” correct? I recommend S-cinetone with Whoismatt lut 6 standard. Looks fantastic.
Hi Matt, I'm about to start with vídeo on my a7iii for the first time and your vídeo is very helpful. I found another video showing how to emulate S-cinetone on the a7iii and I will try it, but I have a few questions, if you don't mind... What is the difference between setting the zebras to 100+ or 60%+2 (for skin light tones for instance). Also, any idea why on the a7iii with this PP, the mn ISO is 200?
I’m confused. Is this only the gamma profile or the colour profile too? And should you mix and patch the colour profile with a different gamma profile or should both be the same?
Hey Matt, Sub #789 here. Refreshing my memory of using S Cinetone, and while looking at your menu, I see 24p at the top. I have a FX3 but can't get 24p out of it! What do I do.
hey Matt very informative as usual one question though the lcd screen on the a7s3 looks way warmer than the evf do i trust the evf or the lcd for white balance ? thank you
Hi, thanks to share your interesting video. I'd like to ask a question please: I make only documentaries in 4K around the world, I don't take Pics. I take interest about a good image quality of the video. I only shoot handheld footage and never use the tripod, does it have a good stabilizer? Do you suggest this Sony A7 IV camera for 4K videos? Thanks you.
Now I want a fx3. I always thought that bmpcc 6K pro would be my next choice. :-) But as a one man shooter Sony offers a lot.:-) Thanks for your awsome Videos, Matt:-)
Did you get the FX3 or the Bmpcc6k pro..I have an a7iii and looking to upgrade as am doing more video work and the Bmpcc6k I have been told has the most amazing cinematic picture quality, and its also records raw files
@@whoismatt I just realized that playing with a new A1 and 135 GM. I used HLG and filmed common objects under room lighting. Wow, the footage is so much cleaner than from iPhones. The HDR effects were seen with chrome and lights. Not to the extend of iPhone footage, but with far more resolution. I will upgrade my A1 fir wear and try out HLG3 next.
😍 Color grade S-Cinetone FAST with my presets: whoismatt.com/luts
Super informative vid! However, concerning your referenced presets (WhoIsMatt Luts) for this S-Cinetone profile; after reading the description it states "Works with Standard & LOG Footage." Could you share with me if this is for S-Cinetone as well, because it doesn't mention this profile? Thanks!
@@LennyandSandi Same information I'm looking for. I bought these LUTs and just noticed there is no LUT for filming in S-Cinetone (profile 11). Matt, can you help here? Thank you!
Me too i wanna know
The redirection takes me to a lut package for log formats, pence find one for cinetone, you have that lut available, I am not interested in the slog I use fx3 to document my children and I will use s-cinetone to not colour more in the future
S-Cinetone ISO 125 on a7rv...
S Cinetone actually doesn’t clip until 109 (it’s in the Sony help guide). Setting your zebras to 100 is just going to waste dynamic range as you can recover your whites in post if you set zebras to 109. Alternatively, you can create a manual knee in the picture profile that brings your white point down to 100. I’m really shocked at the amount of TH-cam teachers who don’t know this. I didn’t find a single person who understood this information that Sony gives us for free. Also, slog3 clips at 94, so setting zebras to 100+ will make you think you are never overexposed.
Can you send me the link to the help guide? Thank you.
If you create a manual knee in the picture profile that brings your white point down to 100, should we set the zebras to 100+ in that case?? Thank you so much
Do you know of any way to make the camera monitor show me the image with a white point of 100, while retaining the post superwhites to bring down in post?
I keep getting my footage back overexposed by a little bit, compared to how I saw it while shooting.
Can you send the link of the sony guide? There is maximum video output information for s-log but not s-cinetone on the guide for a7iv
Good morning, the wedding you filmed in Colorado, I wanted to tell you, is the best wedding I've seen on film, well done, hope you're all well!!
Recently got a Sony A7IV and im happy to say there is PP11! Im going to try this out today and compare to S-log3. Thanks for this video Matt!
Getting mine tomorrow, super excited. I love the look of S-Cinetone..
You're such a good teacher! Thank you, Matt!! Needed this as my clients often ask for the raw footage.
This my friend is one of the best videos I have seen on the subject. So simple and so well done. Thank you! Keep on rocking. Cheers from Norway 🇳🇴
Hi Matt, this is Bill Steele with Steele Visual Productions in Phoenix, AZ. Another very easy and fast method for determining dual native ISOs is to take the minimum available ISO in the picture Profile (base native ISO), multiply it x2 and then simply add a zero (0). Hopefully this helps. Thank you for the great tutorials and good information. All the best!
Thanks Bill! Good tip!
So the dual native ISO for Slog3 is 640 x 2 = 1280 + 0 added = 12.800 ??? Officially A7IV does not have native ISO. But it appears that at ISO 3200 the second step kicks in, and you’ll see less noise…
It doesn’t work this way for the Sony A1. PP11 base is ISO 125. Second native ISO is 640, not 2500. I sure wish it was though.
WOW!! What an awesome video and SO well explained. I ordered the a7Siii and still waiting patiently 6 weeks later (chip shortage) but in the meantime dude you are helping me big-time with your great videos!! Many thanks Matt 🇨🇦
Helpful tip for exposure: by default “spot metering point” is set to “center”.
Changing it to “focus point link” like you showed, meters the exposure of what’s in focus.
Perhaps still not entirely accurate, but a lot better than it’s default option “center”.
Multi metering is default on most cameras, focus point link sounds interesting though! Does it work with focus tracking?
Great job Matt. Thanks for the video
AS far as S Cinetone with the FX -30, any info regarding the proper ISO would be much appreciated!
Another more old-school way to set your exposure is to use your camera like a handheld light meter. In your wide shot of people kissing, get two feet away from them, use manual ISO and exposure. Set the correct exposure as they fill the frame. The, when you pull the camera back for the wide shot, their faces will be properly exposed. Maybe the sky. blows out a bit, but it's the faces you want to be properly exposed.
Thanks Matt. I have been subscribed and watching your videos for a minute. I find them very informative and easy to follow and understand. I just purchased your complete LUTs package, as well as the discounted master class package. Got everything installed and set up, and now ready to see what becomes of it. I feel it was money well spent and if I still have that reaction after using them, I will add a T-shirt to my WHOISMATT Collection!!!
This was really helpful. I am new to the Sony world and this video was great. Thanks
Love your channel Matt, thanks for making the LUTs but your link isn't clear that the LUTS are for S-Cinetone, am I missing something? Don't want to drop money on the wrong LUTS, please advise
Hey! Yes they will work with s-cinetone :)
Thankyou Matt, lovely video, calm and professional tone of voice with no barking loud. 🤓👌
Hey Matt, I tried the Preset on my FX3 and it wouldn't load. Also on the PDF you should add, save camera settings preset 1st because the folders path are not on the memory card until you do so.
Everyone ask whoismatt no one ask how is Matt!
😂😂 I’m good
Love your instructional videos, thanks Matt. I am going to try S-Cinetone for my video project tomorrow
👍💪
Your video is so adapted to my skills! Thanks so much. I have a ZV-E1.
Thank you, I have no clue of what I’m doing but I want to learn, I love how you explain thing’s
Hi Matt, is the FX3 S-Cinetone Base ISO still 100 and 2.000 in 2024 after the latest firmware updates?
Thank you so much! I’m gonna try out these meter and ISO settings tonight. Blessings!!
Thanks a lot Matt, that’s very VERY helpful and simply explained - u got a new sub.
Cheers
Watched hundreds of videos! This is definitely the best 👌
This was extremely helpful! Thanks again Matt🙏🏿🙌🏿!
went to your site and didn't see LUTS for s-cinetone, link please?
So much clarity in your teaching. Thanks!☺
You sir are a great teacher.
Matt, some folks have suggested turning down the level in the detail to -7 to essentially remove a lot of the sharpness. Would you agree with that hypothesis? Thank you
Great video just been binging all your fx30 videos mine arrives Tuesday 😊
I really want to thank you for this video, just subbed and hit the like. Appreciate it now my A7iv is workin' better for me and my YT videos will look better
What LUT was used for the s cinetone in the video???
Thanks! Others have been suggesting zebras at 109+ which makes no sense. I'm loving S-cinetone for livestreaming on my A1.
gracias!!!!! llevo viendo barios videos porque estoy a 1 día de recibir mi a7s3, muy excitado intentando aprender de antemano lo más posible ya que vengo de una canon 60d! ajajaja en fin, me fue de mucha ayuda tu video, muchas gracias!
I've been looking for a pp where I don't have to overexpose, ty so much!
👍👍
Great information. Thank you. I set these in 6700
great video. Super colors and focus. To the couple in the video-get a room!
Just what I was looking for ❤️
Thank you Matt! Very informative. What is 100+ exposure? Does that mean S Cinetone can go over 100 without blowing out highlights?
Great question…hope to here back.
I believe he’s referring to Zebra settings, it has to be +100 to prevent over exposure in SCinetone.
@@tecnolatino5552 Thank you! I learned that S Cinetone overexposes at 109.
why does the FX 6 not have metering modes? Would seem very convenient but I can't locate them anywhere in the menu...
Hi Matt great video how far have you pushed iso in s-cinetone ? i have wet up to 5000 with sony 28-105 f4 lens and it looked fine to me
best video so far seen.. heads down.. can you please make a video on how to setup davinci (from scratch with project setting till rendering) for both s-cinetone and slog
Hey Matt, How about the new Sony A7 IV ? Does it have dual Iso ?
Guys if you own a Sony A7iii you can create the s cinetone look with some changes to your picture profile, theres a few vids on you tube that gives you the settings that will match the a7siii cinetone look
4:59 vs 5:08 honestly those images look extremely similar, and the major difference I see is slightly different sky saturation, slightly different white balance / warmth in graded image. Nothing is clipped in either image
Hi Matt, do you have any color grading tutorial for ZV E10?
hey Matt thanks for all you do. Any chance for an update for S-Cinetone for the FX30?!
The only thing I don’t get is why you say to set zebras at 100+. S-Cinetone clips to white at 109. Is it just a little safety bumper or to give a little leeway in post?
100+ gives you a bit of a buffer, and because you don't want your skintones to get overexposed, I find that it helps keep them a bit less bright. :)
@@whoismatt thank you
Hey Matt, wonderful video as always. Can you make a video that compares pictures profiles between sony and panasonic cameras. I know that you used to shoot with a GH5.
It might be dumb, but for a video novice… since SS is a set speed (depending on what you want 24, 30, 60 fps) and aperture is set to what DOF you want (set f-stop); then can’t you just put ISO in Auto and let the camera do this rest?
Baller video man, thank you!!!
I really like the Profilie Color Sony's S-Cinetone
Just to be clear, when using a Whoismatt LUTS, you will want to choose “Standard” correct?
I recommend S-cinetone with Whoismatt lut 6 standard. Looks fantastic.
Yup, for S-Cinetone you'll want to use the Standard version of the LUTs :)
Am a simple guy i see your smile i give a like 👍
Matt you are a legend. Can I ask the best ISOs for S Cinetone on the FX30? Thanks mate
thanks for sharing Great information ,, one thing i would like to ask that is it good to shoot at low light in night with cine tone...
Excellent thanks for the video!!!
Thank you Matt
Hi Matt, I'm about to start with vídeo on my a7iii for the first time and your vídeo is very helpful. I found another video showing how to emulate S-cinetone on the a7iii and I will try it, but I have a few questions, if you don't mind... What is the difference between setting the zebras to 100+ or 60%+2 (for skin light tones for instance). Also, any idea why on the a7iii with this PP, the mn ISO is 200?
Thanks for this video.
So you don't change anything in pp11 settings?
thank you bro!
Thank you so much!Very Very helpful!!!
My a7iv colors look incredly orange. Its upsetting! Don't know how to fix it. I've tried to change my white balance to no avail.
Would it not be better to set your zebras to 41 when shooting in slog-3, so you can expose the midtones correctly?
Stupid question. My camera says that picture profile is off and i dint know how to turn it on
take a drink every time he says PP11 😎
Is this video shot in s-cinetone too?
Thank you very much
I’m confused. Is this only the gamma profile or the colour profile too? And should you mix and patch the colour profile with a different gamma profile or should both be the same?
Great video. Thank you.
Thank you!
Hey Matt, Sub #789 here. Refreshing my memory of using S Cinetone, and while looking at your menu, I see 24p at the top. I have a FX3 but can't get 24p out of it! What do I do.
How do your s-cinetone LUTS look on the a7iv? I’ve had my a7iv for a week now and I love it!
They look great! The a7iv has essentially the same colors as the a7siii and fx3
hey Matt very informative as usual
one question though the lcd screen on the a7s3 looks way warmer than the
evf
do i trust the evf or the lcd for white balance ?
thank you
I would compare footage you copy to your computer to the footage on your lcd and evf and see which one looks more accurate
Fabulous stuff thanks!
Thanks matt
Hello my friend. Works your setup in fx3?
Yes :)
Hi,
If i want to expose my skin tones perfectly, which zebra to use with s-cinetone ? 65+ ?
Thanks
i was confused . what should be auto iso maximum level . i have set it to maximum 2500😮
Hi, thanks to share your interesting video. I'd like to ask a question please: I make only documentaries in 4K around the world, I don't take Pics. I take interest about a good image quality of the video. I only shoot handheld footage and never use the tripod, does it have a good stabilizer? Do you suggest this Sony A7 IV camera for 4K videos? Thanks you.
Nice! The thing I'm curious about is how well the a7siii holds up when you shoot in s-log but set the gamma to s-cinetone. Any thoughts on that one?
Watch my previous video from last week 😉
@@whoismatt Aha thanks Matt!
My MM doesn't show up even after setting it to multi in settings. Any help?
What about white balance?
Friend, in which part of Sony's website do I see the ISO settings suitable for all color profiles?
Hi Matt... Do you know the Native ISO values for S-Cinetone for the Sony A7RV? Thanks!
How can I find the scinetone on my sony a7IV?
Thanks for the video
Can i record s-cinetone videos on zv-E1 without a cinebar?
Because if i choose s-cinetone mode bar appears ?
Hi Matt what Len were you using to shot this video look so sharp?
Nice stuff-- thanks man!
Thanks Lucas!
so is it just a jpeg preset with a fancy name? or is there something i have missed?
I have my exposure/color to Multi and still don’t see MM 3:19 . Any help??
Matt is king!!
Hahaha thank you
શું આ જ પ્રકારે sony a7 m4 પણ કામ કરે છે?
Is a cinetone for stills as well
why wouldn't you recommend using slog3 with iso lower than 640? I have tried that and the result is flawless :D, cheers !
Watch my SLOG3 easy filmmaking settings video. Dropping the ISO below 640 reduces the dynamic range of the camera and disables zebras :(
@@whoismatt thanks Matt !
Great video.
Thanks Eric!
Now I want a fx3. I always thought that bmpcc 6K pro would be my next choice. :-) But as a one man shooter Sony offers a lot.:-)
Thanks for your awsome Videos, Matt:-)
Glad to help!
Did you get the FX3 or the Bmpcc6k pro..I have an a7iii and looking to upgrade as am doing more video work and the Bmpcc6k I have been told has the most amazing cinematic picture quality, and its also records raw files
@@Panther- Still thinking about. But when you have Sony Lenses and you want Autofocus. Then Upgrade to fx3. 😉
And with the emulator for a7iii?
Matt, is there an internal HDR video mode or setting? I want my A1 to film HDR internally like my iPhone 12 Pro Max. Possible?
Film in Slog or HLG and use an HDR workflow when editing. It will take more work than your iPhone though
@@whoismatt I just realized that playing with a new A1 and 135 GM. I used HLG and filmed common objects under room lighting. Wow, the footage is so much cleaner than from iPhones. The HDR effects were seen with chrome and lights. Not to the extend of iPhone footage, but with far more resolution. I will upgrade my A1 fir wear and try out HLG3 next.