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Thanks, I should have put his name on screen as well. His name is Jackton Okore, you have probably seen some of his work by now. Check out his Instagram :)

thank you so much and really great tutorial! @@zybrandcg

he have patreon ?@@zybrandcg

Thanks, you can play with grains property setting and the stiffness and dampening of the constraints. But being grain you are always fighting that look if you want it more fluid

honestly this tutorial is smth; if you are experiencing some issues recreating this effect: in vellum attach constraint settings, make sure you have Max Distance set to your grain point radius (check that in Geometry Spreadsheet (ex i ve 0.01721 radius so i set 0.02 as a max distance) upd actually thats your Particle Size in grain constraint sop divided by 2 lol impact of settings in ur glue constraint which is on a SOP level in this vid is HIGHLY dependent on Particle Size setting in Grain Constraint node, so i'd recommend to follow EACH step exactly as it shown in video, so u can figure out some relations between settings and how simulation works, then adjust everything to ur liking u gotta crank up substeps and constraint iterations to achieve nice-looking results if u ve lots of grain particles and the most important thing is that u can recreate same effect in SOPs, can't see any reason to split ur workspace using DOP network (im not a specialist tho, but i cant find any good reason to use DOP here)

It was rendered with Redshift

@@zybrandcg Thanks, sir, what do think about karma render?

@@bbrother92 I haven't tried it yet. Might give it a go when my Redshift license runs out. Although I am waiting to see what the Redshift volume updates brings as well. At work I use Arnold and Redshift at home so not sure I have space for another render engine in my brain haha

@@zybrandcg One more think, does Redshift have easier to use materials than Arnold? Which one is easier to set up?

@@bbrother92 I wouldn't say one in easier than the other. Depends what you are used to. If anything maybe Redshift materials are more complicated because you have more controls on the shader. What I like about Redshift in Houdini is it feel better integrated with Houdini than Arnold

I mean merging them into vellumsolver

Thank you very much guy

Thank you very much

Thank you so much

Thank you very much!

No, I don’t have it yet.

Hey Carlos! Thanks for becoming a partron. I don't know a tutorial about that setup specifically. I made in years ago for the first post on my blog old blog. The closest thing I have to it is my suction force logo build tutorial.

Hi Eder, sorry about that. Your point is valid I wasn't thinking about all users when doing that and should have gone through the whole process. Will try and remember that next time.

@@zybrandcg Btw great stuff.

Hi Lukes, It's been a while but if I remember correctly there were more shots and angles of the ship in the show than what they had budget to shoot that is the reason for the detailed ship, I also think the on set ship was missing some piece which were replaced by the cg model. For the water they wanted more splashing and we needed interaction around the ship but the on set splashes helped a lot to sell the final shots. I was only responsible for the water fx.

I got it from mixamo.com

Not sure what it would be, a lot of things can make vellum hair go nuts.

@@zybrandcg very true, I'm still figuring that out project by project. Vellum is an interesting one :D Nevertheless, amazing tutorial! Thanks for that

I haven't tried that yet but depending on what you are creating I would rather create the rigid bodies in vellum as well with the shape match constraint and attach the hair to that.

Thanks Anton, glad to hear that

I don't think there is a common use case for this it's a bit niche. One of my patrons kept asking how to do that until I gave in and did it. :)

Just because some of the vellum grain settings are hidden at SOP level but it's personal preference really I am used to that workflow from using Houdini for a long time but I am slowly getting used to using the SOP level workflow more.

Maybe but I wasn't the first one to do something like this and I made my setup available as a tutorial. If they got it from there I should have changed more :)

@@zybrandcg It's Chladni plates, right?

@@Al1987ac Yes that's right, is a Chladni plate setup.

the same problem with me,... I can't follow tutorial

@@bennyiga70 Don't delete any of the nodes! Simply unplug them, it worked for me.

@@blenderdelusions3310 You are the real MVP here.

That was honestly the biggest bullshit I have ever witnessed in a tutorial. "Let me pause this video while I solve the problem"...

Me too. Don't understand!

that happened to me and i just had to put a vdb from polygon below the poly extrude node. if your particles don't change color check that you don't have one of these ; in the IF

and if you have the blast node above the wrangler attribute put it above the scatter

Add more Edge Length Scale and check for any intersections in your geo at the start of your simulation

I had the same problem, but solved it by moving the sphere further away on the x axis, so it doesn't touch the grass at frame 1.