วีดีโอ

❤

Del Mónaco convertía la opera en un circo para lucir sus agudos a costa de desvituar el sentido dramático. En cualquier caso falta la mejor versión de este aria, la de Miguel Fleta

Domingo suena nasal porque canta Carmen en el original francés, y es un idioma feo y nasal

Who said that Domingo is a good tenor ?!!!!!

Boska muzyka. Boski śpiew. ❤

Magnifique spectacle !

Все уезжают,.. Гяуров давно уехал

My two favorite BASSES are Gotlob Frick and Jerome Hines.

velikii! Grande grandissimo! perche non lo ascoltano gli TENORI per comprendere la differenza tra voci che risolvano MOMENTI PIENI DI DRAMMATISMO "ALLE GRIDA!" "ALLE GRIDA" !

So if I understand your point, you have to be a dead woman to be a good interpreter.

У СОВРЕМЕННЫХ ПЕВЦОВ ОДНА БЕДА . ЗАБЫТА ПРАВИЛЬНАЯ ТЕХНИКА ПЕНИЯ . НА ФОНЕ ПРЕЖДНИХ ПЕВЦОВ ОНИ ХУДОЖЕСТВЕННАЯ САМОДЕЯТЕЛЬНОСТЬ. ЗНАЧИТ, НЕТ ХОРОШИХ ПЕДАГОГОВ. ПУСТЬ СЛУШАЮТ ВЕЛИКИХ И УЧАТСЯ У НИХ.

very interesting performances. We are friends of old singing Greetings from Vienna

2:13 ambulance car

Kaufmann baritono con acuti e voce intubata, assente lo squillo tenorile.

Glorious Ghiaurov.

what is this trend of women singing with a sound reminiscent of gagging. I don’t even understand how they produce that sound without throwing up.

If only current productions had costumes like these

This video is not a comparacion, it is simply a video AGAINST Domingo.

900 comments are a record, I assume. Mostly two digits comments are usual for opera-lirica. It shows there is a higher opera community, as I assumed. Congratulation from Vienna!

Este concierto debe ser recetado para los jovenes que se inician con la musica clasica. Fue un concierto muy cercano a la onda rock. Muy bueno!!!!!

Apabullante, magnifico espectaculo. Lo disfrute con mucha alegria y me hizo mucho bien. Muchas gracias por participar !!!!!!

Que presicion y finesa al conducir la orquesta!!!!! Excelente señor Petre!!!!! Es un documento extraordinario, con un magnifico Ghiaurov y un coro super. Que mas de puede pedir????

Ghiaurov y Petre, !!!!que dupla!!!! Magníficos.!!!!Un placer!!!!Para los melómanos exigentes!!!!. Gracias mil, amigos.

Always the same: quot capita, tot sententiae!

Quot capita, tot sententiae

who the hell gave netrebko a career

Oh, I was there watching the live coverage of this magnificent performance of Otello ever in northern Japan in 1959. I was 15 and flipped almost literally to the floor. The most superb duo singing in history notwithstanding, their subtle and constant body movements (like Japanese actors and actresses might apply) and minute facial expressions, were out of this world. Del Monaco’s pure, sensitive, and full of sotto voce approach was second to none. Then in Japan, his voice was known to be the golden trumpet and revered by many. Tucci equalled Tebaldi in the role. Sweet, indeed. This performance alone might be the best presentation of “Gianell notte densa” while other duo performers would just stand along in the center stage like two huge tree logs. I keep listening to this performance and entire opera through my CD so often. Watch del Monaco and Tucci’s Canio and Nedda in their Japan performance in 1961. Del Monaco’s “Vesti la giubba” was the most dramatic, impacting, moving performance ever in operatic history. No comparison!

I respect all opinions, but saying that Christa Ludwig and Marilyn Horne are bad singers is a really very extravagant opinion.

On est loin de la tenue du souffle de Caballé dans le final.

Mirella Freni had one of the most gorgeous voices of any type in all history. And then she went and married a guy who had one of the most beautiful bass voices of all time!!! Can you imagine them singing a duet???

I know why you’re criticizing Christa Ludwig. She was one of the greatest mezzo Sopranos of all time. And had a beautiful voice. And the same thing about Marilyn Horne. Are you serious? Probably the two greatest mezzo sopranos of the 20th century. You have a lot to learn.

Yea she was the real deal

Homme somptueux, il avait tout pour lui.

Люблю.

Pues que quieres que te diga, me encanta la voz de domingo, además cantando en directo.

Ich bin nicht ganz einverstanden mit den Kritikern. Netrebko war faszinierend wie Giulietta, Anna Bolena, aber schwererer dramatischer Repertoire ist nicht für sie. Was die andere betrifft: man can nicht aus einem Mozart- Mezzosopran ein Verdi-Mezzosopran machen! Auch wenn Eine oder Andere das Tembre verdunkelt bis es nicht mehr geht. 😁

Correct!

Excuse me, what tha aria fron 1:12?

Very well described and well illustrated with examples. One point - your picture of the glorious Luisa Tetrazzini is actually Dame Nellie Melba. There seemed to be a period where dark chest was frowned upon and Maria Callas was used as a case in point, that her use of the chest had encouraged the beat in her upper register that appeared in the later part of her career. Horne is on record as having decried the dangerous use of the chest voice, which is a bit rich when actually she always sounded like a soprano who butched up her low notes. Very few students these days are encourage to sing with a truly open sound and a low larynx as illustrated by Mario del Monaco. The castrati were taught to practice in front of a mirror. Partly so they they could sing without screwing their faces up. BUT actually, screwing one's face up is indicative of tension in either the tongue or the neck, preventing singing on a fully open throat with a low larynx.

Leyla Gencer fantastic the best!

Mario del Monaco is the best dramatic tenor ever. His Pagliacci and Pinkerton are beyond perfect.

Overall, this is a great video.

what a plush an papiermaschee staging - like a hollywood c-movie...

Souliotis.. 😳 ! Blew me away❤

corelli is just a different breed

Have your ears checked. Marilyn Horne and Christa Ludwig were wonderful. You have no ear and no name recognitiin, bless your empty pericardial and aural cavities!

Interesting stuff. I've always preferred the older, pre-WWII, singers, with plenty of exceptions in both directions, but have always thought it was personality, acting ability, and intrinsic beauty of voice as much as technique. This has given me much food for thought. I still don't really hear a gargle-y sound in most of these examples (except for Horne, but then I've always hated her voice), but I can clearly see the facial tension and distortion. Butt and Onegin sound miraculously beautiful in comparison. I hope you are continuing to make these videos - I just discovered them today!

Great video - I love this sort of thing. I agree with most of your assessments - the older singers sound more powerful and steady, and with much better placed voices. They also acted with their voices to a greater extent. Well done.

Destaco Souliotis!Grande voz de longo alcance!👋👋👋👋👋👋👋

Vozes belas sem dúvida porém, a voz de Maria Callas destaca-se pelo tsmanho e pelo alcance quase ilimitado!❤❤❤❤❤❤❤🇵🇹