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Continuing the theme of exploring our own landscapes and topologies with natural media, this piece is a study of The Delta of Irrawaddy River in Burma. With layers of sand built up over time and copper leaf applied and then sealed off with resin this piece if full of texture, mimicking the way landforms encounter the sea and erode with time.

The latest and largest of the Luna Series and in reality twice the size as our own moon. Its dense atmosphere prevents us viewing its face, which lies beneath swirling gasses. This idea intrigued me to imagine what lies beneath this veil of haze and cloud. I wanted to create a lot of contrast so chose to paint on a copper disc, suspended in deep black as if it was a snapshot at night, literally...

This piece is a bombardment of material, the force at which media was applied is responsible for the craters and spread. I wanted to be able to feel the residual impact from the material but offset it with a bright golden paintwork which combines the chaos and beauty that exists throughout the universe. The piece is created with natural materials such as sand and pigments which create the organ...

I wanted to create a vast expanse that wraps around the viewer, in this sense this piece of work has cinematic quality to it. A medley of oxidised iron, copper sulphate and acrylic makes this aerial style depiction of an imagined landscape where sea hits the mountains, beneath the incoming clouds. Inspired by my trips to Iceland where minerals clash together forming vivid colours when seen from...

Part of the Lunar series devoted to exploring the links between our own landscapes and those of our closest celestial neighbours. Glacier is an imagined landscape based from my studies of Icelandic glaciers and lunar surfaces. It struck me how similar some of the earth's landcsapes are to the moon, both in form and composition. Here an eerie gold light highlights an expansive glacial mountain r...

Ghost is a meditation on the vulnerability of our ecosystem. The ‘ghost’ in question is coral reefs and their subsequent bleaching process as a result of sea temperature increase. I applied vast amounts of copper and iron, layer by layer over the course of almost a year. Each layer was weathered and oxidised to create the green patina you can see. They form organically into shimmering clusters ...

Almost a year to produce, this piece encompasses almost everything from the series. Layer upon layer of material built up over time to create pure organic form. Ranging from rusted iron to copper and gold, the piece shimmers from its slow crystallisation. The floral patterns from the compounds sprawl out like fresh elements forged in a geo-thermal spring. I wanted to emulate land being formed, ...

Track from the 2021 album, Still Life by Jack Edmonds. Director: Jack Edmonds Animator: David McShane Composer: Jack Edmonds

A series of conversations between a couple in a long distance relationship are disrupted by an unknown terror. MAPS taps into our nascent fears of digital technology, in particular notions of privacy and identity. The sense that your entire life exists in data, which we trust is in the right hands. This film was made to be viewed on a mobile device to give an immersive quality that supports the...

Second single from the new album: Still Life by Jack Edmonds 2021.

Official Music Video for new single: Still Life, from my up and coming album of the same name. Footage is taken from a short film I made in 2020 about the effects of lockdown and observations of everyday routines and objects.