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Thank you very much! Try this and let me know if it works: th-cam.com/video/m6qVLsvJyqs/w-d-xo.html

@@CameraRig Grazie molto gentile sei uno dei pochi che in rete dice cose interessanti ma sopratutto intelligenti..personalmente ho un conflitto di odio amore con panasonic..ad esempio nell'ambito del m43 non capisco perchè non rendono compatibili al 100% ottiche di terze parti tipo zuiko pro o per lo meno copiatele o miglioratele..amo utilizzare un12/100 per esigenze lavorative peccato che non è possibile utilizzare la doppia stabilizzazione ma peccato anche per i file video panasonic i quali non sono dotati di inforazioni giroscopici per stabilizzarli in post. Peccato anche per le politiche di vendita ..fatta gh6...morta gh6 per gh7 ..non invidio neanche il fuoco a contrasto ma le lut istantanee potevano inserire un firmveare e fare falici gli utendi di gh6...e invece per panasonic bisogna comprare la nuova fotocamera. E invece penso di aspettare come dicevi in un altro vide...sono curioso di vedere se nuova sh sarà una vera novità o solo un sh con qualche firmweare..

@@fernandomastrolorito2343 of course Panasonic needs to make profit and make their newest models more attractive by adding features. I am actually surprised that the Sony A7sIII does not support real-time LUTs, so it's a great feature. But right now, the perfect camera does not exist. Maybe next year. 😁 I hope you get the LUT working with the GH6 and Preview LUT setting.

@@thatvideoguy4k thank you so much. Make sure to double check with Kaurh's DCTL. Yes, that would be awesome if you make a video about it. I have actually a guide prepared for other TH-camrs who want to promote it with some details. Send me an Email (should be in my TH-cam profile) or contact me via my website sven-bayer.de and I can send you it. 😁

Same here🥲

@@2deep2hard try the VLog view assist. I think it could work with that on the S5.

hey, just to let you know I have been using those luts with my atomos shinobi and my ninja and they work very well so if you have a external monitor that take luts you will be able to use them, good luck

@@Johnkhawlhring hey, just to let you know I have been using those luts with my atomos shinobi and my ninja and they work very well so if you have a external monitor that take luts you will be able to use them, good luck

@@philippeLebret for those cameras you need an external monitor, a field monitor to import the LUTs and view them on the field monitor. Also, you need to set the picture profile to VLog.

Well, it is 4kUHD and the standard TH-cam settings from Davinci Resolve. Are you sure that you play back the video in 4k or does TH-cam chose 360p for you? 😂 Let me know what looks bad so I can understand what you mean.

@@Jjsadiq3760 thank you! Enjoy the LUTs.

@@harryvlogs7833 could be possible that it's a modified version. I think for PDAF they use some pixels for it. Not sure if they need to physically alter it. Good point.

@@BonkoemChemiya I hope the LUTs work well. 😁

@@DinElbil thank you! A SmallRig Cage. Then the SmallRig QuickRelease clamps, that I have attached on the side. And then the SmallRig ArcaSwiss clamp at the bottom. Maybe I should make a video about it. 😁 Check my profile for the links: linktr.ee/CameraRig

@@Bartvdschraaff UseBean USB C to USB C 100w 0.2M 3.2 Gen 2x2is the cable I use. But I only recommend it for non critical work. I would usually use a straight cable with SSD clamp on the SSD holder. I like it for filming my TH-cam videos since it makes the camera a bit more compact.

@@MotionBlurPL thank you! 😁 Check out my video about the skin checker LUTs too.

@@jowstojo my glasses are de-reflected and shimmer green. I applied some green colour grade for the trees in the background. Maybe that's why this green dot appeared stronger? I did not recognize. Get rid of reflections in glasses by putting your key light higher

@@priyabratadash1833 yes, those other perspectives are also important to consider. But it's also important to know if a company can provide newer camera brands in future with ease. When you go with a brandy you are stuck with it and you should know if you can upgrade in future. Good point with he demos. I wanted to add some pictures and graphics but I had no patience and wanted to get done with this video. 😅

@@CameraRig great video by the way, I feel lenses will play a big part and where you are, i have a sigma fpl quite a quirky but great video camera too but i feel if some one is a serious videographer they will consider a s5xii Or sony fx3 though in marriages I see more nikon and canon.

@@priyabratadash1833 thank you. With Lumix, you have an ok selection of native Lumix lenses and the recent Sigma lenses have now proper motors, like the Sigma 50mm f1.2. The S5IIx is great for weddings since it never overheats but it crops at 60p. I would get the latest Canon R5II if you have a lot of budget. The Z6III could be interesting since it has 6k60p no crop but has not the best dynamic range. Lens selection is maybe a bit bigger than Lumix. The Sony A7sIII (FX3) does not crop but can overheat. So it would be great for indie films. Either way, I would film live events always with at least 2 cameras. 😁

@@costelsandu7000 thank you!

@@RawFiVideos "dual" analog gain. I assume means part of the pixels work at high iso while others work at low iso at the same time. I don't have it in my mind, but I think I out numbers in my video when I mention things. You should find the corresponding link with the number in the description of my video. 😀

@@akirsch76 great thinking. You can check my links in the description. On the websites of some sensor manufacturers, you can see the models they produce. But they might not list the latest. I hope we see a leap in camera technology next year like with the Z6III. 😁

@@iamkubrick thanks! Let me know how the LUTs are.

@@ThePhenomenalLife thank you! I used Dehancer with halation to give the video some life. It gives it a slight warm tint. Artistic expression. 😂 Let me know how those LUTs work. 😁

No realtime lut on the S5. So you could use an external monitor, but you might as well just buy a monitor that has false color etc built in

@@CartyCantDance Is it hard for you to create .vlt versions for S5 / S1H etc? If you can, I know lots of people would appreciate it! :)

S5 has a lut real time preview for 3 luts

@@michaelreichert1698 ...but S5 only accepts .vlt files - not cube files. So, these luts aren't compatible with OG S5.

@@lukeduffield3263 you can convert it, so you can put any lut to the s5 but you have to turn it ob in the menu as monitor preview

@@ogoby thanks a lot! Enjoy the tooling LUTs. 😁

@@the_black_douglas9041 thank you! It was tough but I did not give up after multiple trail and errors. I hope the LUTs work great. 😁

@@JoATTech thank you for the idea. Well, it was tough to get even a somehow working false colour LUT. 😅 But I will think about it! 😁

​@@CameraRig as much as i would love for you to make this, however it is licensed so I'd caution against it. Would be better to comment on lumix usa channel where they do live stream every week and take feature requests too. I already commented on the stream before last, would urge everyone to do the same.

@@mraw_prime UseBean USB C to USB C 100w 0.2M 3.2 Gen 2x2is the cable I use. But I only recommend it for non critical work. I would usually use a straight cable with SSD clamp on the SSD holder. I like it for filming my TH-cam videos since it makes the camera a bit more compact.

@@CameraRig thank for all the précision 😁

The Lumix camera needs to support real-time LUTs and VLog. If it does, it should work.

Yes it should - I’ve seen another video for the GH6

Danke! Yes, it is not as easy as it sounds. It is really difficult to make things visible with 33-point LUTs on the Lumix' camera screen plus the noise that mixes then the color markings. So I had to do a lot of trail and error. I am curious how good those LUTs work. :)

Thank you too! Let me know how well the LUTs work.

Thanks you! I keep it up with the tests and here and there some treats.

@@JoATTech if you film mostly 30p or 24p, the S5II could be a great vlogging camera (60p APS-C crop). The ZV-E10 is only APS-C, so it might not be that good at low-light. For APS-C professional use, there is the Lumix GH7. But I would wait to see what happens. I think selling Sony lenses is easier than Lumix lenses since there are more Sony shooters. The S5II and S5IIX has no OLPF, so you might want to get one from Kolari to remove moire if you film a lot of fabric, cities, things with repeating pattern.

@@CameraRig I primarily shoot 25p (50Hz contry). And 95% scenarios I have the lighting I control, so low light does not impact me. But I would prefer FF camera instead of APS-C any day, but cheapest sony 10bit 4:2:2 FF is $2500 :(. Maybe it's easier to sell Sony lenses, but since there are more, they are cheaper used ...

@@eldengard23 the sources I found claim the full-frame sensors of Nikon are made by Sony. It could be that APS-C sensors for Nikon are done by TowerJazz. Otherwise, we could see an S1H2 with a Full-Frame sensor similar to Nikon.

@@CameraRig yee people say that everywhere because it's a default "fact" in peoples head from DSLR days, but no, nikon went with TowerJazz from d850 onwards (d750 was a typo) so from 2017>now it's been towerjazz in everything except d7300 i believe

@@CameraRig S1H2 can't use the 24.5 MPX TJ sensor since it's designed by Nikon, and fabricated by TJ

@@CameraRig So the timeline on TJ sensors is from z6/d780 for the 24.5 mpx and d850/d500 for the 45/20.8 mpx sensor (it's the same just cut down and optimised for low light like z8/9 sensors are) The semi stacked is developed from the 24.5 from the d780 and the stacked 45 was developed from the d850 sensor. There were even a lot of patents from DSLR with hibrid viewfinder in the 2019s indicating a "milc tech" D880 following the D780 idea but it was canned because of IBIS and costs of manufacture of the hibrid viewfinder and it turend into Z9/Z8 project

@@eldengard23 interesting. I googled a bit and it could be indeed a possibility. This would at least mean the monopoly of Sony is not that strong.

@@loiccardenas great to know! I wonder why there is still no announcement or rumors directly from Panasonic. Uncropped 60p would be really important. Since you switch lens systems by going Full-frame, you could also switch camera brand. Autofocus in video is super helpful and you can focus on a lot of other things when filming with great autofocus. Maybe wait till January to see if there are other cameras being released.

@@CameraRig oh yeah right now I’m just gonna wait

There is already some collaboration going on, like the DJI Lidar can be used via RS3 for the autofocus of Lumix lenses without the DJI focus motor. There is also the DJI Ronin 4d. Collaboration would be indeed great!

@@Stefan_Heinrich I do not know but I think they gradually improve their IBIS as other features. Often people compare the ancient A7SIII with the S5II and conclude Sony has bad IBIS. Also, the Nikon Z6iii has more IBIS stops than the S5II but I am not sure how it looks like in practice. Overall, a gimbal is just unbeatable and best if you do professional work while moving. I think Sony will release the FX3 mark 2 in 2025 since they produced for Nikon the Z6III sensor that beats the A7SIII in some areas.

@@AlmissaGaming yes, except your focal length is long and it still shakes. During the day, the quality difference between full frame (e-stab normal) and APS-C is small but at night it is best to film in Full-Frame (e-stab normal).

@@JanSur let's see next year. If there is still no successor, try renting the R5II to get a feeling for it and to better judge if it suits your needs. Also Canon glass is a lot more expensive. Maybe Sony will release a A7sIV next year. 🤔

​@@CameraRigeven R5c is better for those that need 60fps. Same dr, the only downside is price for body and lenses. R5c, z8, s5iix, a7siii... its a loop where I always and up on xh2s :D It is a loop where

@@pureheartvisuals I am very confused by your statement and your incorrect thoughts about my opinion on Lumix. If you watch the whole you see that Lumix is the best price-value option right now. I also state that some of the issues are no real issues. Moire artefacts appear only when you film at a specific distance. "Professional" cinema cameras like the Lumix S1H and the Red Komodo have an OLPF. You can be lucky and they do not appear. Also oversampling to 4k could reduce moire but I need to prove this first.

@@andilenonkwelo6616 thanks, I try. You can have a look in my description for the sources they get more information. It's difficult to find the information. I hope we see a direction from Panasonic with their next camera soon.

@@CameraRig I just got the fx30 and canon r5c through govt. Funding in my country. If I saw this sooner. My buying wud have surely changed

@@andilenonkwelo6616 well, there is at least no 60p crop with the FX30. 😅

@@psysword it's definitely a good choice if budget and great IBIS is your priority.

@@wtfkurtis no I am not sure, I only know what I found. You are right, there is a partnership. This could increase the possibility that we see a S1ii with the Sl3 sensor. I am curious what will happen next year. 😁 www.l-camera-forum.com/topic/332980-l%C2%B2-technology-new-strategic-partnership-between-leica-and-panasonic/

@@rolandeyezz we might see more collaborations between DJI and Lumix. They already incorporated the Lidar autofocus to Lumix autofocus lenses.

@@Eissen_meteor I hope my other videos about S5IIx tests are helpful. 😁

@@CameraRig this very video absolutely settles my pub argument about the E fanboys and L gentelment about who make what and which do what.

@@Eissen_meteor yes, I was very surprised about Panasonic Lumix' situation. It is still amazing, what they do with the sensors. But for 2025, if they reuse the same sensor, they need to provide at least an internal VND at a interesting price point to stay attractive next to Sony.

@@CameraRigyheeaa... also hope time that electronic ND from sony(forgot it's name) became mainstream soon. I tiered being shouted as AC when ask about right ND.

@@Sirrom0206 thank you. There is also a Skintone Checker DCTL out there. It was somewhere free.

@@ngonzale3 definitely a good strategy. It might happen next year. The Lumix 100mm and Sigma 50mm 1.2 L-Mount are still expensive. 😁

@@SimeonKolev well, you want to use 6k if you use the S5IIx because that's the point of having it instead of the A7sIII. You can crop in post and still have 4k. I don't know for sure that there is moiré in 4k oversampled. I will test it. I plan to make a video about it

@@CameraRig the oversampling is resolving the moire issue always. About the open gate - yes Panasonic can do it and no Sony camera can do it (maybe the true cinema cameras can...). PS 6K in RAW and IPB can be different. I am not sure what is the resolution, I have no idea is the S5II capable of shooting 6K IPB. If it is with lower resolution than 6000pixels it might be able to reduce moire a little. For example A7sIII is 4,2K sensor and it is shooting 3840pix video which is slight oversample and is fixing the moire in most cases.

@@SimeonKolev it's native 6k OpenGate for LONG GOP and native 5.9k for ProRes HQ. C4k is oversampled but only up to 30p. If the moire patterns aligns with the sensors pixel array, you would have the structure as colour information. I wonder how oversampling could fix this. 🤔

@@CameraRig yes 6K is 5952 x 3968 which is not oversampling. 4K is oversampled all of it. 4K 60p is in aps-c and is also oversampled because 4K is 3840 and the sensor is a little over 4000pix wide in aps-c. The more you oversample the better it fixes moire. It is a processing thing.