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MrHullU
South Korea
เข้าร่วมเมื่อ 28 พ.ย. 2023
Score Videos and Compositions
Fall of a Dynasty (Ian Yoo Kim)
Composer: Ian Yoo Kim
Conductor: Changjin Ha
Violin I: Ashley Tsai
Violin 2: Jeremiah Jung
Viola: Herbert Bi
Cello: Nahar Eliaz
Double bass: Dennis McIntyre
Flute: Amelia Kazazian
Oboe: Sherry Chang
Percusssion I: Elfie Shi
Percussion II: Able Zhou
Percussion III: Ian Yoo Kim
Conductor: Changjin Ha
Violin I: Ashley Tsai
Violin 2: Jeremiah Jung
Viola: Herbert Bi
Cello: Nahar Eliaz
Double bass: Dennis McIntyre
Flute: Amelia Kazazian
Oboe: Sherry Chang
Percusssion I: Elfie Shi
Percussion II: Able Zhou
Percussion III: Ian Yoo Kim
มุมมอง: 99
วีดีโอ
Bach, Brahms: Chaconne In D Minor For The Left Hand (Zimerman)
มุมมอง 12K21 วันที่ผ่านมา
The d-minor Chaconne is undoubtedly the most famous movement of all of Bach’s 6 Sonatas and Partitas for violin solo. So it is hardly surprising that it has seen many arrangements. Johannes Brahms marvelled at how a single staff of music could offer “a whole world of the deepest thoughts and the mightiest emotions”. He promptly made his own arrangement; it is for left hand alone, in order to co...
Schumann: Kinderszenen, Op. 15 (Argerich)
มุมมอง 2.6Kหลายเดือนก่อน
Kinderszenen Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Op. 99, and Albumblätter, Op. 124. 0:00 - I Von fremden Ländern und Menschen 1:50 - II Kuriose Geschichte 2:55 - III Hasche-Mann 3:23 - IV Bittendes Kind ...
Ravel: Piano Concerto in G major (Zimerman, Boulez)
มุมมอง 12K2 หลายเดือนก่อน
Maurice Ravel's Piano Concerto in G major, was composed between 1929 and 1931. The piano concerto is in three movements, with a total playing time of a little over 20 minutes. Ravel said that in this piece he was not aiming to be profound but to entertain, in the manner of Mozart and Saint-Saëns. Among its other influences are jazz and Basque folk music.The first performance was given in Paris ...
Rachmaninoff: Piano Concertos No. 1, 2 (Zimerman, Ozawa)
มุมมอง 51K2 หลายเดือนก่อน
𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟭 𝗶𝗻 𝗙♯ 𝗺𝗶𝗻𝗼𝗿, 𝗢𝗽. 𝟭 Sergei Rachmaninoff composed his Piano Concerto No. 1 in F♯ minor, Op. 1, in 1891, at age 17-18. Composition students were usually advised to base their efforts on a specific model for their first exercises in new forms. In Rachmaninoff's case this was the Grieg Piano Concerto, which was a favorite work of his and one with which he had been familiar from ...
Liszt: Totentanz, S.126 (Zimerman, Ozawa)
มุมมอง 17K3 หลายเดือนก่อน
Totentanz S.126, is the name of a work for solo piano and orchestra by Franz Liszt notable for being based on the Gregorian plainchant melody Dies irae as well as for stylistic innovations. One inspiration for the young Liszt was the famous fresco "Triumph of Death" by Francesco Traini in the Campo Santo, Pisa. Liszt had eloped to Italy with his mistress, the Countess d’Agoult, and in 1838 he v...
Franck: Violin Sonata in A major (Danczowska, Zimerman)
มุมมอง 1.5K3 หลายเดือนก่อน
The Sonata in A major for Violin and Piano by César Franck is one of his best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. The Violin Sonata in A was written in 1886, when César Franck was 63, as a wedding present for the 28-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima v...
Images for Violin and Piano (Original Composition)
มุมมอง 6356 หลายเดือนก่อน
One day, I was listening to Szymanowski Mythes with my friend. Suddenly he said "write something like this and I'll play it for you". It was my first week in a Conservatory and there had just been an announcement that the first composition major's concert would be held in the largest hall in the school, Jordan Hall. I had exactly 20 days left to compose a piece and submit it to the concert. Til...
Brahms: Scherzo in E-flat Minor, Op. 4 (Zimerman)
มุมมอง 40K7 หลายเดือนก่อน
The Scherzo op. 4 was written in 1851 when Brahms was not even 20 years old. He also played the Scherzo to the Schumanns several times in 1853, and thus might have inspired his older colleague to write the famous article “Neue Bahnen” (New Ways). In it, Schumann praised “single piano pieces, some of them turbulent in spirit while graceful in form”. Performer: Krystian Zimerman, 1982 Deutsche Gr...
Grieg: Piano Concerto in A minor, Op. 16 (Zimerman, Karajan)
มุมมอง 17K7 หลายเดือนก่อน
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. Grieg, being only 24 years old at the time of the composition, had taken inspiration from Robert Schumann's only concerto, also being in A minor. 0:00 - Mvt I Allegro molto moderato 9:33 - Cadenza 13:06 - Coda 14:01 - Mvt II Adagio 21:15 - Mvt III Allegro moderato molto e marcato 29:5...
Piano Prelude No.4 (Original Composition)
มุมมอง 7217 หลายเดือนก่อน
Composer: Ian Kim Piano: Anne Liu
Chopin: 14 Waltzes (Zimerman)
มุมมอง 184K8 หลายเดือนก่อน
Frédéric Chopin’s waltzes are pieces of moderate length adhering to the traditional 3/4 waltz time, but are remarkably different from the earlier Viennese waltzes in that they were not designed for dancing but for concert performance. Carl Maria von Weber's Invitation to the Dance was an early model for Chopin's waltzes. Chopin started writing waltzes in 1824, when he was fourteen, and continue...
Liszt: Liebestraum No. 3, Notturno (Yunchan, Yundi)
มุมมอง 1.5K9 หลายเดือนก่อน
Liszt: Liebestraum No. 3, Notturno (Yunchan, Yundi)
Ravel: Pavane pour une infante défunte (Hyounglok Choi)
มุมมอง 19K9 หลายเดือนก่อน
Ravel: Pavane pour une infante défunte (Hyounglok Choi)
Chopin: Sonata No.3 in B Minor, Op.58 (Zimerman)
มุมมอง 210K10 หลายเดือนก่อน
Chopin: Sonata No.3 in B Minor, Op.58 (Zimerman)
Ravel: Gaspard de la Nuit (Pogorelich)
มุมมอง 88K10 หลายเดือนก่อน
Ravel: Gaspard de la Nuit (Pogorelich)
Chopin: Sonata No.2 in B-flat Minor, Op.35 (Zimerman)
มุมมอง 157K10 หลายเดือนก่อน
Chopin: Sonata No.2 in B-flat Minor, Op.35 (Zimerman)
Images for Violin and Piano (Ashley Tsai, Minhyuk Suh)
มุมมอง 98411 หลายเดือนก่อน
Images for Violin and Piano (Ashley Tsai, Minhyuk Suh)
For me his live perfomances are slightly better than this recording, especially from the 90s. Seems a bit dry here.
Excessively intense but i love it
is anyone gonna talk about the increbile balance of the second movement?! Like my gosh, how is it so articulated perfectly, even when slowed down you can hear the notes perfectly!
👏 não há palavras para expressar
Why is the first movement always played so fast???? It’s marked GRAVE! Even slower than largo. Doppio movimento would be in the largo/andante range… .75x speed is where it’s at
Is there any relationship between Chopin dying of tuberculosis and the audience coughing nonstop 😂
2:38 I stopped everything I was doing to analyze this and try to find out what made this moment so breathtaking.
40:18 is ossia cadenza?) sound like unusual
I think he played a wrong note but it ended up sounding beautiful lol
Zimerman can reach 10th? I thought his hand size is quite small
Yeah I’m kind of confused listening to this - I’m absolutely not challenging Zimmermans ability… but I can’t see based on what I’m hearing how this could be played with only the left hand.
He has rather big hands. See his octave thrills on Brahms Concerti... incredible
@ 🤯
I just heard Zimerman performing this piece last night, 12 Nov 2024, at the Hong Kong Cultural Centre Concert Hall.
Did you enjoy the performance? I feel like there are notable differences when compared to the recording.
One of the most amazing pieces of music I have ever heard. When I heard it for the first time it was one of life's 'peak moments' for me. Pure genius.
1:23
Thanks!
VERY GOOD!! A perfect encapsulation of the spirit of the impressionists with a great sense of musicality and a unique harmonic language. You are a very good composer
Thank you very much Dr.Malnik!
Am I the only one who's shocked by the tempo changes in this performance? i like organic tempo but this was too much for me
🙏
Oh gosh, Zimerman! 😭❤
I love Zimerman's interpretations 🌿✨️
24:38 ABSOLUTE FAVE✨
Amazing how the human mind works and how far we’ve come with music.
Brahms apparently did follow Chopin's path of writing scherzos
Recording quality is very bad. Piano sounds like a 17th century clavecin with metal plectra!!!! Lol
Busoni probably took notes from Brahms when he wrote his transcription, and added something himself.
Un amen per zia Amelia e nonna Olga; spero che dal purgatorio siano salite in Paradiso.
15 now
Transcribed for tenor alto range mostly. This is a soprano range violin piece. The character of the piece is grossly distorted by thr choice of such a low register. Good performance but poor transcription.
One could alway perform it all up an octave. I assume it's down here because it's a slightly more natural position for the left hand to be (given the length of the piece)
@@klop4228 Yes, I think that's it. An octave higher and the left hand would be (even more) across the body, which would be very awkward. I love this video, and the change of register didn't bother me.
@@klop4228 I don't think that's the reason - the pianist can simply move the bench slightly rightwards. I think Brahms most likely thought this register to be more apt for the natural sonic character of the piano.
@@Hameln1 of course. With two hands. Brahms have several exercices/transcripción in this way.
Play this an octave higher and you will hate it even more. Brahms picked a register where he can at least imitate the open string sounds.
13:25
Kinda underwhelming tbh
Too reserved for your taste? Daniil Trifonov has a version if you are looking for something more bombastic.
Brahms is very underwhelming indeed
@@LeotheviolistBrahms in general?? What are you on bro
@@acactus2190 🤣 for starters, I shouldn't need a degree in music theory to prove my point
@@Leotheviolist may you prove your point though? I am genuinely curious
Didn’t know Zimmerman had a recording on this piece. Very cool!
Unrelated… it’s a shame we don’t have (probably never will at this point) a recording of Zimmerman playing Rach 3, whether live or studio recording.
@@davidliu4844 Did he play Rach 3?
@@jankwestarz7434he said in a masterclass that he is not playing Rach 3 because the emotional load of the piece is too much for him.
@@Chopin1995that's a great excuse for not playing it
❤❤❤
Is there anything in musical literature proceeding this piece that compares to the finale? I suppose it could be thought of as an etude. It is not atonal, but almost appears that way as it is such a blurred rush - what if chords became wind. It just seems so unique.
There is such age and experience in young Brahms. So much more so than the other stereotypical prodigies, you get the sense that Brahms was fundamentally mature, as a human being, when he wrote these. Young Mozart, Saint-Saens, Mendelssohn are all brilliant, genius even, but it always sounds like music being written by a young person. But (for example) the beginning of no. 2 in this set, like so many other examples, sounds like it's been written by someone who has lived an entire life.
Good,better,the best ... Zimerman!!!🎼👍👏
I heard this song first time, but i love this special melody and feelings!
It's 15 now...
he dropped?
@@chainmanz7476Chopin dropped.
@@chainmanz7476yeah new piece discovered in a museum a couple days agogo
This video is actually missing even more waltzes
this isn't the full list of chopin's waltzes
50:24 how??!
Thank you for posting this beautiful work, which everybody should listen to. It is a remedy for the soul...
I’m waiting for Rach 4 and Rhapsody on a theme of Paganini
Please take the ads away
It's a bit too much rubato for my liking in some places, but still awesome!
thank you for sharing these
How do they even play this piece from memory?
The coughing 😭
The best interpretation I have heard. Consistent, holds tension amazingly in the first movement, that breaks open so nicely with the arpeggiated chords in bar ~181. It is absolutely a goosebumps inducing moment, also the ending is so nicely kept together, he doesn't rush it, it is fast but so precise. I can't get enough of these, absolutely fantastic!
I really enjoy this performance
30:55
TH-cam should put ads between movements, not in the middle of them.
Las Sonatas para Piano de Brahms reclaman ser escuchadas 1, 2, y 3 veces para ser reconocidas. Es como una de sus características. Igual me sucede con las de Schubert.
I like the 3rd and 4th movt. But the 1st and 2nd movt seems too hurried. Does his style sounds a bit more classical than romantic, sounds similar to beethoven somehow
48:33 gorgeous chord there