ฝัง
- เผยแพร่เมื่อ 29 มิ.ย. 2024
- Antonín Dvořák: Symphony No.8 in G major, Op.88
I. Allegro con brio (00:00)
II. Adagio (09:31)
III. Allegretto grazioso (21:11)
IV. Allegro, ma non troppo (26:49)
Wiener Philharmoniker
Herbert von Karajan, conductor
August 15, 1974
Großes Festspielhaus, Salzburg - เพลง
I was at this particular concert at the Festspiel Haus in August of 1974 and remember it well. Our family had recently moved to Vienna for 3 years and would frequent the Salzburg Festival in both the Spring and Summer for incredible performances. I was only 16 but the memories of these amazing performances will always be with me. Karajan was at his peak during this period and it was just magical to be inside this beautiful hall, where you could hear a pin drop. Karajan just mesmerized both the orchestra and the audience. Such amazing music and so beautifully performed.
Wonderful. Thanks for posting.
Know what you mean about HVK's mesmeric power. Saw him just the one time: his last appearance in London, 1989. I've seen quite a few stars in the flesh. The only two who were comparably magnetic were Bernstein and Alain Delon.
Magnificent, breath taking and beautiful. The total package!
１９７３年１１月４日に、大阪フェステイバルホールで、聞いたカラヤン・ベルリンフィルハーモニーのドボルザーク第８「イギリス」は私の脳天がひっくり返るほどの美しさだった。
Staggering performance. Rivals Karajan's legendary studio recording for Decca from the early 1960s with the same orchestra.
This is my absolute favorite!!! The way those cellos sing at the very beginning of this piece is amazing. Signed by the violist who loves sitting next to the cello section. *smile*
I adore it wonderful symphony,aspecially 3th mvm,and maestro Karajan💕💕💕🍀
The most beautiful Dvorak 8th I've ever heard!!! ❤💐
Music is the best thing this world can offer, it lifts your soul up:)
Like opening a door into a secret forest,a little shy about entering,but just knowing there's a world of adventure and nature's secrets inside.
My favourite composer and definately the best performance by Winer Philharmonic Orchestra and maestro Karajan- I was so fortunate to have witnessed their live performance with Karajan in Musikverein - famous New Years Concert !
Unforgetable !
Am going to hear No. 8 of Dvorak live this week... What a Joy!
I am totally fascinate with this wonderful symphony...3th mvm.is d i v i n e♥️♥️♥️♥️♥️♥️♥️Magnificent.beauty,brilliant rendotion👏👏👏👏👏💙💙💙💙💙💙💙💙💙💙💙👏👏👏👏👏
You should try the 7th. Also wonderful.
Antonín Dvorák:8.G-dúr Szimfónia Op.88
1.Allegro con brio 00:00
2.Adagio 09:31
3.Allegretto grazioso - Molto vivace 21:11
4.Allegro ma non troppo 26:49
Bécsi Filharmonikus Zenekar
Vezényel:Herbert von Karajan
Wonderful performance of this great piece.I like 3 and 4 movements most of all.Final is a feast of sounds.3 part is beautiful and melanholic
I have heard quite a few recordings of Dvorak 8 and I have to say that this is one of the very best I have encountered.
My preferred studio recording has long been the Kubelik BPO. It has such wide awake high spirits. Very charming, beautiful and bustling with energy.
This HVK Vienna Phil. live performance is powerful and lyrical. Amazingly played and conducted. The detail is wonderful. Every second of the work is inspired. A truly great performance. WOW! A keeper for sure.
Thank you for these details; well stated and evocative.
Great conductor & orchestra - Thanks! No. 8 is my favorite by Dvorak. I can see the forest sprites appear...
Best expressions with slavic, romantic, and yearning for home!
I played clarinet in this work when I was in the Shropshire Schools Symphony Orchestra (aged then about 16). It gives me goose pimples every time I hear it played. I met up with 2 flautists from that same orchestra last month. One of them put a request for us onto Classic FM for the last movement!
Phenomenal performance,adore this!
Cannot decide which I like better...this or the 9th. They are the 2 finest works of the late Romantic period.
Please include the 7th in the competition
The 7th is my personal favorite of Dvorak's symphonies.
My choice is 8th.
Brahms 4th Symphony?
Mine too, the 8th
sublime cette symphonie N°8 de DVK.
I notice most, here, the exquisite phrasing and separation of each orchestral section as the movements move along. it is not sloppy, as are most recordings of this symphony. Karajan paid massive attention to how the sections interact with one another. Unfortunately, unless one can tolerate the ruination of the music by advertisements, it is not possible to listen in any meaningful way. The commodification of everything on TH-cam is utterly hideous.
Nothing is free,,,youtube adfree =$$$
Mesmerizing...Beautiful performance
A perfect upload. The sound may be a little on the harsh side but who cares with such a spirited performance. Many thanks for this treasure.
This is not only the greatest performance and recording of this glorious work, it's the greatest performance and recording ever made of a symphony. I don't say that lightly; Maestro Karajan and the glorious orchestra cover themselves in glory here. I think Karajan's performances and recordings in Vienna are far and away the best things he ever did, far better and less mannered than his more celebrated Berlin recordings, and better recorded and more musically mature than his earlier EMI Philharmonia efforts. The Vienna Holst PLANETS, Tchaikovsky ballet suites, the abridged Adam GISELLE, the Grieg Peer Gynt, the Brahms Third Symphony, the Beethoven Seventh, the Strauss Waltzes, Puccini's TOSCA, J. Strauss DIE FLEDERMAUS, and the Richard Strauss tone poems, for example, are all touchstones for these works, magnificently conducted and played. I also think his live performances in general have an excitement that many of his studio recordings do not, such as this one.
Well, it's kind of impossible to say it's the greatest recording of a symphony, since one cannot compare apples and oranges. However, I will agree that this is the best recording of THIS symphony (at least from what I have managed to hear). And I say this despite my personal dislike for Karajan (due to his Nazi past and Nazi-like demeanor), and despite my fanatical love for Kertesz (who unlike his usual heavenly performances esp. in all Dvorak music, had somewhat of a letdown in this symphony for some odd reason, lacking the usual thrilling vigor). There are only about 10 seconds of this recording that I do not like that much, namely, from 36:00 to 36:10, when the exciting speed becomes wild, excessive and imprecise speed, before returning under control again from there on.
Beautiful symphony,b e a u t i f u l performance!
I am playing this peice for the Tufts Youth Philharmonic and it is just incredibly beautiful!
Yea, unbelievably great...I agree!!!
21:11 wonderful ❤️ this music is pure art
Best performance!!!👏👏👏👏👏
Wow, 29:24 and that finale 35:46 ! Still can't shake off goosebumps.
That ending always leaves me in tears.
Honestly, if one does not conduct the ending of this with the music, they have absolutely no soul. Or perhaps I am just batsh*t crazy. Could be the latter too. Heh.
Same
Such a satisfying piece. He is so underrated and a great figure in musical history.
Robert Price He's my favourite composer but I don't know about underrated. Besides Mozart, Beethoven, Vivaldi, Bach, and maybe Tschaikowski he's probably the most mainstream famous composer in modern culture.
Agreed.
@@zanderrose I respectfully disagree. People may know the name Dvorak(most probably don't know his first name) maybe just because it's a little difficult/funny to say, but beyond his 9th symphony, many don't know his music at all, and it's a darn shame because it's all so great. It's hard for me to say that he, or anyone for that matter, is my favorite composer, I guess it depends on the mood I'm in and what I want to hear, but I have hardly heard a piece by Dvorak which I haven't liked.
I don't think he is underrated. He made a number of recordings with Van Cliburn
@@byronjanislover What are you talking about? You must be drunk.
Vibrando com cada nota!
Bravo!
Did you know that attending a symphonic performance can cure a cough? I wouldn't have thought so myself, but judging but the number of people who clearly believe this, it must be true!
LOL
I know. It is the reason I stopped going to live Classical concerts. Saw Jorge Bolet give one of his last London recitals, late 1980s. Coughing from the start of the concert to the finish. He ought to have closed the piano lid and walked offstage.
I nastri dell'ORF (la Radio austriaca di Stato) con le registrazioni delle esecuzioni del Festival di Salisburgo - non soltanto di Karajan, ma SOPRATTUTTO quelle - andrebbero pubblicati in dischi (cd) per l'immenso valore storico e didattico (per le giovani generazioni di musicisti) che costituiscono.
C'è un piccolo problema: che se si mettessero a pubblicare tutti i live inediti di Karajan, il mercato - che già adesso VENDE PIU' KARAJAN di tutti gli altri messi insieme, e meno male! - verrebbe distrutto. Ho troppe registrazioni inedite del Vecchio per non poter dire a chiare lettere che esistono solo LUI e gli altri. Chiunque essi siano stati o siano. Da quei nastri, da quelle registrazioni, da quei video che possiedo ormai da più di 30 anni e che ho trovato in tutto il mondo, ho imparato quasi tutto quello che so e che faccio sul podio. Il didatta più grande, se solo si ha la forza e l'umiltà di ascoltarlo, studiarlo, osservarlo.
Andrea Colombini Gentile Maestro, sono d'accordo sul fatto che Karajan sia stato e continui ad essere un grande didatta. Io stesso, da ragazzo e quando potevo, registravo su nastro sul mio ormai vecchio ma splendido Revox alcune esecuzioni trasmesse dalla Rai in collegamento con l'ORF, ai tempi in cui "servizio pubblico" voleva dire qualcosa.
favolosa!
Enchanting
Breathtakingly good.
Delights🍀
Une manière originale de jouer la 8e de Dvorak.
The best recording of the fourth movement. Taking it slow is for chumps.
By far the best performance of Dvorak's 8 (imho). A superb brass, especially those wild, elephantic parts like 28:50. And the ending can't get any better. Kertesz is maybe more precise and balanced, but Karajan here nails every single moment.
love Vienna philharmonic orchestra
05:47 to 06:20 the power of basses lml
Muito bom, eu acredito que Antonín Dvorák foi um dos melhores compositores tchecos do seu tempo.
あえて日本語で…
なんじゃこりゃ？よくもまあウィーン・フィルにこんな荒々しい演奏をさせたもんです🎉
この演奏を聴いて、カラヤンの演奏は流線形で表面を撫でるだけ、という評価をする方がいたら不思議。
特に最終楽章は何かにとりつかれたよう。私はこの演奏、大好きです！！
I love the flute at 28:59
¡Buenìsimo!
1. Allegro con brio (G Major/G-Dur/Sol Maggiore) 0:00
2. Adagio (C Minor-C Major/C-moll-C-Dur/Do Minore-Do Maggiore) 9:31
3. Allegretto Grazioso-Molto Vivace (G Minor-G Major/G-moll-G-Dur/Sol Minore-Sol Maggiore) 21:11
4. Finale: Allegro ma non troppo (G Major/G-Dur/Sol Maggiore) 26:49
28:59 Werner Tripp ? Beautiful Flute Solo !
Because of Chauncey I am getting into classical music XD
35:46 That feeling when you prank someone without getting in trouble
역시 카라얀의 진수를 느끼게하는 연주. 감동적이고 역동적이네요.
Damn Shazam! What a show
역시 가라얀~존경합니다
J'ai mal à la tête
What is the source of this recording? It is remarkably good, technically speaking, and it puzzles me somehow the very low tape hiss one notices. After all, if one assumes it is a domestic recording made at someone's home from an FM broadcast, this is after all 1974, a substantially more noticeable level of tape hiss is to be expected, the sound being very DG-ish by the way ... Also, when I listened to it though a good stereo system I detected a change in ambience when a movement ends and the usual audience noise between movements sets in, only to return to the previous, cd-ish ambience when the music starts again..... very suspicious, I wonder if we're being tricked and this is just a regular studio recording with audience noise (remarkably absent when music is being played) with audience noise spliced in between movements.
why does movement 3 reminds of the score for Howl's Moving Castle
Why does the "Mars, Bringer of War" movement from Holst's "Planets" remind me of Darth Vader? 😀
It's because the opening triad is in the exact inversion that the main melody of Howl's Moving Castle also opens with, just in a slower note value. Also they are both in minor (possibly the same key), and both in three, and both have a similar melancholic/allegretto feel. I say all of this because I too made the same exact connection while learning the piece.
...because you are stupid...
from PERSIA ArmeniA GeorgiA with Passion
Lost...
To my fist love girlfriend " SHAKEH "14 years , Tehran PERSIA, 1972 summer 16 years, Hafez st., Aziz Khan Sevom Esfand, koocheh Iraj, bar of Musio(Armenian) , Gorge Music(Armenian), Alvand hospital, Firuz Optician(Jew) Bongah Alavi(car dealership), Arshak(brother), Nancy(sister), Madam Rosa(mother), my father, my uncle, cousins Parviz, Serza, Bank Kar, Valiahd Park...
Ahhhhh what beautiful time and Hot Summer...
making me broderies, each Thursday at 5AM going for hiking to Alborz mountain in Shemiran with Arshak Parviz Sereza Nasser...
At the apartment door send me kiss goodbye waiting for my return...
Park Manzarieyeh Shemiran, with few families... I took Shakeh away from others among trees not knowing Nancy the scondroll (only she...) following and spying on us, reporting to others that I was kissing Shakeh like movie actor...lol...
Ahhhhhhhhh my beloved Shakeh...
ArmeniA Hayestan, The country, people, culture, History which should be discoverd anew !
Արմենի Հայեստան, Երկիրը, մարդիկ, մշակույթը, պատմությունը, որը պետք է նորից հայտնաբերվի:
Turkish accent of Azarbjan and Turkey is ARMENIAN accent of the region in central asian Turkic langsauge which many Armenians after being some how force to change their language and religion Tukic and Islam but keep many things, unfortunately even they don't remember or knowing it...
ارمنستان (هایستان)، کشور، مردم فرهنگ و تاریخی را که از نو باید شناخت !
Cyrus Great and Dariushand and Iranians are Armenian and vice versa…
from PERSIA with Passion
Viva ArmeniA
Haystan
3rd mvmt reminiscent of brahms
부왘
Normally not a fan of Karajan. But this is good. For me, most recordings take the second movement too fast, so that that staccato strings (later woodwinds) in the second lyric tune sound rushed. Here the tempo is just right for me. Of course this is a live performance and I think you can get away with that more than in a studio recording.
5:15 - 5:40 Anyone?
28:58
can barely hear the upper strings!
So... BRAHMS...!
19:44
good performance; still like Kertesz better tho
nosepuexdeoirpiorqueseva
I found the finale far too fast.
El ultimo mov de esta obra tiene muy poco ingenio. no me gusto nunca. mucho golpe sincopado y reiterado que ya aparecen en el primer mov. Conste que amo a Dvorak
Sorry! But compare this to the same symphony conducted by Rafael Kubelik and you will never touch a recording of Karajan again, I promise! He just hasn't a clue how to perform Dvorak!
And YOU don't have a clue about music period. What a troll you are.
This music is good for my soul.Thanks!
For me, the symphony begins at 0:32
28:46