Commercial shot on Red Komodo and Sony FX3 w/ DZO Film Vespid Primes | 2023

[@EdmundElijah]

Dude! I loved this! The third guy was hilarious. Great concept.

[@DastanZhumagulov]

Thanks, man! This was one of those fun and relaxed sets, so yeah, hopefully it shows!

[@AARONMICHAELFILM]

Oh, you snapped on this!!

[@pfifr]

This was great! Love the overall concept. Heartfelt, relatable and funny!. Great transitions and grade too

[@DastanZhumagulov]

Thanks a lot, man!

[@foggymossstudio]

Great shots and grade! Keep up the great work!

[@DastanZhumagulov]

Thanks a bunch! Hopefully will share some new stuff soon!

[@aaronmtucker]

Loved these! Feel like you nailed the art + commercial and did it in an endearing way which is tough to do

[@DastanZhumagulov]

Thanks, Aaron! Toughest part is getting something more out of the box greenlit by the agency or client, unfortunately often times they tend to be overly conservative

[@headnorthfilms7754]

High Five! 👋

[@Marxives]

Were the track shots on the fx3?

[@DastanZhumagulov]

yeah, the director wanted lots of zooms and it was cheaper to rent FX3 package than renting a good cinema zoom lens for Komodo

[@rajr]

Can you please let me know what's the adapter you used for Vespid and are tou happy with thrle adapter?

[@DastanZhumagulov]

I use Metabones PL-RF 0.71x Speedbooster. Works well for me, gives me FOV similar to LF sensors and 1 extra stop of light to the sensor.