Liszt in university be like: thesis instructor: so what is the topic of your thesis? Liszt: imma use the topic from my school work, prof, don't worry you're still gonna love it
Oh noooo, I was gonna make this exact video for my channel 😭 Same audio and everything! But it’s okay, you’ve clearly put a lot of work into it! I would just HIGHLY recommend making the title “Franz Liszt - S.137, 12 Grandes Études” (or something that mentions his name and S.137) and changing the thumbnail to a picture of like the first bar of the first etude or something, so this vid can catch people’s attention easier. Thank you for making this vid, it’s definitely one that is important for the classical music side of TH-cam!!
@@thenotsookayguy th-cam.com/video/4kJOAfsDJEs/w-d-xo.html it's not supposed to get that slow at parts like 33:16 , sure the marking reads 'molto appassionato' but there's excessive rubato. compare it to the midi, which has little tempo variations. the pianist's goal should be under 7 minutes. (i agree the midi is a bit too fast some parts but still this is 1.5 minutes slower)
A pianist can't show any weakness playing Mazeppa. The speed mustn't lapse in any way. It's a wonderful piece, a majestic piece, and one that only the best pianists in the world can play well.
Time Stamps: No. 1: Presto in C Major 0:03 No. 2: Molto Vivace in A Minor 1:04 No. 3: Poco Adagio in F Major 3:35 No. 4: Allegro Patetico in D Minor 8:08 No. 5: Egualmente in B-Flat Major 13:51 No. 6: Largo Patetico in G Minor 17:59 No. 7: Allegro Deciso in E-Flat Major 24:27 No. 8: Presto Strepitoso in C Minor 30:17 No. 9: Andantino in A-Flat Major 37:45 No. 10: Presto Molto Agitato in F Minor 48:00 No. 11: Lento Assai in D-Flat Major 54:23 No. 12: Andantino in B-Flat Minor 1:04:54
Very impressed!!! He's the only person I have ever heard play the intro to the mighty #8 correctly! - with the melody picked out from the surrounding whirl of notes. Nobody can play it!! Someone once commented (might have been Leslie Howard) that this part was "an impossibility" and it gives us an idea of what might have been Liszt's abilities... These earlier "grandes" versions of the 12 etudes contain not only numerous 'ridiculously difficult' patches but some amazingly musical passages that were omitted from the later version. The sweeping intro to #7 is fab. It's interesting that an early review of the pieces (Schumann??) said they were "studies in storm and dread fit for at most ten or twelve players in the world".... I wonder how many people can actually perform them nowadays? Not many! ps. Well done for all the work you did adding the score throughout, that was some painstaking work. top upload. 10/10
I thank you very much, but I myself am not proud at all of the work I did in this video. I spent way too long making this video, and it is filled to the brim with some really stupid errors which hurt me whenever I watch through this video. If I had done it now, it would've taken me 3, 4 hours tops and would br infinitely more accurate. Anyways, it was Schumann who said that.
I personally prefer all of these, except for maybe No. 2, No. 3 and possibly No. 10 to their Transcendental counterparts, especially No. 4, No. 7 and No. 11.
Mhm, you should listen to Pavel Artemiev's take on it. In my opinion it's light years ahead of Jin's version, though that is not to put him down. th-cam.com/video/EHpyP3DmXzA/w-d-xo.html
You can find a somewhat decent amount of performances of some of these Études on YT however they're usually buried under 100s of midi videos or unrelated content. I might edit this comment soon (or just write up another comment) with links to most of the live performances and studio recordings I found in 3 months of searching.
@@thenotsookayguy please do! ive been searching for a video of no 5 id love to see that lol. but ive had no luck there is ones of no 4 and 8 but i cant find any others.
@@kaii7147 There are videos or No. 1, 2, 4, 7, 8, 9, 10 and 12 being performed. Anna Pavlova: th-cam.com/video/HQpUqSGqTYQ/w-d-xo.html (Grande Étude 8) Nicolas Horvath: th-cam.com/video/d-q32ruHSbU/w-d-xo.html (Grande Étude 8) lisztalkan: th-cam.com/video/tv3hFVigr7o/w-d-xo.html (Grande Étude 9) th-cam.com/video/uEXHlGAUakk/w-d-xo.html (Grande Étude 7) lisztpianomusic1: th-cam.com/video/m5gy8IMdcgc/w-d-xo.html (No. 10) Idil Beret: th-cam.com/video/9Y9ldrXpSjo/w-d-xo.html (Grande Étude No.1 and No. 2) th-cam.com/video/uybvR5Gejd4/w-d-xo.html (Grande Étude No. 9 and half of No. 12) th-cam.com/video/oUhjRdzakd0/w-d-xo.html (The rest of No. 12) There are also Pavel Artemiev's 3 recordings or No. 4, which I forgot to list, but you can just check his channel.
I love how there are only a few recordings out there of this because its so hard to play. I mean no offense to symphonies but there are probably hundreds if not thousands of beethovens 5th symphony
Here is a link to most recordings I could find of these, however I left out Simone Jennarelli's recordings and was not able to find those of Leslie Howard drive.google.com/folderview?id=1-icFJUCbijvt-mc1bMg2wh6IRDz4kQCS
@@thenotsookayguy WOW, Thank you so much for sharing! What made you pick Wenbin Jin as the pianist for the video? Is it the best recording of all of them?
@@thenotsookayguy To Follow through I found the previews of Leslie Howard's recordings here: www.hyperion-records.co.uk/tw.asp?w=W9799 They are for sale, but you can listen to the first minute of each etude
@@jacobrubanov4932 What I meant was that I was able to find dozens of websites where recordings of Leslie Howard were found however I couldn't really buy them or find any recordings on YT to download.
@@OE1FEU well I did, for first 6 of them. It is a nice set to put on a recital program. It is a bit overwhelming to play whole set for pianist and audience😅
@@JoshyG obviously ludwig you'd know better than me, it's just that chromatic rising particularly from 34:17-34:22 is not just the same pattern but it's also the exact same notes as a section in the developement of that movement.
Il numero dieci e'meraviglioso qua...bisogna suonare sti studi sempre accoppiati con la 3 versione...e'un delitto suonare sempre solo la meravigliosa 3 versione
Like even why this makes my 10 years of practice look like a warm up if not even that.... One day ill get this done. It'll cost me a finger or two but let's go xD
I did never hear that version of Mazeppa ! I've always listened and practiced on the other one. It's strange. Pretty different too, it sounds less dissonant.
For some reason, I always thought that in no. 9 (38:34), third bar of the page, it was a D natural instead of a D sharp going down. But yeah, it's clearly D sharp on the sheet.
how?????????? man i wish there was a video. these etudes are demonically difficult. particularly no 5 and 8. i cant believe there is someone who can play them. i managed to finish no 4 in d minor but its riddled with mistakes and i usually end up having a seizure at the end of it. anyone who can successfully perform any one of these etudes is gifted. can you blame people for believing he sold his soul?
#5 in any version has always been difficult. Even if you learn it and master it , sometimes you have to really focus to play it accurately. At least for me. I’ve been playing #5 since 1992 and still cautious when performing it
Personal timestamps: No 1: No 2: No 3: No 4: No 5: No 6: 22:18 The tied 32nd to 16th is brought out yay No 7: No 8: 32:24 start of riding by landscape section No 9: No 10: No 11: No 12:
I would list other people who have recorded this Étude, but you're actually right. Besides some other people, Jin's recording of this study is the only one that isn't a complete mess.
@@thenotsookayguy can you liszt them for me? I've been looking for other interpretation but Webin Jin is the only recording that i can find for the s137 version
@@bruh-nt9fyThese following people recording every single study in this set: Idil Beret, Leslie Howard (Because of course), Janice Weber, Massimo Gon, Simone Jennarelli, Wenbin Jin and finally Alexander Paley, who has a live performance of the entire set of Études, though good luck trying to find it. Some other people also performed just No. 2 and a couple others, like Julian Pfluggman and Wolfgang Weller (His interpretation is the worst imho, it just sounds like he's sight reading the piece as with most of his performances) I have stocked piled most off recordings of the Études that I could find after dozens of hours searching. drive.google.com/folderview?id=1-icFJUCbijvt-mc1bMg2wh6IRDz4kQCS I haven't included Howard's recordings as uploading 'em would piss of Hyperion records. I also left out Simone's performances as I couldn't be bothered, and Alexander Paley's as despite countless hours of searching I could only find 2 people who mention they own a VHS tape of Alex playing these in a recital, though they are both impossible to contact as the respective forums they posted in died over a decade ago and do not even provide the option to check their profile.
It is also suspected that Busoni played and maybe even recorded S.137, though if that is true, the rolls were most likely destroyed when a warehouse that stored tonnes of piano rolls had burnt to the ground.
I know. Every time I come back to this video, I get a stroke from my painfully garbage editing. I wish YT still had their old editor so I could fix all the mistakes without taking down this video, but Google thought that it was too convenient to keep up.
It is pretty apparent in No. 11, you can also hear his breathing in some parts, which is pretty annoying but understandable, the guy would've been out of breath by the time he finished playing one of these studies.
These are the second versions of the Transcendental Études, the first versions are the Études en douze exercices and the third are of course the Transcendental Études.
ditemi se non sono le cose più erotiche che vorreste sentirvi dire in ordine di tempo e con tempismo ( adagio, dolcissimo e poi.... sempre più forte , sempre più presto,cantando, sempre più forte ed appasionato,presto agitato asssai....poco a diminuendo e rallenentando...)
I haven’t played feux follets, but I can’t really see or hear a difference between the s137 version and the version that’s more frequently performed today. Where are the differences (if any)?
I uploaded the manuscripts for the S.139 Études on IMSLP. For them, Liszt just decided to purchase a copy of the S.137 Études and just go over them with ink or paste in some pages, which not only saved him a bunch of time, but can help you visualise what changes he made to the Ètudes when revising them. Stuff like Mazeppa and No. 10 have been replaced completely, No. 1 only has a couple notes dotted here and there, but most of the Études only really got a buncha changes, and maybe some cut sections. Fu Fol-a has a surprising amount of revisions considering how similar it sounds, but the main reason for that, it that a lot of the revisions didn't change the Grande Étude too much and just served to make it less awkward or he just made a slight change to some section that he thought would make it sound better.
@@swagifier1170 He removed a tonne of the thick textures and the incredibly difficult difficulties and replaced them with what I'll call "Less difficult difficulties" the most apparent of which are chromatic scales which actually come up a tonne in the Transcendentals. He also changed some sections of his works, adding and removing some parts.
@@swagifier1170 Yeah, all of them are more difficult than their Transcendental counterparts, with an exception for No. 1 which is slightly easier than Preludio.
@@benharmonics No, I'm just a fucking dumbass and didn't screenshot the extra stave. Check the sheet music on imslp lmao. This entire video is riddled with mistakes which I wouldn't be able to fix without reuploading it, which is not ideal after this much time has passed.
Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved. Romans 3:23 John 3:16❤❤
Whilst she does to a pretty great job at playing these Études, she struggles with a lot of parts (Like in No. 2, No. 4, No. 7, No. 8, and No. 12), some parts may sound incredibly messy or unpolished, like the 2nd half of her No. 2, In constrast Jin aces all of these Études playing them all cleanly and beautifully.
Sinceramente quando negli studi di Paganini preferisco la versione del 38 in questi preferisco la versione del 53 perché comunque rimangono molto difficili e scritti meglio con più effetti ed efficacia,vedi mazeppa..
omggg the first etude was sooo pleasant !! I used to listen to the fast tempo forte performances but this right here is incerdibly clean
Liszt probably revised this second version because he realized he was the only one able to play them in tempo.
Chopin: “Play my etudes to improve your technique”
Liszt: “improve your technique to play my etudes”
Funnily enough, some of Chopin's Études really help out in learning some of these.
that’s funny
thus, play chopin etudes to play liszt etudes
@@schewtsその前にチェルニーをin tempoまでマスターしよう😊
@@AlkanLove 😂 you're right
Liszt in university be like:
thesis instructor: so what is the topic of your thesis?
Liszt: imma use the topic from my school work, prof, don't worry you're still gonna love it
I always come back to that mazeppa. Absolutely beautiful
And now I can play it :)
That's great@@RoadToProPiano
53:09 Sonata in B Minor
Reubke 😉
Oh noooo, I was gonna make this exact video for my channel 😭 Same audio and everything! But it’s okay, you’ve clearly put a lot of work into it! I would just HIGHLY recommend making the title “Franz Liszt - S.137, 12 Grandes Études” (or something that mentions his name and S.137) and changing the thumbnail to a picture of like the first bar of the first etude or something, so this vid can catch people’s attention easier. Thank you for making this vid, it’s definitely one that is important for the classical music side of TH-cam!!
Thx mate
the no. 8 is still not full tempo, still need to find a faster one for that XD
@@pleasecontactme4274 It is full tempo.
@@thenotsookayguy th-cam.com/video/4kJOAfsDJEs/w-d-xo.html
it's not supposed to get that slow at parts like 33:16 , sure the marking reads 'molto appassionato' but there's excessive rubato. compare it to the midi, which has little tempo variations. the pianist's goal should be under 7 minutes. (i agree the midi is a bit too fast some parts but still this is 1.5 minutes slower)
@@pleasecontactme4274 I mean it's terribly hard to play.
A pianist can't show any weakness playing Mazeppa. The speed mustn't lapse in any way. It's a wonderful piece, a majestic piece, and one that only the best pianists in the world can play well.
It's nice to hear someone play Feux Follets at a tempo other than as fast as humanly possible
Yes! Just like Bolet, Arrau, Cziffra (they recorded S. 139 of course)
Time Stamps:
No. 1: Presto in C Major 0:03
No. 2: Molto Vivace in A Minor 1:04
No. 3: Poco Adagio in F Major 3:35
No. 4: Allegro Patetico in D Minor 8:08
No. 5: Egualmente in B-Flat Major 13:51
No. 6: Largo Patetico in G Minor 17:59
No. 7: Allegro Deciso in E-Flat Major 24:27
No. 8: Presto Strepitoso in C Minor 30:17
No. 9: Andantino in A-Flat Major 37:45
No. 10: Presto Molto Agitato in F Minor 48:00
No. 11: Lento Assai in D-Flat Major 54:23
No. 12: Andantino in B-Flat Minor 1:04:54
@CRÖCÖDILE e
h
1:12:37
Ok
Very impressed!!! He's the only person I have ever heard play the intro to the mighty #8 correctly! - with the melody picked out from the surrounding whirl of notes. Nobody can play it!! Someone once commented (might have been Leslie Howard) that this part was "an impossibility" and it gives us an idea of what might have been Liszt's abilities...
These earlier "grandes" versions of the 12 etudes contain not only numerous 'ridiculously difficult' patches but some amazingly musical passages that were omitted from the later version. The sweeping intro to #7 is fab. It's interesting that an early review of the pieces (Schumann??) said they were "studies in storm and dread fit for at most ten or twelve players in the world".... I wonder how many people can actually perform them nowadays? Not many!
ps. Well done for all the work you did adding the score throughout, that was some painstaking work. top upload. 10/10
I thank you very much, but I myself am not proud at all of the work I did in this video. I spent way too long making this video, and it is filled to the brim with some really stupid errors which hurt me whenever I watch through this video. If I had done it now, it would've taken me 3, 4 hours tops and would br infinitely more accurate. Anyways, it was Schumann who said that.
@@thenotsookayguy on the bright side, it means your skills have come a long way. Anyway I am grateful!🙏
0:03 Preludio
1:04 Fusées
3:35 Paysage
8:08 Mazeppa
13:51 Feux follets
17:59 Vision
24:27 Eroica
30:17 Wilde Jagd
37:45 Ricordanza
48:00 Appassionata
54:23 Harmonies du soir
1:04:54 Chasse-neige
5 months too late, sorry mate.
Oops.
I do prefer the later versions ('Transcendental') to these, but they still sound good.
Agreed
I personally prefer all of these, except for maybe No. 2, No. 3 and possibly No. 10 to their Transcendental counterparts, especially No. 4, No. 7 and No. 11.
@@thenotsookayguy this no 4 is very good
@@supersstarsonic8763 yeah I was like "allegro patetico, D minor huh ? Looks like Mazeppa" and then I realised it was basically a w.i.p. of Mazeppa
Thanks for posting these early version of the Trascendental Études, very illuminating and great performance too.
This version of Mazeppa is really beautiful.
Mhm, you should listen to Pavel Artemiev's take on it. In my opinion it's light years ahead of Jin's version, though that is not to put him down.
th-cam.com/video/EHpyP3DmXzA/w-d-xo.html
リストは最初にマゼッパの本題を思い付き、その後の第三稿にてイントロを追加したのです。
リスト的にはどちらが素晴らしいとか難しいとかは重要ではなく、単に洗練された改造案を思い付いただけです。
They are masterpieces of piano music, thank you for this video.
Wow, I've been waiting for soo long for a human performance of these etudes on TH-cam. It has been years. Thank you!
You can find a somewhat decent amount of performances of some of these Études on YT however they're usually buried under 100s of midi videos or unrelated content. I might edit this comment soon (or just write up another comment) with links to most of the live performances and studio recordings I found in 3 months of searching.
@@thenotsookayguy please do! ive been searching for a video of no 5 id love to see that lol. but ive had no luck there is ones of no 4 and 8 but i cant find any others.
@@kaii7147 There are videos or No. 1, 2, 4, 7, 8, 9, 10 and 12 being performed.
Anna Pavlova: th-cam.com/video/HQpUqSGqTYQ/w-d-xo.html (Grande Étude 8)
Nicolas Horvath: th-cam.com/video/d-q32ruHSbU/w-d-xo.html (Grande Étude 8)
lisztalkan:
th-cam.com/video/tv3hFVigr7o/w-d-xo.html (Grande Étude 9)
th-cam.com/video/uEXHlGAUakk/w-d-xo.html (Grande Étude 7)
lisztpianomusic1:
th-cam.com/video/m5gy8IMdcgc/w-d-xo.html (No. 10)
Idil Beret:
th-cam.com/video/9Y9ldrXpSjo/w-d-xo.html (Grande Étude No.1 and No. 2)
th-cam.com/video/uybvR5Gejd4/w-d-xo.html (Grande Étude No. 9 and half of No. 12)
th-cam.com/video/oUhjRdzakd0/w-d-xo.html (The rest of No. 12)
There are also Pavel Artemiev's 3 recordings or No. 4, which I forgot to list, but you can just check his channel.
@@thenotsookayguy good stuff!!! Thanks for that.
@@kaii7147 There is no point in seeing a video of No. 5 since it's still pretty similar to the TE.
I love how there are only a few recordings out there of this because its so hard to play. I mean no offense to symphonies but there are probably hundreds if not thousands of beethovens 5th symphony
Liszt composed the S 136 11 years earlier in 1826 when he was 14
Im 14 and I’m threatened..
damn im the same age as him and I'm a composer, now I'm just dissapointed
리스트 개정충
개정안했으면 묻혔을곡이 한둘이 아니네😊
I'm surprised no. 9 isn't as famous as the others it's so damn beautiful
No. 9 is one of the most performed in the 1857 set.
@@PieInTheSky9 yes.
Such a beautiful expansion of musical expression and emotion. You can tell that he had a lot of ideas “on the road”… wow…
This is so outstanding, thank you for posting!
Brilliantissimo
i should add this to my playliszt
Hello Unnamed! Saw u in Rousseau's discord :teehee:
@@ch_rizz mmm chris hi
epic
@@ch_rizz no u
@@loganm2924 Haha u found me rein
Thank you so much! These are so rare. I wish more pianist played these.
Here is a link to most recordings I could find of these, however I left out Simone Jennarelli's recordings and was not able to find those of Leslie Howard drive.google.com/folderview?id=1-icFJUCbijvt-mc1bMg2wh6IRDz4kQCS
@@thenotsookayguy WOW, Thank you so much for sharing! What made you pick Wenbin Jin as the pianist for the video? Is it the best recording of all of them?
@@thenotsookayguy To Follow through I found the previews of Leslie Howard's recordings here: www.hyperion-records.co.uk/tw.asp?w=W9799 They are for sale, but you can listen to the first minute of each etude
@@jacobrubanov4932 What I meant was that I was able to find dozens of websites where recordings of Leslie Howard were found however I couldn't really buy them or find any recordings on YT to download.
@@thenotsookayguy the website I shared it's really easy to buy the mp3 for 9 euros
11:30 gives me chills.
Outstanding
Thank you:)
Would you ever want to play these in a live recital?
@@OE1FEU well I did, for first 6 of them. It is a nice set to put on a recital program. It is a bit overwhelming to play whole set for pianist and audience😅
Nice performance
I noted 2 bars of music has been cut by the editor for etude no.2. Anyway, thank you for your great performance!!
Man! I'm wondering how much effort you put in it to get to this level :D nice work
Ah finally something recommended for tendinitis!
Tempo très original. Bravo ! Merci !
34:14 I can hear the second movement from beethoven's ninth here.
Not the first movement of the 7th?
@@JoshyG obviously ludwig you'd know better than me, it's just that chromatic rising particularly from 34:17-34:22 is not just the same pattern but it's also the exact same notes as a section in the developement of that movement.
@@stewartmair3995 I can hear both in it so I say we both are right
i appreciate he doesn't play these at god speed, and i can actually hear the music lol
The F minor one funnily reminds me of Chopin's Op. 10 No. 9
both are in the same key as well im guessing either influenced the other one somehow
1:10:43
crazy
Il numero dieci e'meraviglioso qua...bisogna suonare sti studi sempre accoppiati con la 3 versione...e'un delitto suonare sempre solo la meravigliosa 3 versione
Like even why this makes my 10 years of practice look like a warm up if not even that.... One day ill get this done. It'll cost me a finger or two but let's go xD
I did never hear that version of Mazeppa ! I've always listened and practiced on the other one. It's strange. Pretty different too, it sounds less dissonant.
I recommend you listen to Pavel Artemiev's interpretation of that Étude and some of his other performances, he's an amazing pianist.
S. 137 sounds so different from S. 139, especially Chasse Neige, my favorite of the Transcendental Studies!
For some reason, I always thought that in no. 9 (38:34), third bar of the page, it was a D natural instead of a D sharp going down. But yeah, it's clearly D sharp on the sheet.
59:29
Yeah, that part's lovely.
that reminds of greig's morning
@@bbvv2967 on steroids
This version makes more sense to me
how?????????? man i wish there was a video. these etudes are demonically difficult. particularly no 5 and 8. i cant believe there is someone who can play them. i managed to finish no 4 in d minor but its riddled with mistakes and i usually end up having a seizure at the end of it. anyone who can successfully perform any one of these etudes is gifted. can you blame people for believing he sold his soul?
No one thought Liszt sold his soul to the devil, that was Paganini.
Wrong guy, Liszt became a Tertiary Franciscan in his 40's.
This grand mazeppa is awesome!
더 어렵긴한데 고급스러운 느낌도 있어서 비교해가며 듣기 재밌네요
In the description there is a mistake! "No 10: presto molto adagio" it should be agitato
lol!
#5 in any version has always been difficult. Even if you learn it and master it , sometimes you have to really focus to play it accurately. At least for me. I’ve been playing #5 since 1992 and still cautious when performing it
Liszt sounds like a big fan of Schubert
Personal timestamps:
No 1:
No 2:
No 3:
No 4:
No 5:
No 6:
22:18 The tied 32nd to 16th is brought out yay
No 7:
No 8:
32:24 start of riding by landscape section
No 9:
No 10:
No 11:
No 12:
Thank you i just sight read these on my tablet at my school concert
Why do I not believe this💀
Again the bluffing kid
@@cziffrathegreat666 say what you will. Jealousy is a horrible trait
@@katttttt I never asked you to?
@@ciararespect4296 it's not jealousy, it's pity...
One video you say your 8 and the other you're 11... quit the faking, get a life
grand
43:33 what happened to the score...
My stupidity.
@@thenotsookayguy oops
Did you notice that No. 4 the similar to Mazeppa is quite resembling to Chopin Preludes Opus 28 - No 20. They composed them alsmost in one time :)
2 этюд просто бомба!!!
I'm the only to listen Mazeppa incredibly different?!
14:35 The original harmonies are so juicy and delicious. Liszt should have kept them in the left hand.
There does exist a recording of a live performance of all of these Études by Alexander Paley but I have yet to find them.
finally someone who actually play douze grande etude no 2
I would list other people who have recorded this Étude, but you're actually right. Besides some other people, Jin's recording of this study is the only one that isn't a complete mess.
@@thenotsookayguy can you liszt them for me? I've been looking for other interpretation but Webin Jin is the only recording that i can find for the s137 version
@@bruh-nt9fyThese following people recording every single study in this set: Idil Beret, Leslie Howard (Because of course), Janice Weber, Massimo Gon, Simone Jennarelli, Wenbin Jin and finally Alexander Paley, who has a live performance of the entire set of Études, though good luck trying to find it. Some other people also performed just No. 2 and a couple others, like Julian Pfluggman and Wolfgang Weller (His interpretation is the worst imho, it just sounds like he's sight reading the piece as with most of his performances)
I have stocked piled most off recordings of the Études that I could find after dozens of hours searching.
drive.google.com/folderview?id=1-icFJUCbijvt-mc1bMg2wh6IRDz4kQCS
I haven't included Howard's recordings as uploading 'em would piss of Hyperion records. I also left out Simone's performances as I couldn't be bothered, and Alexander Paley's as despite countless hours of searching I could only find 2 people who mention they own a VHS tape of Alex playing these in a recital, though they are both impossible to contact as the respective forums they posted in died over a decade ago and do not even provide the option to check their profile.
It is also suspected that Busoni played and maybe even recorded S.137, though if that is true, the rolls were most likely destroyed when a warehouse that stored tonnes of piano rolls had burnt to the ground.
@@bruh-nt9fy th-cam.com/video/O5ObBUNh8pw/w-d-xo.html
The editing in this recording is a bit rough around the edges... see 16:16 for example
I know. Every time I come back to this video, I get a stroke from my painfully garbage editing.
I wish YT still had their old editor so I could fix all the mistakes without taking down this video, but Google thought that it was too convenient to keep up.
no.3 sounds very pleasant.
I think no one heard him singing lalalala on some parts.
It is pretty apparent in No. 11, you can also hear his breathing in some parts, which is pretty annoying but understandable, the guy would've been out of breath by the time he finished playing one of these studies.
What the flip was that intro to the last etude? I’ve never heard it before, was it in the original etudes?
It was in this version of the Études, but not the S.136 or S.139 versions
I'm almost done learning Etude S136 no 9. After I learn that, I'll learn S137 no 9. Then eventually s139 no9.
1:08:46 I got goosebumps
This sounds different from the popular 1852 version, so I assume this is 1837. Is this the 1837 version of his trans etudes?
Yes
@@thenotsookayguy Thanks!
Is this the first or second version of the Transcendental Etudes?
These are the second versions of the Transcendental Études, the first versions are the Études en douze exercices and the third are of course the Transcendental Études.
I think it a great Version and the Time now is slow than we now another Version.
Me: Can I have Transcendental Etudes?
Mom: We have Transcendental Etudes at home.
Transcendental Etudes at home:
And the fact that the S137 are harder than the ones we all know
These could be the first version of 12 Transcendental Etudes
2nd, mate, 2nd.
@@thenotsookayguy wait, lemme check
@@thenotsookayguy wait, 12 Grande Etudes are S.137, but Transcendental Etudes are S.139.
@@FranzLiszt0904 and don't forget about S.136, Études en Douze Exercises
@@thenotsookayguy wait, what?
Can't say I prefer a single one of these to the transcendentals, but it's interesting nonetheless.
ditemi se non sono le cose più erotiche che vorreste sentirvi dire
in ordine di tempo e con tempismo ( adagio, dolcissimo e poi.... sempre più forte , sempre più presto,cantando, sempre più forte ed appasionato,presto agitato asssai....poco a diminuendo e rallenentando...)
原作から改訂しているため大部分はリストのオリジナリティーに溢れていますが第2稿や3稿はアルカンのop15やop13などの影響を部分的に受けています。
Does anybody recognise " Nuages gris" in the 6th etude?
1:08:35
grande
He played fuex follets so clean
His No. 1 and No. 5 are my favourite out of most modern pianists. Prolly cause he doesn't try to mindlessly rush through 'em.
I haven’t played feux follets, but I can’t really see or hear a difference between the s137 version and the version that’s more frequently performed today. Where are the differences (if any)?
I uploaded the manuscripts for the S.139 Études on IMSLP. For them, Liszt just decided to purchase a copy of the S.137 Études and just go over them with ink or paste in some pages, which not only saved him a bunch of time, but can help you visualise what changes he made to the Ètudes when revising them.
Stuff like Mazeppa and No. 10 have been replaced completely, No. 1 only has a couple notes dotted here and there, but most of the Études only really got a buncha changes, and maybe some cut sections. Fu Fol-a has a surprising amount of revisions considering how similar it sounds, but the main reason for that, it that a lot of the revisions didn't change the Grande Étude too much and just served to make it less awkward or he just made a slight change to some section that he thought would make it sound better.
"Мазепа" намного сложнее была, но современная версия более мне нравится.
リストがもっと良くしようと洗練させた結果です。
彼の最終稿はロ短調ソナタなどが書かれた作曲家として円熟期を迎えた時期に書かれました。
Does this pianist secretly have multiple sets of hands and eyes?? 😳
I honestly doubt it, but you could try to ask the dude, he's somewhere in this comment section.
Wow... all these came from a human brain.
1:05:00 dante sonata??
29:48
Wait so did he like re-write this in a more epic form or something, mazeppa for example is like more complicated in other versions.. someone plz help
Yeah, but he didn't make them more complicated, it only seems that way to the listener.
@@thenotsookayguy well he did something , the melodies are the same but what else did he do
@@swagifier1170 He removed a tonne of the thick textures and the incredibly difficult difficulties and replaced them with what I'll call "Less difficult difficulties" the most apparent of which are chromatic scales which actually come up a tonne in the Transcendentals. He also changed some sections of his works, adding and removing some parts.
@@thenotsookayguy so these are harder than his transcendental etudes?
@@swagifier1170 Yeah, all of them are more difficult than their Transcendental counterparts, with an exception for No. 1 which is slightly easier than Preludio.
13:51
Are these the revised version/final version?
No, this is the 2nd version, the final version is the transcendental etudes s.139
@@thenotsookayguy This is seen as the most difficult one right? And the first versions are s136?
@@Bozzigmupp Yeah, most of the works here are more difficult than their corresponding versions, except for No. 1, that one's easy AF.
Um where is the scale run in the beginning of D Minor
That's in S.139
@@thenotsookayguy Ooooh. Wait why did liszt have two sets of etudes that were almost the same
@@capcadenza6792 Yeah, he had 3 versions of the Mazeppa Etude, specifically, S.137/4, S.138 and S.139/4
Skips two measures in the second etude?
Yeah it's annoying and kinda ruins what is a pretty good recording the Étude. I believe it to be a mistake by the editor
Am I going crazy, or are there also extra measures at 2:05?
@@benharmonics No, I'm just a fucking dumbass and didn't screenshot the extra stave. Check the sheet music on imslp lmao.
This entire video is riddled with mistakes which I wouldn't be able to fix without reuploading it, which is not ideal after this much time has passed.
@@thenotsookayguy Ok, don't worry about it 😂
11:30
Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved.
Romans 3:23
John 3:16❤❤
Stop it please.
Subs 777😎
contradditemi
Idil Biret did better
I disagree.
Whilst she does to a pretty great job at playing these Études, she struggles with a lot of parts (Like in No. 2, No. 4, No. 7, No. 8, and No. 12), some parts may sound incredibly messy or unpolished, like the 2nd half of her No. 2, In constrast Jin aces all of these Études playing them all cleanly and beautifully.
Sinceramente quando negli studi di Paganini preferisco la versione del 38 in questi preferisco la versione del 53 perché comunque rimangono molto difficili e scritti meglio con più effetti ed efficacia,vedi mazeppa..
59:35
12:42
1:02:35