Of course the pianos of 1826 might not have had the dynamics or range of this in the later period. Double escapement and overstringing were in early stages. A strong influence of Schubert here.
It’s great to see u just chillin in random piano videos, the way u comment in others videos is almost like ur a normal person... oops, just forgot that people that upload videos and play super well are also normal, my fault ownsjwbjdd
These are just plain beautiful. Some almost pure Czerny passages (especially in Feux Follets) but lots of pure young Liszt. Yes, they were what he used later in life as the basis of the transcendental studies. If you think these are technically impressive for 15 then have a look at Brahms's F minor sonata, written when he was just 14.
When i was 15, a year ago, before august 10, i experienced quarantine my first love and sudden interest in piano, so much interest that i decided to study music and compose! So my 15 were a pivot of change in my life, and i was and am doing school, but im woking in composing, not like mr liszt but hope i coud get to that level one day hahahahaha
To clarify, is "i experienced quarantine my first love and sudden interest in piano" a list? As in do you mean "i experienced quarantine, my first love, and sudden interest in piano?" I
WOW! I'm stunned. I've never heard this version. This is exceptional and from a 15 year old Liszt. Astonishing! I'm amazed at no.5 feux follets which is nothing like what was to become yet wonderfully musical. Hearing this is a treasure to me. Thanks you. I'm hooked. Now I have to get the score and learn it. I've got a shot with this compared to the final version. Thanks!
So I was already impressed by the fact that he wrote the first versions at such a young age but I think I'm even more impressed with how amazingly he reworked them into the "Douze Grandes" version (before the Transcendental version). Also there are elements of his first version I like more than the later versions but the "Douze Grandes Etudes" will ALWAYS be my fave❤🎵
By far the most impressive etude out of this set is no.9, not only does it sound close to the latest version, but it also reflects certain characters Liszt usually reserved for in his later years. Its a delight to listen to it !
Hmm...the early version is actually much faster (Allegro grazioso), Wolfram just chose to play it at a slower tempo. But they use the exact same theme - it is as if Liszt recalls his childhood nostalgically in the later version because here he is obviously bouncy and carefree.
Yea franz liszt is like an VIP student of Carl Czerny, also i played czerny op.365 and i have to go to hospital cuz i broke my hand when playing op.365 all 60 etudes by Czerny
@@waidi3242 Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved. Romans 3:23 John 3:16
@@sashh9997 who cares about that? Is that what you live for? What meaning exactly, what concrete meaning is in the notion of trying to have people acknowledge you.
@@ms-dosguy6630 I never said that anyone should care about that, I was probably doing something really stupid when I was younger too. I just said that as a solid fact and nothing else
It is FASCINATING to see these “prototypes” of the Transcontinental Etudes and their evolutions: they haven’t even been given their titles yet! If I remember correctly, there is the “intermediate” version between the two, as well. Ooh, No. 7 eventually became “Harmonies du soir” (No.11)! No. 8 is quite similar to Chopin Op.10-12 in so many ways! No. 9 might have inspired Saint-Saens into Delilah’s air “Mon coeur”! No. 11 didn’t “survive” into the final version, I see.
I started at 4, classical, but lacked proper mentors along the way and lost a lot of progress to it. Like I always wanted to play Liszt and Beethoven, but should've had someone to push me towards Prokofiev and Bartok. So I stagnated, though I can play almost everything. I promise you, as long as you get the appropriate guidance, you'll be a star.
@@vrominatorx2668 Chopin had hardly any knowledge of Liszt's music at that time. He was in Vienna and then on his way to Paris through Stuttgart when he wrote his op. 10. He did meet Czerny, though.
haha when I was 15 i started practicing the second one of these etudes, the a minor one. It took me about a year to learn it properly. Biggest challenge of my musical studies but I'm no prodigy, nor a musician :D
I like some of these ever more than the Transcendental Etudes. Seems more musical, less technical difficulties that sacrifice musicallity for virtuosity. Also, on No. 6 and 8 I have a weird Beethoven-esque sensation
@@NicolasEjzenberg No. 11 is it's own work. Harmonies du Soir is the revision of the 7th Étude in this set. No. 11 here was never actually revised, and was instead replaced with Erioca which itself is somewhat based off of the beginning of S.150. The closest thing No. 11 here got to a revision was Von Bulow's rewriting of it in the 1890s
idk if its too late to answer the question , Im 15 atm and Im learning classical music , I started 10 months ago ( Learning 6 consolations and Chopin Op 32 no 2 ) , Im also a video editor and an artist . I plan on making visualizer piano videos when I reach a decent level , I think it will be a good way to combine my hobbies and abilities together . Tho I think its rly impressive of someone to compose such music at 15 , it shows how genius he is , he was a prodigy.
@@katttttt that's what...Liszt didn't revise it at all. Instead he replaced it with Eroica in the upcoming sets (#7 in both S.137 and S.139) and S.136/7 would become Harmonies du Soir (S.137/11, S.139/11).
I am wondering could this set of etudes be a preparation for anyone who wishes to play Transcendental Studies in the future? Or to let students play these etudes to replace Czerny Op.740/299 if their technical demands are similar?
These use very different techniques and are heavy on fingerwork - the Transcendental Studies are much, much more advanced and require advanced arm/body weight techniques.
At 15...I was first learning piano and making up simple music in FL Studio. But I can say that after years of study, I can now play some sections of some Liszt pieces at a mediocre level... 😅😭
@@Medtszkowski Because Liszt writes opuses from the begining of his carier, and Liszt this write under marking Opus 1. But after some time Liszt stopped to mark his pieces as opuses.
I mean there might be a tinyyy chance that this is playable (for more people than like only concert pianists as maybe in the case of the later versions)
I think so too! It really is! Thanks for voting! Just trying out these automatic replies YT added for some reason. Anyways, I also think No. 6 is actually real nice.
All are completely different compared to S. 137, S. 138 and S. 139... I almost didn't recognize some... (For example, No. 11 "Harmonies du soir" and No. 6 "Vision").
@@thenotsookayguy Yes, I even made another comment about that. I meant that S. 136 No. 11 doesn't sound like any piece from S. 137, S. 138 or S. 139...
I'm not even 15 yet. I'm only 14. But I can maybe play a few of these etudes (I already uploaded the fourth one on my channel). Some of these sound more Czerny than Liszt but of course that is not strange as Liszt was Czerny's student.
wow the last one sounded so basic... I guess somehow in his alcoholic elder state he edited it in such a magnificent way. Most of these sound amazing. Some of the transcendental ones sound better. Thank you for this video!
When Liszt compose Etude or exercises he is at his best Liszt is great in doing transcriptions and arrangements he has great sense of musical understanding He has one problem he cannot make music on his own like Chopin or Schubert he become clumsy ONE WAY HIGHWAY
@@ruby_R53 wrong. Preludes have nothing to do with time. Some are longer than most. Its a piece that is expressive and represents the composers artistry. In a larger work, a prelude serves as the introduction. Not just a prelude alone. That's a character piece. Point is that preludes don't have any rules in terms of structure. Sort of like a Fantasie, except fantasies are longer works for that matter. Perfect example: Chopin. His preludes aren't all short. Some take up a few pages at slow tempo & moderate tempo. Food for thought.
@@FranzLiszt0904it's the shortest not because it's titled prelude, rather it's the original that was transcribed in manner which Liszt kept a similar but more complex rendition of technique and tempi in the succeeding works. His second set was actually God awfully difficult to the point he transcribed another set which we all know of. Some find that much harder, but that wasn't Liszt's goal, because, well... Liszt had to be Liszt and no matter what he did in his prime, his works required formidable technique that were beyond many pianists of those times.
I was playing piano whenever and wherever I could find a piano because we didn't own a piano at the time. The apartment we lived in was too small and we couldn't afford to buy a piano. When I was sixteen, we moved into a house which had a piano already. The previous owner of the house didn't play piano but he hadn't tried to sell the piano. Since the piano was badly out of tune, I had to pay for a professional piano tuning.
When I was sixteen, a professional musician, a drummer, who lived and worked in Nashville, Tennessee heard me playing this piano and he told me I was already good enough to move to Nashville and play piano professionally. This drummer was a member of Roy Clark's backup band. Yes the Roy Clark who was a star of the program Hee Haw.
He rewrote them in 1837 as the Grande Etudes (S.137) which are way more difficult than the Transcendental Etudes, he later revised them again in 1851 where he removed some difficulties and replaced them with other less difficult difficulties or chromatic scales.
at 21:48 look at the lower stave on the last bar of the etude. that is the hardest thing anyone ever wrote - only a virtuoso like liszt would put that in his music
When I was 15... I watched raindrops drip down windows and bet money on which one out of two or three would make it down first. My imaginary friend there with me got really rich.
If I ask you to memorize the word "Music", you don't have to memorize 5 separate letters, you simply have to memorize the whole word. Similarly, musicians don't memorize every single note. Instead, they memorize whole groups of notes, for example, when playing a scale, they just need to remember the whole scale, not every single note in the scale.
no 4 ive sightread that piece a couple times its not that hard although i guess there is a pretty big gap of difficulty from sightreading a piece and mastering it so idk
when i was 15 i was eating sand
Nice
@@qed3318 ._.XD
@@qed3318 :))
I aspire to be this person, turning 15 in a year and 3 months
You missed out the 'wich' after sand !
This feels like the demo version for the Transcendental Etudes
It's pretty much that
they are
But sufficiently varied to count as separate pieces. More conventional than the 1856, but still way out by what else was going on in 1826
Of course the pianos of 1826 might not have had the dynamics or range of this in the later period. Double escapement and overstringing were in early stages. A strong influence of Schubert here.
more like, douze exercises is the demo, great exercises is the standard, and trascendental etudes the premium
When I was 15 I was playing TF2 with friends... and cockily attempting hard Liszt pieces
It’s great to see u just chillin in random piano videos, the way u comment in others videos is almost like ur a normal person... oops, just forgot that people that upload videos and play super well are also normal, my fault ownsjwbjdd
How old are you now? 🤔
@@LightLucky Maybe 20/30 ?
@@Dylonely_9274 maybe
I play tf2 as well. I'm 14.
When I was 15, I had just learned what middle C was and started lessons.
I just finished my DMA at Manhattan School of Music.
👏👏👏 legend
you must be a G.
but what happened then?
are you living as a musician or are you the most talented Starbucks Barista the world has ever seen?
@@williamtaittinger4529 who cares
@@pookz3067 i do. And your wife's boyfriend might as well.
@@williamtaittinger4529How obnoxious. None of your business, whatever he or she is doing now. Mind your own business. SMH
These are just plain beautiful. Some almost pure Czerny passages (especially in Feux Follets) but lots of pure young Liszt. Yes, they were what he used later in life as the basis of the transcendental studies. If you think these are technically impressive for 15 then have a look at Brahms's F minor sonata, written when he was just 14.
He was like 20, not 14
Assuming you mean his piano sonata n°3 in Fm, that was written when he was 20 years old
When i was 15, a year ago, before august 10, i experienced quarantine my first love and sudden interest in piano, so much interest that i decided to study music and compose! So my 15 were a pivot of change in my life, and i was and am doing school, but im woking in composing, not like mr liszt but hope i coud get to that level one day hahahahaha
You will fam , 😍
Me too, except I was 12
Same
To clarify, is "i experienced quarantine my first love and sudden interest in piano" a list? As in do you mean "i experienced quarantine, my first love, and sudden interest in piano?" I
@@lifestyleastherapyafterstr9423 yeah, as a list, i forgot the comas lol
WOW! I'm stunned. I've never heard this version. This is exceptional and from a 15 year old Liszt. Astonishing! I'm amazed at no.5 feux follets which is nothing like what was to become yet wonderfully musical. Hearing this is a treasure to me. Thanks you. I'm hooked. Now I have to get the score and learn it. I've got a shot with this compared to the final version. Thanks!
So I was already impressed by the fact that he wrote the first versions at such a young age but I think I'm even more impressed with how amazingly he reworked them into the "Douze Grandes" version (before the Transcendental version). Also there are elements of his first version I like more than the later versions but the "Douze Grandes Etudes" will ALWAYS be my fave❤🎵
By far the most impressive etude out of this set is no.9, not only does it sound close to the latest version, but it also reflects certain characters Liszt usually reserved for in his later years. Its a delight to listen to it !
Hmm...the early version is actually much faster (Allegro grazioso), Wolfram just chose to play it at a slower tempo. But they use the exact same theme - it is as if Liszt recalls his childhood nostalgically in the later version because here he is obviously bouncy and carefree.
agreed, wonderful way to put it@@marcorval
This teen is quite a challenge to his teacher Carl Czerny who is a student and a very dedicated disciple of Beethoven.
Yea franz liszt is like an VIP student of Carl Czerny, also i played czerny op.365 and i have to go to hospital cuz i broke my hand when playing op.365 all 60 etudes by Czerny
@@FranzLiszt0904Czerny Op 365 The Book of Virtuoso. Op 740 is already hard enough !
beethoven likes him so much that he hugged (or kissed) him
@@notLucaZ-b5n Wish Beethoven can live long enough to hear the Young Liszt perform his most brilliant transcription of all his nine symphonies.
@@FranzLiszt0904 lol hi
When I was 15 I mostly just played video games. Needless to say I’m no Liszt, but I could probably play some of these etudes
@@waidi3242 Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved.
Romans 3:23
John 3:16
Blud replied 2 years later 💀
When I was 15 I was starting practising these etudes
Try the transcendental etudes
Good for you.
@@xuly3129 A big challenge for me !
I started this etude now(12yo(
@@xuly3129 try the GRANDE etudes!
He really sounds a lot like Czerny in the 1st one! Very nice
I hate Czerny, boring
He dedicated this etude to Czerny.
I really love n. 3, 5, 9, 8 and 11, each so beautiful...
When I was 15 I was playing CounterStrike with my friends all day. I had a great time, dont regret it.
Great for you.
u seem like u do😂
In a nutshell, that's probably why fewer people have heard of you.
@@sashh9997 who cares about that? Is that what you live for? What meaning exactly, what concrete meaning is in the notion of trying to have people acknowledge you.
@@ms-dosguy6630 I never said that anyone should care about that, I was probably doing something really stupid when I was younger too. I just said that as a solid fact and nothing else
It is FASCINATING to see these “prototypes” of the Transcontinental Etudes and their evolutions: they haven’t even been given their titles yet! If I remember correctly, there is the “intermediate” version between the two, as well. Ooh, No. 7 eventually became “Harmonies du soir” (No.11)! No. 8 is quite similar to Chopin Op.10-12 in so many ways! No. 9 might have inspired Saint-Saens into Delilah’s air “Mon coeur”! No. 11 didn’t “survive” into the final version, I see.
I am 14 years old now and I started learning piano 6 months ago. I so regrat that I didn't go to piano at 7 years old or 5. (I love Liszt very much)
I started at 4, classical, but lacked proper mentors along the way and lost a lot of progress to it. Like I always wanted to play Liszt and Beethoven, but should've had someone to push me towards Prokofiev and Bartok. So I stagnated, though I can play almost everything. I promise you, as long as you get the appropriate guidance, you'll be a star.
nah schumann didn't know how to play piano well until his twenties
@@snorefest1621 who said Schumann was a good pianist..?
@@palpalonpalpalon I did. The conversation is about learning piano not composition or smth
@@palpalonpalpalon no one did?
At 15 (from 3 years) I started learning the piano seriously
Just turned 15 today, so yes, listening to some child prodigy called Franz Liszt and considering if piano is really what i shall continue learning.
don't worry he wrote a opera before he wrote this ;)
@@guii8993 yay! Motivation! :(
You can clearly hear the influence of Czerny
I truly believe Liszt was the greatest pianist in history
No. 8 in C minor is very powerful. Almost like a rough draft of or a different take on Chopin's Revolutionary etude.
It was written before the Chopin études
@@ValkyRiver Very possible Frederic heard it.
Für mich klingt sie eher wie eine Huldigung an seinen Lehrer Czerny...
#6 sounds like Schumann
@@vrominatorx2668 Chopin had hardly any knowledge of Liszt's music at that time. He was in Vienna and then on his way to Paris through Stuttgart when he wrote his op. 10. He did meet Czerny, though.
I actually think that this is the best version of these etudes! Although mazzepa needed a glowup!
I honestly prefer No. 5 in this set over S.137 and S.139, though my favourite set in general would be S.137
Yes, it ends up into a symphonic poem (S100), then has piano transcription (S594) and two-piano version (S640).
I like to imagine the early version as a pony trotting about and the owner trying to catch him - whereas Mazeppa, well, you know the story.
haha when I was 15 i started practicing the second one of these etudes, the a minor one. It took me about a year to learn it properly. Biggest challenge of my musical studies but I'm no prodigy, nor a musician :D
I like some of these ever more than the Transcendental Etudes. Seems more musical, less technical difficulties that sacrifice musicallity for virtuosity. Also, on No. 6 and 8 I have a weird Beethoven-esque sensation
Number 11 is so different than the corresponding transcendental etude which I love a lot !
@@NicolasEjzenberg No. 11 is it's own work. Harmonies du Soir is the revision of the 7th Étude in this set. No. 11 here was never actually revised, and was instead replaced with Erioca which itself is somewhat based off of the beginning of S.150.
The closest thing No. 11 here got to a revision was Von Bulow's rewriting of it in the 1890s
idk if its too late to answer the question , Im 15 atm and Im learning classical music , I started 10 months ago ( Learning 6 consolations and Chopin Op 32 no 2 ) , Im also a video editor and an artist . I plan on making visualizer piano videos when I reach a decent level , I think it will be a good way to combine my hobbies and abilities together . Tho I think its rly impressive of someone to compose such music at 15 , it shows how genius he is , he was a prodigy.
Don't you mean too early? But yeah, it's fine mate. Good luck.
I once got a world record in Mario kart 7 that got beaten a month later when I was 12, does that count?
Sure.
Wow! Very great pieces ❤️🔥👏
Just great! Err. I was modding OG Xboxes using soldering tools and dial-up.
19:12 RIP to this etude
I wonder what happend, the later version sound so different
@@katttttt that's what...Liszt didn't revise it at all. Instead he replaced it with Eroica in the upcoming sets (#7 in both S.137 and S.139) and S.136/7 would become Harmonies du Soir (S.137/11, S.139/11).
When I was 15 I was listening to Chopin. *hehe*
I am wondering could this set of etudes be a preparation for anyone who wishes to play Transcendental Studies in the future? Or to let students play these etudes to replace Czerny Op.740/299 if their technical demands are similar?
Some of these exercises definitely could help ya as whilst they're pretty different to the transcendentals they still share the same techniques.
余りにもチェルニーの練習曲が優秀過ぎるため、上達の為にそれ以外をやらせる意味を見い出せません。
それ以外をやる時はツェルニーをマスターしてからが望ましい
These use very different techniques and are heavy on fingerwork - the Transcendental Studies are much, much more advanced and require advanced arm/body weight techniques.
Nr. 9 is very beautiful here
恐るべき神童、チェルニーを師に持つリスト15歳の自信作。楽想が既に大人びている。後に発展していく超絶のルーツ。
Really lovely pianist!
元は「48の全ての調による練習曲」の予定だったが実際に出版されたのが12曲。恩師チェルニーの指の鍛錬の影響がありますが、15歳とは思えない大人の楽想。やがて、1837年に改訂、1851年に再改訂される「超絶技巧練習曲集」の原点です。
最近の研究では、14歳と言われています。そして1837年では、なく1838年といわれています🎵
そして超絶技巧として出したわけでは、なくて技巧集としてだした可能性が高いと思われます🎵
At 15...I was first learning piano and making up simple music in FL Studio. But I can say that after years of study, I can now play some sections of some Liszt pieces at a mediocre level... 😅😭
At 15 I was 2 months from starting no 12 s136, not that I played it well for my cmus exam.
At 15, I was playing the keyboard in the church, and reading a lot about the great pianists.
I am 15 now and I am practise Liszt's opus 1 no 1 😁.
his opera?
@@Medtszkowski No, his opera is S.1, opus 1 is S.136 - this video
@@teodorb.p.composer why use opus
@@Medtszkowski Because Liszt writes opuses from the begining of his carier, and Liszt this write under marking Opus 1. But after some time Liszt stopped to mark his pieces as opuses.
When I was 15, I had to do online school for 14 months and it was the worst thing ever
26 years later:
Hmm these could use a little spice...
Mhm.
11 years later. The Douze Grande études came first.
No. 9 "Ricordanza" sounds like a Chopin Nocturne.
Everything sounds like a Chopin Nocturne if you believe it does.
It isn't intended to be played like a nocturne. Wolfram plays it much slower than the marked tempo.
I mean there might be a tinyyy chance that this is playable (for more people than like only concert pianists as maybe in the case of the later versions)
Always wonder what #11 would have grown into had it gotten the same treatment as the others
Now I am 14 ( on 1 September I will be 15) and I am studying all Transcendental etude S.139. yay.
Happy birthday
Good luck!
6 is beautiful .
I think so too! It really is! Thanks for voting!
Just trying out these automatic replies YT added for some reason. Anyways, I also think No. 6 is actually real nice.
All are completely different compared to S. 137, S. 138 and S. 139...
I almost didn't recognize some... (For example, No. 11 "Harmonies du soir" and No. 6 "Vision").
Eh, you can hear Harmonies du Soir in No. 7.
@@thenotsookayguy Yes, I even made another comment about that.
I meant that S. 136 No. 11 doesn't sound like any piece from S. 137, S. 138 or S. 139...
@@ByNormal Yeah, the Étude was scrapped in his rewrite and replaced with Erioca, which is a shame.
P.S, S.138 is only Mazeppa.
no 8 reminds of Czerny, The Art of Finger Dexterity - Etude op. 740 n. 12!
I'm not even 15 yet. I'm only 14. But I can maybe play a few of these etudes (I already uploaded the fourth one on my channel). Some of these sound more Czerny than Liszt but of course that is not strange as Liszt was Czerny's student.
When I was 15, my father showed me where the middle C was and put the notes of Rondo a la Turca in front of me.
wow the last one sounded so basic... I guess somehow in his alcoholic elder state he edited it in such a magnificent way. Most of these sound amazing. Some of the transcendental ones sound better. Thank you for this video!
At 15 (now) I studied half of this opus 1 by Liszt
there wasnt any internet back then. people actually did useful things
Last one sounds like Chasse-neige
Ikr, I've also noticed than No. 1 sounds like Preludio, No. 2, Fusees, No. 3 Payage, No. 4, S.137 Mazeppa No. 5 Feux Follets, No. 7 Harmonies du Soir, No. 8 Wild Jagd and No. 9 is like Ricordanza
When Liszt compose Etude or exercises he is at his best Liszt is great in doing transcriptions and arrangements he has great sense of musical understanding He has one problem he cannot make music on his own like Chopin or Schubert he become clumsy ONE WAY HIGHWAY
When I was 16 I started doing transcendental etudes
I saw your 7-hand aoelian harp
I wonder why he didn’t “transcendentalise” the part in the first Etude from 0:11 to 0:36.
日本ではリスト12のエチュード作品1として全音から出ていますね
作品6の可能性が高いです
At age 15 I was learning guitar. When I got to uni I switched to piano. Piano gang ftw
piano gang 🙌🙌
@@ludwig4029 eyyyy I’m a ling ling wannabe as well
@@troy5094 noice
@@troy5094 now go practice
@@ludwig4029 mental practicing 😉
I wonder what the mature Liszt thought of these when he looked back at them.
"Hm, I should make it harder"
Well, he decided to turn the Op.1 no.4 into Mazeppa.
@@PassionPnowhy do you only mention the fourth one lol
At 15 I composed my first Sonata.
Really?
Same here, two months ago I finished mine and now i will publish it.
Feux Follets sounds cute compared with the newers versions xD
I'll come back to this when I'm 15
In 15 year old i composer 30 piano piece and play some liszt etude :)))
Nice.
Woah woah woah. In 15 year old!? That certainly sounds like an arrestable offence.
@@asassymusician6534 OMG :)))
When I was 15, I bought a lot of classical piano music CDs and imaged I was one of the player.
Welp guess i am 13 and i compose 6 variations and i play Liszt TE 1 and Kapustin concert etude 1 :woozy_face:
Stop flex
@@ValzainLumivix everyone else is flexing, i will as well
@@AsrielKujo Fair enough.
@@AsrielKujoHAHAHAH OSJUSHUXIONSIUSBIUFHIOWNUBIUCBOUNWOIWOPINSNI IXIO. PIDINPODPUNODUNPIS UPISOUINSOU ISOU SUO SOU WALTZ FRO. OP 6
ª
When I was 15, I'm still 13
5:55 ancestor of Feux Follets?
Not really.
@@thenotsookayguy i mean, it definitely inspired it
also when i was 15 i was pissing myself
Feux Follets was the 5th Transcendental etude which were composed after these etudes
@@Cromf i know, what i meant to say that it sounds like Feux Follets before there was a Feux Follets. changed my comment lol
Yes
Wow I’m 15 and composing my op1 too!
btw composers don't make opus numbers only publishers do
"What if Mozart had written the Transcendental Etudes". I especially love beta version Ricordanza!
When I was 15... Oh wait, I'm still not 15
Last piece is basically czerny 740 45
Are these etudes supposed to improve piano technique?
Yes.
Among other things.
@@ValzainLumivix among us
SUS11!1!1!1!1!1!1!🤢🙃🤢🙃🤢🙃🤔☺️🤢🙃🤢🙃☺️🤔🙃🤢🙃🤢
@@AsrielKujo NO MORE AMOGUS
@@AsrielKujo amogus
_S U S_
No. 9 sounds very simillar to Chopin
it's a shame that the beautiful 1st etude isn't longer.
Oh yea, cuz the first etude is likely the shortest in S.136, S.137 and S.139
@@FranzLiszt0904 maybe that's why it's called "Prélude" on the s. 139 version, usually those are like a minute long.
@@ruby_R53 wrong. Preludes have nothing to do with time. Some are longer than most. Its a piece that is expressive and represents the composers artistry. In a larger work, a prelude serves as the introduction. Not just a prelude alone. That's a character piece. Point is that preludes don't have any rules in terms of structure. Sort of like a Fantasie, except fantasies are longer works for that matter.
Perfect example: Chopin. His preludes aren't all short. Some take up a few pages at slow tempo & moderate tempo. Food for thought.
@@FranzLiszt0904it's the shortest not because it's titled prelude, rather it's the original that was transcribed in manner which Liszt kept a similar but more complex rendition of technique and tempi in the succeeding works. His second set was actually God awfully difficult to the point he transcribed another set which we all know of. Some find that much harder, but that wasn't Liszt's goal, because, well... Liszt had to be Liszt and no matter what he did in his prime, his works required formidable technique that were beyond many pianists of those times.
@@jaiachin9579 that makes sense, sorry for the assumption.
I was playing piano whenever and wherever I could find a piano because we didn't own a piano at the time. The apartment we lived in was too small and we couldn't afford to buy a piano. When I was sixteen, we moved into a house which had a piano already. The previous owner of the house didn't play piano but he hadn't tried to sell the piano. Since the piano was badly out of tune, I had to pay for a professional piano tuning.
When I was sixteen, a professional musician, a drummer, who lived and worked in Nashville, Tennessee heard me playing this piano and he told me I was already good enough to move to Nashville and play piano professionally. This drummer was a member of Roy Clark's backup band. Yes the Roy Clark who was a star of the program Hee Haw.
Tengo entendido que de estos estudios e 12 ejercicios, nacieron los Estudios de Ejecución Trascendental.
Algunos de ellos, suenan casi igual. El número 9 suena casi idéntico, que en los Trascendentales sería Ricordanza
Sí
When i was 15 i write like only 10 works for piano, one string quartet and 2 quintets.
Funny to think that the famous Transcendental Études owe a lot to these early etudes
Edit: also, I am 15 and I did for music a pretty... nothing
Kk
so did liszt rewrite them later as harder versions and called them Trascendental etudes?
He rewrote them in 1837 as the Grande Etudes (S.137) which are way more difficult than the Transcendental Etudes, he later revised them again in 1851 where he removed some difficulties and replaced them with other less difficult difficulties or chromatic scales.
When I was 15, I hilariously attempted to play La Campanella💀
The No.2 sounds like his Transcendental Etude no.2
I wonder why.
at 21:48 look at the lower stave on the last bar of the etude. that is the hardest thing anyone ever wrote - only a virtuoso like liszt would put that in his music
You can always count on Liszt to put physically impossible stuff in his music.
When I was 15...
I watched raindrops drip down windows and bet money on which one out of two or three would make it down first. My imaginary friend there with me got really rich.
11:57 imagine fanboying chopin som much as a teen only to be told “keep your pigs out of my garden”
No lol, that was composed 5 years BEFORE Revolutionary etude
But I loved and also today classical music❤🥰
Why does No. 7 sound like Harmonies du soir? LOL
They are like the "original" versions and later on Liszt thought "well, let's make them harder"
Smoked a lotta pot, listened to Zeppelin, and tried to read Nietzsche.
4:50
At 15 I spent most of my time doing what 15 year olds usually do. Sometimes Input in my pants and went out to practice piano.
Wow how do someone learn all these notes?
Concert pianists do not remember every single note in a piece, that'd be ludicrous. Instead they rely on "muscle memory", grouping and other methods.
If I ask you to memorize the word "Music", you don't have to memorize 5 separate letters, you simply have to memorize the whole word. Similarly, musicians don't memorize every single note. Instead, they memorize whole groups of notes, for example, when playing a scale, they just need to remember the whole scale, not every single note in the scale.
@@thenotsookayguy oooh thanks :)
@@m.l.pianist2370 yea play piano but sometimes if i think a lot of some part i forgot it lol
Playing minecraft and suffering through high school lmao
nice
Mhm
What would u recommend me to be my first etude?
None
no 4 ive sightread that piece a couple times its not that hard although i guess there is a pretty big gap of difficulty from sightreading a piece and mastering it so idk
The one you like the most, if you don't like any of them that much find something else you really like
@@estebanabad2795 i like all lol
@@pepitillop2673 really? Well still try to find the music you like the most and learn that, thats the best strategy
I wrote my first few pieces
Ma boy Will is the greatest pianist alive. He is a TOP G.
I love him (as a pianist)
when i was 15 i could play mazeppa from s.139
The third one is more difficult than Paysage, indeed...