5 pianists play SCHUBERT Moment musical No 3 in F minor
ฝัง
- เผยแพร่เมื่อ 21 ส.ค. 2020
- 5 very different versions of this famous and lovely piece, no particular order.
0:01 Seong Jin Cho
1:46 Yulianna Avdeeva
3:34 Vladimir Horowitz
5:26 Natasha Stojanovska
7:10 Kit Armstrong
Despite the poor sound quality of the video, Horowitz still shines through with his dynamism, unique tonal colors, and clarity. That left hand of his and his rubato... So kaleidoscopic, sensitive, and contemplative.
Mais ouais!!
N1000 d'accord 👍😉🌟
Per cortesia, tu potresti spiegare con più dettagli il "rubato" di Horowitz ?
Seong Jin cho made the piece sound playing and jolly without using too much rubatto. Crazy how light his playing feels🔥just some otherworldly touch
check out andras schiff
Choubert.
Horowitz e Cho spiccano per sensibilità, suono luminoso, ritmo serrato ed emozionante. Grandissimo Schubert.
Schubert e Schubert e ancora Schubert
아.. 성진초는 역시 우아한 연주의 끝판왕이로구나
Seong Jin Cho！Amazing！The best interpretation of this piece in the world！
Pianiste qui joue en premier est un génie...
seong-jin Cho!
Horowitz!! Definitely! So much colors and shine ❤️
4 pianists and horowitz in a contest.
Все сыграли просто чудесно, просто даешься диву как люди могут слышать и играть музыку. Но кажется Хоровитц просто вселился в душу Шуберта.
There's a Deutsche Gramophon album called 'Horowitz at home' where he plays the most delicious rendition of this piece I've ever heard, similar to this one but with better sound quality. The left hand at the end is just amazing.
Excelentes videos, Momento Musical de Schuber # 3 ❤❤❤
Thank you for the opportunity to hear five different interpretations. I especially enjoyed Cho and Horowitz who captured so well the charm and playfulness of this moment musical. However, Horowitz adds accents, voicings and tempo changes not indicated in the score, making especially the last section sound more like Horowitz than Schubert. So my preference is for Cho who makes the piece totally delightful while honoring Schubert's instructions.
Excelente ! ❤❤❤❤❤
조성진이 틀림없이 쳤고, 곡에 해석도👍❤️. 다른분들은 약간에 실수?
Kit는 왼손이 너무 take over 해서
듣기에 어색합니다.
그러나, 모든 피아니스트분들께
화이팅 합니다~👍
ㅋㅋㅋㅋㅋ
i’m learning this
Another example that Horowitz, even at an advanced age, played in a class all by himself. The way his melody sings, the little accents/emphasis he sets that are not in the score, his rubatos, or the places where he points out an additional phrase/melody in the left hand by elevating it above the other notes - it's unmatched and unique.
That's not to say the other interpretations are bad, especially not Cho's and Avdeeva's. Very pleasant to listen to, but they can't touch Horowitz' interpretation.
토끼님이 제일듣기좋아~
I've listened to all these 5, but my favourite is still Brendel.
Thanks for mentioning, a real discovery for me.
Brendel begleitet auch wunderbar die Winterreise von Schubert.
👍👍🥰
Love Seong Jin Cho. Natasha stojanovska - no... and Kit Armstrong - NO-NO!!
My opinion exactly!
I like David Frays version the most
Был бы в восторге от Чу, но толи микрофон поставили близко к клавишам, толи там кто-то топочет, но слышны пубум... А так, мимика у него - просто загляденье!
Horowitz inimitable, grandiose voice leading. Cho also very beautifully emotional. Stojanovska not bad either. Armstrong terrible.
Стояновская в ноты не попадает😂😢😅
The order is not random I think, except Horowitz should be second and Avdeeva consequently third . The others are placed in the correct order in my opinion. Kit Armstrong the worst by a mile, Natasha Stojanovska all over the place and with two distinctively audible right hand fails (6:10 and 6:12)
Horowitz undoubtedly first, so many beautiful little harmonies brought out with the left hand that cho just wasn't hitting. I also found Cho's facial expressions super distracting, and in the first section at odds with the sound itself - definitely close second though. Avdeeva was good but not groundbreaking, Natasha needs to play with her hands, not her head, and kit was doing this insane marching drum vibe with the left hand that was horrendous.
Kit Armdtrong spielt viel zu hart, wenig gefühlvoll.
No. 1: Too sentimental. No. 2: Too careful. No. 3: Too willful. No. 4: Too lax. No. 5: Too rigid. However, they are all above par.
Get out
I also agree with you... Check David Fray's version. For me the very best I heard of this particular Schubert piece.
Horowihtz....algunos deberian devolver el ticket ....
David Fray the Best
Horowitz
Kit has his own style that I don't like
I hate to bring this up, but the others sound as HIS young pupils :D:D:D, technically dramatic difference, unfortunately, this does not bear comparison...
It’s all too evident that this is not a concert hall music! It should be played in a smoky bar on a rotten piano otherwise it sounds dry and ridiculous
Listen to Schiff