IP #30 A Gold Mine of Galant Schemata in J. S. Bach's B Minor Prelude WTK 1 BWV 869

If you continue to use the usual methods of traditional harmony you are wasting your time!
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[@RichardusCochlearius]

If you continue to use the usual methods of traditional harmony you are wasting your time!
Learn Composition with The Partimento Method!
Register your Free Account: www.bit.ly/join-tpm

[@StyzeSoulmaker]

Bach doesn't waste a bar, always something amazing happening 🤯🤯🤯

[@classictastic]

Nice video. I was wondering where I could listen to some of your compositions?

[@AlessandroSistiMusic]

5:11 - aha, you've solved a mystery for me! I'd never figured out why there were those sixteenth notes there in this prelude, and nowhere else.
I'm really happy you covered this prelude; there is so much in it. I first noticed its connection to the patterns covered in partimento training because of the not-at-all-disguised Monte Romanesca early in the piece. But as you show, there is much more to uncover!
The piece has always seemed quite Corellian to me, with an active continuo line on the bottom and two contrapuntal lines on the top. Do you agree, or does it feel pretty different from a Corelli trio sonata to you?

[@mietteitamusiikista]

Can you make solfeggio tutorial on Cotumaccis first 30 (or so, or any) solfeggios? They're the beginner ones and after them people are probably able continue by themselves

[@RichardusCochlearius]

Interesting idea!

[@henrykwieniawski7233]

Can you analyze some of Vivaldi’s violin concerti and go over ritornello form + galant schemata?

[@pratticamusica]

Hi Richardus! I have a question . These names "monte" "fonte" appear in partimento treatises? Thanks in advance

[@RichardusCochlearius]

Great Question! Yes! Monte Fonte and Ponte are historical names. Repel wrote about that!
In Robert Gjerdinegen's book "Music in the Galant style" you can find all the best musicologial sources.
In the Partimento Method you can find all the exercises to put them in practice!