I agree with you 100% and I’ve been criticized mostly by Musicians for changing the original key and that’s why I’m a solo artist at this point. I recently tried to make a go with another guitarist who insisted on us playing the original key and insisted I sing it of course I could not! He wasn’t willing to transpose his leads down to my key so that project was over quickly! Now I use a looper and issue resolved
get rid of guys like him as fast as you can. he wasn't singing, you were! how dare he tell you what key to sing in. he probably doesn't even know how to change keys.
I thought I was a baritone for most of my life until I worked with a voice person. I teach so I worked with a choir teacher twice and learned so much. I have covers grouped by decade of release to help with finding songs people might relate to.
Your advice on changing song keys to fit your voice is spot on. And when I was younger, I too strove to play what the audience wanted to hear. But I recently turned 60 and have been a gigging musician for over 43 years. There is almost NO "music" on TV or radio or in the record charts that I can stand to listen to much less cover. Oh, there is definitely good music being played and there are great songs being written. But you won't hear them from mainstream sources. And the average listener knows nothing of them. Therefore, at this time in my musical life, I perform covers that I like. If the audience and club owners like my show and want to hire me, that's great. If not, I'm fine with that to. But I have NO desire to chase after a constantly changing list of cookie cutter, shallow, pointless songs with no memorable melody whatsoever and meaningless lyrics.
Just about nailed it there m8, same, age roughly and playing (mostly) older stuff, even started to do a bit of old traditional songs (Irish) in our gigs now. If you're interested I've written a few, songs but posted one on You Tube check out Two River Band 'Red Light' hopefully it has the 'old soul' you are talking about. At 60 odd I don't want or need fame, just hope people enjoy what I've written/performed
@@rickgrebenikpuggles56 Why? I guarantee you that professional singing artists who don't write their own songs most certainly do change the keys of songs written by other writers. There are many reasons why. The first and most obvious, an experienced singer will put the song in a key that sits in the center of his or her vocal range. This allows the best expression of the emotion of the song, the natural resonance of the singers voice, the ability to maximize dynamics from the softest to the most powerful passages for effect, less likelihood of vocal chord injury, and the healthiest approach concerning the care and maintenance of the vocal chords when performing night after night. Most songs are written in the key the writer sings in. In your way of thinking, a male would be a failure if he didn't record a song written by a female in the same key and octave she records the demo in. The truth is the exact opposite. He would be a failure professionally if he damaged his voice trying to sing outside his range for baseless reasons. He would also be searching for a new career at some point that requires little speaking. Any singer, professional or not, that performs frequently for years will learn the skill of transposing keys. Doing so is an indicator of experience and professionalism. And it is to be expected in the music business whether you're a weekend warrior in a seasoned gigging band or a mega-star filling arenas. If you're a musician who can't immediately adapt to a singer changing keys, then it's you who is failing. And you have work to do. How long have you been a performing musician? How often do you play? How long are your shows? How many songs do you sing in your show? Do you sing lead, harmony, or both? Our 3 piece Classic Rock cover band performs 40 songs per show by our latest set list, plus a 2 song encore, typically. I sing on all but 5 of those songs. I sing lead on 40% of those covers. I sing baritone, tenor, and/or high baritone harmonies on others. With most songs I sing lead on, depending on our arrangement, I switch to harmony on the chorus and bridge to achieve our best vocal blend. And we perform songs now that have pushed and improved our vocal ranges over time. But we most assuredly didn't accomplish that by adhering to a notion like yours to prove some point. And I'm singing now at age 60, very frequently, in two bands. I also have a solo show and I sing often in church. I truthfully have the widest vocal range I've ever had. If I'd believed as you do, none of this would be possible. But I'm blessed that it is.
@@rickgrebenikpuggles56 Sorry man, take your point, but even those guys at the top of their game now change or transpose songs. Used to be, I could do all aspects of Take it to the limit, now whilst I can still do the song in key, the very high bit I can't get anymore, similarly The Beach boys Good vibes again the very highest nana bit can't get there any more, just an age thing I suppose. With that said when I was younger I took a similar view to you, but after a few Sunday mornings unable to speak, I adjusted the songs slightly to suit a 3 hr gig where I sing somewhere around 40 songs, look I can't run a mile in 6.5 minutes anymore either . I can't do 3 hours singing Freddie Mercury stuff now either Most people, won't notice if a song is transposed down a bit. For example 'Crazy Dreams' Paul Brady is in Eb (I think) we do it in D check out Two River Band 'Crazy Dreams' and Paul Brady's, acoustic version, see if theres much difference. How do you do the original version of Peaceful easy feeling as its neither in E or D but some where in between, or do you tune down to cover 'More than words' or do it 1/2 octive higher like we do. Sorry m8 take your point and to a degree I do songs in key but it should not be set in stone.
Dude - you packed this full of great advice for anyone wanting to sing in front of anyone. I have been preaching key changing for 20 years lol. No body cares if you sing it well but they will hate it if you have to squeal to hit notes that are too high. My wife and I do an all-request show. No set list. We ask the closest person who their fav group, band or artist is and 99% of the time they will be surprised and give you a softball like The Eagles or Beatles and then you knock that out of the park and that gets other people thinking and you will have suggestions for the rest of the night. Loved this video man!
30 seconds in and you have hit the nail on the head, ACDC sums it up. I'm a Baritone and I tune down to D or Even C #on some songs as the majority I find are are written for Tenors, but that doesn't mean the will sound worse if in a lower key. Thanks for this video 👍🏻
Thank god for Capo's, I use all the time to get my voice to register to a song I would just not play at all if I had to sing it in the orginal key. Your advice is spot on. My only advice is make sure it's a good quality capo. Otherwise, just change the chords from G to C , or E to A whatever works best for you.
you definitely don';t want to end up singing 75% of your songs in one key though. It's like that guy who is trying to sell his piano tutorials on TH-cam by saying he can teach anyone to play the piano and play tens of thousands of songs in only a few days by learning only four chords. He just transposes everything into C (or G) and thinks that's it. The thing is that there is more to a key (or pitch) than just a letter. For example , a song in B is different from a song in A in many subtle ways that will be lost when transposing to A (most notably in the actual melody whether it is sung or played). I understand this makes it easier or possible to expand a repertoire of songs one can perform. I would encourage people to try to play songs in their original key, as long as it won't hurt your voice (and I think this is what this guying is talking about here). It's just good to learn to play those songs that are in A flat , in A flat. It makes your a much for proficient player and performer. Because even if the audience doesn't consciously recognize the difference, their minds will notice the changes in tension and subtle tonic shift.
I was at a gig and just finished a song in F#m, And I was about to start another in the same key…and I’m like…wait a minute…they sound almost exactly the same. So I picked something else. It’s definitely something to pay attention to. Especially if you’re just playing acoustic guitar. They can easily all start to sound the same.
I grew up playing music with my family. We would always play and sing Amie when we would have a family jam session and it was always a fun tune. I like your list.
Great video. I wish others would do videos like this. It is so important to stay within your vocal range. It sounds horrible when people think they can do Neil Young or similar when they don't have the voice for it. Changing the key can change the feel of the song so it's easier to make it your own.
Great honest advice. I aim to play songs that others don’t cover and basically disregard requests because I am there to bring differences. I tune down to D and Eb on my guitars to help with pitch and tone. So many ways to play every song; this is another one of those unique differences we can share.
Kudos for doing this - from another baritone voiced solo performer. Also, two of my three guitars I keep tuned down a semitone or two. Half of your favotites list is the same as mine; thanks for the additional suggesttions.
What you tell in the video is exactly me... tried to sing tenor for years despite being a baritone. I'm so much happier now after I accepted that and my singing is a lot better. Thanks for sharing!
I've just stumbled upon your channel, Justin, really like what you're doing here, thanks. Could you please do a 'how to play' video for Sweet Caroline, including the intro that you play here from 4:30, thanks.
I change a lot of keys for these reasons. Sweet Caroline down to A and then give my best Neil Diamond impersonation on vocals...great in our list of "sing-alongs" ... nobody yells out from the audience that we're playing it a step down. thanks for this video
Don’t just change the key. Rearrange the song to fit your style, your voice, your skill level on your instrument, everything. I tend to use a cubist approach. Reduce the song to the most basic chord progression and build it from there. If someone doesn’t like it, let them do it.
Im just getting into playing solo gigs and your suggestions are on point as well as some of the commented suggestions. When Im putting together a playlist, I try to keep in mind what type of venue it is and what type of crowd might be expected. I also play the oldies/classics - not only because I grew up with that genre of music but most of the audience is in that age group as well (I'm 61). And, lets be honest, they are usually the ones that have the tip $! UG has opened up a whole new world for me and playing!!! I also like to throw those "one hit wonders" in along the way. Keeping the "slow" songs to a minimum I think helps keeps your audience engaged. I try to stay away from the tunes that always get played a lot (Sweet Caroline/Brown Eyed Girl/Margaritaville, etc.) but if I feel in the mood, will play those. And being female gives me the advantage to do those female songs that dont usually get covered by the males (Brand New Key/Landslide/When Will I be Loved/Jolene, etc) I DO think trying to have 60 songs for a 3 hr gig is wayyyy too much tho... I target for 30-35
I changed the key on a song, sang it in public, and got a compliment from a couple that came up after my set. "How did you hit that really high note at the end?" They didn't know or care that I had dropped it a step and a half. Solid advice. I also like playing in open D, at times, and I use capos. All solid advice, and nice list! I do a few, but am always looking for new ideas of songs I can do. Thanks for the advice, and keep on keeping on!
Hi...Thanks for the info..been playing since I was 13 now 69 in a band. I play because I love it. But do not play for others, sorta play for myself. I finger pick, slide, solo and am probally a pretty accomplisher player. People say play me a song, since I play in a band, playing singles has not been my things, but could do it.. I probally know a 200 songs. but will freeze and do not know any songs when asked to play.... This info you provided will help me when forced to entertain a group. Thanks
You mentioned changing the key from Dobie Gray's version of Drift Away so I wondered what key the original version by Mike Berry was in and I was astounded to find that they are both in the same key. Pro singers always song in whatever key is best for them so I expected them to be different.
What’s impressive is doing everything you said without a cheat sheet (iPad). 3-4 hour shows, read the room, switch up, take requests, no iPad. That’s an entertainer.
I love it especially when pianists can do this, like on a cruise ship or in a piano bar. Maybe one day I’ll have enough experience to pull it off. I’ve done several 3-hour guitar gigs with no cheat sheets, but there’s usually a set list. I can remember progressions, but lyrics so far have been a challenge!
read the room, that's what determines the set list. I'm an entertainer, it's not my job to read to the crowd, it's my job to entertain them. Songs are more than words on a page, they're start, stops, inflections, etc... That can only come from listening to each song multiple times. Trust me, listen to the song 50 times, you'll remember the words. Basically doing your homework. @@justinbishopmusic
@justinbishopmusic absolutely nothing wrong w using an iPad (or whatever for lyrics and or chord progressions.) Especially for cover songs. I sing a lot of Dylan which cam have 15 or 20 long story telling versus multiple songs. No wonder Dylan changed lyrics and keys live who can remember all plus his voice at different stages different keys. Anyway, I'm impressed you can do 3 hours without charts or lyrics. I'm 66 I couldn't do that now no way. Not 3 hours
This is a really valuable video! I’ll incorporate (steal) much of it and play out even more…now that I’ve hit 80!!! You might appreciate hearing my Travis picking arrangements of Staying Alive and Africa (Toto). The real crowd pleaser though is What’s Up (Four Non-Blondes and Can’t Help Falling In Love with You. Thank you for a great video!
Excellent! I use Ultimate Guitar and have the PRO version...but, never used it. It looked complicated to use for this old guy. Well, after watching you, it doesn't look complicated at all. I'll be giving it a try. And instead of making all the PDF's myself, gonna try getting a program what will use Guitar Ulitmates format and works seamlessly with it. I already do most of the songs you do (there's a reason they are popular, eh?) Tho, I've got hundreds of songs I'll have to re-do, pffffftttt...;) Really enjoyed your video. That teaching gig seems to have translated well to this format. Great job :)
that's wild, thunderstruck was the first song I learned too! I was 12 or 13 and this older kid at school told me about tablature. thunderstruck was in the first guitar magazine I ever bought. so I had to figure out tablature and then the song.
Amazingly helpful video. You definitely earned my sub. And I will be watching your page consistently. I am an old school solo acoustic artist and I still deal with a book with sheet music in front of me. Time to get hit with The Times Thank you again, very informative video.
Thanks, I enjoyed this. BTW I don't think being a baritone is a" limitation" at all. What would a choir (other than maybe the Vienna Boys' choir) sound like without singers in all ranges? A full rich baritone sounds great (e.g. Lou Rawls, Pavarotti, etc.) and most high tenor singers can't do that, so...
Thank you so much for this video. I've had UG Pro for a few months and hadn't played around with the features beyond making a a couple of play lists. I had no idea it will transpose for you - wow!
ABSOLUTELY change the damn key. Remember, when these songs were recorded, these guys were in their early 20s. I also tune down to Eb. Helps this 60 yr old baritone
Yes! You play it in your own key! Also, take requests, if possible, if you don't have it now, tell them youll learn it for them next week, if possible. As a solo acoustics i cant do Boston, face it!😂 i play for a fixed crowd each week so taking requests for them to learn works for me. And yes, i have flem days and songs easy last week, isn't the best this week, voice isn't up to par. I may have a list each week of what im going to do this week, but changes may need to be made on the spot, voice not up to it. Having a good selection to choose from surely helps! Also I do a variety of songs, rock, blues, gospel, Bluegrass, country, Celtic, mostly what boomers can identify with. But I will throw in a few newer pieces. It's just too much fun!! And yes, you need to know what your audience wants and do it. Variety I the spice of life. As a classical guitarist, I do background, too.
I have to agree. I can't take that song. I guess it's one of those songs that you either hate or love. No hate here for people who love it. It's all subjective but, not for me. I just can't stand that song.
When I hear Sweet Caroline in a bar. I hook up with beautiful women and sing along with them. ….hands…touching hands…. You may be missing many beautiful moments throughout your life to close your tab and leave the bar. 😂
😂😫🤪 Can’t tell if you’re serious or not…people have such a love/hate relationship with that song. Some love to hate it! But if they’re drunk enough, most people will sing along! I guess it depends on how overplayed it is in your area. But in my experience, songs get overplayed usually because people like them.
Love this video and just subbed! I am also a baritone who used to sing the lower register with a guy who sang higher when we harmonized, but I struggled on a lot of stuff in the original key. I am now starting to learn some songs on my own to be a solo performer. My question is do you drop all of these songs down to fit your range?
Yes I go on Ultimate Guitar (the paid version) and see what the highest melody note is. Then I adjust from there. I can transpose to where there’s nothing higher than an E or F#. If it changes the guitar part too much, I sometimes go an entire 5th lower in order to have open chords. Check out Money_Musician on Instagram. He has a list of good songs in easier keys and posts lots of good gigging ideas.
When I first started playing in the self taught rock and roll of the 1960's people who played but were musical primitives thought that if a song was in a certain key then anything else was wrong - they didn't really understand about key changes. So bands would play a lot of the same songs from some famous guy if their vocalist had a similar voice range. Another factor is when they make up guitar licks etc to record a song they are usually in the easiest manner possible to play them. For example Pretty Woman by Roy Orbison has an iconic lick in E that isn't too hard but if you changed it to say Bb that would be a little trickier.
I am also a cover song musician, and I use OnSong on my iPad for my song library. I change keys a lot because I don't know all of the chords. I will often keep the original key but capo to the chords I do know. I am a tenor so the high notes aren't usually an issue, but trying to sing Johny Cash without changing the key is out of the question for me. I currently have about 600 songs that I can play and sing solo, and most of the songs you've shown in this video are among those I have. Thanks for the video, and for the reminders to play to your strengths and read your audience. Great job!
Hey Man, I too am a solo performer and I use onsong. Im still trying to figure out the best way to scroll my lyrics. I use a flic device. Maybe I can pick your brain, to see how you use your onsong. I have backing tracks that play when I click the flic device. AS it plays, I try to use scrolling but, just want to get others ideas on best way to do that. :)
@@MontyDeane I don’t use backing tracks, so I don’t know if those change the auto scroll on OnSong. Otherwise, when you’re finished writing the song down in OnSong, tap the arrow on the bottom right hand corner. A box will show up, and you use your finger to swipe (slowly) and select the amount of time for the song, such as 2 minutes and 56 seconds for A Horse With No Name. Then tap elsewhere on the screen to exit. Then, with that same arrow now highlighted (which means a time has been set) press that arrow to start autos roll. Tap it again to pause and also resume. If the time is too long or too short, go to the headphones icon on the top left (Song Playback) and the drop down menu appears. Sliding your finger slowly in the Duration box will let you add or subtract time. Tap anywhere to close the box.
I'm the same, Key songs to suit your range. It's worth noting these days recording studios have the ability to auto tune vocals, maybe not so much in the old days but if your trying to sing as good as a recorded song that might have taken weeks to record there is nothing wrong with reworking a song to suit you.
Great video. Thanks. I disagree with your advice about stopping your gig because some"one" requested a tune you're not prepared for. You'd have lost the crowd for stopping to retune. You can't win that one.
I was so disappointed when they left and I played the song too like 3 people an hour later! But yeah, you’re right. Sometimes it’s hard to win given the circumstances.
Yes!! Did you hear Chris Stapleton version of I hope you dance by Leeann womak? Could you imagine him singing it like Leeann womack😂😂😂 he did a phenomenal job of a cover
Curious how you play Why Georgia. Mary Spender did a video on how it took her years to learn to play the song even passably and she had help from Paul Davids!
Justin, Your acoustic guitar sounds very good on this video and sounds like it has great action as well. What is it if I may ask? Just found and subbed your channel btw. :)
Thank you! It’s a Crossroads acoustic from China…around $350, and I had an LR Baggs anthem pickup installed. To me, it feels and sounds like a Taylor. There are usually some to be had on Reverb.
Thanks; here's another consideration: Sometimes the "original key" really isn't - the published guitar tab was transcribed to the key that sounds but not as played. What I mean is that a song written out as being in F# was quite likely played using E and capoed up two frets. Knowing this makes it a lot easier to find fills and leads. Sometime the original key really is necessary because of the way the melody falls out of thos chords but that's only sometimes. Also, the original artist may well have performed it in several keys depending on how their voice was responding that night. Bill Monroe was know for changing to a higher key to get that "high lonesome sound".
I recently learned some artists recorded in a low key then had the record sped up, which also raised the pitch! I I heard about Led Zeppelin doing this at least once, and also Brent Mason on “Hot Wired.”
What really made a huge difference in approaching my own voice were two things I heard from absolutely amazing vocalists: First one was somebody with the greatest dark, resonating, smooth but raspy bass, telling me that he spent many years beating himself up over not being able to sing his favorite hair metal high and higher tenor stuff. So it was a man with a beautiful voice, basically complaining about not having another style of great voice. You don't want the things you have, you want the things you want. Get over it. And second one was a vocal teacher who told me, that you shouldn't try to sing like somebody else. Find your own voice, because that't something absolutely unique. Nobody could ever sound like you. Because the other person just doesn't have your voice. It's yours and only yours so make something awesome with it that nobody else can make.
Brown eyed girl has drawn boos when my old cover band played it so we dropped it. Some songs people are sick of & i would probably put Sweet Caroline in the same bracket
My most comfortable highest singing note coincides with an open top E string, so I play the melody in different keys, until I find the one that matches my range. I _can_ hit higher notes, but not every song. The song choices in this list are great, and absolutely, if you receive a request, try to play it. One of my rules is that I don't learn new songs: they need to have already matured into classics, so the audience will be familiar with them. Most importantly, "be entertaining"! I've seen so many people who can play and sing, but who don't realise that you have to sell the songs, and connect with the audience. To sell songs, I try to get into the zone like a method actor, and "become" the person narrating the song. My aim is to have the audience believe that I _really did_ shoot a man in Reno.
@@justinbishopmusic Thanks, i do fingerstyle with no looper or backing tracks, im not savvy with that extra stuff while playing. My latest is Margaritaville which is fun and easy to do
I'm very blessed. I started guitar 3.5 years ago. My guitar skills took off! But my VOCAL skills were better! Much better! I'm a BariTenor. I've always had a kinda decent voice...but once I started getting good at guitar, I pushed my vocals from chest to head voice and discovered that I can SING! Like 2 octaves + !! On Key, in tune...And then I tried Bee Gees just to see...and I'm at the top of my range with Andy Gibb!! I'm not cracking, and I'm hitting the notes...while playing. My comfort level is Gordon Lightfoot/John Denver/Bob Seger. All songs, no issues. Now my repotoire is 890 songs. I play for hours...Like I said, I'm SO blessed! My guitar skills need polishing, but I've got about 60 chords down now.
I was in open D (DADF#AD) to play two other Mumford songs, and to play Little Lion Man like the original, Tuning would be (low to high): CACGCE. The point is I knew the sing and should have found a way to play it because they wanted it. 🥴😫
Very true. I used to have this thing about singing songs in its original key. I would try to do things i couldn't do. Trying to scream out high notes that didn't suit me didn't work. Its a bit like a girly girl trying to sing Johnny Cash songs with a strong masculine voice. I believe almost anyone can sing, as long as they don't try to be something that they're not.
Make each song your own. Rather hear a song re-interpreted than just trying to imitate the original. McCartney said re-interpretation is the key to finding your own voice/style.
I've been gigging for more years than I care to admit. OF course you should change the key to whatever fits your range. As far as a top10 - it changes with any gig but "when in doubt, play Beatles" always works. Oddly, I have found that 50's rock and roll works really well for college age AND YOUNGER! Go figure. FWIW, never use a fake book or whatever - it will clearly be apparent to the audience. LEARN THE SONG!!!
I’ve been playing acoustic solo gigs for 30 years…the money has to be double, and at a private gig, for me to play a lot of those top songs from your list. No offense meant at all….I just can’t stomach hearing the crowd on Sweet Caroline….haha. And with a repertoire of 700 tunes (songbooks), I don’t need to play Eagles, John Mellencamp, etc. but everyone has a different approach and use of genres…. Great overview video of our lives as solo performers tho!!
@@justinbishopmusic I definitely appreciated your post. I try to explain to my musician friends that perform solo about finding songs that fit their voice and style. Changing keys, use of a capo, etc….and don’t be so fixated on playing the tunes exactly as the original. Four notes into Fire and Rain and everyone turns their heads…..but the rest is fingerpicked in my own style
Rather heavy on the Beatles, which I Iike but? Anyway, Jack and Diane is fun to play but the words are terrible and I'm not one bit woke. It's just time to play Little Pink Houses or Hurt So Good and drop J&D. Other ideas that I like : Happy Together, Nature's Way, Rocky Mountain High, Give a Little Bit, Country Road(s)JT and JD, respectively, Sweet Baby James, Dock of the Bay
Very interesting. Where is the list for a bass voice? I don’t think there are any! I can play! I just can’t sing any of that!!!! Unless you want to go for opera🤔
Jeez man don't have a date ,it just happened ,Like I say don't know when I was unable to not run a mile as fast ,could be down to COVID ,but I just know it's a bit more comfortable to sing some songs a tad lower
If you are doing covers - you sing what you are best suited for, not what you like. That is kind of the difference between and ameteur and a pro, The pro knows what they are good at and then applies it. And no don't play a popular song if you can't sing it. The people that want to hear it, don't appreciate you butchering it. Resist doing stuff that people like but you are unable to sing.
Ok what if you don'e know the song the person is requesting? You can't stop the show and study the song they want and learn it, practice it and then sing it. I tell people I can play it if it is in my repetoir
If anyone shouts out a tune to play, you should absolutely not play it at all.. we are not jukeboxes, even if it’s your best song, refuse it make them suffer
I agree with you 100% and I’ve been criticized mostly by
Musicians for changing the original key and that’s why I’m a solo artist at this point. I recently tried to make a go with another guitarist who insisted on us playing the original key and insisted I sing it of course I could not! He wasn’t willing to transpose his leads down to my key so that project was over quickly! Now I use a looper and issue resolved
People who won't change the key can't be real musicians.
get rid of guys like him as fast as you can. he wasn't singing, you were! how dare he tell you what key to sing in. he probably doesn't even know how to change keys.
I thought I was a baritone for most of my life until I worked with a voice person. I teach so I worked with a choir teacher twice and learned so much. I have covers grouped by decade of release to help with finding songs people might relate to.
Nice approach!
So you're bass then? Or low tenor
@@koontzman123 mid tenor, still working on extending my range
@@KyleWalzbaritenor
@@koontzman123Baritenor
Your advice on changing song keys to fit your voice is spot on. And when I was younger, I too strove to play what the audience wanted to hear. But I recently turned 60 and have been a gigging musician for over 43 years. There is almost NO "music" on TV or radio or in the record charts that I can stand to listen to much less cover.
Oh, there is definitely good music being played and there are great songs being written. But you won't hear them from mainstream sources. And the average listener knows nothing of them.
Therefore, at this time in my musical life, I perform covers that I like. If the audience and club owners like my show and want to hire me, that's great. If not, I'm fine with that to. But I have NO desire to chase after a constantly changing list of cookie cutter, shallow, pointless songs with no memorable melody whatsoever and meaningless lyrics.
Just about nailed it there m8, same, age roughly and playing (mostly) older stuff, even started to do a bit of old traditional songs (Irish) in our gigs now. If you're interested I've written a few, songs but posted one on You Tube check out Two River Band 'Red Light' hopefully it has the 'old soul' you are talking about. At 60 odd I don't want or need fame, just hope people enjoy what I've written/performed
Changing keys is a failure in my eyes, keep original key
@@rickgrebenikpuggles56 Why?
I guarantee you that professional singing artists who don't write their own songs most certainly do change the keys of songs written by other writers.
There are many reasons why. The first and most obvious, an experienced singer will put the song in a key that sits in the center of his or her vocal range. This allows the best expression of the emotion of the song, the natural resonance of the singers voice, the ability to maximize dynamics from the softest to the most powerful passages for effect, less likelihood of vocal chord injury, and the healthiest approach concerning the care and maintenance of the vocal chords when performing night after night.
Most songs are written in the key the writer sings in. In your way of thinking, a male would be a failure if he didn't record a song written by a female in the same key and octave she records the demo in.
The truth is the exact opposite. He would be a failure professionally if he damaged his voice trying to sing outside his range for baseless reasons. He would also be searching for a new career at some point that requires little speaking.
Any singer, professional or not, that performs frequently for years will learn the skill of transposing keys. Doing so is an indicator of experience and professionalism. And it is to be expected in the music business whether you're a weekend warrior in a seasoned gigging band or a mega-star filling arenas.
If you're a musician who can't immediately adapt to a singer changing keys, then it's you who is failing. And you have work to do.
How long have you been a performing musician?
How often do you play?
How long are your shows?
How many songs do you sing in your show?
Do you sing lead, harmony, or both?
Our 3 piece Classic Rock cover band performs 40 songs per show by our latest set list, plus a 2 song encore, typically. I sing on all but 5 of those songs.
I sing lead on 40% of those covers. I sing baritone, tenor, and/or high baritone harmonies on others. With most songs I sing lead on, depending on our arrangement, I switch to harmony on the chorus and bridge to achieve our best vocal blend. And we perform songs now that have pushed and improved our vocal ranges over time. But we most assuredly didn't accomplish that by adhering to a notion like yours to prove some point.
And I'm singing now at age 60, very frequently, in two bands. I also have a solo show and I sing often in church. I truthfully have the widest vocal range I've ever had. If I'd believed as you do, none of this would be possible. But I'm blessed that it is.
@@rickgrebenikpuggles56 Sorry man, take your point, but even those guys at the top of their game now change or transpose songs. Used to be, I could do all aspects of Take it to the limit, now whilst I can still do the song in key, the very high bit I can't get anymore, similarly The Beach boys Good vibes again the very highest nana bit can't get there any more, just an age thing I suppose. With that said when I was younger I took a similar view to you, but after a few Sunday mornings unable to speak, I adjusted the songs slightly to suit a 3 hr gig where I sing somewhere around 40 songs, look I can't run a mile in 6.5 minutes anymore either . I can't do 3 hours singing Freddie Mercury stuff now either
Most people, won't notice if a song is transposed down a bit. For example 'Crazy Dreams' Paul Brady is in Eb (I think) we do it in D check out Two River Band 'Crazy Dreams' and Paul Brady's, acoustic version, see if theres much difference.
How do you do the original version of Peaceful easy feeling as its neither in E or D but some where in between, or do you tune down to cover 'More than words' or do it 1/2 octive higher like we do. Sorry m8 take your point and to a degree I do songs in key but it should not be set in stone.
@@nd2river im 55, what age was you when you had harder time with higher notes??
Your humility and honesty is refreshing.
Amie and Drift Away... oh yes. I'm adding them to my repertoire.
Dude - you packed this full of great advice for anyone wanting to sing in front of anyone. I have been preaching key changing for 20 years lol. No body cares if you sing it well but they will hate it if you have to squeal to hit notes that are too high. My wife and I do an all-request show. No set list. We ask the closest person who their fav group, band or artist is and 99% of the time they will be surprised and give you a softball like The Eagles or Beatles and then you knock that out of the park and that gets other people thinking and you will have suggestions for the rest of the night. Loved this video man!
Great idea…just ask for a group, and you get to pick the song?
Sing journey in original key!! Otherwise your failure as a singer
30 seconds in and you have hit the nail on the head, ACDC sums it up. I'm a Baritone and I tune down to D or Even C #on some songs as the majority I find are are written for Tenors, but that doesn't mean the will sound worse if in a lower key. Thanks for this video 👍🏻
Thank god for Capo's, I use all the time to get my voice to register to a song I would just not play at all if I had to sing it in the orginal key. Your advice is spot on. My only advice is make sure it's a good quality capo. Otherwise, just change the chords from G to C , or E to A whatever works best for you.
you definitely don';t want to end up singing 75% of your songs in one key though. It's like that guy who is trying to sell his piano tutorials on TH-cam by saying he can teach anyone to play the piano and play tens of thousands of songs in only a few days by learning only four chords. He just transposes everything into C (or G) and thinks that's it. The thing is that there is more to a key (or pitch) than just a letter. For example , a song in B is different from a song in A in many subtle ways that will be lost when transposing to A (most notably in the actual melody whether it is sung or played). I understand this makes it easier or possible to expand a repertoire of songs one can perform. I would encourage people to try to play songs in their original key, as long as it won't hurt your voice
(and I think this is what this guying is talking about here). It's just good to learn to play those songs that are in A flat , in A flat. It makes your a much for proficient player and performer. Because even if the audience doesn't consciously recognize the difference, their minds will notice the changes in tension and subtle tonic shift.
I was at a gig and just finished a song in F#m, And I was about to start another in the same key…and I’m like…wait a minute…they sound almost exactly the same. So I picked something else. It’s definitely something to pay attention to. Especially if you’re just playing acoustic guitar. They can easily all start to sound the same.
Very good point.
I grew up playing music with my family. We would always play and sing Amie when we would have a family jam session and it was always a fun tune. I like your list.
Great video. I wish others would do videos like this. It is so important to stay within your vocal range. It sounds horrible when people think they can do Neil Young or similar when they don't have the voice for it. Changing the key can change the feel of the song so it's easier to make it your own.
Great honest advice. I aim to play songs that others don’t cover and basically disregard requests because I am there to bring differences. I tune down to D and Eb on my guitars to help with pitch and tone. So many ways to play every song; this is another one of those unique differences we can share.
I tune my acoustic down to C# to hit some Adele and other powerful pieces and it’s been life changing even for my songwriting!
Thanks for saying what I've always been thinking. I play most of what's on your top ten and so this video confirms I AM going in the right direction.
Kudos for doing this - from another baritone voiced solo performer. Also, two of my three guitars I keep tuned down a semitone or two. Half of your favotites list is the same as mine; thanks for the additional suggesttions.
What you tell in the video is exactly me... tried to sing tenor for years despite being a baritone.
I'm so much happier now after I accepted that and my singing is a lot better. Thanks for sharing!
I've just stumbled upon your channel, Justin, really like what you're doing here, thanks.
Could you please do a 'how to play' video for Sweet Caroline, including the intro that you play here from 4:30, thanks.
I change a lot of keys for these reasons. Sweet Caroline down to A and then give my best Neil Diamond impersonation on vocals...great in our list of "sing-alongs" ... nobody yells out from the audience that we're playing it a step down. thanks for this video
If there ever was a video for the "Common" singer/guitar player-This is it!! Thank you!
Don’t just change the key. Rearrange the song to fit your style, your voice, your skill level on your instrument, everything. I tend to use a cubist approach. Reduce the song to the most basic chord progression and build it from there. If someone doesn’t like it, let them do it.
Yep. Change the tempo. The groove. Even the melody can be arranged to stay in your range.
Good advice, man. I agree
That's my method, basically. I am hated for it.
Thank you for such an amazing concise video.
Im just getting into playing solo gigs and your suggestions are on point as well as some of the commented suggestions. When Im putting together a playlist, I try to keep in mind what type of venue it is and what type of crowd might be expected. I also play the oldies/classics - not only because I grew up with that genre of music but most of the audience is in that age group as well (I'm 61). And, lets be honest, they are usually the ones that have the tip $! UG has opened up a whole new world for me and playing!!! I also like to throw those "one hit wonders" in along the way. Keeping the "slow" songs to a minimum I think helps keeps your audience engaged. I try to stay away from the tunes that always get played a lot (Sweet Caroline/Brown Eyed Girl/Margaritaville, etc.) but if I feel in the mood, will play those. And being female gives me the advantage to do those female songs that dont usually get covered by the males (Brand New Key/Landslide/When Will I be Loved/Jolene, etc)
I DO think trying to have 60 songs for a 3 hr gig is wayyyy too much tho... I target for 30-35
You're so cool. At 67, I'm back out performing again. Thanks for sharing your experience.
I changed the key on a song, sang it in public, and got a compliment from a couple that came up after my set. "How did you hit that really high note at the end?" They didn't know or care that I had dropped it a step and a half. Solid advice. I also like playing in open D, at times, and I use capos. All solid advice, and nice list! I do a few, but am always looking for new ideas of songs I can do. Thanks for the advice, and keep on keeping on!
Open D is glorious!!
@@justinbishopmusic Especially on a 12-string!
The first song I ever learned on guitar was "Batman" from the 1960s show with Burt Ward and Adam West.
Hi...Thanks for the info..been playing since I was 13 now 69 in a band. I play because I love it. But do not play for others, sorta play for myself. I finger pick, slide, solo and am probally a pretty accomplisher player. People say play me a song, since I play in a band, playing singles has not been my things, but could do it.. I probally know a 200 songs. but will freeze and do not know any songs when asked to play.... This info you provided will help me when forced to entertain a group. Thanks
You mentioned changing the key from Dobie Gray's version of Drift Away so I wondered what key the original version by Mike Berry was in and I was astounded to find that they are both in the same key. Pro singers always song in whatever key is best for them so I expected them to be different.
I wish I could consistently hit that high G#…but most of the time, nobody would want to hear me try. 🥴 Sometimes in the car though…🎸🤪
What’s impressive is doing everything you said without a cheat sheet (iPad). 3-4 hour shows, read the room, switch up, take requests, no iPad. That’s an entertainer.
I love it especially when pianists can do this, like on a cruise ship or in a piano bar. Maybe one day I’ll have enough experience to pull it off. I’ve done several 3-hour guitar gigs with no cheat sheets, but there’s usually a set list. I can remember progressions, but lyrics so far have been a challenge!
read the room, that's what determines the set list. I'm an entertainer, it's not my job to read to the crowd, it's my job to entertain them. Songs are more than words on a page, they're start, stops, inflections, etc... That can only come from listening to each song multiple times. Trust me, listen to the song 50 times, you'll remember the words.
Basically doing your homework. @@justinbishopmusic
Bruh
Yeah, both are impressive.
@justinbishopmusic absolutely nothing wrong w using an iPad (or whatever for lyrics and or chord progressions.) Especially for cover songs. I sing a lot of Dylan which cam have 15 or 20 long story telling versus multiple songs. No wonder Dylan changed lyrics and keys live who can remember all plus his voice at different stages different keys. Anyway, I'm impressed you can do 3 hours without charts or lyrics. I'm 66 I couldn't do that now no way. Not 3 hours
Nice video. Thanks! Say, what is that beautiful guitar you’re playing here?
This is a really valuable video! I’ll incorporate (steal) much of it and play out even more…now that I’ve hit 80!!! You might appreciate hearing my Travis picking arrangements of Staying Alive and Africa (Toto). The real crowd pleaser though is What’s Up (Four Non-Blondes and Can’t Help Falling In Love with You. Thank you for a great video!
Excellent! I use Ultimate Guitar and have the PRO version...but, never used it. It looked complicated to use for this old guy. Well, after watching you, it doesn't look complicated at all. I'll be giving it a try. And instead of making all the PDF's myself, gonna try getting a program what will use Guitar Ulitmates format and works seamlessly with it. I already do most of the songs you do (there's a reason they are popular, eh?) Tho, I've got hundreds of songs I'll have to re-do, pffffftttt...;)
Really enjoyed your video. That teaching gig seems to have translated well to this format. Great job :)
I have 88 songs that I can play from memory… chords and lyrics… I play em all in the original key because it’s recognizable.
I envy you sir!
Damn! Post more videos bro
that's wild, thunderstruck was the first song I learned too! I was 12 or 13 and this older kid at school told me about tablature. thunderstruck was in the first guitar magazine I ever bought. so I had to figure out tablature and then the song.
Excellent advice!
Just liked and subscribed. Good job young man.😊
Thank you! 🙏
Amazingly helpful video. You definitely earned my sub. And I will be watching your page consistently. I am an old school solo acoustic artist and I still deal with a book with sheet music in front of me. Time to get hit with The Times Thank you again, very informative video.
I've been covering Amie for Years! Love it!
Thanks, I enjoyed this. BTW I don't think being a baritone is a" limitation" at all. What would a choir (other than maybe the Vienna Boys' choir) sound like without singers in all ranges? A full rich baritone sounds great (e.g. Lou Rawls, Pavarotti, etc.) and most high tenor singers can't do that, so...
Thank you so much for this video. I've had UG Pro for a few months and hadn't played around with the features beyond making a a couple of play lists. I had no idea it will transpose for you - wow!
ABSOLUTELY change the damn key. Remember, when these songs were recorded, these guys were in their early 20s. I also tune down to Eb. Helps this 60 yr old baritone
Yes! You play it in your own key! Also, take requests, if possible, if you don't have it now, tell them youll learn it for them next week, if possible. As a solo acoustics i cant do Boston, face it!😂 i play for a fixed crowd each week so taking requests for them to learn works for me.
And yes, i have flem days and songs easy last week, isn't the best this week, voice isn't up to par. I may have a list each week of what im going to do this week, but changes may need to be made on the spot, voice not up to it. Having a good selection to choose from surely helps!
Also I do a variety of songs, rock, blues, gospel, Bluegrass, country, Celtic, mostly what boomers can identify with. But I will throw in a few newer pieces. It's just too much fun!! And yes, you need to know what your audience wants and do it. Variety I the spice of life. As a classical guitarist, I do background, too.
As soon as I hear sweet Caroline I'm closing my tab and leaving the pub
😂😜🥴
@@justinbishopmusicI'm buying a round of shots for my table and sending one to you too
I have to agree. I can't take that song. I guess it's one of those songs that you either hate or love. No hate here for people who love it. It's all subjective but, not for me. I just can't stand that song.
When I hear Sweet Caroline in a bar. I hook up with beautiful women and sing along with them.
….hands…touching hands….
You may be missing many beautiful moments throughout your life to close your tab and leave the bar. 😂
@xbman1 if divorced 50yo women are your thing then do you
This was such great advice, I had my first gig in twenty years, started and ended the gig with sweet caroline and killed !
😂😫🤪 Can’t tell if you’re serious or not…people have such a love/hate relationship with that song. Some love to hate it! But if they’re drunk enough, most people will sing along! I guess it depends on how overplayed it is in your area. But in my experience, songs get overplayed usually because people like them.
Love this video and just subbed! I am also a baritone who used to sing the lower register with a guy who sang higher when we harmonized, but I struggled on a lot of stuff in the original key. I am now starting to learn some songs on my own to be a solo performer. My question is do you drop all of these songs down to fit your range?
Yes I go on Ultimate Guitar (the paid version) and see what the highest melody note is. Then I adjust from there. I can transpose to where there’s nothing higher than an E or F#. If it changes the guitar part too much, I sometimes go an entire 5th lower in order to have open chords. Check out Money_Musician on Instagram. He has a list of good songs in easier keys and posts lots of good gigging ideas.
Great advice!
Exactly!! Find those songs that are a good fit for you.
When I first started playing in the self taught rock and roll of the 1960's people who played but were musical primitives thought that if a song was in a certain key then anything else was wrong - they didn't really understand about key changes. So bands would play a lot of the same songs from some famous guy if their vocalist had a similar voice range. Another factor is when they make up guitar licks etc to record a song they are usually in the easiest manner possible to play them. For example Pretty Woman by Roy Orbison has an iconic lick in E that isn't too hard but if you changed it to say Bb that would be a little trickier.
I am also a cover song musician, and I use OnSong on my iPad for my song library. I change keys a lot because I don't know all of the chords. I will often keep the original key but capo to the chords I do know. I am a tenor so the high notes aren't usually an issue, but trying to sing Johny Cash without changing the key is out of the question for me. I currently have about 600 songs that I can play and sing solo, and most of the songs you've shown in this video are among those I have. Thanks for the video, and for the reminders to play to your strengths and read your audience. Great job!
Hey Man, I too am a solo performer and I use onsong. Im still trying to figure out the best way to scroll my lyrics. I use a flic device. Maybe I can pick your brain, to see how you use your onsong. I have backing tracks that play when I click the flic device. AS it plays, I try to use scrolling but, just want to get others ideas on best way to do that. :)
@@MontyDeane I don’t use backing tracks, so I don’t know if those change the auto scroll on OnSong. Otherwise, when you’re finished writing the song down in OnSong, tap the arrow on the bottom right hand corner. A box will show up, and you use your finger to swipe (slowly) and select the amount of time for the song, such as 2 minutes and 56 seconds for A Horse With No Name. Then tap elsewhere on the screen to exit. Then, with that same arrow now highlighted (which means a time has been set) press that arrow to start autos roll. Tap it again to pause and also resume. If the time is too long or too short, go to the headphones icon on the top left (Song Playback) and the drop down menu appears. Sliding your finger slowly in the Duration box will let you add or subtract time. Tap anywhere to close the box.
I'm the same, Key songs to suit your range. It's worth noting these days recording studios have the ability to auto tune vocals, maybe not so much in the old days but if your trying to sing as good as a recorded song that might have taken weeks to record there is nothing wrong with reworking a song to suit you.
Great video. Thanks. I disagree with your advice about stopping your gig because some"one" requested a tune you're not prepared for. You'd have lost the crowd for stopping to retune. You can't win that one.
I was so disappointed when they left and I played the song too like 3 people an hour later! But yeah, you’re right. Sometimes it’s hard to win given the circumstances.
This is great. I've seen a couple solo artists do Oops I Did It Again, and it works if you wanna try it.
How could you change to music notation view? I'm only able to see the tab view :/
I think there’s 3 dots that’s let you change settings
You got my life at John Fogarty, proud mary, run though the jungle..CCR & back in black are what I cut my teeth on.vgood vid bro
Thanks for sharing keep it up🙏🫡
The next person who asks me to sing “sweet Caroline” at a gig is getting my guitar smashed on their head 😂
Yes!! Did you hear Chris Stapleton version of I hope you dance by Leeann womak? Could you imagine him singing it like Leeann womack😂😂😂 he did a phenomenal job of a cover
Great advise!! Also a Capo can be your best friend.
For sure!👍
Curious how you play Why Georgia. Mary Spender did a video on how it took her years to learn to play the song even passably and she had help from Paul Davids!
I play Jazz chords based on the Willie Nelson key.
Here’s the intro I use: th-cam.com/users/shortsrt42vL-zlik?si=a1i-fMAkSF0hbMQU
Justin, Your acoustic guitar sounds very good on this video and sounds like it has great action as well. What is it if I may ask?
Just found and subbed your channel btw. :)
Thank you! It’s a Crossroads acoustic from China…around $350, and I had an LR Baggs anthem pickup installed. To me, it feels and sounds like a Taylor. There are usually some to be had on Reverb.
Thanks; here's another consideration: Sometimes the "original key" really isn't - the published guitar tab was transcribed to the key that sounds but not as played. What I mean is that a song written out as being in F# was quite likely played using E and capoed up two frets. Knowing this makes it a lot easier to find fills and leads. Sometime the original key really is necessary because of the way the melody falls out of thos chords but that's only sometimes. Also, the original artist may well have performed it in several keys depending on how their voice was responding that night. Bill Monroe was know for changing to a higher key to get that "high lonesome sound".
I recently learned some artists recorded in a low key then had the record sped up, which also raised the pitch! I I heard about Led Zeppelin doing this at least once, and also Brent Mason on “Hot Wired.”
I played Amie for 30 years and grew to hate that song but everybody loved it
Isn’t it funny? You’d think people would get tired of hearing the same songs, but I guess there’s something to be said for nostalgia and the familiar.
Thanks for the tips-keep struming!
What really made a huge difference in approaching my own voice were two things I heard from absolutely amazing vocalists:
First one was somebody with the greatest dark, resonating, smooth but raspy bass, telling me that he spent many years beating himself up over not being able to sing his favorite hair metal high and higher tenor stuff. So it was a man with a beautiful voice, basically complaining about not having another style of great voice. You don't want the things you have, you want the things you want. Get over it.
And second one was a vocal teacher who told me, that you shouldn't try to sing like somebody else. Find your own voice, because that't something absolutely unique. Nobody could ever sound like you. Because the other person just doesn't have your voice. It's yours and only yours so make something awesome with it that nobody else can make.
Solid wisdom! 👍🙌
Very practical and useful!! Thanks!
Brown eyed girl has drawn boos when my old cover band played it so we dropped it. Some songs people are sick of & i would probably put Sweet Caroline in the same bracket
Yes knowing the crowd makes a big difference. Definitely some areas where those are overplayed. People still seem to request them though. 🤷♂️
Are you using a desktop version of UG in this video? Can I use backing tracks on the iPhone app? Thanks!
Yes, they work on the phone app too
My most comfortable highest singing note coincides with an open top E string, so I play the melody in different keys, until I find the one that matches my range. I _can_ hit higher notes, but not every song. The song choices in this list are great, and absolutely, if you receive a request, try to play it. One of my rules is that I don't learn new songs: they need to have already matured into classics, so the audience will be familiar with them. Most importantly, "be entertaining"! I've seen so many people who can play and sing, but who don't realise that you have to sell the songs, and connect with the audience. To sell songs, I try to get into the zone like a method actor, and "become" the person narrating the song. My aim is to have the audience believe that I _really did_ shoot a man in Reno.
“Hello, I’m Johnny Cash!” Great strategy!
Great Vid!! You Rock!!
Can you Make an instrumental list for those of us who cant sing and only play guitar?
Do you play lead electric guitar? There are some realistic backing tracks on the paid version of Ultimate Guitar, and the tabs are there for learning.
Here are some I like to play. www.ultimate-guitar.com/playlist/shared/vegz0j50jvzk
@@justinbishopmusic Thanks, i do fingerstyle with no looper or backing tracks, im not savvy with that extra stuff while playing. My latest is Margaritaville which is fun and easy to do
Of all the great Van Morrison songs, Brown -eyed Girl is the last song anyone should play.
Why is that?
Trying to do anything Chris stapleton and I'm in trouble vocaly
I hear you…but I’ve been able to drop a few with some success. White Horse in Am is much more accessible.
What app do you use. I’ve used Onsong in the past but have read bad reviews about Onsong 2022
forScore for PDFs. Easy to make lists on pc, ipad, or iPhone
I'm very blessed. I started guitar 3.5 years ago. My guitar skills took off!
But my VOCAL skills were better! Much better! I'm a BariTenor. I've always had a kinda decent voice...but once I started getting good at guitar, I pushed my vocals from chest to head voice and discovered that I can SING! Like 2 octaves + !! On Key, in tune...And then I tried Bee Gees just to see...and I'm at the top of my range with Andy Gibb!! I'm not cracking, and I'm hitting the notes...while playing. My comfort level is Gordon Lightfoot/John Denver/Bob Seger. All songs, no issues. Now my repotoire is 890 songs. I play for hours...Like I said, I'm SO blessed!
My guitar skills need polishing, but I've got about 60 chords down now.
Why would you have to re-tune your guitar for Little Lion Man? Standard tuning works fine
I was in open D (DADF#AD) to play two other Mumford songs, and to play Little Lion Man like the original, Tuning would be (low to high): CACGCE. The point is I knew the sing and should have found a way to play it because they wanted it. 🥴😫
@@justinbishopmusica second guitar is always helpful...
Great advice ! 😃
New subscriber! Thanks Justin!
Very true. I used to have this thing about singing songs in its original key. I would try to do things i couldn't do. Trying to scream out high notes that didn't suit me didn't work. Its a bit like a girly girl trying to sing Johnny Cash songs with a strong masculine voice. I believe almost anyone can sing, as long as they don't try to be something that they're not.
What key did you transpose Jack & Diane to?
I think for that one, I put heavier strings on a guitar and tuned down a full step.
I live in Georgia too 😊
Great info bud !
Good advice
Make each song your own. Rather hear a song re-interpreted than just trying to imitate the original. McCartney said re-interpretation is the key to finding your own voice/style.
Great video
I've been gigging for more years than I care to admit. OF course you should change the key to whatever fits your range. As far as a top10 - it changes with any gig but "when in doubt, play Beatles" always works. Oddly, I have found that 50's rock and roll works really well for college age AND YOUNGER! Go figure.
FWIW, never use a fake book or whatever - it will clearly be apparent to the audience. LEARN THE SONG!!!
I tune to Eb.
Still will change keys if needed.
Yes after 3 hours singing, it can definitely make a difference!
I'm a flippin' Contralto. Don't expect me to sing Soprano. I end up writing my own.
~ 🌺
I’ve been playing acoustic solo gigs for 30 years…the money has to be double, and at a private gig, for me to play a lot of those top songs from your list. No offense meant at all….I just can’t stomach hearing the crowd on Sweet Caroline….haha. And with a repertoire of 700 tunes (songbooks), I don’t need to play Eagles, John Mellencamp, etc. but everyone has a different approach and use of genres…. Great overview video of our lives as solo performers tho!!
I hear you! If you do it all the time, I can see how some songs might lose their appeal. Glad you have a much bigger pool of songs to choose from!
@@justinbishopmusic I definitely appreciated your post. I try to explain to my musician friends that perform solo about finding songs that fit their voice and style. Changing keys, use of a capo, etc….and don’t be so fixated on playing the tunes exactly as the original. Four notes into Fire and Rain and everyone turns their heads…..but the rest is fingerpicked in my own style
Audience: "Do you know Sweet Child of Mine "?
Me: "Yes"
Audience: "Play it!"
Me "No"
😂😂😂 Same! Though I might give them a riff.
Rather heavy on the Beatles, which I Iike but? Anyway, Jack and Diane is fun to play but the words are terrible and I'm not one bit woke. It's just time to play Little Pink Houses or Hurt So Good and drop J&D. Other ideas that I like : Happy Together, Nature's Way, Rocky Mountain High, Give a Little Bit, Country Road(s)JT and JD, respectively, Sweet Baby James, Dock of the Bay
Good stuff. Good advice. I change key and feel on most of what I do now. New sub here. Aded you to my cover artists playlist. 🎸🎸
I will never play Sweet Caroline, ugh. All the others are great choices.
Very interesting. Where is the list for a bass voice? I don’t think there are any! I can play! I just can’t sing any of that!!!! Unless you want to go for opera🤔
Change the key...!
I would not play Jack & Diane at gunpoint.
"suckin' on chili dogs outside the tasty freeze"
😂😫
I do the same thing!!!
Jeez man don't have a date ,it just happened ,Like I say don't know when I was unable to not run a mile as fast ,could be down to COVID ,but I just know it's a bit more comfortable to sing some songs a tad lower
If you are doing covers - you sing what you are best suited for, not what you like. That is kind of the difference between and ameteur and a pro, The pro knows what they are good at and then applies it. And no don't play a popular song if you can't sing it. The people that want to hear it, don't appreciate you butchering it. Resist doing stuff that people like but you are unable to sing.
So hard to learn to be real with yourself, but it makes a big difference!
Ok what if you don'e know the song the person is requesting? You can't stop the show and study the song they want and learn it, practice it and then sing it. I tell people I can play it if it is in my repetoir
Better to ask them for groups/bands they like. Then you get to pick the song.
Always remember... The capo is your friend. You can change keys much easier.
Yes, but I usually need to go down like a third…which would put me at the 9th fret 🥴🤪😱🤘
This is so the issue I’m having as a baritone
If anyone shouts out a tune to play, you should absolutely not play it at all.. we are not jukeboxes, even if it’s your best song, refuse it make them suffer
Yep, most people’s standards aren’t that high, so we can get away with sub par talent.