Die Zauberflöte (The Magic Flute): Pa-pa-pa | Glyndebourne
ฝัง
- เผยแพร่เมื่อ 2 ม.ค. 2020
- Björn Bürger
and Alison Rose perform 'Pa-pa-pa' from Mozart's Die Zauberflöte (The Magic Flute).
Recorded live at Glyndebourne Opera House, August 2019.
Creative team:
Conductor: Ryan Wigglesworth
Direction and Design: Barbe & Doucet
Puppet Designer: Patrick Martel
Lighting Designer: Guy Simard
Orchestra of the Age of Enlightenment
OAE Leader: Matthew Truscott
The Glyndebourne Chorus
Chorus Director: Aidan Oliver
Cast:
Tamino: David Portillo
First Lady: Esther Dierkes
Second Lady: Marta Fontanals-Simmons
Third Lady: Katharina Magiera
Papageno: Björn Bürger
Queen of the Night: Caroline Wettergreen
Monostatos: Jörg Schneider
Pamina: Sofia Fomina
Speaker: Michael Kraus
Sarastro: Brindley Sherratt
Second Priest and First Man in Armour: Thomas Atkins
First Priest and Second Man in Armour: Martin Snell
Papagena: Alison Rose
Puppeteers: Richard Booth, Mikey Brett, Ashleigh Cheadle, Jack Parker, Ben Thompson, Scarlet Wilderink - บันเทิง
I cant believe what they did.
First time i’ve seen a magic flute performance that changed its theme and color... very cool!
Brilliant version I've ever watched
The whole production was a hoot, off the wall funny, and very very .... Mozartian!!!
But this bit is pure slapstick and to hell with the music.
@@theon9575 Someone who wrote a Canon called "Leck mich im Arsch" would approve.
@Theo N zauberflöte was never supposed to be highbrow
@@theon9575 It's superbly sung and played as is always the case at Glyndebourne
@@metacarple I agree. Absolutely. ✅ It's why Glynebourne is held in highest regard and why I've been there and watch video of it. But I was not talking about that. I was just saying it it's a pity the voices aren't more 'exposed' so they can be appreciated - not sounding like the music direction didn't even notice that. Mr Esparza's Comment made above reflects this (🤭).
It's the classic battle in opera, trying to be 'verismo' dramatically credible & naturalistic (and, here, very funny) in operas that were written with deliberately unnaturalstic vocal lines by the composer specifically to expose a particular singer's voice as Mozart (and Handel) did.
The result is a great hoot, a lovely enjoyable production. I just think that there's not much room given to 'stop to smell the (vocal) roses', which the composer wanted to do too.
Maravilloso 🥰🙌🏼
Un gran abrazo desde Bogotá 🙌🏼🥰
Beautiful performance !!
Very nice voices !!
It s on TV Now, love from Verona!
what a handsome singer
I found the production a bit too daring and allusive, but it's well sung and played
Juas!!! XD
Twoset clearly brought me here
Wow two set 😊I'm 70 and follow them, however started opera 50 years ago
This is what happens when an opera is sung in its original language.
Directors add visual gags rather than using the comedy in the libretto
Don’t tell me that’s what I think they did.: 0:49
Mozart would have laughed his ass off!
Ummmm, who directed this...lol.
Very funny. But I miss the focus on the fabulous score and the singing, where Mozart put the comedy and charm.
Though I love this duet, I had to stop watching before it ended. Crude and vulgar staging of what should be charming and delightful.
Mozart would've loved it
This is… 😅
😂😂 das ist doch mal was originelles 😂😂😂 die Zauberflöte mal anders 😂😂😂😂
Garbage. How to complete ruin an opera. The Papagena also is singing rather full out. The stage business was vulgar. The production tiresome and lacking in any meaning or magic. Next.
It is possibly the best Zauberflöte I have ever seen and heard ( I have seen it at CG, in Paris, in Wiesbaden, in Berlin, In Mainz and in Edinburgh) . Pure joy from beginning to end.
I love this staging!!
you can't stick to the same production style. Things have to change to make it interesting.