The best thing about this performance is the kids' faces. They are truly captivated. Rolando is not only a great opera singer but also a great stage performer.
Los niños estaban fascinados cautivar este público implica una entrega escénica completa. Muchas felicidades !! De mis favoritas nose tal vez la mejor!!
I think this may be one of my favorite versions. They look so delighted and expressive and I love how at the end they have a bunch of little Papagenos and Papagenas.
Meraviglioso coinvolgimento di tutti i bambini! Bravi, bravi, bravi!! Anche un opera lunga e complicata come Il flauto magico può essere presentata ai bambini e resterà sicuramente nei loro cuori come una meravigliosa favola, eccezionali.
Oh. My. GOODness this was just spectacular. Villazon's ability to capture this character so authentically is a true gift to witness! Not to mention the rest of this cast and orchestra... 11/10
Rolando Villazón es una estrella; aunque su voz ya no sea la de hace 15 años, es un magnífico y gran cantante, actor y comunicador. Me hubiese encantado ver esta representación tan divertida. Bravo Rolando
Villazon's performance is very infectious: he enjoys it himself and lets the audience enjoy it too. As a light baritone he is more relaxed: a particularly nice performance; the children's audience and the other singers and musicians enjoy it too. A very pleasant surprise.
Papageno's whistle is based on a motif borrowed from Salieri's Concerto for Clavicembalo in B-flat major. Salieri gives (1786. -"Prima la musica e poi le parole") - the embryo idea of the Queen of the Night, the embryo idea of Papagena... Magic Flute 1791., is a "mosaic" created from musical ideas: Wranitzky: "Oberon, Koenig der Elfen" 1789.; Soler: "L'arbore di Diana" 1787. "Der Stein der Weisen, oder die Zauberinsel"1790. (The Philosopher's Stone, or the Enchanted Isle) is a singspiel in two acts, jointly composed by Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, and Wolfgang Amadeus Mozart in 1790. The libretto was written by Schikaneder. The opera has several important parallels to Mozart's The Magic Flute, which premiered a year later.
Отличное видео!. Все классно - и удивительный тенор Виллазон с партией баритона, и Папагена, очень симпатичная девушка, и три мальчика, не заунывно исполняющих свой унисон, а участвующие в представлении артисты,а главное - маленькие зрители, завороженно следящие за действом.
@@miriamkutrowatz5352 Das löst das Problem^^ danke für die Antwort. Ihr Ausdruck beim singen macht einfach Spaß beim zuschauen! Ich persönlich finde Ihre Singsprache auch sehr gelungen, um wirklich die Geschichten zu erzählen und trotzdem schön zu singen, Danke dafür!
It's a shame for a tenor who lost his voice (due to luck of good vocal techique) to parasitise the opera by singing roles for baritones (and not even for high baritones). Soon we'll hear tenors who sing bass roles and they will be 100 times more popular and demanded than good real basses. My opinion is that such behaviour just shows that this man has no respect for opera and music in general (and his voice as well). I wonder, why older tenors like Angelo Lo Forese could sing great high notes even in their 90s and they didn't need to occupy roles created for other voices. Good thing to think for some famous names they should be honest with themselves and accept the truth about their present vocal skills.
Who prevents you from not listening if you don't like it? Were you forced to listen to this? Turn on the recordings of Corelli and Del Monaco, and be happy. And Rolando, despite the possibilities of his voice today, has a huge audience all over the world that continues to listen to him. If he has an audience, then who are you to allow him to go on stage or not? There is a demand - he goes out and sings. And it's great that he has an audience that loves him, even when he's not perfect.
@@nathaliek-r It's obvious that you are not even taught operatic singing that's why you don't understand what is to be a PROFESSIONAL singer. Professionals are paid for a qualified work, it's the same as being treated by a bad doctor and still claim that he is the best in the world. And try to develop your taste and listen to some good modern performers (lot's of them are much better even though they don't have huge sponsors support and for that reason not so widely-heard). And a big fan base means nothing in modern day. Lots of ordinary people can't judge vocalists because their taste is poor and all they can say is that they like or dislike someone but it's difficult for them to explain why, they don't understand the criteria of a really trained voice. As the result we have more bad than good singers today. In baroque period it was normal for singers to compete each other during the performance to see who is better and deserves the star status. Legendary Farinelli ended his career at 32, and historians think that the reason was that he felt the first signs of his voice becoming worse and didn't want the public listen to his degradation (but those who heard him even in his old age claimed he had a great voice).
@@Георгий-ф6п Obviously, you've never been given a good upbringing. You come to a stranger on the channel and tell them that I have no idea about good professional singers. Don't tell me this nonsense. I am taught vocal by a professional singer who studied with Mario Del Monaco's student, the heroic tenor James McCray. Professionals like her in the world can be counted on the fingers of one hand. Therefore, never behave arrogantly and do not try to increase your self-esteem at the expense of other people.
@@nathaliek-r I am also taught by a professional teacher and he teachs me that shouting and screaming doesn't equal to singing with good resonance and volume. Music is not only shouting everytime and everywhere; it's the art of being able to control your breath and voice to transmit different colours and differen emotions, not just one the same (screaming, screaming and screaming again - Villazon does it his whole entire carreer). For me one of good examples is the difference in singing Un bel di vedremo by Schwarzkoph and Callas. The first one does it with such elegance and grace and so weightless like she is a bird, her sound is so melodic and sweet. And it's well known that Callas lost her voice mainly because she mostly sang with force (unnecessary force).
@@Георгий-ф6п Mario Del Monaco also sang with effort and was accused of excessive shouting. Rolando's problem, as my teacher says, is not in the power of sound, but in excessive emotionality, which causes the wrong closure of the vocal cords. Del Monaco clearly understood this, and one day he left the stage for six months in order to study technology. Rolando is too emotional, and emotionally tends to stop closely following the technique. Improper closure of the vocal cords causes, as it were, splitting of sound, unnecessary cracking, which, of course, affects the sound.
Rolando does not sing baritone parts. He sings only Papageno as an exception, because Mozart did not write that it was for a baritone. Mozart wrote this part under his acquaintance. Traditionally, Papageno is sung by baritones, but Mozart did not give such instructions.
looks that ths failed tenor found his real vocation whch is entertainer. for kids and masses. But for rhe cutured and musical people, stop considering him a good singer. he is the perfect example of what never do with the voice.
Firstly, Rolando is not only an accomplished tenor, but also a tenor who has already left his name in history. Secondly, I see you want to talk about Rolando's bad technique? Let's talk. Since I am a vocalist, I can perfectly hear not only the difference in the sound of Rolando's voice in 2006 and today, but also hear exactly which muscles of his vocal apparatus are working incorrectly, what exactly is happening in his muscles that are involved in sound production, and I know why this is happening. Moreover, I know that it can be fixed, and I know how it can be fixed. But Rolando obviously does not have the time and opportunity to cancel all contracts in order to leave the stage for six months and start restoring equipment. And obviously, there is no one in his environment who could help him with this, otherwise he would still be singing the same way he sang in 2006. But all this doesn't stop me from listening to him. And I won't ask your permission to listen to it. I like listening to him despite the technical problems he has. Have a nice day!
![Mozart: The Magic Flute [in English] Australian Opera (1986) [SUBS]](http://i.ytimg.com/vi/BurovR247oI/mqdefault.jpg)
![Mozart: The Magic Flute [in English] Australian Opera (1986) [SUBS]](/img/tr.png)
The best thing about this performance is the kids' faces. They are truly captivated. Rolando is not only a great opera singer but also a great stage performer.
Absolutely ❤! He is such an great actor .
Best thing about this performance is when it finally ends
@@alexandregarden6260 ?
@@alexandregarden6260oh darling, go find some traffic to play in. Run along now.
@@alexandregarden6260oh dear. You having a bad day? Poor you. It’s a beautiful performance for the children.
A wonderful way to get children interested in classical music!
What an absolute delight. I’m a 76 year old man who CANNOT stop smiling. Many thanks❤❤❤❤❤
Same here. I'm a young sprout at 64 and gotta say this is the best version of Papageno I've ever heard or seen. Such energy and enthusiasm.
Those kids' faces, indeed, completely and happily enchanted. Lump in my throat, tears in my eyes... superb performance Rolando!
His performance is always so expressive and a joy to watch
Eso le queda. Perdió su voz. Es una sombra.
Should be a must performance at every kindergarten worldwide..🎉
This opera has mason's element and is very dark. The Queen snow aria is terrible. /super as aria when you
don't understand the worlds.
Los niños estaban fascinados cautivar este público implica una entrega escénica completa. Muchas felicidades !! De mis favoritas nose tal vez la mejor!!
I think this may be one of my favorite versions. They look so delighted and expressive and I love how at the end they have a bunch of little Papagenos and Papagenas.
O please. Kids in German primary schools used to do the Alexander stance in class after experiencing my Papageno!
Schauspielkunst und Virtuosität gepaart mit einem großen Herz.
bravissimo ROLANDO VILLAZON- vive la patrie mexicaine!!!!
Meraviglioso coinvolgimento di tutti i bambini! Bravi, bravi, bravi!! Anche un opera lunga e complicata come Il flauto magico può essere presentata ai bambini e resterà sicuramente nei loro cuori come una meravigliosa favola, eccezionali.
Um meine beiden Söhne an die Oper heranzuführen, haben wir mit der " Zauberflöte " begonnen. Ein guter Einstieg.
Oh. My. GOODness this was just spectacular. Villazon's ability to capture this character so authentically is a true gift to witness! Not to mention the rest of this cast and orchestra... 11/10
❤😂🎉fantastic,súper, Mr! ROLANDO ES UN GENIO CANTANDO I ACTUANDO . Domina el canto I el teatro. 😅
Rolando Villazón es una estrella; aunque su voz ya no sea la de hace 15 años, es un magnífico y gran cantante, actor y comunicador. Me hubiese encantado ver esta representación tan divertida. Bravo Rolando
Музыка Моцарта -- волшебная, божественная!... и музыканты, и актёры - высший класс! А лица детей -- лики ангельские...
❤
4:19 dude, best show for toddlers and children lol
Es ist so schön zu sehen, dass Kinder Oper erleben, für viele ist es wahrscheinlich das erste Mal.
Realmente impresionante, la dinámica que mantiene a los niños atentos. Bravo Rolando se te quiere mucho. Gracias Nathalie por compartit.
También es la educación de ese país, algo así en México es imposible.
Villazon's performance is very infectious: he enjoys it himself and lets the audience enjoy it too. As a light baritone he is more relaxed: a particularly nice performance; the children's audience and the other singers and musicians enjoy it too. A very pleasant surprise.
So sweet an ending. Papagena is as talented as Papageno. This is a children's performance.
This is beyond glorious!! 🎉
Wunderschön!
Alors là,
Une mise en scène et interprétation enchanteresse...
Amadeus peut être fier de vous...! 🎶🙏🍀
❤😂🎉Magnifica interpretacion.. BRAVO.
Wonderfully enjoyable performance! 👏
Papageno's whistle is based on a motif borrowed from Salieri's Concerto for Clavicembalo in B-flat major. Salieri gives (1786. -"Prima la musica e poi le parole") - the embryo idea of the Queen of the Night, the embryo idea of Papagena... Magic Flute 1791., is a "mosaic" created from musical ideas: Wranitzky: "Oberon, Koenig der Elfen" 1789.; Soler: "L'arbore di Diana" 1787. "Der Stein der Weisen, oder die Zauberinsel"1790. (The Philosopher's Stone, or the Enchanted Isle) is a singspiel in two acts, jointly composed by Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, and Wolfgang Amadeus Mozart in 1790. The libretto was written by Schikaneder. The opera has several important parallels to Mozart's The Magic Flute, which premiered a year later.
Ах яка чудова вистава! Дітки у захваті від Моцарта! ❤❤❤❤❤❤
Bellissima rappresentazione! Vero spirito dell'opera!!! Sehr schön!
Es una maravillosa puesta en escena, interactuando con los niños, que sin duda amaran la opera , tanto como a Motzar, y genial Villazón y su Papagena.
A dream ❤
Beautiful ❤❤❤
Wow!!! Fantástico!!
Una maravilla poder ver a Rolando ahora con mis hijos, un Papageno genial 🦜
Que liiiindo. Los niños cautivados con la historia y la interpretación. Bravo !
Отличное видео!. Все классно - и удивительный тенор Виллазон с партией баритона, и Папагена, очень симпатичная девушка, и три мальчика, не заунывно исполняющих свой унисон, а участвующие в представлении артисты,а главное - маленькие зрители, завороженно следящие за действом.
Amazing ❤️❤️❤️❤️❤️❤️❤️
Самое главное, детей учат правильному!!!!! Где мама и папа, и их детки папагены!!!!!😊😊😊😊😊😊😊😊😊
Я недавно видела на фейсбуке обсуждение под постом, где пело оно, которое выглядело женщиной, а рот открыло и оказалось баритоном.
Русские немцы?
Bravvvoooooo Maestro ❤
The best version!
Die bestte fuer kinder 😅
Hrvatska /Croatien vas sluša ❤
Beautiful!
Wie wunderbar! Ein ganzen Konzerthaus voller Kinder.
Opernhaus - das ist die Wiener Staatsoper
This is so delightful.
villazon , orgullo chilango, te amo💟
Who's iniciative was this ? Excellent !!!
Rolando Villazon es un Genio, EXCELENTE Tenor, VIVA La CDMX
Dankeschön Nathalie !
Fabulous!
Вольфганг Амадей Моцарт
*Волшебная флейта* !
❤🎉❤🎉❤🎉❤🎉❤
Hermosa obra!!! 👏👏👏
Sehr schön, ich verstehe das Glück der Kinder 🎉
Delightful!
Großartig!
Bravo!....
비야손 응원합니다. 비록 화양연화는 지났어도 언제나 열심히 무대에 서는 모습은 존경스럽습니다
한국에 한번 왔으면 좋겠어요
비야손의 열정을 좋아하는 사람 한국에 많아요
Rolando es genial como cantante y actor
belissimo
Восторг от увиденного! Какие детские лица! Чудо!
Who is singing Papagena? I cant find her name...
Hello! It is me- Miriam Kutrowatz! 😊
@@miriamkutrowatz5352 Das löst das Problem^^ danke für die Antwort. Ihr Ausdruck beim singen macht einfach Spaß beim zuschauen! Ich persönlich finde Ihre Singsprache auch sehr gelungen, um wirklich die Geschichten zu erzählen und trotzdem schön zu singen, Danke dafür!
@@miriamkutrowatz5352You are wonderful singer and actress in one!
Man, Gordon Ramsay can conduct.
아직 비야손 살아있네!! 살아있어!!!
물론 롤란도는 살아있다! 그리고 그를 또 다른 100 년 동안 살게하십시오!
Astonishing. The soprano deserves being mentioned as well. I still wonder who is she...
Soprano Miriam Kutrowatz
@@nathaliek-r Thank youu!!!! 😊
Хорошенькие такие)
Rolando being a tenor, this makes me ask, I thought the aria was written for a baritone
😍🥰
Some people who post in TH-cam are very annoying. Forgetting to include in the titles the co-stars and orchestra are just unforgivable.
😍
WHO PAPAGENA?
It’s me! Miriam Kutrowatz! 😊
@@miriamkutrowatz5352 MIRIAM!!! YOU ARE GODDESS!!! THANK YOU!!!
I didn't see a trigger warning for suicidal people!!!??? How did people in Mozart's day get by?
They got by because they were grown up and recognised fantasy when it presented itself.
Oh je...
Me: How down bad are you?
Bro:
Oy vey.
It's a shame for a tenor who lost his voice (due to luck of good vocal techique) to parasitise the opera by singing roles for baritones (and not even for high baritones). Soon we'll hear tenors who sing bass roles and they will be 100 times more popular and demanded than good real basses. My opinion is that such behaviour just shows that this man has no respect for opera and music in general (and his voice as well). I wonder, why older tenors like Angelo Lo Forese could sing great high notes even in their 90s and they didn't need to occupy roles created for other voices. Good thing to think for some famous names they should be honest with themselves and accept the truth about their present vocal skills.
Who prevents you from not listening if you don't like it? Were you forced to listen to this? Turn on the recordings of Corelli and Del Monaco, and be happy. And Rolando, despite the possibilities of his voice today, has a huge audience all over the world that continues to listen to him. If he has an audience, then who are you to allow him to go on stage or not? There is a demand - he goes out and sings. And it's great that he has an audience that loves him, even when he's not perfect.
@@nathaliek-r
It's obvious that you are not even taught operatic singing that's why you don't understand what is to be a PROFESSIONAL singer. Professionals are paid for a qualified work, it's the same as being treated by a bad doctor and still claim that he is the best in the world.
And try to develop your taste and listen to some good modern performers (lot's of them are much better even though they don't have huge sponsors support and for that reason not so widely-heard).
And a big fan base means nothing in modern day. Lots of ordinary people can't judge vocalists because their taste is poor and all they can say is that they like or dislike someone but it's difficult for them to explain why, they don't understand the criteria of a really trained voice.
As the result we have more bad than good singers today.
In baroque period it was normal for singers to compete each other during the performance to see who is better and deserves the star status. Legendary Farinelli ended his career at 32, and historians think that the reason was that he felt the first signs of his voice becoming worse and didn't want the public listen to his degradation (but those who heard him even in his old age claimed he had a great voice).
@@Георгий-ф6п Obviously, you've never been given a good upbringing. You come to a stranger on the channel and tell them that I have no idea about good professional singers. Don't tell me this nonsense. I am taught vocal by a professional singer who studied with Mario Del Monaco's student, the heroic tenor James McCray. Professionals like her in the world can be counted on the fingers of one hand. Therefore, never behave arrogantly and do not try to increase your self-esteem at the expense of other people.
@@nathaliek-r I am also taught by a professional teacher and he teachs me that shouting and screaming doesn't equal to singing with good resonance and volume. Music is not only shouting everytime and everywhere; it's the art of being able to control your breath and voice to transmit different colours and differen emotions, not just one the same (screaming, screaming and screaming again - Villazon does it his whole entire carreer). For me one of good examples is the difference in singing Un bel di vedremo by Schwarzkoph and Callas. The first one does it with such elegance and grace and so weightless like she is a bird, her sound is so melodic and sweet. And it's well known that Callas lost her voice mainly because she mostly sang with force (unnecessary force).
@@Георгий-ф6п Mario Del Monaco also sang with effort and was accused of excessive shouting. Rolando's problem, as my teacher says, is not in the power of sound, but in excessive emotionality, which causes the wrong closure of the vocal cords. Del Monaco clearly understood this, and one day he left the stage for six months in order to study technology. Rolando is too emotional, and emotionally tends to stop closely following the technique. Improper closure of the vocal cords causes, as it were, splitting of sound, unnecessary cracking, which, of course, affects the sound.
Noch ein Tenor der nicht mehr in die Höhe kommt und jetzt meint, er müsse Bariton singen! 🙈🙈🙈🙈
Rolando does not sing baritone parts. He sings only Papageno as an exception, because Mozart did not write that it was for a baritone. Mozart wrote this part under his acquaintance. Traditionally, Papageno is sung by baritones, but Mozart did not give such instructions.
Perdió su voz muy joven. Se ahoga cantando de barítono, y tampoco tiene agudos. Mala enfermedad.
looks that ths failed tenor found his real vocation whch is entertainer. for kids and masses. But for rhe cutured and musical people, stop considering him a good singer. he is the perfect example of what never do with the voice.
Firstly, Rolando is not only an accomplished tenor, but also a tenor who has already left his name in history. Secondly, I see you want to talk about Rolando's bad technique? Let's talk. Since I am a vocalist, I can perfectly hear not only the difference in the sound of Rolando's voice in 2006 and today, but also hear exactly which muscles of his vocal apparatus are working incorrectly, what exactly is happening in his muscles that are involved in sound production, and I know why this is happening. Moreover, I know that it can be fixed, and I know how it can be fixed. But Rolando obviously does not have the time and opportunity to cancel all contracts in order to leave the stage for six months and start restoring equipment. And obviously, there is no one in his environment who could help him with this, otherwise he would still be singing the same way he sang in 2006. But all this doesn't stop me from listening to him. And I won't ask your permission to listen to it. I like listening to him despite the technical problems he has. Have a nice day!
@@nathaliek-r you went completely in another direction. anyways, jus saw a friend of mine sold out a concert with him...the times we live in. have fun
@@nathaliek-r Thank you for the jocularity.