George always has a way of adding these almost angular "slinky " "sinister " sounding notes into his phrasing....while still keeping his playing very fluid. Absolutely one of the greats
@Douglas Aprile I've been playing on and off for decades and I wondered the same thing. But recently, it's started happening for me gradually. I don't know music theory and I just stare at a map of the fretboard with every note labeled and I'm immediately overwhelmed. So I started off learning just the notes in one key. I picked Em to start, because then all of the open strings can be played in solos, since E-A-D-G-B-E are all in the key of Em. So this opens up the opportunity for you to do lots of hammer-ons and pull-offs. Next I located every E note on the fretboard (there are somewhere around 10 of them on a 24 fret guitar) so that I could wrap up each measure or phrase of the backing track by returning to E. Then I just started randomly playing notes in the key of Em along with a backing track I found here on TH-cam. In my opinion, some of the best backing tracks are on the TH-cam channel called Now You Shred. So pick one that's in Em. Record yourself randomly noodling to the backing track each evening and then listen to your recordings the next day, while you're driving or whatever. You'll start to hear little riffs and phrases that you accidentally created that sound good. So go back to your guitar and figure out how you played each of them. It helps if you video tape yourself playing, but an audio recording is better than nothing. These will be your signature phrases (although in reality, they've probably been used by others, but they can be yours too). As you do this, night after night, you'll find yourself gradually replacing the playing of random notes with stringing your signature phrases together in different combinations. You'll be pleasantly surprised at how you start sounding and you'll get cleaner and faster at your signature phrases. The next step is to be listening (in the background) to the backing track while you're soloing. So if you know the main melody of the backing track is going to be going up in tone (ascending), then pick one of your signature phrases that moves upward. If you keep doing all of this, you will eventually start to be able to play a rough approximation of that glorious solo that you hear in your head. I'm not yet at the place of being able to play exactly what's in my head, but I'm inching closer. It's the most exciting breakthrough I've made in learning guitar. I'd seen this George Lynch video years ago and it really stuck with me because I thought that I should return to it at some point, once I can solo better, so that I can make my sound more unique. So next I'll be experimenting with sharping and flatting random notes in the Em scale, like George recommends here, and we'll see what happens. After that, I'll try weird modes that folks like Yngwie and Steve Vai play (Aolian, Phrygian, or a Demented 7th or whatever) and we'll see how that sounds. I spend an hour per night, an average of 4 nights a week, practicing like this and I'm really happy with the results. I have a long way to go (I need to learn all of the other keys, I don't use my pinky for soloing, I hold the guitar wrong, I can't sweep pick, etc.), but I'm already at a place where I enjoy playing so much more than I used to. Cheers!
I'm impressed not only with his playing, but very much with his patient, laid back way of explaining what he does as he plays, in a very clear manner. He really is a natural for one-on-one tutorials and seems to enjoy doing it. A+ Mr Lynch!
I heard Randy used to tell everyone that George was the best around when they were young! Can you imagine George, Eddie, and Randy were all in that local scene! I’d love to time travel back to that era before they all made it and just be apart of that scene!
CentaurusRelax314 I heard plenty of them ,but this was 79 to whenever Dorkon,finally went on to open for everyone else. Imagine a 13 year old ,sitting with his Iceman and watching him basically do this for a half hour ,and all I had was a couple tapes of him playing away ,and that's when I left,but then he quit ,so I went back to Musonia,and the new teacher was Craig Turner,who was a GREAT teacher . George is who he is,but ,........that's all.
Had the pleasure of meeting George one time. He was a truly gracious gentleman. Very humble and unassuming.They guy is a living legend, but he is completely approachable and down to earth.
That was the most humble teaching from a master . .. He made no excuses .. He admitted his faults .. He told us to look beyond. .. Coming from ne of the most firey players of all time .. He followed his own rules .. admitted he followed shapes and returned to them all the time .. They are interludes .. pieces to build upon . and places to stop and let the mind rest and dream of another movement
One of the most unconventional and underrated guitarist of the last 30 years. Much like Jeff Beck, he’s so good at his craft, yet can’t really be categorized, you really have to be a musician to fully comprehend what a wizard he truly is.
George needs to go rescue Jeff Beck. Jeff has gotten bored playing with the likes of EC and the rest, now he’s playing with Johnny Depp. He must really hate being at home. I think Jeff would find George to be a much more like-minded playing partner. Jeff’s style the last 10 years has been much closer to George’s more sonically driven metal than it is to traditional blues/rock. I posted a comment on George’s new Soldano video telling him he should give Jeff a holler. I’d pay just to get a copy of them jamming for an hour. 🤣
So true. If you watch his fingerings he doesnt play anything overly difficult but it’s what he adds that makes him stand out. You can hear a solo you never heard before but can instantly tell it’s George.
Hands down one of the greatest players to ever play, the most organic of the 80's players by far. To me EVH and Lynch were the only ones who had that style that was just different, their phrasing and little nuances when they played u just knew it was them after the very first note . There's plenty of technical players out there that surpass lynch as a guitar wizard but imo none are as talented a musician and guitar player than Lynch, this man could flat out play but he had something else that so many technical players lack and that's soul. Never get tired of listening to him play even after 30 years..
Yeah, and I love how down the earth he is as well. He certainly has fingers large as hammers and he's got lot of strength in them. Plus the creative mind. All of that makes up for a great guitar player and personality that makes it never boring with him
Hes so underrated in the Guitar world , I think a lot of people think of George as a 1 hit wonder because he was in Dokken but his own solo work with Lynch Mob etc is very good listening , also notice how the Lacquer on his guitar is cracked that thing has seen a lot of abuse , it is sad that the kids today just aren't interested in Rock anymore , I hope one day the hair metal thing comes back
Everybody has the same 12 notes.Mike Bloomfield talked about growing up in Chicago hearing Greek,Italian,Polish,Jewish in all the neighborhoods walking down the street.I love what he said."It's all blues."Thanks George,American Music is our gift to the world.
A wonderful and unique player in the hair metal genre where everything sounded almost the same, George broke loose and shaped his own sound. What a true master of our instrument.
George has an incredible ear for slick...He can slide his way all over the place, not necessarily know where he is, but the feel is never text book. I give him a HUGE A plus for this. Most players today get their licks and tricks fucking fed to them on TH-cam, NOT this guy.
Thank you George Lynch for sharing your incredible gift of music with the rest of us. It has been a pleasure listening to you all these years. A real inspiration!
This is a great straightforward description of process. As a guitarist, I arrived at the same kinds of processes and look at things much the same way, but I'd never heard someone describe it in accessible terms like these before seeing this video.
I've been playing Blues scales for more than 30 years and I agree with George. Being able to mess around inside those boxes and as long as you end up back where you started it all seems right. Puts a flair on your playing and adds substance to the boxes. Fast isn't necessarily the only Beauty, but being able to change your personal sound... And George has done that magnificently over the years. One of the greatest guitarists that have ever lived
Being a rocker out of the 70s and 80s, George definitely one of my favorite. His playing style just perfect. He beats those blue scales up, and makes them do his bidding from every different direction. Very iconic player, intelligent gifted and loved by anybody that enjoys playing guitar and Rock music. You can learn a lot from this man.
@@Busyfingers24 heck yeah man... and it never gets old :-) I fear for the Young Generation, and all that's been lost. It seems like they have lost their identity or let it slip away. My own kids are pretty good, college educated and doing well... I wish I could take them all back to the 70s so they could see for themselves. Definitely happier back in the 70s and 80s
George is the most down to earth rock legend I've ever seen. Has taken time for decades to help new players. The guy is just awesome. Also every note and solo he's ever recorded, ESP on the Back for the Attack album just stays in my had.
what Aaron said........ I can't put a finger what it was about him and his sound but it hooked me immediately and I stayed hooked... If everything is true that I heard about his growing up near or in Colfax he woulda been right up the way maybe 20 miles up Interstate 80 from me... Wish it was something in the water hehehehe...
George, You really don’t need to explain the fact that you have created a new way of training the listeners ear. You have single-handedly created a new scale and sound which personifies your existence !! Your a Master. Regards Pete
This man is a guitar God that slid under the radar. His catalog is as deep as it gets in the world of rock guitar genius. Anyone that comes along in the future who loves rock guitar must dissect George to fully get a grip on what's possible. With love and respect for all the great guitar players, for which there are many, don't let this gem slide past you unnoticed. His contribution to the art is massively important.
Very cool! Very often, great players have a hard time teaching their own style but George is a natural teacher and doesn't bog things down with technical terms.
George seems to have a great balance of knowledge of theory and just raw talent. He's not educated to the point that he limits what he can and cannot do based on the "rules" of theory, but he knows enough to put together some really cool riffs and not be shackled to any specific rules
Absolutely one of the most musically creative guitarist's inbrock and roll history. You can just hear he sounds like one of coolest dude you could just sit and hang out with. Will always be a fan - especially of his playing. Thanks for all the great music G.L.!
Some great info here, George is one of my all-time favorites and an influence on my music and playing style for 30 years now. The fact that he still has his abilities and is putting out strong, vital music at his age is a wonderful thing.
Kind of similar to a lesson I learned from a magazine article written by Joe Satriani. Know what key you're in first and foremost, find the root notes of that key everywhere on the fretboard, and that way, you'll know where to land to make it resolve back to the key. That way, if you venture outside of the key by a few sharps or flats, you can quickly jump back on track so your improvised solo doesn't derail. Jumping in and out of key, even if only briefly, can give your solos a very fusion-like feel.
The Dokken album I really liked back in the day was Tooth and Nail. I remember seeing Dokken back in 86 opening for Judas Priest. Recently I've been listening to a lot of 80's music. I've come to the conclusion that George is a very brilliant guitarist with his own unique style. Very cool 🎸
The Signature Style , That you Had in The Later 70’s , And Technique Was Amazing. I Was Influenced By Hendrix , And Many others who ( Of Course Mr . George Lynch ) Shaped My Technique. All The While I Was Convinced , at the time , Not to sound like Any one else . Thanks for All The Contribution’s , And The Great Video, Rock Awn !
Without him Dokken would have NEVER had the sound they did. You can really hear it in these riffs, with the sharps and flats at the end of the patterns. My wife says he sounds like Tom Hanks. Lol
And this is Why George has ALWAYS been an Absolute Favorite of mine since a young Lad! Amazing RAW TALENT!!!! Absolute MONSTER. Thankyou Sir for sharing~
Really good lesson, George is legandry. Its something I've only learn the last few years. To always try and add something diffrent that you don't hear from other guitarists and make the music you want to hear.
This is a format that i can understand and apply in my playing, Obviously not to Georges extent, but the technique and use of patterns. Thank You ! Great video.
While not growing up with Dokken or George's music, I found him later in life. He's always seemed like the nicest guy ever, while being a pure beast in the guitar. Many people have chops, but few put them to use the way he does. A true legend, up there with the greats. Thank you for everything, George! Keep rocking!
He’s a great guitar player but unfortunately thats where his greatness ends. Dokken could have made it HUGE if Lynch didnt tear the band apart. Dokken just needed 1 more album to blow up. Dokken would have blown up even without Lynch sued Don Dokken FOR USING HIS OWN LAST NAME FOR HIS OWN BAND. So Don Dokken had to change the bands name from “Dokken” to “Don Dokken” making it seem like a solo album. The truth is that Don Dokken assembled an avengers level lineup and was a full on amazing band, but they had to change the bands name and so their sales flopped
Lynch deserves his success and is arguably very underrated outside the rock and metal world. I was never a big fan of his but the more I listen to him the more I appreciate his playing. He comes across as articulate and very down to earth, almost humble but supremely confident in his creative and technical ability.
Howard from Killswitch, the singer from Oceano are people of color in the metal scene. George is a really tan White guy, look at him when he was young.
Vernon reed, the band living color, tobias from animals as leaders, the singer from 7 dust, there are plenty people of color in rock ..darrius rucker rock and country
Disciples, this is the essence of the Teaching: 6:28 "I essentially see gray areas in shapes, and look for alternative places to go, and do it in such a way that I'm doing a reoccurring pattern and ending up back at a note that relates to the key you're in. As long as you do that, and do it twice, it sounds right."
I started out as a bass player in the late 1970's but I switched over to guitar in the mid 1980's. George Lynch was a huge influence of mine. I loved his dissonant chords, and I use them to this day. In 2003, my band played a gig in L.A. where Lynch Mob was the headlining act. It was an honor to open for one of my guitar heroes!
Lynch is/was a hardcore bodybuilder,weight lifter. The old vid I saw he literally lived in the middle of the desert making guitars using wood that can kill you if you breath it.
From the very first time I heard The Hunter, George has been buy far my favorite. What George is sharing in this video caught my ear as a teenager. I knew it was different and I liked it.
What George says about "Playing out of the box"is so much a part of what makes his playing sound so identifiable-like you instantly know it's George Lynch! Also even as far back as Tooth and Nail is the"Clean" melodic,arpeggios just before or after a heavy riff,I love that Clean tone he gets,it's sounds like an acoustic,but I bet it's his Electric,just with the volume on the guitar right down,and compression,I don't know,but I'd love to find out how they approached that in the studio,Again it's another thing that makes George Lynch stand out,amongst many other players.
He is a unique guitarist with his own style which coupled with Don Dokkens vocals and songs made for some very special and crunching guitar riffs and blazing solos which I can’t even play. I can play his riffs but not the solos and I don’t wish to because those are his expressions. Thanks for the Music!
WOW! I never heard him talk through his playing philosophy before! What a great musician! A great mix of technically and feel! Almost in the same vein as Slash but even more skilled!
My favorite guitarist of all time!....the absolute backbone to Dokkens sound! Lynch Mob Following that!.. awards must be filling entire rooms! Thanks for everything.
His fingers looks kinda stiffed, but his playing sounds so great, I'm no a big fan of George Lynch, but I really enjoy and appreciate his musicality and sense of melodies.
no one hit wonder here,george is very modest about his talent ,I know friends who crossed path's with him in public, and what a true class act he truly is ,
At a meet and greet, He was signing a guitar for me that had already been signed by Steve Vai, Joe Satriani and Eric Johnson, George quiped " boy, who's name doesn't belong on this guitar ".
❤❤❤ THIS IS KEN HOLLEY. GEORGE IS MY GUITARIST OF CHOICE, 1ST AND FOREMOST. I HAVE GREAT TESTIMONIALS OF HIS APPEARANCE AT MARS MUSIC IN DALLAS,TX AND AT THE AARDVARK CLUB IN 2006 IN FORT WORTH, TEXAS. FELICIA AND I PLAN ON MEETING HIM SOON. THANKS AND GOD BLESS YOU GEORGE
From 01:30 to 01:32 blew my mind. My brain told me it sounded horrible. But another part of my brain said more!!!! I like the concept of "as long as I end up back at the root I'm okay". Such a simple and great way to encourage confidence in experimentation to others to find their style. I've always respected George's playing, but don't know much about him or his music. I will be fixing that soon. He is clearly a studied and developed musician to epic levels. But the way he is sharing how he thinks through the thought process of layering or altering phrases. He's teaching a 2 month course in this short vid. If I apply half of this to 1% of my playing, I will be 25% better. I know that the math doesn't make sense at first glance. But inspiration and practical guidance is a huge force multiplier. Because now I can apply some of these concepts to any scale or mode. And anything new I am working on in other modes can be tried out on this technique with a bluesy feel. It's kind of like the roots growing strongly in a tree. Every notable musical moment in my life is a root that runs deep, and has been there for a while. A big learning moment when I was in my 20's for example (I'm 52). 30 years later, that same root is there. At the end of that old root is a web of continuously growing and maturing root structures based on it's ability to navigate the landscape as it exists today. That is the best way I can describe musical influences. It's the new sounds that expand your ears and your brain and heart. The roots aren't always made only of the band the song or sound alone. Quite often, my musical journey has been interwoven with big life moments from my perspective. It makes me wonder how much is just great music, and how much is great music that was there for me at just the right time... :) Stay awesome George! (I am completely confident that this message will beat all odds and be read personally by George and he will contemplate what I noticed and be able to add to it.) George - I look forward to your reply at the appropriate time based in he importance of my feedback in your personal life. I realize that the response timeframe could be between 1 week to 1 century, because you have your own life. Hey, wait a minute! I have my own damn life! Why am I being so nice?!? Ugh. What is this feeling? Oh. I figured it out. A little bit of evil leaked out of me like my body was spitting out bad food. I feel better now. Where was I again? Oh yeah. Cool technique George. Rock on dude! Stay awesome.
George is the man, not just great technique but also that ‘could listen to him play all day’ tasty note selection and phrasing. He knows more about music theory than he lets on these days judging by videos from his younger days. Of course, things become instinctive as you become a more seasoned player.
George always has a way of adding these almost angular "slinky " "sinister " sounding notes into his phrasing....while still keeping his playing very fluid. Absolutely one of the greats
George has more talent in his left hand pinky finger than many guitarists have overall.
Mr scary....
Some guitarists float.... George puts the guitar in a headlock and chokes it to death.... He'd regularly do the same to Don Dokken 😀
@Douglas Aprile I've been playing on and off for decades and I wondered the same thing. But recently, it's started happening for me gradually. I don't know music theory and I just stare at a map of the fretboard with every note labeled and I'm immediately overwhelmed. So I started off learning just the notes in one key. I picked Em to start, because then all of the open strings can be played in solos, since E-A-D-G-B-E are all in the key of Em. So this opens up the opportunity for you to do lots of hammer-ons and pull-offs. Next I located every E note on the fretboard (there are somewhere around 10 of them on a 24 fret guitar) so that I could wrap up each measure or phrase of the backing track by returning to E. Then I just started randomly playing notes in the key of Em along with a backing track I found here on TH-cam. In my opinion, some of the best backing tracks are on the TH-cam channel called Now You Shred. So pick one that's in Em. Record yourself randomly noodling to the backing track each evening and then listen to your recordings the next day, while you're driving or whatever. You'll start to hear little riffs and phrases that you accidentally created that sound good. So go back to your guitar and figure out how you played each of them. It helps if you video tape yourself playing, but an audio recording is better than nothing. These will be your signature phrases (although in reality, they've probably been used by others, but they can be yours too). As you do this, night after night, you'll find yourself gradually replacing the playing of random notes with stringing your signature phrases together in different combinations. You'll be pleasantly surprised at how you start sounding and you'll get cleaner and faster at your signature phrases. The next step is to be listening (in the background) to the backing track while you're soloing. So if you know the main melody of the backing track is going to be going up in tone (ascending), then pick one of your signature phrases that moves upward. If you keep doing all of this, you will eventually start to be able to play a rough approximation of that glorious solo that you hear in your head. I'm not yet at the place of being able to play exactly what's in my head, but I'm inching closer. It's the most exciting breakthrough I've made in learning guitar. I'd seen this George Lynch video years ago and it really stuck with me because I thought that I should return to it at some point, once I can solo better, so that I can make my sound more unique. So next I'll be experimenting with sharping and flatting random notes in the Em scale, like George recommends here, and we'll see what happens. After that, I'll try weird modes that folks like Yngwie and Steve Vai play (Aolian, Phrygian, or a Demented 7th or whatever) and we'll see how that sounds. I spend an hour per night, an average of 4 nights a week, practicing like this and I'm really happy with the results. I have a long way to go (I need to learn all of the other keys, I don't use my pinky for soloing, I hold the guitar wrong, I can't sweep pick, etc.), but I'm already at a place where I enjoy playing so much more than I used to. Cheers!
Excellent description
No Shit............
I'm impressed not only with his playing, but very much with his patient, laid back way of explaining what he does as he plays, in a very clear manner. He really is a natural for one-on-one tutorials and seems to enjoy doing it. A+ Mr Lynch!
I heard Randy used to tell everyone that George was the best around when they were young! Can you imagine George, Eddie, and Randy were all in that local scene! I’d love to time travel back to that era before they all made it and just be apart of that scene!
Yeah that would be George saying that Randy said that. Imagine that!
Yes! Seeing the 3 Amigos in the early days would be Epic.
George didn’t get the gig with Ozzy because he had short hair by that time.
⁶⁶
@@kenoneal3169
What's "66" supposed to mean?
*_"I find it very difficult to play bad notes these days."_*
Come over. Allow me to demonstrate.
Lamo!!! Same here.
Lol
HAHAHAHAHHAHAHAHA
lmao, me too!
CentaurusRelax314 I heard plenty of them ,but this was 79 to whenever Dorkon,finally went on to open for everyone else. Imagine a 13 year old ,sitting with his Iceman and watching him basically do this for a half hour ,and all I had was a couple tapes of him playing away ,and that's when I left,but then he quit ,so I went back to Musonia,and the new teacher was Craig Turner,who was a GREAT teacher . George is who he is,but ,........that's all.
He's always had the coolest and most original phrasing style - no one sounds like him!
Roland Marckwort that’s right. That’s way we love his style. So very good to hear him explain his thought process. Thx-
No one sounds like him.............except Warren DiMartini. hahahaha. JK I love them both
vuduhwy not really. Warren is a little more refined. I think George has a grittier style. Different vibrato.
Him , Warren di Martini are two tasty players .
Groove Duude I wouldn’t say DeMartini is “more refined,” but Warren has a more laid back, less radical style than George.
Had the pleasure of meeting George one time. He was a truly gracious gentleman. Very humble and unassuming.They guy is a living legend, but he is completely approachable and down to earth.
That was the most humble teaching from a master . .. He made no excuses .. He admitted his faults .. He told us to look beyond. .. Coming from ne of the most firey players of all time .. He followed his own rules .. admitted he followed shapes and returned to them all the time .. They are interludes .. pieces to build upon . and places to stop and let the mind rest and dream of another movement
Right on!
Best comment of every single one on here.
He's always been an AMAZING player! Great lesson!
He seems genuinely interested in giving back...even more of a fan now.
I always come back to this video there’s some simple magic in his playing
One of the most unconventional and underrated guitarist of the last 30 years. Much like Jeff Beck, he’s so good at his craft, yet can’t really be categorized, you really have to be a musician to fully comprehend what a wizard he truly is.
Underrated? Are you crazy, man? Wtf..
He was NEVER underrated!! George has always been at the top of the heap, and even the most casual guitarist knows that.
@@BrunoidGames Right!? George has always been one of those guitarists that is easily recognizable.
@@Lola_Santoro Lynch is a legend since the 80s. Underrated is such an overrated word.
George needs to go rescue Jeff Beck. Jeff has gotten bored playing with the likes of EC and the rest, now he’s playing with Johnny Depp. He must really hate being at home.
I think Jeff would find George to be a much more like-minded playing partner. Jeff’s style the last 10 years has been much closer to George’s more sonically driven metal than
it is to traditional blues/rock.
I posted a comment on George’s new Soldano video telling him he should give Jeff a holler. I’d pay just to get a copy of them jamming for an hour. 🤣
Eddie Van Halen, Yngwie Malmsteen, Paul Gilbert, Randy Rhoads, Jake E Lee, George Lynch, Warren DiMartini... Best guitar players of the 80s scene.
Chris Jordan I'm gonna throw in 80's Hammet & Vai as well.
Bo88y Beretta True
Jason Becker is the best
Vito Bratta was another good one from that era
Chris Jordan Marty Friedman, Chuck Shuldiner, Dave Mustaine.
So true. If you watch his fingerings he doesnt play anything overly difficult but it’s what he adds that makes him stand out. You can hear a solo you never heard before but can instantly tell it’s George.
Facts
what i can see is tanning lotion in his fingers😂
Hands down one of the greatest players to ever play, the most organic of the 80's players by far. To me EVH and Lynch were the only ones who had that style that was just different, their phrasing and little nuances when they played u just knew it was them after the very first note . There's plenty of technical players out there that surpass lynch as a guitar wizard but imo none are as talented a musician and guitar player than Lynch, this man could flat out play but he had something else that so many technical players lack and that's soul. Never get tired of listening to him play even after 30 years..
juicehead2004 don’t forget Jeff Beck and Vitto Bratta.
Hell yeah!!!!
Exactly! 💯
Yeah, and I love how down the earth he is as well. He certainly has fingers large as hammers and he's got lot of strength in them. Plus the creative mind. All of that makes up for a great guitar player and personality that makes it never boring with him
dont forget randy rhoads him and lynch i read that they were good friends* legendary musicians
Best 9 minutes I've spent in a long time.
To this day, I still can’t get over how much I love Mr. Scary.
Hes so underrated in the Guitar world , I think a lot of people think of George as a 1 hit wonder because he was in Dokken but his own solo work with Lynch Mob etc is very good listening , also notice how the Lacquer on his guitar is cracked that thing has seen a lot of abuse , it is sad that the kids today just aren't interested in Rock anymore , I hope one day the hair metal thing comes back
Underrated, are you serios? Just watch him jamming with other people, he is just bad.
Floyd Trollous Ok thanks, but we're talking guitar here, not your decision to come out to everybody.
Floyd Trollous Again, this is a video about guitar techniques. No one here is interested in your projected fantasies regarding black men.
Floyd Trollous More black man fantasies.
Floyd Trollous I bathe every day.
I love listening to in depth theory videos, but this is just as good to me. Who needs a convoluted explanation when you can play like George Lynch?
Nice of George to take a break from his sunbed and share his killer licks! Awesome guitar player.
I mean his melanotan levels are off the chart!
And the hair dye...
😂😂😂😂
He was getting into competitive bodybuilding and that is the look.
Someone tell him to stop tanning with the guitar its cracking the hell out of the finish lol
Everybody has the same 12 notes.Mike Bloomfield talked about growing up in Chicago hearing Greek,Italian,Polish,Jewish in all the neighborhoods walking down the street.I love what he said."It's all blues."Thanks George,American Music is our gift to the world.
A wonderful and unique player in the hair metal genre where everything sounded almost the same, George broke loose and shaped his own sound. What a true master of our instrument.
This is one of the greatest little tutorials I’ve seen from a true guitar master. Amazing insight into his style!
George has an incredible ear for slick...He can slide his way all over the place, not necessarily know where he is, but the feel is never text book. I give him a HUGE A plus for this. Most players today get their licks and tricks fucking fed to them on TH-cam, NOT this guy.
Thing about Lynch is that ALL his licks genuinely sound out od the box. Truly, an original
Thank you George Lynch for sharing your incredible gift of music with the rest of us. It has been a pleasure listening to you all these years. A real inspiration!
This is a great straightforward description of process. As a guitarist, I arrived at the same kinds of processes and look at things much the same way, but I'd never heard someone describe it in accessible terms like these before seeing this video.
I've been playing Blues scales for more than 30 years and I agree with George. Being able to mess around inside those boxes and as long as you end up back where you started it all seems right. Puts a flair on your playing and adds substance to the boxes. Fast isn't necessarily the only Beauty, but being able to change your personal sound... And George has done that magnificently over the years. One of the greatest guitarists that have ever lived
Being a rocker out of the 70s and 80s, George definitely one of my favorite. His playing style just perfect. He beats those blue scales up, and makes them do his bidding from every different direction. Very iconic player, intelligent gifted and loved by anybody that enjoys playing guitar and Rock music. You can learn a lot from this man.
Agree 100%...from a fellow rocker from that era👍
@@Busyfingers24 heck yeah man... and it never gets old :-) I fear for the Young Generation, and all that's been lost. It seems like they have lost their identity or let it slip away. My own kids are pretty good, college educated and doing well... I wish I could take them all back to the 70s so they could see for themselves. Definitely happier back in the 70s and 80s
@@70stunes71 like the bumper sticker says...we may be old but we got to see all the cool bands🤘
George is the most down to earth rock legend I've ever seen. Has taken time for decades to help new players. The guy is just awesome. Also every note and solo he's ever recorded, ESP on the Back for the Attack album just stays in my had.
George was one of my heros growing up while learning guitar. Absolute beast and I love his style and his signature solos
what Aaron said........ I can't put a finger what it was about him and his sound but it hooked me immediately and I stayed hooked... If everything is true that I heard about his growing up near or in Colfax he woulda been right up the way maybe 20 miles up Interstate 80 from me... Wish it was something in the water hehehehe...
One of the best guitarists ever, his style is totally his own.
I still here his Dokken songs and get totally blown away by how amazing he is,
Still has one of the best guitar tones that I have ever heard.
Seymour Duncan JB !
@@The_Apothecary It's a Screaming Demon. But the tone is much more than the pickup.
@@BrunoidGames you know what that amp is he plays through? Never seen that one. Sound is really smooth
@@juhalehtonen9000 it's a Randall Lynchbox. Sounds incredible!
what, processed shit?? LOL
George,
You really don’t need to explain the fact that you have created a new way of training the listeners ear. You have single-handedly created a new scale and sound which personifies your existence !!
Your a Master.
Regards
Pete
Unconventional or not, THIS, THIS! Is an absolutely amazing, once in a lifetime lesson!
Agreed
This man is a guitar God that slid under the radar. His catalog is as deep as it gets in the world of rock guitar genius. Anyone that comes along in the future who loves rock guitar must dissect George to fully get a grip on what's possible. With love and respect for all the great guitar players, for which there are many, don't let this gem slide past you unnoticed. His contribution to the art is massively important.
You are simply the baddest guitarist ever. The sound you achieved is so unique. The KISS OF DEATH!! Gives me goosebumps 🤯🤩🤩
Ace Frehley was really good too
Just saw George play up close in Houston. Master class in tone, phrasing and technique.
George Lynch still one of the best. Love his phrasings and arrangements.
Very cool! Very often, great players have a hard time teaching their own style but George is a natural teacher and doesn't bog things down with technical terms.
The tanned guitar master. Influenced all my life playing for over 30 years. The great George Lynch.
that's wild. as soon as he hit that flat E at around 1:30, I was like yep that's George Lynch. it sounds like an effect. so simple, so good.
George seems to have a great balance of knowledge of theory and just raw talent. He's not educated to the point that he limits what he can and cannot do based on the "rules" of theory, but he knows enough to put together some really cool riffs and not be shackled to any specific rules
Not educated?
Absolutely one of the most musically creative guitarist's inbrock and roll history. You can just hear he sounds like one of coolest dude you could just sit and hang out with. Will always be a fan - especially of his playing. Thanks for all the great music G.L.!
Some great info here, George is one of my all-time favorites and an influence on my music and playing style for 30 years now. The fact that he still has his abilities and is putting out strong, vital music at his age is a wonderful thing.
Very useful lesson for blues or metal guys who want to add spice to their playing. George always sounds mysterious and exotic.
Kind of similar to a lesson I learned from a magazine article written by Joe Satriani. Know what key you're in first and foremost, find the root notes of that key everywhere on the fretboard, and that way, you'll know where to land to make it resolve back to the key. That way, if you venture outside of the key by a few sharps or flats, you can quickly jump back on track so your improvised solo doesn't derail. Jumping in and out of key, even if only briefly, can give your solos a very fusion-like feel.
Love this matter-of-fact and modest attitude from a master like this one.
Just a true MASTER...I never realized how unique and "gritty" his playing is. Truly pushing the envelope!
I learned more about guitar and improving how cool my play sounds in 552 seconds with George than I did with any other guitar teacher! Thanks!! #rock
The Dokken album I really liked back in the day was Tooth and Nail. I remember seeing Dokken back in 86 opening for Judas Priest. Recently I've been listening to a lot of 80's music. I've come to the conclusion that George is a very brilliant guitarist with his own unique style. Very cool 🎸
2 Bands that sounded great live in the 80s. You were lucky.
Tooth and Nail is a great one!
So many great riffs George ! I love 'em all ! One of the handful of players that got me hooked on the 6 string.
Yeah, he's really mastered the art of accidentals, legato, and Arabian scales. Good foundation to build a signature sound around.
Pretty much all it takes to be honest. So many guitarists find one mode or scale and run with it, then it becomes "their sound"
The Signature Style , That you Had in The Later 70’s , And Technique Was Amazing. I Was Influenced By Hendrix , And Many others who ( Of Course Mr . George Lynch ) Shaped My Technique. All The While I Was Convinced , at the time , Not to sound like Any one else . Thanks for All The Contribution’s , And
The Great Video, Rock Awn !
Without him Dokken would have NEVER had the sound they did. You can really hear it in these riffs, with the sharps and flats at the end of the patterns. My wife says he sounds like Tom Hanks. Lol
lol !!!!! she's right.
Steve Dunch hahaaahaaa Tom Hanks!
Run Forest, run.
Don Dokken is responsible for the Dokken sound which really worked when it’s applied to George’s style.
I've never heard Tom Hanks ripping pentatonic licks like that before but sure.., learn somethin new on uTube everyday.., cool!!
And this is Why George has ALWAYS been an Absolute Favorite of mine since a young Lad! Amazing RAW TALENT!!!! Absolute MONSTER. Thankyou Sir for sharing~
He is a virtuoso and I can see warm humbleness in his eyesight.
Cheers from Indonesia
Really good lesson, George is legandry.
Its something I've only learn the last few years. To always try and add something diffrent that you don't hear from other guitarists and make the music you want to hear.
He definately has his own sound. You can tell it's George Lynch wihin 5 seconds of hearing him play.
Absolutely
This is a format that i can understand and apply in my playing, Obviously not to Georges extent, but the technique and use of patterns. Thank You ! Great video.
Thank you George. Please keep sharing
Heart felt thanks to you George for sharing your insights with us.
While not growing up with Dokken or George's music, I found him later in life. He's always seemed like the nicest guy ever, while being a pure beast in the guitar. Many people have chops, but few put them to use the way he does. A true legend, up there with the greats. Thank you for everything, George! Keep rocking!
He’s a great guitar player but unfortunately thats where his greatness ends. Dokken could have made it HUGE if Lynch didnt tear the band apart. Dokken just needed 1 more album to blow up. Dokken would have blown up even without Lynch sued Don Dokken FOR USING HIS OWN LAST NAME FOR HIS OWN BAND. So Don Dokken had to change the bands name from “Dokken” to “Don Dokken” making it seem like a solo album. The truth is that Don Dokken assembled an avengers level lineup and was a full on amazing band, but they had to change the bands name and so their sales flopped
This is one of the better GL video's that I have watched.
Thanks George!
Very important guitarist.
What a cool guy. My friend meant him a couple years ago and said he was the nicest most humble person you could ever meet.
One of the top 5 greatest guitarists from the late 70's - early 80's era!
Lynch deserves his success and is arguably very underrated outside the rock and metal world. I was never a big fan of his but the more I listen to him the more I appreciate his playing. He comes across as articulate and very down to earth, almost humble but supremely confident in his creative and technical ability.
It's nice to see a 'man of color' make it in the world of rock guitar.
i think he black man
He looks Native to me
Howard from Killswitch, the singer from Oceano are people of color in the metal scene. George is a really tan White guy, look at him when he was young.
Oliver Skatt, it's pretty tough working this one out.
Vernon reed, the band living color, tobias from animals as leaders, the singer from 7 dust, there are plenty people of color in rock ..darrius rucker rock and country
I could listen to this demonstration all day
What George calls rudimentary, I call rocket science.
What a Teacher...To take the time to teach us his secrets.... Love you bro.....
There is no method this guy is just that good.
What a fantastic tutorial. I think it's the best that I've ever seen. What the heck have I been missing, what a great guy to sit down and teach.
Disciples, this is the essence of the Teaching: 6:28 "I essentially see gray areas in shapes, and look for alternative places to go, and do it in such a way that I'm doing a reoccurring pattern and ending up back at a note that relates to the key you're in. As long as you do that, and do it twice, it sounds right."
I started out as a bass player in the late 1970's but I switched over to guitar in the mid 1980's. George Lynch was a huge influence of mine. I loved his dissonant chords, and I use them to this day. In 2003, my band played a gig in L.A. where Lynch Mob was the headlining act. It was an honor to open for one of my guitar heroes!
2016 George Lynch looks like he ate 1986 George Lynch. I hope I look as good at his age.
+the devil cried They were also lots of cocaine back then too lol
Lynch is/was a hardcore bodybuilder,weight lifter. The old vid I saw he literally lived in the middle of the desert making guitars using wood that can kill you if you breath it.
he is in great shape !!!!!
it's all that California sunshine does wonders I mean I'm only 30 years old but I look 60 due to living in the UK it's too cold here
y
From the very first time I heard The Hunter, George has been buy far my favorite. What George is sharing in this video caught my ear as a teenager. I knew it was different and I liked it.
George Lynch is so awesome.
Wow what an eye opening lesson on how to make my blues in A sound unique. Thank you.
What George says about "Playing out of the box"is so much a part of what makes his playing sound so identifiable-like you instantly know it's George Lynch! Also even as far back as Tooth and Nail is the"Clean" melodic,arpeggios just before or after a heavy riff,I love that Clean tone he gets,it's sounds like an acoustic,but I bet it's his Electric,just with the volume on the guitar right down,and compression,I don't know,but I'd love to find out how they approached that in the studio,Again it's another thing that makes George Lynch stand out,amongst many other players.
Love how humble and forthright he is.
He is a unique guitarist with his own style which coupled with Don Dokkens vocals and songs made for some very special and crunching guitar riffs and blazing solos which I can’t even play. I can play his riffs but not the solos and I don’t wish to because those are his expressions.
Thanks for the Music!
I like his tone. Very earthy and organic
WOW! I never heard him talk through his playing philosophy before! What a great musician! A great mix of technically and feel! Almost in the same vein as Slash but even more skilled!
Both are shredders.
My favorite guitarist of all time!....the absolute backbone to Dokkens sound! Lynch Mob Following that!.. awards must be filling entire rooms! Thanks for everything.
Thanks very much, George. You're very kind. Always thought you were a great guitarist, now I KNOW you Are!
Definitely my favorite guitar player. He definitely has great phrasings. I love his explanation on a library of licks.
His fingers looks kinda stiffed, but his playing sounds so great, I'm no a big fan of George Lynch, but I really enjoy and appreciate his musicality and sense of melodies.
That means you are a fan.
You like every thing about him, but not a fan? I like the same things, I am a fan, great guitarist and very original, you know it is Mr scary!!
He's humble and explains from a novice viewpoint. That is helpful for midlevel players.
no one hit wonder here,george is very modest about his talent ,I know friends who crossed path's with him in public, and what a true class act he truly is ,
At a meet and greet, He was signing a guitar for me that had already been signed by Steve Vai, Joe Satriani and Eric Johnson, George quiped " boy, who's name doesn't belong on this guitar ".
❤❤❤ THIS IS KEN HOLLEY. GEORGE IS MY GUITARIST OF CHOICE, 1ST AND FOREMOST. I HAVE GREAT TESTIMONIALS OF HIS APPEARANCE AT MARS MUSIC IN DALLAS,TX AND AT THE AARDVARK CLUB IN 2006 IN FORT WORTH, TEXAS. FELICIA AND I PLAN ON MEETING HIM SOON. THANKS AND GOD BLESS YOU GEORGE
George lynch is just an amazing guitarist all around !
From 01:30 to 01:32 blew my mind. My brain told me it sounded horrible. But another part of my brain said more!!!! I like the concept of "as long as I end up back at the root I'm okay". Such a simple and great way to encourage confidence in experimentation to others to find their style. I've always respected George's playing, but don't know much about him or his music. I will be fixing that soon. He is clearly a studied and developed musician to epic levels. But the way he is sharing how he thinks through the thought process of layering or altering phrases. He's teaching a 2 month course in this short vid. If I apply half of this to 1% of my playing, I will be 25% better. I know that the math doesn't make sense at first glance. But inspiration and practical guidance is a huge force multiplier. Because now I can apply some of these concepts to any scale or mode. And anything new I am working on in other modes can be tried out on this technique with a bluesy feel. It's kind of like the roots growing strongly in a tree. Every notable musical moment in my life is a root that runs deep, and has been there for a while. A big learning moment when I was in my 20's for example (I'm 52). 30 years later, that same root is there. At the end of that old root is a web of continuously growing and maturing root structures based on it's ability to navigate the landscape as it exists today. That is the best way I can describe musical influences. It's the new sounds that expand your ears and your brain and heart. The roots aren't always made only of the band the song or sound alone. Quite often, my musical journey has been interwoven with big life moments from my perspective. It makes me wonder how much is just great music, and how much is great music that was there for me at just the right time... :) Stay awesome George! (I am completely confident that this message will beat all odds and be read personally by George and he will contemplate what I noticed and be able to add to it.) George - I look forward to your reply at the appropriate time based in he importance of my feedback in your personal life. I realize that the response timeframe could be between 1 week to 1 century, because you have your own life. Hey, wait a minute! I have my own damn life! Why am I being so nice?!? Ugh. What is this feeling? Oh. I figured it out. A little bit of evil leaked out of me like my body was spitting out bad food. I feel better now. Where was I again? Oh yeah. Cool technique George. Rock on dude! Stay awesome.
I came for the spray tan, but stayed for the interesting guitar commentary.
Hahhahhaahaha
Toured with this man in Spain in 2008, even his warm ups were amazing
Mr. Scary will always be a part of me. Yes i am old.
I'll get you borrow my cane.... tha'ts still on my playlist
George is the man, not just great technique but also that ‘could listen to him play all day’ tasty note selection and phrasing. He knows more about music theory than he lets on these days judging by videos from his younger days. Of course, things become instinctive as you become a more seasoned player.
When musicians looked manly, guitars looked badass and both sounded killer.
@@UR_Right24 he wasn't in poison know your facts before talking shit
Patrick O'Donnell those chicks were hot!
this is only a few years old bud lol
I’m a drummer and loved this, well explained and enjoyed his jamming.