This was another one I had shortlisted. In the theatrical release, this is where the title is, and I've always loved it as a title shot. The "greenness" of the first book is really appropriate. Thanks for watching!
They tried to recreate that shot in RoP with Elronds introduction amongst other shots lifted directly from the movie. Great breakdown of these shots. I didn't even notice some of them!
I've always adored the shot from the council of Elrond where the whole crowd is reflected in the ring as they all begin to argue. Such a great representation of the rings ability to corrupt all those around it
It is astonishing to see the extent to which Gandalf went to pull Bilbo, Theoden, Denethor, Smeagol and even Saruman back from their doom. Inspiring picture of Illuvatar's heart of mercy.
I never even thought about it. I swear to Eru, every time you discover something new about these movies. From Viggo breaking his toe, to Galadriel's eyes. The love and care is unmatched
I have to agree about the shot of Arwen mourning at Aragorn's tomb. The visuals, the music, and Elrond narrating those hauntingly beautiful, direct quotes from the books' appendices ("as nightfall that comes in winter without a star") all add up to one of the most gorgeous and melancholic scenes ever on film.
I agree that we get some of Tolkien's best language in that scene, which helps it a lot. I've always felt it's those kind of shots that Tolkien would have appreciated the most, more than the big orc battles etc. This shot really captures the sadness of Middle Earth.
One of my favorite shots is the last shot of Frodo, after he has boarded the ship to Valinor and turns to face his friends one last time. All the pain and trauma of his ordeal are gone, the color has returned to his face, and he is suddenly the young, smiling Hobbit we first met once again. It's such a bittersweet shot that speaks volumes without a single word said.
This is one of many shots that I had in my edit, and just couldn't find space for. I especially love his little nod at the end as he walks away. So well delivered by Elijah.
Enjoyed this analysis immensely - I didn't think it was possible to love these movies more, but understanding why I love some shots just deepens my appreciation. Thanks so much. One scene that I can add (not the greatest by far, but it stands out to me) is the scene on Weathertop that goes from the three hobbits obliviously having a cheerful fry-up with comfort food in the warm golden light, to the sudden shriek of the Nazgul and the wide shot going dark and cold to show how alone they are in the middle of nowhere.
Ah yes, I know the exact shot. Another one I almost included from that scene is just the shot of the nazgul moving in unison when they draw their swords. So creepy. I still remember that from the original trailer lol
Similarly, when the Nazgul enter the Prancing Pony, swords drawn, single file, almost on a conveyor belt, all while the inn keeper in the foreground hiding behind a wall winces in terror. That’s a great shot!
I think to me one of the most gorgeous and impressive shots is the wide of Gandalf and the Rohirrim riding down the mountain and into the uruk-hai. It shares that slow, epic quality of the shot of Gandalf and the balrog falling, and the eucatastrophe of the shot of Gandalf flying to save Frodo and Sam.
Those are truly three of the best shots in the whole trilogy. One from each film :) I'd add the final shot from The Two Towers, as the camera pans over the mountains to show Mordor in its dark , with Mount Doom rumbling and Nazgul patrolling it. Really hammers home the difficulty of the final leg of Frodo and Sam's quest. As I type this I'm hearing the video actually talk about it ha.
As crazy as it seems to my hear, knowing that so much other incredible scenes and scores from those films are near my heart I doubt being able to choose between them, I'd say this one is definitely my favorite scene (the music doing a lot for it). Gandalf appears in all his godly nature. The flowing light is blasting to your face the absolute "Good vs Evil" war all the story is about. Cavalry charge is insanely epic, as it always is. And from the summit of the musical masterpiece is raining on us *angelic vocals*. I get how someone would not be deeply move by this, but I'm a bit sad for him.
Yeah, the fact that Sam and Frodo are right in between is what makes me think that was intentional. And Gandalf in his white robes emerging from the sun etc., he must have been AT LEAST aware of the spiritual symbolism in that composition.
I was hoping to see my three most beloved shots: gandalf and balrog falling, arwen mourning over aragorn's tomb, gandalf sitting alone in minas tirith. i'm glad i'm not the only one who appreciates them. you're so right that these could be all be paintings.
This probably comes from the fact that Jackson referred heavily to the artwork of Alan Lee and John Howe. When you have two painters leading a lot of the concept work, I guess it's only natural. Thanks for watching!
I really like the the shot at the end of the "Beacons" segment, where you see Aragorn sitting quietly at Edoras before he sees the last beacon light up. Aragorn and some of the architecture is in "quasi-silhouette" against the imposing mountains and it's just a cool composition, not really a shot you would expect in a huge fantasy movie, which makes it even cooler that it's there. It looks long focal length to me and gives me the vibe of classic photography, like it's the kind of shot that Cartier-Bresson could have taken (or possibly from a high quality 60's Western movie or something). It also give me a great sense of place, like I almost can feel the air.
Yeah I love that shot. Isn't it weird how some shots just give you that feeling of "being there" - sense of place as you put it. Hard to put a finger on what exactly it is, but I suspect you're right that it's something to do with focal length and how it's photographed - some kind of subconscious magic. Thanks for watching!
Wow, brilliantly said, mate! The lighting of the beacons has always been awe inspiring! I didn’t give that much thought to the end of it, but now I look forward to seeing it again and looking for those details. I do love how after that whole epic sequence of events, it just happens upon a quaint moment of Aragorn chilling smoking his pipe and just happening to notice the distant flare on the mountaintop.
That was indeed a sweet thought. That would be Jackson and company. Tolkien had three eagles in the text, but I would see that as one each for Gandalf, Frodo, and Sam.
I never put that together before this video, and seeing that, as well as the description of the division of the screen between fiery hell and heaven, leaves me a little in awe.
You failed to just list the whole series for best shots. This series will forever be in a league of its own. Over 2 decades later and they're still the best looking films cinema has ever seen.
Lol it's so true. Honestly I almost gave up writing this video half way through cause i was like "okay I could talk about every single shot" so it felt kind of futile lol. You raise a good point about the films STILL looking good after two decades. Why is that? Might be an interesting idea for a video. What accounts for this film standing the test of time so well?
@@theartofstorytelling1 I think it was mainly due to the fantastic and perfect mix of practical effects, makeup, and CGI. The CGI was used sparingly so when it was used, it was meticulously done with lots of love instead of the careless dumpster fire we typically see today. It was just clearly a passion project for everyone involved and their goal was to uphold the vision of Tolkien. I don't know though. There's a lot more to it any of that as well. They just look so good and as if they could still come out in today's cinema, taking home all the Oscars for best visuals, OST, makeup, picture, etc.
@@theartofstorytelling1 well if you’d be down for that… could you make separate videos dedicated to every great shot (or groups of similar shots)?? This immediately became one of my favorite videos on TH-cam & I would love to watch all those
@@ilovenycsomuch I'm glad you enjoyed it! I'll definitely make more videos about the visuals of these films because there's so many different ways into the discussion. Or maybe it's breaking down different scenes, dialogue, etc. Either way, there's so much material to work with in this classic filmmaking masterpiece, and I only appreciate it more with time.
Great video! I really love that Jackson is so bold and overt with some of the symbolism in his wider shots. Gandalf riding out to protect the Gondorian riders is perfection. So many of these shots could pass as the works of great painters
I agree. It makes me wonder if some of the images from this film will be remembered and studied by the art historians of the future. They are, after all, some of the most popular and visually compelling images of our generation - and perhaps of our century. And when you really think about some of them, they reveal new layers of depth and meaning. Thanks for watching!
My favorite geographical shot is the lighting of the beacons. Just excellent helicopter shots that traverses a great distance. Coupled with the film’s score, it’s just a truly epic moment, especially in the theater. It gave me actual goosebumps when that scene played out on the big screen.
Fantastic analysis! So glad you included the haunting scene of Arwen mourning Aragorn. When I saw that in the theater it literally took my breath away and made me sob. The visual composition, the music and the narration from the book skillfully tell the story with a heartbreaking impact. A masterful depiction of the grief that Elrond tells his daughter is her future if she chooses to stay with him.
Thanks for watching! Yes that scene stands out in the trilogy for me. It also happens to be some of the best dialogue, as you point out. And also one of the best pieces of music. It could stand on its own as a little short film. I think it was intended as a portrait of grief - anyone who has lost someone can relate to the finality of it, and the feeling of waiting forever, etc. Really powerful stuff.
One of my favourite shots/scenes is during the battle of minas tirith. when pippin is scared he might die and gandalf tells him about the white shores of valinor. and you can see the pride and joy gandalf hewhen talking about it
Love your videos and loved the breakdown of all those amazing shots. I think two of my favorite shots from the trilogy are: 1. The shot of the ring foregrounded in the snow from the Fellowship, accompanied by Boromir's line "It is a strange fate that we should suffer so much fear and doubt over so small a thing". That whole scene is jam packed with rich thematic significance and character foreshadowing. 2. The shot of Eowyn standing outside the great hall at Edoras as the wind rips the flag of Rohan away is another great scene and beautiful shot that communicates so much meaning without even any dialogue.
Apparently that shot of the flag ripping was an "accident" on set, but there's debate about it. If you watch that scene, you can kind of tell that the flag ripping off wasn't planned, but then they cut the sequence around that moment and filmed Aragorn's reaction to the flag on the ground. Funny to think that moment was kind of spontaneous.
@@theartofstorytelling1 That is indeed a very happy accident. I’m glad the filmmakers had the wherewithal to lean into that unscripted moment. I love the narrative timing of this scene as well. When the people of Rohan and the world of men seem like they’re hanging on by a thread, the heroes arrive bringing with them renewed hope.
There are so many great shots in these movies that I love but one of my favorites is when Aragorn delivers his Men of the West speech and rears his horse, while camera reveals this great horde of orcs that comes out of the Black gates to fight them. I think this is the shot that truly displays Aragorn as who he's destined to be - the leader of the men, who is ready to fight aside them in the name of everything sacred to them.
ok how did you get me weeping with just your essay? Thank you for your love for the trilogy and reminding my of my own love for it! Having seen many many films over the years, from classics to contemporary, I'm coming more and more to the conclusion that the LOTR-trilogy are the best films ever made in the history of cinema... unattained yet and maybe unattainable ever. It's what can only happen when everything comes together - a phenomenal cast and crew, best score, shots that could be paintings of the renaissance, the minutious attention to detail in every aspect, the carefully adapted script and layers and layers of symbolism evoking layers and layers of meaning and reference - just a timeless masterpiece that won't lose meaning for generations to come.
Before watching the video, the first shot of the hill when the riders of Rohan arrive is probably my favourite in the series. That Rohan theme playing, the lighting, and just the sight of the first few horses stepping into few makes my eyes water every time i watch that movie.
After watching this, my brain has been in overdrive thinking about other shots that stand out - and there are so many. And then I've been picking apart the _why_ of why they stand out, which is a fascinating exercise. "Get off the road!" with the pull-back/zoom is iconic, and what comes after - silence, and the black rider materializing above them, the creepy crawlies teeming out of the earth...brr. The power of the ring manifesting. Also the ferry scene at night, with the horse almost skidding off the pier in pursuit of Frodo, then being pulled up and turned to find another crossing, and in slow-mo more Nazgul stream after him. One last very quiet, subtle one that came to me while I was watching this, was in the prologue where the history of the rings is playing out. The elves are looking at their rings in wonder - the ones Sauron never touched - but in both the men and the dwarf shots they are stiff and moving like automatons. _Because they are._ They're under the sway of the power of the One Ring. This always seemed a little weird and awkward to me, but now it makes perfect sense that it was absolutely intentional.
I love your point about the ring bearers acting like automatons. Never thought about that, but it makes sense. Especially the nine kings. By the way, when I was editing this video, I included that shot, and I noticed that John Howe and Alan Lee (the painters who worked as lead concept artists) are actually two of the kings. So many little easter eggs.
@@theartofstorytelling1 Yes. :) And I only ever translated the automaton movement as that after watching the first part of your video and getting my brain gears going on thinking deeper - that popped up later in the video and I was like, "Ohhh." Never liked that scene for its stiffness before, but...love thinking that it was actually intentional. cheers
I love how Peter Jackson used Tolkien's style of introducing his characters to the reader/viewer by their first appearance. Like Frodo being this cheerful young fella at the beginning, sitting in the shade of a tree on a sunny day and relaxing or Elrond in the prologue being an experienced commander and brave leader of Elves by having him in the front lines shouting orders with arrows whistling around his head, even grazing his hair.
One of my all time favorite shots as well as over all sequences is from fellowship when Arwen is taking Frodo to Rivendell. It’s the overhead wide shot in the open field with all of the Nazgûl behind her. So well executed.
Every single shot from the Lord of the Rings is like a fantasy painting. My absolute favourite is the wide shot of the Balrog and Gandalf when they emerge from from the caverns just before hitting the water. It is pure magic. Andrew Lesnie is the unsung hero of the trilogy. Rest in peace, Mr Lesnie. You are an immortal and your magic will enthral millions more to come.
Thank you for this. I bought the books in 1978, and read them at least every two years till the movies came out. I did not watch the films because I thought they would never be able to match up to the books. Eventually I did.... first the theatre releases, then the extended versions. I have to admit that Peter Jackson's interpretation was a triumph. I did not think he could improve on the books, but he did. Now I watch the trilogy every couple of years, with all sorts of analysis and backgrounders in between. This was the perfect blending of an unmatchable story with an unmatchable film-maker's skill. Your video has just added another little layer of admiration...
Brilliant video, bravo! I could watch these movies analyzed for hours, especially when done this well! What you spoke of the geography and how it was conveyed hit it for me: people often praise the visuals of Rings of Power but they sorely lack any sort of sense geographically (among other things). One moment characters are somewhere, the next elsewhere, sure the visuals and landscape shots are pretty but they do not convey any sense. You gave great examples from the movies where this really works. My favorite scenes in the movies might be the War of the Last Alliance in the prologue. The wonder of seeing so many elves fighting alongside men knowing it was so long ago. And it being done so brilliantly with amazing voice over, it immediately grabbed my attention and still does.
Thanks for watching the video, and for your kind words! I wanted to do a little more than just gush about the visuals, so I'm glad you're on the same page. To me, the visuals are great because of the narrative challenges that they solve (among other reasons). You just have to put yourself in Jackson's shoes and try to imagine the insane difficult of bringing an entire world to life visually, and believable. It's really miraculous what they achieved.
My absolute favorite shot in the LOTR trilogy is Boromir picking the ring up out of the snow in the MIsty Mountains and holding it in his gaze. It's brilliant foreshadowing both of Borimir's fate, but also of the ultimate breaking of the Fellowship
Not to mention the fact that at this angle when the ring is in the snow, it seems impossibly larger than the two characters in the background. The camera focuses on it. All this struggle, death, horror and conflict over something as small as this ring, which in fact is larger than mere men in terms of importance. The ring is ominous, and it's on full display here, with nothing but snow and a bit of camera trickery.
There are so many shots in these films that communicate the history of Middle Earth, but my favorite will always be the wide shot revealing the great hall of Moria. The massive columns like the bones of the dwarven city that was. The Fellowship, so tiny that they’re almost lost to view. The slow pan of the camera. And of course, the one time we hear that gorgeously sad theme, as the orchestra honors and grieves the might and majesty of the dwarves. It’s the moment I fell in love with these films, and it never fails to choke me up even now, having seen them dozens of times. Stunningly powerful for what could otherwise have been a simple establishing shot.
6:48 Dude that shot of the left handed guy with no shield walking in front of his troops towards a never ending horde of orcs is so epic. Especially tied in with the score
As for favorite shots, I would include several within the scene when Faramir and his soldiers are riding slowly through the mournful streets of Minas Tirith on their way to certain death, culminating in that long shot beginning on the heroic equestrian statue and ending looking out the gate toward the mountains of Mordor and the fires of Mount Doom.
The scenery shots are perfect. Some scenes were described by Tolkien for pages and PJ captured everything in a 5 second shot. The mountain and terrain scenes were breathtaking. They almost looked animated.
the shot of aragorn looking at the shards of narsil, while he and arwen talk about the fate of isildur, while stading infront of the painting for isildur vs sauron. Aragorn stands infront of isildur and so it looks as though sauron is attacking him. Perfectly, sets up Aragrons arc
Among all the great shots in these movies, I think my favorite is the charge of the Rohirrim at the Battle of Pelennor Fields where the Riders of Rohan flow down that slope towards the Orc armies with Theoden on Snowmane (the only white horse visible) shooting forward at the tip of the charge. Goosebumps every time haha
The shot of Frodo after Galdalf has fallen, looking out over the landscape & then turning for a close up. The deep sorrow at the loss that they all feel, but especially Frodo, is etched across his face & absolutely heart wrenching in that moment. I was never sure if it was a testimony to Jackson's cinematography or Woods' acting. Maybe a little of both.
My favorite shot is when the camera shows grima's face during sarumans speech to the uruk-hai and you see a single tear run down his cheek as he realizes the true magnitude of his betrayal and the evil he has aided.
Yes, so many stirring shots. The first time we see Aragorn in the prancing pony sitting in the dark corner smoking his pipe in full ranger incognito mode along with the fight on weathertop when he sheepishly smiles (as if absolutely loving the battle) before throwing his torch into the face of the last nazgul. Galadriel showing Frodo the image of herself as a dark queen. Epic shots.
Great video man, thank you. What stands for me are the shots of character reactions, for example when frodo says he would do it and then immediately it cuts to gandalf's face, or when right after gandalf died we get a shot of every character's suffering,the credits go mostly to the actors of course, but somebody thought they were impoortant in the first place. also how not to mention just the "cool" ones, like when the camera is attached to a projectile like an arrow or a rock
Without watching the video for me the most beautiful shot is when Faramir and his riders are leaving minas tirith. The armor glinting in the light just looks stunning.
I've read and re-read the books many times, and watched the movies many times more, and never have I realized that there were three eagles, including one for Smeagol. How beautiful.
There are so many, but one that will always stick in my mind is the shot of Gandalf and the Balrog falling into the subterranean lake. It’s a wide shot that shows the scale of the cavern with the two Maiar being just a small point of light in the darkness.
In terms of scale, I've always loved the shit where the boats go past the foot of the argonath. As you say, a theme is that little people can make a big difference, and in that shot, the whole fellowship is little. Because we identify with them, we become little too
I agree, that shot really gives you a sense of what Middle Earth is. It's the first time you see the true scale of its previous civilization. Makes you feel a sense of dread for what come next, and works especially well for that part of the story - a point of no return in which the Fellowship is broken up. Thanks for watching!
Wow never realized the balrog was actually jumping over the flames. Makes it more scary. It always seemed like this slow lumbering thing that’s stalking them, but this one movement shows how fast and agile it is. And then it goes back to just plodding menacingly after them like it knows it can catch them so easily. Such an amazing sequence.
If there is a shot that beats Argonath in terms of showing the immense scale, it would be a shot of Denethor in flames, falling to his doom. I love how it seemlessly transitions from the focus on him to then showing the entire battle and the massive size of Minas Tirith itself.
Honestly, I think the best geographical shot is the reveal of Edoras. It’s the most detailed geographical location in Tolkien’s writing, and Peter Jackson went to great pains (even getting permission to film on reserved land) to find a location that fit perfectly, and the result speaks for itself as Edoras jumps off the page.
It's mind boggling to think they actually built Edoras. I feel like that would just never happen today. But no matter how good CGI gets, there's just something about seeing a real place, and your mind can subconsciously tell I think.
Some nice picks. For geography an obvious candidate would be the lighting of the beacons. For evil you could also think about the sequence where the hobbits are hiding from one of the wraiths and all sorts of scary insects crawling up.
I can't believe I didn't include the shot of them hiding under the tree branch. If I recall correctly, that one was an old painting by John Howe or Allan Lee, which directly inspired PJ.
The sweeping crane shot in the woods when Boromir blows his horn is one of the best shots I’ve ever seen. Any normal director would choose an easier way but the way it’s down gives the audience an understanding of how far Aragorn, Legolas and Gimli have to travel to help him.
I love the bit where the oath breakers of the mountain flow off the ship after Aragorn, Gimli and Legolas jump off it. I always jump up in my seat with a huge grin, cos that's where the battle of the Pelinor Fields was won. Weird though, it's actually not like that at all in the book!
Arwen facing off the black riders just before she conjures the spell that wipes them out. "If you want him, come and claim him" I always thought that was such a badass scene
I never noticed the third eagle! I think your interpretation is right and it makes me sad for Gollum. I thought it was his fate to give his life for the ring but Gandalf believed Smeagol could possibly triumph. Maybe I should have believed in Sméagol too. 😢
Exactly! That's why it's such a brilliant little detail. It's basically an easter egg. But it says SO much about Gandalf and Smeagol that one gets emotional thinking about it. Thanks for watching!
I would argue that the two greatest shots for scale are during the battle of Pelenor Fields, first when we see from Denethors view the giant host of Mordor and then when the Rohirim arrive and the Camera moves over them to reveal the 6000 horses
My favorite shot of all is the Witch King breaking Gandalfs salf. His following dialog and feeling of dread then cut by a single horn blast from the Rohirrim.
I always found it fascinating how they almost made the ring a character by including loads of ring-closeups in the movies, especially fellowship. If I'd highlight one of the shots, it's the one where the ring drops to the floor from Bilbo's hand. No bouncing (try dropping a ring on a stone surface:) ) and a massive thud emphasize the importance of the ring.
Establishing shots in Lorien are pretty up there. The one of them climbing the spiral staircase around the tree - the camera movement makes the space seem surreal. And then the reveal of Galadriel with That Music.
It's quite basic compared to many of the moments in the trilogy, but I will always absolutely love that part when the Orc rank crumbles under the weight of realisation and fear when they realise the true power of what they're about to be hit by, just before being smashed by the forces of Rohan. It's so therapeutic to see this and a true cinematic "punch the air" moment for the good guys. If that had just been a clash of swords and spears without the close-ups it would have been almost a nothing moment, but showing the fear of the enemy with close-ups and them backing up in horror before being hit elevated it to Chef's Kiss tier for me.
Definitely adds a new dimension of emotion when you see that scene. And I love how it's left subtle. Show's a truly deep understanding of Gandalf's character, and his moral message. Thanks for watching!
I missed Minas Morgul, in my opinion, the most impressive evil structure, even more than Barad Dur. The eerie green light being a contrast to the other, volcanic and traditionally hellish lands of Mordor. How it stands for foul magic, being a rather cold, but poisonous place. Most notable when Frodo is drawn towards it, with the creepy sounds, and when the beam of light shoots into the sky. Again, it's shown as rather small shortly after, when they climb the stairs and see it from above, when Gollum throws away the bread, before they encounter Shelob.
I actually had that shot in my edit, and was thinking it was a good example of showing the scale of history in Middle Earth, mainly because it's architecturally the same as Minas Tirith, which speaks to how ancient those cities are
Agree. Was thinking about other favorite shots of mine and Minas Morgul immediately came to mind. The shot from the first film when the nine ride out… still gives me chills. The lighting they choose for those scenes is really great.
One can say there's a lot in these movies that isn't "perfectly good", especially from the original material's perspective, but has nevertheless to recognize it's brilliant as a whole. Thousands of shots are pure delight, ingeniously informing the viewer about the story and all, or conveying ideas, feelings, emotions, that goes right to one's heart and that were originally intended by Tolkien's writing.
Another fantastic thematic shot is the slow pan across the courtyard in Minas Tirith as Denethor goes to prematurely burn his son (despair). The pan pulls out a bit revealing the White Tree as we’ve seen it before but instead of burning as in Pippin’s vision, there is a single flower in bloom upon it. Hope and renewal amidst decay and premature despair.
I’m suprised that you didn’t include the scene when Gollum finally gets the Ring by biting Frodo s finger in Mount Doom and slowly puts it to his finger. The shot was perfect and the music piece behind it made it amazing.
I actually think that the shot of Gandalf whistling before we see the shot of Shadowfax is one of the most strangely framed shots in the trilogy. They framed Gandalf with very little space above his head and below his feet.
@@ilovenycsomuch I always wondered how they got the horse to run so perfectly and approach Gandalf that way. Must be well trained. Or maybe Sir Ian was just holding an apple or something.
And things like this is why Amazon's 'Rings of Power' series will never match Peter Jackson's films. The people making are simply nowhere near his level of film making skill. I have to add that probably my favorite shot from the trilogy, one that shows not just scale but truly epic courage is the Ride of the Rohhirim onto the Pellinor fields. It never gets old.
I agree, and that's actually one thing that I think is missing from the "Rings Of Power" series. We're seeing a lot of evil. But where is the counterpoint? What's "worth fighting for" in that story? Mordor only means something because we love the shire and the hobbits way of life so much.
Evil for me is the shot right after the hobbits escape onto the ferry. The Nazgul rears in fury, then turns to race down the road to the next bridge ... *and then we see there are two more of them*. Just one of them has been the stuff of nightmares, and now there are three. Just such a sense of approaching doom.
And my Gollum shot is his reaction at the end of Sam's speech in The Two Towers. He hears this inspiring speech but knows all that hope is absolutely beyond him. It's heartbreaking.
Would love to hear which parts of the movie make you annoy the person beside by saying "this is the best part".
I do love the flying down sequence into the bowels of Isengard- including the music! So powerful
I have always loved the close up shot of the ring when Bilbo drops it. The way it thuds to the ground demonstrates the weight and evil that it holds
Hard to nail down a single favorite, but I really like the shot of Meduseld where Eowyn walks out as our heroes arrive, and the flag rips off the pole
The beacons lighting one by one as the camera tracks across the mountains. best shot in the film.
The bridge of Khazad-dûm and the aftermath in the Dimrill dale. So dramatic, epic, and sad in a short span.
Frodo's first shot, sitting under a tree, brings me right in and reminds me of the times I've been outdoors and more connected with peace and nature.
This was another one I had shortlisted. In the theatrical release, this is where the title is, and I've always loved it as a title shot. The "greenness" of the first book is really appropriate. Thanks for watching!
It reminds me of when the old man used to come around and warn me about stolen rings
They tried to recreate that shot in RoP with Elronds introduction amongst other shots lifted directly from the movie.
Great breakdown of these shots. I didn't even notice some of them!
@@marblestrength Yes I've noticed RoP has "borrowed" quite a lot from the films. Even specific dialogue, which is kind of silly.
I've always adored the shot from the council of Elrond where the whole crowd is reflected in the ring as they all begin to argue. Such a great representation of the rings ability to corrupt all those around it
Ah good one! Then they are consumed by fire, and Frodo can see it all happening. So good.
I’d never picked up on Gandalf also hoping to save Sméagol at the end. That gave me chills though that fits him so well.
Yeah it really goes to show how thoughtful the filmmakers were about everything. Such a nice little detail.
It is astonishing to see the extent to which Gandalf went to pull Bilbo, Theoden, Denethor, Smeagol and even Saruman back from their doom. Inspiring picture of Illuvatar's heart of mercy.
You can see that last eagle searching and lingering ever so slightly.
I never even thought about it. I swear to Eru, every time you discover something new about these movies. From Viggo breaking his toe, to Galadriel's eyes. The love and care is unmatched
I have to agree about the shot of Arwen mourning at Aragorn's tomb. The visuals, the music, and Elrond narrating those hauntingly beautiful, direct quotes from the books' appendices ("as nightfall that comes in winter without a star") all add up to one of the most gorgeous and melancholic scenes ever on film.
I almost can't watch that, it's so wrenching.
I agree that we get some of Tolkien's best language in that scene, which helps it a lot. I've always felt it's those kind of shots that Tolkien would have appreciated the most, more than the big orc battles etc. This shot really captures the sadness of Middle Earth.
One of my favorite shots is the last shot of Frodo, after he has boarded the ship to Valinor and turns to face his friends one last time. All the pain and trauma of his ordeal are gone, the color has returned to his face, and he is suddenly the young, smiling Hobbit we first met once again. It's such a bittersweet shot that speaks volumes without a single word said.
This is one of many shots that I had in my edit, and just couldn't find space for. I especially love his little nod at the end as he walks away. So well delivered by Elijah.
Almost every shot is....precious to me. So precious
Enjoyed this analysis immensely - I didn't think it was possible to love these movies more, but understanding why I love some shots just deepens my appreciation. Thanks so much. One scene that I can add (not the greatest by far, but it stands out to me) is the scene on Weathertop that goes from the three hobbits obliviously having a cheerful fry-up with comfort food in the warm golden light, to the sudden shriek of the Nazgul and the wide shot going dark and cold to show how alone they are in the middle of nowhere.
Ah yes, I know the exact shot. Another one I almost included from that scene is just the shot of the nazgul moving in unison when they draw their swords. So creepy. I still remember that from the original trailer lol
Similarly, when the Nazgul enter the Prancing Pony, swords drawn, single file, almost on a conveyor belt, all while the inn keeper in the foreground hiding behind a wall winces in terror. That’s a great shot!
@@jefffinkbonner9551 Totally agree.
The shot of the Balrog revealing itself from the flames is like a final boss fight in a video game. Brilliantly done.
Ya you can practically see his health bar pop into the top right of frame lol
@@theartofstorytelling1
I think to me one of the most gorgeous and impressive shots is the wide of Gandalf and the Rohirrim riding down the mountain and into the uruk-hai. It shares that slow, epic quality of the shot of Gandalf and the balrog falling, and the eucatastrophe of the shot of Gandalf flying to save Frodo and Sam.
Those are truly three of the best shots in the whole trilogy. One from each film :) I'd add the final shot from The Two Towers, as the camera pans over the mountains to show Mordor in its dark , with Mount Doom rumbling and Nazgul patrolling it. Really hammers home the difficulty of the final leg of Frodo and Sam's quest. As I type this I'm hearing the video actually talk about it ha.
As crazy as it seems to my hear, knowing that so much other incredible scenes and scores from those films are near my heart I doubt being able to choose between them, I'd say this one is definitely my favorite scene (the music doing a lot for it).
Gandalf appears in all his godly nature. The flowing light is blasting to your face the absolute "Good vs Evil" war all the story is about. Cavalry charge is insanely epic, as it always is. And from the summit of the musical masterpiece is raining on us *angelic vocals*.
I get how someone would not be deeply move by this, but I'm a bit sad for him.
I have never thought of the division between heaven and hell in that shot with Frodo and Sam. That's amazing😭
Yeah, the fact that Sam and Frodo are right in between is what makes me think that was intentional. And Gandalf in his white robes emerging from the sun etc., he must have been AT LEAST aware of the spiritual symbolism in that composition.
I was hoping to see my three most beloved shots: gandalf and balrog falling, arwen mourning over aragorn's tomb, gandalf sitting alone in minas tirith. i'm glad i'm not the only one who appreciates them. you're so right that these could be all be paintings.
This probably comes from the fact that Jackson referred heavily to the artwork of Alan Lee and John Howe. When you have two painters leading a lot of the concept work, I guess it's only natural. Thanks for watching!
I really like the the shot at the end of the "Beacons" segment, where you see Aragorn sitting quietly at Edoras before he sees the last beacon light up. Aragorn and some of the architecture is in "quasi-silhouette" against the imposing mountains and it's just a cool composition, not really a shot you would expect in a huge fantasy movie, which makes it even cooler that it's there. It looks long focal length to me and gives me the vibe of classic photography, like it's the kind of shot that Cartier-Bresson could have taken (or possibly from a high quality 60's Western movie or something). It also give me a great sense of place, like I almost can feel the air.
Yeah I love that shot. Isn't it weird how some shots just give you that feeling of "being there" - sense of place as you put it. Hard to put a finger on what exactly it is, but I suspect you're right that it's something to do with focal length and how it's photographed - some kind of subconscious magic. Thanks for watching!
Wow, brilliantly said, mate! The lighting of the beacons has always been awe inspiring! I didn’t give that much thought to the end of it, but now I look forward to seeing it again and looking for those details. I do love how after that whole epic sequence of events, it just happens upon a quaint moment of Aragorn chilling smoking his pipe and just happening to notice the distant flare on the mountaintop.
Wow that final tidbit about the 3rd eagle being there for Smeagol got me misty eyed.
Yeah that made me shed a lil tear
That was indeed a sweet thought. That would be Jackson and company. Tolkien had three eagles in the text, but I would see that as one each for Gandalf, Frodo, and Sam.
@@HJG0630 Though if you notice Gandalf's eagle grabs Frodo and the third eagle approaches seemingly in anticipation of helping.
Exactly, I think that's why the theory holds. The third eagle kind of looks for something but just flies away empty handed (empty taloned I guess)
I never put that together before this video, and seeing that, as well as the description of the division of the screen between fiery hell and heaven, leaves me a little in awe.
You failed to just list the whole series for best shots. This series will forever be in a league of its own. Over 2 decades later and they're still the best looking films cinema has ever seen.
Lol it's so true. Honestly I almost gave up writing this video half way through cause i was like "okay I could talk about every single shot" so it felt kind of futile lol. You raise a good point about the films STILL looking good after two decades. Why is that? Might be an interesting idea for a video. What accounts for this film standing the test of time so well?
@@theartofstorytelling1 I think it was mainly due to the fantastic and perfect mix of practical effects, makeup, and CGI. The CGI was used sparingly so when it was used, it was meticulously done with lots of love instead of the careless dumpster fire we typically see today. It was just clearly a passion project for everyone involved and their goal was to uphold the vision of Tolkien. I don't know though. There's a lot more to it any of that as well. They just look so good and as if they could still come out in today's cinema, taking home all the Oscars for best visuals, OST, makeup, picture, etc.
@@theartofstorytelling1 well if you’d be down for that… could you make separate videos dedicated to every great shot (or groups of similar shots)?? This immediately became one of my favorite videos on TH-cam & I would love to watch all those
@@ilovenycsomuch I'm glad you enjoyed it! I'll definitely make more videos about the visuals of these films because there's so many different ways into the discussion. Or maybe it's breaking down different scenes, dialogue, etc. Either way, there's so much material to work with in this classic filmmaking masterpiece, and I only appreciate it more with time.
Great video! I really love that Jackson is so bold and overt with some of the symbolism in his wider shots. Gandalf riding out to protect the Gondorian riders is perfection. So many of these shots could pass as the works of great painters
I agree. It makes me wonder if some of the images from this film will be remembered and studied by the art historians of the future. They are, after all, some of the most popular and visually compelling images of our generation - and perhaps of our century. And when you really think about some of them, they reveal new layers of depth and meaning. Thanks for watching!
My favorite geographical shot is the lighting of the beacons. Just excellent helicopter shots that traverses a great distance. Coupled with the film’s score, it’s just a truly epic moment, especially in the theater. It gave me actual goosebumps when that scene played out on the big screen.
Fantastic analysis! So glad you included the haunting scene of Arwen mourning Aragorn. When I saw that in the theater it literally took my breath away and made me sob. The visual composition, the music and the narration from the book skillfully tell the story with a heartbreaking impact. A masterful depiction of the grief that Elrond tells his daughter is her future if she chooses to stay with him.
Thanks for watching! Yes that scene stands out in the trilogy for me. It also happens to be some of the best dialogue, as you point out. And also one of the best pieces of music. It could stand on its own as a little short film. I think it was intended as a portrait of grief - anyone who has lost someone can relate to the finality of it, and the feeling of waiting forever, etc. Really powerful stuff.
One of my favourite shots/scenes is during the battle of minas tirith. when pippin is scared he might die and gandalf tells him about the white shores of valinor. and you can see the pride and joy gandalf hewhen talking about it
Yeah, Gandalf kind of gets lost imagining it. Great acting!
Love your videos and loved the breakdown of all those amazing shots. I think two of my favorite shots from the trilogy are:
1. The shot of the ring foregrounded in the snow from the Fellowship, accompanied by Boromir's line "It is a strange fate that we should suffer so much fear and doubt over so small a thing". That whole scene is jam packed with rich thematic significance and character foreshadowing.
2. The shot of Eowyn standing outside the great hall at Edoras as the wind rips the flag of Rohan away is another great scene and beautiful shot that communicates so much meaning without even any dialogue.
Apparently that shot of the flag ripping was an "accident" on set, but there's debate about it. If you watch that scene, you can kind of tell that the flag ripping off wasn't planned, but then they cut the sequence around that moment and filmed Aragorn's reaction to the flag on the ground. Funny to think that moment was kind of spontaneous.
@@theartofstorytelling1 That is indeed a very happy accident. I’m glad the filmmakers had the wherewithal to lean into that unscripted moment.
I love the narrative timing of this scene as well. When the people of Rohan and the world of men seem like they’re hanging on by a thread, the heroes arrive bringing with them renewed hope.
There are so many great shots in these movies that I love but one of my favorites is when Aragorn delivers his Men of the West speech and rears his horse, while camera reveals this great horde of orcs that comes out of the Black gates to fight them. I think this is the shot that truly displays Aragorn as who he's destined to be - the leader of the men, who is ready to fight aside them in the name of everything sacred to them.
The subsequent shot when we see Frodo's face, the eagles, and the fire below really completes the scene.
Excellent video. Thanks!
ok how did you get me weeping with just your essay? Thank you for your love for the trilogy and reminding my of my own love for it! Having seen many many films over the years, from classics to contemporary, I'm coming more and more to the conclusion that the LOTR-trilogy are the best films ever made in the history of cinema... unattained yet and maybe unattainable ever. It's what can only happen when everything comes together - a phenomenal cast and crew, best score, shots that could be paintings of the renaissance, the minutious attention to detail in every aspect, the carefully adapted script and layers and layers of symbolism evoking layers and layers of meaning and reference - just a timeless masterpiece that won't lose meaning for generations to come.
Before watching the video, the first shot of the hill when the riders of Rohan arrive is probably my favourite in the series. That Rohan theme playing, the lighting, and just the sight of the first few horses stepping into few makes my eyes water every time i watch that movie.
After watching this, my brain has been in overdrive thinking about other shots that stand out - and there are so many. And then I've been picking apart the _why_ of why they stand out, which is a fascinating exercise. "Get off the road!" with the pull-back/zoom is iconic, and what comes after - silence, and the black rider materializing above them, the creepy crawlies teeming out of the earth...brr. The power of the ring manifesting. Also the ferry scene at night, with the horse almost skidding off the pier in pursuit of Frodo, then being pulled up and turned to find another crossing, and in slow-mo more Nazgul stream after him. One last very quiet, subtle one that came to me while I was watching this, was in the prologue where the history of the rings is playing out. The elves are looking at their rings in wonder - the ones Sauron never touched - but in both the men and the dwarf shots they are stiff and moving like automatons. _Because they are._ They're under the sway of the power of the One Ring. This always seemed a little weird and awkward to me, but now it makes perfect sense that it was absolutely intentional.
I love your point about the ring bearers acting like automatons. Never thought about that, but it makes sense. Especially the nine kings. By the way, when I was editing this video, I included that shot, and I noticed that John Howe and Alan Lee (the painters who worked as lead concept artists) are actually two of the kings. So many little easter eggs.
@@theartofstorytelling1 Yes. :) And I only ever translated the automaton movement as that after watching the first part of your video and getting my brain gears going on thinking deeper - that popped up later in the video and I was like, "Ohhh." Never liked that scene for its stiffness before, but...love thinking that it was actually intentional. cheers
Great video. 🙌🏻
I’d never analysed the shots in LOTR in any depth - you bring to me new appreciation of Jackson’s skill and artistry.
Cheers!
Thanks for watching, and I hope you'll return to the channel!
I love how Peter Jackson used Tolkien's style of introducing his characters to the reader/viewer by their first appearance. Like Frodo being this cheerful young fella at the beginning, sitting in the shade of a tree on a sunny day and relaxing or Elrond in the prologue being an experienced commander and brave leader of Elves by having him in the front lines shouting orders with arrows whistling around his head, even grazing his hair.
So true, and that first shot of Frodo smiling is echoed at the end when he gets on the boat. You realize how sad and miserable he's been in between.
@@theartofstorytelling1Wow, I have never realized that, that is yet another great detail. Thank you!
One of my all time favorite shots as well as over all sequences is from fellowship when Arwen is taking Frodo to Rivendell. It’s the overhead wide shot in the open field with all of the Nazgûl behind her. So well executed.
Yessss!!!
Every single shot from the Lord of the Rings is like a fantasy painting. My absolute favourite is the wide shot of the Balrog and Gandalf when they emerge from from the caverns just before hitting the water. It is pure magic. Andrew Lesnie is the unsung hero of the trilogy. Rest in peace, Mr Lesnie. You are an immortal and your magic will enthral millions more to come.
You’ve represented many of my favourite shots I’ve worked on…. Thanks for all you do bringing light to this classic tale
Glad you enjoyed, thanks for wathing!
Thank you for this. I bought the books in 1978, and read them at least every two years till the movies came out. I did not watch the films because I thought they would never be able to match up to the books. Eventually I did.... first the theatre releases, then the extended versions. I have to admit that Peter Jackson's interpretation was a triumph. I did not think he could improve on the books, but he did. Now I watch the trilogy every couple of years, with all sorts of analysis and backgrounders in between. This was the perfect blending of an unmatchable story with an unmatchable film-maker's skill. Your video has just added another little layer of admiration...
Brilliant video, bravo! I could watch these movies analyzed for hours, especially when done this well!
What you spoke of the geography and how it was conveyed hit it for me: people often praise the visuals of Rings of Power but they sorely lack any sort of sense geographically (among other things). One moment characters are somewhere, the next elsewhere, sure the visuals and landscape shots are pretty but they do not convey any sense. You gave great examples from the movies where this really works.
My favorite scenes in the movies might be the War of the Last Alliance in the prologue. The wonder of seeing so many elves fighting alongside men knowing it was so long ago. And it being done so brilliantly with amazing voice over, it immediately grabbed my attention and still does.
Thanks for watching the video, and for your kind words! I wanted to do a little more than just gush about the visuals, so I'm glad you're on the same page. To me, the visuals are great because of the narrative challenges that they solve (among other reasons). You just have to put yourself in Jackson's shoes and try to imagine the insane difficult of bringing an entire world to life visually, and believable. It's really miraculous what they achieved.
The back and forth shots between Gollum and Sméagol conversing in The Two Towers is a genius decision! Its one of my many favourites from the trilogy.
My absolute favorite shot in the LOTR trilogy is Boromir picking the ring up out of the snow in the MIsty Mountains and holding it in his gaze. It's brilliant foreshadowing both of Borimir's fate, but also of the ultimate breaking of the Fellowship
For sure, I love how he kind of "snaps back" to normal after the ring's hold on him is momentarily broken.
Not to mention the fact that at this angle when the ring is in the snow, it seems impossibly larger than the two characters in the background. The camera focuses on it. All this struggle, death, horror and conflict over something as small as this ring, which in fact is larger than mere men in terms of importance. The ring is ominous, and it's on full display here, with nothing but snow and a bit of camera trickery.
There are so many shots in these films that communicate the history of Middle Earth, but my favorite will always be the wide shot revealing the great hall of Moria. The massive columns like the bones of the dwarven city that was. The Fellowship, so tiny that they’re almost lost to view. The slow pan of the camera. And of course, the one time we hear that gorgeously sad theme, as the orchestra honors and grieves the might and majesty of the dwarves.
It’s the moment I fell in love with these films, and it never fails to choke me up even now, having seen them dozens of times. Stunningly powerful for what could otherwise have been a simple establishing shot.
This was a wonderful “unpacking “ of the LOTR story! It makes me love the films even more.
what a video 👏 i love the zoom through the ring when smeagol finally gets it in mt doom, brilliant.
Oh, I never even thought of that, but you're right - the camera goes right through the ring haha. The look of euphoria on his face is so creepy
I’m so glad you included the scene of Arwen’s mourning. So underrated, and one of my favorites in the whole trilogy.
6:48 Dude that shot of the left handed guy with no shield walking in front of his troops towards a never ending horde of orcs is so epic. Especially tied in with the score
I guess it was Isildur.
the two similar shots when Frodo grabs Sam out of the lake and then in the third movie Sam grabs Frodo out of the fires of Mt Doom
oh man, and let's not forget Denethor's epic plunge
Lol I remember the audience cheered in theatre when that happened
A beautiful video: with one incredibly lovely shot after another, woven together with analysis from a great depth of heart and mind.
As for favorite shots, I would include several within the scene when Faramir and his soldiers are riding slowly through the mournful streets of Minas Tirith on their way to certain death, culminating in that long shot beginning on the heroic equestrian statue and ending looking out the gate toward the mountains of Mordor and the fires of Mount Doom.
Ah yes I remember that sequence. I think there's a shot of someone laying flowers that stands out from that scene.
The scenery shots are perfect. Some scenes were described by Tolkien for pages and PJ captured everything in a 5 second shot. The mountain and terrain scenes were breathtaking. They almost looked animated.
Yup the opening shots of Two Towers come to mind
Such such a sad and also wonderful story it’s lovely that their son wanted to document it all!
the shot of aragorn looking at the shards of narsil, while he and arwen talk about the fate of isildur, while stading infront of the painting for isildur vs sauron. Aragorn stands infront of isildur and so it looks as though sauron is attacking him. Perfectly, sets up Aragrons arc
Omg never noticed that. Rewatching the whole trilogy now lol
Among all the great shots in these movies, I think my favorite is the charge of the Rohirrim at the Battle of Pelennor Fields where the Riders of Rohan flow down that slope towards the Orc armies with Theoden on Snowmane (the only white horse visible) shooting forward at the tip of the charge. Goosebumps every time haha
Props for knowing Theoden's horse's name. I see I am in the presence of a true fan.
The shot of Frodo after Galdalf has fallen, looking out over the landscape & then turning for a close up. The deep sorrow at the loss that they all feel, but especially Frodo, is etched across his face & absolutely heart wrenching in that moment. I was never sure if it was a testimony to Jackson's cinematography or Woods' acting. Maybe a little of both.
Lol the balrog was foreshadowing in the most literal sense😂
God damn, that balrog shot falling into the chasm gives me chills. Every. Single. Time.
I love how you brought back these scenes😍
This channel is a real gem! Happy to have found it near its conception, I predict a great future for you.
My favorite shot is when the camera shows grima's face during sarumans speech to the uruk-hai and you see a single tear run down his cheek as he realizes the true magnitude of his betrayal and the evil he has aided.
Yes such an interesting detail for that character, who is clearly conflicted
“If you’re a fan, you’re probably feeling scandalized” 😅
You got me!!
Lol, I'm scandalized by myself for making this video
Yes, so many stirring shots. The first time we see Aragorn in the prancing pony sitting in the dark corner smoking his pipe in full ranger incognito mode along with the fight on weathertop when he sheepishly smiles (as if absolutely loving the battle) before throwing his torch into the face of the last nazgul. Galadriel showing Frodo the image of herself as a dark queen. Epic shots.
Great video man, thank you. What stands for me are the shots of character reactions, for example when frodo says he would do it and then immediately it cuts to gandalf's face, or when right after gandalf died we get a shot of every character's suffering,the credits go mostly to the actors of course, but somebody thought they were impoortant in the first place. also how not to mention just the "cool" ones, like when the camera is attached to a projectile like an arrow or a rock
I always loved Gandalf's "don't tempt me Frodo" shot - the fear on his face is so real. Incredible acting!
Without watching the video for me the most beautiful shot is when Faramir and his riders are leaving minas tirith. The armor glinting in the light just looks stunning.
I've read and re-read the books many times, and watched the movies many times more, and never have I realized that there were three eagles, including one for Smeagol. How beautiful.
There are so many, but one that will always stick in my mind is the shot of Gandalf and the Balrog falling into the subterranean lake. It’s a wide shot that shows the scale of the cavern with the two Maiar being just a small point of light in the darkness.
Thank you for this video. I learned a lot. :D
I love how you picked more subtle shots
Thanks for watching! Yeah I figured we all kind of know what the best shots are, so I tried to find a few of the unsung heroes for this list.
In terms of scale, I've always loved the shit where the boats go past the foot of the argonath. As you say, a theme is that little people can make a big difference, and in that shot, the whole fellowship is little. Because we identify with them, we become little too
I agree, that shot really gives you a sense of what Middle Earth is. It's the first time you see the true scale of its previous civilization. Makes you feel a sense of dread for what come next, and works especially well for that part of the story - a point of no return in which the Fellowship is broken up. Thanks for watching!
Gandalf riding Shadowfax up the levels of Minas Tirith has to be one of the best feats of compositing ever.
Agreed! And apparently that scene was added last minute and shot in one day. Incredible.
Wow never realized the balrog was actually jumping over the flames. Makes it more scary. It always seemed like this slow lumbering thing that’s stalking them, but this one movement shows how fast and agile it is. And then it goes back to just plodding menacingly after them like it knows it can catch them so easily. Such an amazing sequence.
If there is a shot that beats Argonath in terms of showing the immense scale, it would be a shot of Denethor in flames, falling to his doom. I love how it seemlessly transitions from the focus on him to then showing the entire battle and the massive size of Minas Tirith itself.
Honestly, I think the best geographical shot is the reveal of Edoras. It’s the most detailed geographical location in Tolkien’s writing, and Peter Jackson went to great pains (even getting permission to film on reserved land) to find a location that fit perfectly, and the result speaks for itself as Edoras jumps off the page.
It's mind boggling to think they actually built Edoras. I feel like that would just never happen today. But no matter how good CGI gets, there's just something about seeing a real place, and your mind can subconsciously tell I think.
I have never thought about the third eagle being there to save Smeagol. Great insight!
Wow. I've seen these films more than any other, but have never looked at them in this way. Especially that last shot
I'm glad you enjoyed! I find there's always something new to think about with these movies the older they get.
Some nice picks. For geography an obvious candidate would be the lighting of the beacons. For evil you could also think about the sequence where the hobbits are hiding from one of the wraiths and all sorts of scary insects crawling up.
I can't believe I didn't include the shot of them hiding under the tree branch. If I recall correctly, that one was an old painting by John Howe or Allan Lee, which directly inspired PJ.
Gandalf brought a third eagle to save smeagol...wow, that brought a tear to my eye.
The sweeping crane shot in the woods when Boromir blows his horn is one of the best shots I’ve ever seen. Any normal director would choose an easier way but the way it’s down gives the audience an understanding of how far Aragorn, Legolas and Gimli have to travel to help him.
Good one. A fine example of how to make an action sequence more comprehensible (and therefore more tense)
I love the bit where the oath breakers of the mountain flow off the ship after Aragorn, Gimli and Legolas jump off it. I always jump up in my seat with a huge grin, cos that's where the battle of the Pelinor Fields was won. Weird though, it's actually not like that at all in the book!
Arwen facing off the black riders just before she conjures the spell that wipes them out. "If you want him, come and claim him" I always thought that was such a badass scene
I never noticed the third eagle! I think your interpretation is right and it
makes me sad for Gollum. I thought it was his fate to give his life for the ring but Gandalf believed Smeagol could possibly triumph. Maybe I should have believed in Sméagol too. 😢
Exactly! That's why it's such a brilliant little detail. It's basically an easter egg. But it says SO much about Gandalf and Smeagol that one gets emotional thinking about it. Thanks for watching!
I would argue that the two greatest shots for scale are during the battle of Pelenor Fields, first when we see from Denethors view the giant host of Mordor and then when the Rohirim arrive and the Camera moves over them to reveal the 6000 horses
My favorite shot of all is the Witch King breaking Gandalfs salf. His following dialog and feeling of dread then cut by a single horn blast from the Rohirrim.
Yeah, the shot of the witch king landing on that terrace in Minas Tirith was on my shortlist
i never noticed the eagle thing... that gave me chills, and is really sad.
I don't think I thought about it until like the 8th time I watched it lol
The part, at the end, about the three eagles, and its implications: Brilliant, my good sir!
The "Smeagol's Eagle" theory haha.
I always found it fascinating how they almost made the ring a character by including loads of ring-closeups in the movies, especially fellowship. If I'd highlight one of the shots, it's the one where the ring drops to the floor from Bilbo's hand. No bouncing (try dropping a ring on a stone surface:) ) and a massive thud emphasize the importance of the ring.
Great insights. Thank you for this video!
Thanks for watching!
the video fits perfectly with the films, because it is also a clear 10/10!
Establishing shots in Lorien are pretty up there. The one of them climbing the spiral staircase around the tree - the camera movement makes the space seem surreal. And then the reveal of Galadriel with That Music.
It's quite basic compared to many of the moments in the trilogy, but I will always absolutely love that part when the Orc rank crumbles under the weight of realisation and fear when they realise the true power of what they're about to be hit by, just before being smashed by the forces of Rohan. It's so therapeutic to see this and a true cinematic "punch the air" moment for the good guys.
If that had just been a clash of swords and spears without the close-ups it would have been almost a nothing moment, but showing the fear of the enemy with close-ups and them backing up in horror before being hit elevated it to Chef's Kiss tier for me.
Ah yes, I know the moment well. Probably the only time you see a scared orc.
Never thought about the three eagles. Great stuff
Definitely adds a new dimension of emotion when you see that scene. And I love how it's left subtle. Show's a truly deep understanding of Gandalf's character, and his moral message. Thanks for watching!
Great channel man! Happy to have found you. 😊
I missed Minas Morgul, in my opinion, the most impressive evil structure, even more than Barad Dur. The eerie green light being a contrast to the other, volcanic and traditionally hellish lands of Mordor. How it stands for foul magic, being a rather cold, but poisonous place. Most notable when Frodo is drawn towards it, with the creepy sounds, and when the beam of light shoots into the sky. Again, it's shown as rather small shortly after, when they climb the stairs and see it from above, when Gollum throws away the bread, before they encounter Shelob.
I actually had that shot in my edit, and was thinking it was a good example of showing the scale of history in Middle Earth, mainly because it's architecturally the same as Minas Tirith, which speaks to how ancient those cities are
Agree. Was thinking about other favorite shots of mine and Minas Morgul immediately came to mind. The shot from the first film when the nine ride out… still gives me chills. The lighting they choose for those scenes is really great.
Many of the best shots are heightened by the music/score that adds to their appeal and power
Absolutely agree. I have to make a video about the music now lol
One can say there's a lot in these movies that isn't "perfectly good", especially from the original material's perspective, but has nevertheless to recognize it's brilliant as a whole. Thousands of shots are pure delight, ingeniously informing the viewer about the story and all, or conveying ideas, feelings, emotions, that goes right to one's heart and that were originally intended by Tolkien's writing.
RIP to the amazing Andrew Lesnie, award winning cinematographer of these magnificent films. Taken much too young.
Another fantastic thematic shot is the slow pan across the courtyard in Minas Tirith as Denethor goes to prematurely burn his son (despair). The pan pulls out a bit revealing the White Tree as we’ve seen it before but instead of burning as in Pippin’s vision, there is a single flower in bloom upon it. Hope and renewal amidst decay and premature despair.
I’m suprised that you didn’t include the scene when Gollum finally gets the Ring by biting Frodo s finger in Mount Doom and slowly puts it to his finger. The shot was perfect and the music piece behind it made it amazing.
I actually think that the shot of Gandalf whistling before we see the shot of Shadowfax is one of the most strangely framed shots in the trilogy. They framed Gandalf with very little space above his head and below his feet.
¯\_(ツ)_/¯ interesting, I wonder if that was conscious. I guess it had to have been
But when it zooms on Shadowfax galloping it is utterly enchanting
@@ilovenycsomuch I always wondered how they got the horse to run so perfectly and approach Gandalf that way. Must be well trained. Or maybe Sir Ian was just holding an apple or something.
There are so many scenes that are barely a second long that use what looks like 2 weeks worth of set building.
Yeah I remember hearing how many shots the miniature unit did and it was in the many hundreds. Crazy amount of work
And things like this is why Amazon's 'Rings of Power' series will never match Peter Jackson's films. The people making are simply nowhere near his level of film making skill.
I have to add that probably my favorite shot from the trilogy, one that shows not just scale but truly epic courage is the Ride of the Rohhirim onto the Pellinor fields. It never gets old.
Thank you so much for this ONE!
The most beautifully shot set of movies ever made
personally, I love the contrast between the shire and Mordor.
I agree, and that's actually one thing that I think is missing from the "Rings Of Power" series. We're seeing a lot of evil. But where is the counterpoint? What's "worth fighting for" in that story? Mordor only means something because we love the shire and the hobbits way of life so much.
5:44 That Barad Dur shot was the first one that came to my mind reading the title…
The shot of Gandalf alone reminds me of 'Christ in the Desert' by Ivan Kramskoi
Evil for me is the shot right after the hobbits escape onto the ferry. The Nazgul rears in fury, then turns to race down the road to the next bridge ... *and then we see there are two more of them*. Just one of them has been the stuff of nightmares, and now there are three. Just such a sense of approaching doom.
And my Gollum shot is his reaction at the end of Sam's speech in The Two Towers. He hears this inspiring speech but knows all that hope is absolutely beyond him. It's heartbreaking.
In order to make a video on my favorite shots from these movies it would just play all of them. Same with my favorite scenes
Please keep making these videos!!
my favorite shots are the 12 first hours