Pro Tools FANBOY Tries REAPER!
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- เผยแพร่เมื่อ 16 ส.ค. 2022
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I finally tried Reaper. Coming from Pro tools this was actually pretty refreshing. I had some issues getting REAInsert to work properly. But I'm sure that can be something I figure out down the line. Once I got going I was shocked at how fast Reaper really is. I really like this.
DISCLAIMER: I am not a pro in Reaper. This was to see how quickly someone with a working knowledge of a DAW could potentially switch. (totally asking for a friend BTW)
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As an exProTools user myself, Reaper was a nightmare to learn. I almost gave up until I found Reapermania, Kenny Gioia’s channel on TH-cam. He has well produced videos on virtually anything you could want to do in Reaper. Once you get the hang of it Reaper is faster than ProTools, and it can do anything ProTools can do, and a lot of stuff ProTools can’t do. The mistake I made when I first got reaper was trying to customize it to work like ProTools. Don’t do that, just learn Reaper. Then after you get the hang of it you can customize it a little here and there to suit your workflow.
Same! Ex PT user too (20yrs) and Kenny Gioia saved my life while I was learning Reaper!
What doesn't Pro Tools do?
@@ryand4533 Pro Tools doesn't let you open multiple sessions at once, and then drag and drop tracks (or fx chains) from those sessions from one to another. Pro Tools doesn't allow you to write scripts that automatically handle simple, everyday tasks. Pro Tools doesn't not crash every few hours. Pro Tools doesn't allow infinite tracks or busses. Pro Tools doesn't let you export each track as a stem. Protools doesn't make you more physically attractive. OK, that last one, Reaper doesn't do that either. But all the other stuff Reaper can do.
Just try Reaper for a week or two, watch some videos, and you'll see. It's not just better than Pro Tools, it's miles ahead.
@@funktionwebweb6735 How does the edit flow feel? Like in Pro Tools I can do so much with quick keys. No other DAW was ever that efficient in the edit window. I mean when you need to fly a hook that’s 100 tracks deep, logic and other DAWs were always very different. I will definitely look into as I hate Avid with a passion! I’ve been using Pro Tools since Digi Dsign but every version has gotten worse.
In Reaper it's different. You have a lot of control over things like quick keys and automation, which can make your workflow MUCH faster than Pro Tools. The difference is, instead of just learning all the shortcuts, you have to make them up yourself. That said, there are user created "templates" that mimic Pro Tools, Logic, Cubase, Acid Pro, whatever. Reddit has a very lively Reaper community.
I guess you could say that, for Pro Tools vets, Reaper takes a little getting used to, but once it all clicks in your head, Reaper has a MUCH more efficient workflow.
hey, i know that guy! Thanks for the shout out!
Y'all gonna have me crying in the comments section 🤗
Feeling the love
Heck yeah! This was a great video! I tagged a few folks (and you) on my Discord server to assist with anything you might need, particularly the ReaInsert issue. Got a few folks on tap just waiting for you to pop in :)
I have a lot of issues with reainsert and buffering. Unfortunately i've never found a solution to that, it seems to be really buggy.
@@wolvesinsound and I have no outboard gear 🥲
I know a lot of people use reainsert without issue but there are others who say it's hit or miss
Curious to learn more and see what's going on 🤔
Ok, lots to unwrap here but I can hopefully give you some tips.
1) the ReaInsert thing can be weird, on almost every system I've used it it can take a minute to work well. Make sure you "ping" the loop, meaning that, once you've set your IO, you hit the "ping detect". It will run an audio signal through the loop to sync the latency. The buffer size shouldn't matter too much, but it can definitely take some time.
2) Windows on top: every "floating window" (that's the name of any window that is not docked to the app) can be "pinned". If you look on the top right you see a pin, like on a board you use pins to put a piece of paper. The pin on your Mixer (or MCP-Mixer Control Panel on Reaper) was set to on, so the Mixer was on top of everything if you unpin it it will go to the background when you open a new window. You can also pin a plugin, any other window, and of course unpin them. So yeah, unpin the mixer
3) have a look at the "action list", you can change whatever you want there in term of shortcuts. And there's thousands of features that don't have a shortcut yet, and you can play with them and see if they could come in hand. There's a "go to next transient in item" that is very similar to the "tab to transient" feature.. Lots of things. One thing I'd suggest is to search for the action to open and close the MCP, and you can use the "find shortcut" feature in the Action List Window to find the action bound to a specific key command. So click on "find shortcut", enter the shortcut you have (by default Reaper has cmd+M for showing and hiding the MCP) and it will show you what action that is. There you can delete any shortcuts you want or add shortcuts. You can have multiple key commands for one action, making it easy for when people come in and they wanna do something and you can keep the stock command. You should also start learning the "custom actions", which are actions you can create by combining more than one action from the action list. This allows you to, for example, stop the session, go to the beginning of the project, save. All these three are actions, and you can combine them into 1 and trigger one single key command and those three will happen in a fraction of a second. You have no idea of how much stuff there is.
4) SWS: go on Google and download the "Reaper SWS Extension". It's a package of hundreds if not thousands of features that make Reaper probably 4 to 5 times more powerful than just the stock Reaper. Cool features are daily things like having a "red ruler" (a red stripe) that appears on top of the session when you are recording (to make sure you KNOW you're recording), analysing the loudness of some items (you can drag a whole album in a session, select all the tracks, go to "extensions, loudness, analyse selected items" and it will tell you LUFS-I, M, True Peak, Maximum short term and momentary, range of LU...), setting the loudness of a specific file to any LUFS-I you decide (to AB different recordings you can match the volume automatically) and thousands of other features I use daily, like the auto-colouring, where by inputting the name of a track it will automatically colour it of the colour that you want, or if you set the track to "record arm" it will be coloured differently and then will come back to normal when you un-arm the track, or a folder track might be white when turned into a folder track... Really, thousands of things.
5) ReaPack: this is another great addition, where you can find user built scripts and plugins. Things like a free version of Vocalign, that uses the stretch markers (Reaper's version of elastic audio) to align two vocal takes, scripts to move things around... Again thousands of other things.
6) For showing one FX Window at a time there's an option in the Reaper preferences (cmd+,) under the "Plug-Ins" menu that says "Only allow one FX chain window open at a time". You can play with that, although to then open two windows (like you would do on PT by clicking on the red square in the corner) you'll have yo do some trickery. There's a great video on it by Kenny Gioia, on the YT channel Reaper Mania. It's great and will help you lots when looking for things to learn everything Kenny has to teach. He's basically the biggest Reaper Guru. Also, the Preferences window has a "find" option, where you can type something in, enter and every time you hit enter it will show you any option that has that word in it. Very quick. Search is also possible on the Action List, meaning if you're looking for something that has to do with an item you can just type "item" and find anything that has to deal with that. Reaper has its own way of wording things so when you read enough Actions you'll see that you start thinking of how it could be named and you'll get very fast at it
7) Plugin Window: when looking for plugins you opened the window and that's great. On the left though you can see many menus, while you were on the "all plugins" there are other folders. The first thing you see is a division in AU, VST, JS... and all. If you keep going down Reaper will automatically search the plugins and list them in categories (when you were looking for a Delay for example) or brands. You can then also build your own custom folders, and add plugins there. For example I use custom folders for almost every manufacturer that I have since I might have bought a Waves Mercury, but I don't use many of those plugins. And I can have a custom Waves folder with only the plugins I use.
8) The power of ESC. On Reaper, almost every window you open can be closed by tapping "ESC". Since my left hand is basically almost at reach, it's super powerful. Close floating windows, fx, preferences, fx search window, all with ESC. You'll quickly see that when using any other software the thought of having to hunt for that "close window" button will feel like using Windows95 again.
I hope I've given some helpful tips, and welcome to the Reaper world. Oh, and since I've seen you believe you have seen a rabbit hole, trust me. You're already in it. You just haven't realised how big it is.
Lots of good stuff here, great commentary!
@@LetsTalkAboutReaper just trying to help, I'm sure you guys were already all over it but I thought I'd write it in case. Reaper is so full of features that often we all forget of huge features cause we're focused on the latest tweak we did!
@@edoardoallertsen seriously, this was well written and has a lot of great advice in one spot.
@@LetsTalkAboutReaper 10+ years on Reaper sometimes help!
I appreciate this! This is why I was nervous with this one. It’s kind of it’s own works when it comes to Daws. Very featured packed but unless you know the “common language” your kind of on your own flailing… like I was. Lol.
Thank you
I was really happy you tried Reaper. I think it's a fascinating daw! Very looking forward to your Reaper YT updates!
Regarding your „always on top“ problem: In the upper right corner of your mixer window is a „pin“. You seem to have pressed it… 😁
…oh …my …god…. I’m an idiot.
That is useful though.
@@RecordingStudioLoser you can dock it at the bottom.
I was just going to say that 😂
A few small things you might have worked out by now anyway:
1. You can dock the mixer to the main window [you can dock just about any window to the main one] which might help the right-click bug you were having.
2. You can uncheck a setting by right-clicking the mixer to stop the mixer channels stacking on top of each other.
3. I'm pretty sure there's a setting that lets you only have on fx window open at a time. [there's also a search function in the preferences menu which can help a lot]
4. If you drag files directly onto the timeline you can position them exactly where you want, otherwise if you drag them onto the TCP [the bit where the controls are on the side] I think tracks are inserted at the playhead.
5. Oh, and you should be able to customise the theme you're using to show different/limited controls based on whether a track is selected or armed (or just by default). That's a thing you can do with the default theme and I think the person who made this theme kept that feature.
it's a bit funny, because docked mixer and docked master track is default,
playhead at 0 is also default,
default theme in Reaper 6 doesn't compromise functionality unlike the custom theme used in video :D
Fuck. Great post. I need to watch more videos and have a play around with it. Thanks!
I love that you gave reaper a fair shot. I salute you and this undertaking - it ain’t easy!
If you’re willing to put in a few minutes to figure it out, have your friend explain “Parameter Modulation” to you. Essentially, you can side-chain the behavior of a plugin or channel parameter to the gain coming off another channel.
I’ll give you a use case - imagine that the frequency of a boost in your EQ (or any other parameter of any plugin) is side-chained to the gain from another channel. Say, when your singer sings, the boost in your Rhodes scooches up or down and out of the way, but then comes back when the vocal rests.
Lots of luck!
…you just sent me done the biggest rabbit hole ever.
And I thank you for it.
@@RecordingStudioLoser part 2 incoming? lol
@@RecordingStudioLoser Go watch kenny goia videos tutorial
I use that sidechain ALL the time in Ableton, and for ducking in REAPER. Basically sidechain dynamic notch EQ is a lifechanger for vocals when you have a guitar or synth on the same frequency range and for some reason you can't pan it or eq it out of the way (like using as I do merged instrumentals).
Before you'd have to notch it then automate the filter somehow. Now you can use something like TDR Nova or a EQ or compressor that takes a sidechain send from your vocals, then automate the notch filter or compressor to duck it out of the way. Add some m/s or in the case of TDR Nova it's called Sum or DIff and then you're not affecting the whole stereo spectrum either, just the part in the centre you need to notch. Voila, your backing gets notched in the centre only when the vocals are there, and only at the amount needed.
@@RecordingStudioLoser not me, im mo pc faner geek who wants to waste tine and money paying for features like editing that are worse then abelton live
Sonarworks should go into your „Monitoring FX“, not your Master, or else you always need to bypass it for rendering ;-)
Ahhh thank you!!!
@@RecordingStudioLoser th-cam.com/video/_SY_j_L1mAs/w-d-xo.html
@@RecordingStudioLoser Monitor FX is genious, you can keep all your meters, spectrum analyzer, sonarworks and more there and no need to load them in every single projects.
@@huberttorzewski Yes, but Studio One is not the topic here.
I know studio one, it's a good DAW, but i like the fact that REAPER is a kind of blank software, that you can customize to your needs. It's really small package to install. The consumers targeting of SO or Logic X is so big that you need to install so many packages, loops or effects, that i personally don't need at all.
With REAPER i can cover almost all the features, sometimes even more, of Studio One or Pro Tools that i personally need in my daily works (Recording, Mixing and Mastering) and the price is surely the best out there. So i don't see any reason to move to studio one right now.
But Studio One is defininetly a great software.
@@huberttorzewski Yes, i agree, reaper is long learning curve DAW, it's not easy at all. I was struggling a lot myself too at beginning (i come from Pro Tools). Customizations can also be too much. The GUI is terrible, but with some work around you can get a bit better result.
It tooks me really 5 or 6 months to understand well all the stuff and potential inside. But at end it was really rewarding and worth the time. Everything now mirror so perfectly my workflow that i can't even think about moving to another DAW or back to pro tools. The CPU consumption is fantastic and there are amazing options if you're running out of power such like sub projects. I would never be able to run many of my mixing projects with pro tools, since my system is not the newest.
Studio One has got also really great CPU performance in my opinion.
Really glad to see your enjoyment of the routing structure in Reaper vs Pro Tools. When I tried using PT for a while, routing was cumbersome.
Also, there are some themes that will help you orient from a pro tools perspective
Great video thanks for trying this incredible DAW I think that you will love it
One little tip I haven't seen anyone mention, when you're dragging in files to import them, it will put them at the horizontal position where you release the drag, so if you want them hard left make sure you release them hard left otherwise you need to drag them left after import.
I dig the content! I would love to see you make a follow up video on how Reaper is working out for you after you've worked out the kinks and learned more about.
the double row of faders... right click the lower left corner of the mixer and deselect "show multiple rows of tracks when size permits"
Bro, please keep doing these, I’m on the same path branching out of PT. Thanks for the video
Congrats on taking this step!! You're going to absolutely love Reaoer...
After 20 years of Pro Tools for 8 hours a day, I, too fell in love with Reaper a few years ago and fell down a deep rabbit hole....customizing it and using it for a great many projects including music, TV post, film mixing, etc. Then I found Nuendo and found my Forever DAW. Nuendo (&Cubase Pro) combines the best features of Reaper and Pro Tools, with its 3rd party clip effects, control room, ARA, monitor FX, incredible handling of MIDI, VSIs and video for post production, amazing stock plugins, etc. etc. I find its general appearance also extremely pleasing to the eye, which is a boon when you have to stare at it all week long. The control room feature is EXTREMELY important and eliminated my need for my Dangerous Monitor ST altogether. During your DAW dating phase, I'd definitely recommend demoing Cubase Pro and giving that a shot as well. Love the channel content!
It's $1000. I mean, if you are a working professional then that is a good choice. For the most part, the people using Reaper are just musicians that want to record their band, or create songs using EZ/Superior Drumming, or programs like that. But, it's good that you found what works best for you.
Glad you found Reaper. Hope it all works out for you. Great video.
I think my favorite thing about Reaper over pro tools, is the fact that a track is just a track. It can do whatever you want it to do. It doesnt need to be a Aux track, an Audio Track, a MIDI track, a Mono or Stereo track, it's just a track. You don't need to think about what kind of track you need to make, just hit ctrl T and do whatever. It's this one little thing that convinced me to try Reaper, and I've been in love with it ever since.
I've only used reaper and the thought of other daws NOT doing it this way stresses me out lmao
I’m really happy you had fun with REAPER. I’ve been an user for a while and I’m 100% in this journey to see what other DAWS can offer.
The insert thing is kinda weird. Never had that issue on my setup. Probably just a config thing somewhere. I know plenty of people who also use external gear without an issue.
And oh boy, the moment you start to look into all the REAPER skins… I know there’s one that makes it look just like pro tools 🤣.
I definitely still use the protools skin for sure
Reaper has a Monitor track where you can setup your Sonarworks and OBS whithout having it on the master bus. That way you don't even need to remember to turn off sonarworks when bouncing a mix down and it remains setup and follows on every session after that. Also the ability to have multiple sessions opened at once and copy/paste things over from one to another is super useful
Try either "docking" the mixer window or putting it on a second monitor if you have one. Discovering Reaper brought the fun into mixing again. I could make do much progress so fast!! Have fun on your DAW journey!
Second monitor mixer window gang.
To avoid dealing with dozens of plugin windows floating around, try this: instead of calling them out from the top of the mixer area, click the "FX" button on a track (in the mixer area or in the track area, it should be available from both places). That will open a track FX window where you can switch from plugin to plugin.
Yeah, it sort of does the Studio One thing where it makes tabs out of each plugin. It's a little distracting how you can choose to do it either way every time but it's a good way to essentialize the interface
Also, there's this wonderful script for having only one fx open at a time by "FTC tools".
Something like "keep only one floating FX open and centered in screen.Lua"
I’m about 2years ahead of you, and it was about two years ago that I switched to REAPER. After trying them all (I was keen to S1 & Cubase, too), REAPER was the only one I felt offered a truly compelling alternative to PT. For me, it was mostly the early endless customization to turn it into a “dream DAW.” I kept enough of it the same as PT so it wouldn’t hinder my abilities in PT (not to mention years of muscle memory).
There are two important PT features that, while not yet finished, are in the latest beta dev builds: Playlists and Track Groups. Reaper has its own versions of each, but as PT users we rely on those features rather specifically, and these new developments close that final gap.
That said, Reaper has offered so much benefit in other areas that it’s still been worth it. Cheers!
I love that the mindset with Reaper is "I can sort this", where with other DAW,s it's"why is it like this". my big problem with Reaper is the theme rabbit hole, but my big problem with other DAW,s is I'm sic of looking at you, and your burning my eyes out. love your wotk, happy new year brother 🤙
I track, arrange, and mix in Logic. The amount of available sounds and presets that come with Logic are super helpful for being creative when arranging. I use Pro Tools for audio editing, but I've been seriously debating whether or not to switch to Reaper to mix and edit. I'm starting to get frustrated with certain outboard gear routing options with Logic, and I've always a distaste for the Pan Knob, and the fact the stereo channels open with a default balanced pan. Thanks for helping to make up my mind.
I made the jump from Cubase to Reaper about 5 or 6 years ago, and it was a breeze. I was never satisfied with Cubase performance, most of all, and that is what drew me into Reaper. I know there's a lot more you can do in Reaper flexibility-wise, and I know it's overwhelming at first, but my approach was to learn things one at a time only as I needed it. I would google "how to do X in Reaper" and the answer was a click away. I love it.
Holy shit! Myk from let's talk about reaper is awesome. Such a genuinly chill dude and super nice.
Been using Reaper since Version 3. You can actually import custom skins and layouts in REAPER, to point you can make it look and operate like any DAW you want - even Pro Tools. You can also undock and float some of the interfaces into their own window, if you have a dual monitor setup. You can also change the docking functionality from the bottom to the left or right side of the window if you'd rather keep everything together (it looks like you have an ultrawide, so that might work well for you).
Brother, you need to do more vids! I could watch your channel all day. Love the content, love the presentation, love your take on things. This channel just rocks.
Oh, and I switched to Reaper back in 2012 and never looked back. I keep PT10/11, Sonar Producer 8XL, and Acid Pro Suite on hand just in case, but Reaper is my go-to.
Myk is fantastic. Very knowledgeable, and just a fantastic guy :)
Thanks for the awesome video and information. I'd love to see you try Luna just like this.
I've just moved from Cubase after 25 years of it. They stopped supporting VST2 and so my UAD plugins didn't work. Reaper is the only DAW I've found has what I need. It's a learning curve, but like folks have said, the tutorial videos and help will get you there. It's awesome.
Enjoyed this -- thanks for making it!
If I had to give you two tips if you're carrying on playing with it it would be that all the things (notably the mixer) thjat were floating around annoying you can be docked -- find out about the docker (and you can save screen sets for different jobs, too -- I have a screen set for composing/comping, and a different screen set for mixing, for example -- and you can easily assign keys to these to change at the touch of a button).
Secondly, if there's something you want to do, hit the "?" key and search through the Action list. I use this when I'm teaching Reaper (as I sometimes do -- makes more money than my music!). Reaper can basically do anything you want a DAW to do, but as you suggest finding it and usability might simply be the issue sometimes. The action list is the solution to that problem -- it has everything. You can make little macros combining muliple actions from here, too, and assign actions to your own shortcuts or customised menus for stuff you do all the time.
Anyway, great vid, great fun, and great guitar strap. Thanks again! (PS I used to love Pro-Tools too -- but now I'm never going back. Not that big a fan of AVID really -- it's not just about the tools -- but that's another story...)
As a Cubase user I was happy that I could change the Reaper to "feel" like Cubase by changing tons of actions and settings.
I still use Cubase for my main recording productions
I use Reaper for live show performances because its just more stable and CPU friendly than Cubase is.
Other than unchecking the "pin" to keep the mixer on top of everything, consider the docker and see if you like that functionality. The mixer is hotkey open/close-enabled, so that makes getting in and out of it fast. If you ever need to lock a plugin window on top while working on other things, the same pin mechanic will do that. You'll find track management allows to you customize whether or not certain tracks are shown in the track view and/or mixer view, which can be handy if you only want to see certain tracks in the track window that you don't need to see in the mixer and vice versa. The routing window is crazy fast for assigning and unassigning sends once you understand how to use it. Actions are something you'll find overwhelming in terms of how much is there, but inevitably SUPER useful for specific tasks you want to automate (including making your own actions and even using actions to create chains of actions). And that's just the tip of it. You can even get yourself a Pro Tools theme so Reaper looks more familiar!
Check out Cubase, I am looking at other options as a protools user myself, and I was shocked at how natural the transition with cubase was. Something about the way cubase’s UI is built just makes it feel very comforting for a PT user. I’d love to see your reaction to it in a future vid!
Top game changing, workflows in Reaper for myself:
1. Split at mouse cursor (and also do what ever to the split clip: trim gain -1dB, add fx, crossfade, nudge, slip etc etc etc)
2. anything involving mouse cursor actions: move to mouse cursor, split (as previously), change gain, delete, add envelope point, pan, tune, etc
4. Can do anything just using the keyboard exclusively without touching the mouse and when used both it's like doing five things even before your thought process has finished
3. Routing is pretty GOAT level
3. Trimming, editing, slicing, slipping can be done in milliseconds, stretch markers for audio quantizing or aligning
4. 2 clicks and a keystroke to add clip fx and then bounce (with tail, 2ndpass render or not)
5. Normalise clips separate or in groups (rms, lufs, peak etc)
6. Separate grouping options for every track in a group
7. Automation and vca like overriding, one keystroke to have the last touched parameter's automation envelope visible
8. Selecting multiple tracks acts as a group
9. Bouncing / rendering has all the options I could imagine
10. Any keystroke from PT is available or possible to create as a macro (combining different actions together)
11. Mousewheel clip gain, pitch, pan, slip with holding opt or cmd etc (instead of only clip gain, you can have clip: pan, pitch, FX envelope on the clip.
12. Oversampling and delta mode for any plug-in instance
13. Mix scenes to save different mixes as a scene along with any save as workflow
14. Linking parameters of any plug-in with another one ie push and pull technique using to eq instances pre and post and controlling both from one instance
15. LFO like automation setup generating shapes
16. Automation items (like clips with automation envelope data) that can be saved and recalled, move around, duplicate, stretch compress or expand etc
17. Great JS utility included plugins for deep routing in an fx chain, ms processing, etc
18. "Quick adder" Script!! one key press+plugin name type+enter to add plugins, clip fx or sends
19. Sends can follow panning as in PT
20. Dynamic (transient) splitting, detect silence etc are working great
I'll stop at 20 before I end up writing a book :)
bonus: tab to transients, trim start and end, shuffle (ripple) and every mode all that is available. Happy to help anytime, if you have any questions or issues regarding Reaper (or Studio One) pretty deep in both of them + Cubase, ex PT user.
Good to see you trying other daws. I have been hunting myself for a year. I have several years with reaper and studio one. I recently got protools abs while mixing sounds the same in any DAW, I get better sounding recordings in protools. I don't like the pt workflow, it's complicated ABC clumsy but sounds great. I live reaper for the most part, but the track take layers is a little weird, but better than Playlist imo. Reaper has a lot to offer, but do a test recording and see if you get as good quality as with protools, maybe it's something with me, but the rest of my band agrees
My first reaper experience: i was hitting shortcuts i did not know were there 30 minutes after installing it. We clicked instantly, the job that i had struggled with PT that day was finished in a hour, and that included installing Reaper. I came from PT HD at the time and it was instant switch. All the things in PT i hated were gone and i could do ANYTHING i wanted, the way i wanted. I've used it for recording, mixing, foleys, SFX for theater, video and games, mastering, analyzing... I even used it on one theater play as portable install: all i had was a USB stick with the program and the project files in the same place, and any PC becomes a workstation.
Just getting away from AVID was enough, but it also turned out that after using computers for music since early 90s, trying out about any DAW on the market since their invention: Reaper is most likely my last DAW. I don't see any reason to ever switch.
The main thing is the fundamentals are so quick and just works, like, sending a send post fx pre fader into a sidechain compressor before a gate making the gate never open for a snare in the toms etc is just crazy fast to make happen, also in that scenario you can use lookahead etc on reapers stock tools
I am also considering trying other DAWS as well, This is a great series. Thank you
Subbed just because you gave Reaper a try. I've been using it since I came away from Apple. It's a steep learning curve for sure but it is such an amazing DAW. This video was really great. I am sure others have said but you can Dock the mixer I usually just use another monitor for it and my track control sheet.
I switched from Pro Tools to Reaper when PT, my M-Audio interface and Windows XP didn't want to interact (service pack update or driver update). I hadn't really user.It much anyway and actually used it a bit like my old 4-track cassette recorder I used for demos!
Quarantine at the start of the pandemic helped my learn more about Reaper as I was still using it like a.4-track and I don't think I could use anything else now. Plenty of TH-cam channels out there to help.
Congratulations man. 👍
I've been using protools for 10+ years and got sick of them. Then I've started using reaper, and never looked back. What a wonderful and charming 4 years!!!
Having all those plugins stacked up this is why I like to have three or four monitors so that way I can drag things out of my way and have my main window in the middle and I'll have my mixer off to one screen and then my plugins on another screen that is the beauty of reaper you can drag things out of the way same thing with FL studio you can detach the windows and then drag them over to different screens to get them out of the way
I love REAPER.
One of the things I considered when shopping for a new DAW was long-term independence. I wanted to know that I'd be able to bring up and edit projects decades from now, even if the software company behind the DAW had changed or had gone out of business. For this reason, I avoided the DAWs of companies that seem to be headed in the direction of web-based applications or subscription-based licensing. Although REAPER is not free open-source software, the Cockos company has that ethos about it. Besides all of the great attributes you usually see people praising REAPER for, another is the fact that the company behind it respects user independence.
Love your content! Would love to see you test Cubase ;)
There’s a little bit of a learning curve but it’s definitely worth sticking with it to learn it!
I like your excitement once you start realizing it's capabilities because it totally matched mine when I started working in Reaper about 10K hours ago.
Thanks for your open mind! 😉 Good first look! I use Reaper about 2.5 years and I love it! The default look is ugly a bit, but it's possible to solve - I use "Default_Commala_5_2016" color theme and everything is nice to look at now! 😉
Thanks for playing with Reaper! It's a blast isn't it?!? 6.66 was released last night I believe and addresses the clicking issue I was told. :)
Reaper is one of my fave DAWs. So small and fast. And I use 8 of them! BTW, you can right click on the mixer window to dock it and arrange it like you want.
Are you using your HDX for core audio output? I’m sure I don’t get the same issues you are seeing in Reaper. I’m using metric halo or uaudio as core audio interfaces
There's a video of Jon from REAPER Blog walking Joey Sturgis through a new configuration of REAPER. You might enjoy that.
Great vid. Did you sort out the insert glitch?
Yeah. An update fixed it up
Besides the super flexible aux setup (just wait till you see how great side chaining is), you can also set up track folders. By default the parent track becomes a bus, and it indents all of the chidren. Really great for busing and organization if it suits your workflow.
I think I was doing the folder tracks. It felt so natural I didn’t even notice at first.
It’s weird that attack can be anything. But I love it
@@RecordingStudioLoser was mostly listening while I was doing yard work, rewatching I see you were! Yeah, I took the approach of figuring out features as I needed them, using a couple of other DAWs in parallel and revisiting. Eventually settled into a workflow but it’s ever evolving. The biggest thing that keeps me using it is the project management. Version control, regions, and render options allow for so much process automation for managing mix versions, it’s painful going back to other DAWs for larger projects.
I have a couple of friends in your position who ended up going with Cubase. Excited to see what you think if you try it!
As a long time Reaper user, it never occurred to me how much those fx windows not closing is to me. You acclimatize to things, I just always close them. (Like yourself, I do a lot of hardware work so I don't run into it super often).
To prevent plugins appearing behind the mixer press the tack icon on the mixer window.
Something to try out for a different approach is to use folders instead of busses.
You can drag multiple tracks on to one and it will make them a folder which is nice for organization but will also automatically route audio from all tracks inside the folder through the parent track. That way when making new tracks you don't have to think or worry about its output as long as it's in the folder. To top it off you can add an sws extension to make it so all tracks in the folder automatically get colored the same as the parent track.
I came from ProTools as well but have been using reaper for 4 years now. Reaper is a sandbox where you can do the same thing multiple different ways, there are so many customizations to make but it's easy to get lost in trying to make it "your perfect daw". With all the customization inherently comes a few quirks and loose ends, or a feeling of being a bit more raw or unpolished. But how fast and snappy it is and everything just generally works usually makes up for it.
Looking forward to more videos checking out other Daws, I've been thinking trying studio one and cubase to see if it fills my lust for having something glossy and neat, but it's hard to leave reaper. Goodluck with the hunt. Cheers
I'm now using Pro Tools and Reaper with the WT Imperial theme. Reaper's Custom Actions list and MIDI learn are key features you will want to dive into!
The mixer by default show be docked but you can put it anywhere. One reason I chose Reaper was that it worked well with my old outboard gear
Once you get used to the routing matrix you can route things all over the place very quickly
Side chaining is easier than most of the tutorials make it out to be. Like the other commentor suggests, parameter modulation is rather powerful
Project tabs, and sub projects are a must have if I am doing any sound design. Its a very powerful feature as are all rendering options and the rendering cue. I find it very handy to use subprojects like scratch pads, work on variations of compositions in one large project. Render projects inside projects and much more
One thing I didnt realize for a long time was that you can apply fx to items ie (Item take FX)
instead of putting fx on the channel
Reaper is always been talked of as a learning curve, I learned on it so never really knew the difference.
The sends/busses being so easy and flexible has really spoiled me for other daws too.
Good to see you jump in, it's probably not the most "like for like" replacement for pro tools, but the flexibility is king and some of the scripts out there for Reaper are phenomenal. I had a session last night with a vocalist and when doubling a scratch vocal, there's a vocalign style script to bust out and tighten the takes up. Or when the guitar was out of time, there's a script to chop or stretch audio with a quantise feature. Super easy stuff when needing fast edits!
Thanks for sharing bro! I'm curious if you could point me in the direction of the vocalign style script. If you could help I'd really appreciate that . Thanks!
@@BrentCarter05 if you search "reaper align takes" you should find forum posts/videos on it, it's a handy tool for sure!
@@RoryButlerMusic Found it!! Thanks bro!
You can dock/undock the mixer control window so its below the tracks and not on top.
Enjoyed this video man. Funny to see you struggling. As a logic user it seems a little less intuitive but I can see if you stuck with it, it’s probably better than PT, especially with PT’s many known drawbacks
I’ve had buffer underruns on another DAW when running Sonarworks system wide on heavy projects. I’ve read that using Sonarworks at the end of the Master chain gives the least amount of latency and improves the buffer underruns issue.
For the hardware issues were you having trouble with the latency? For me I solves that by getting my latency from DA/AD converters and put that value under Preferences -> Recording and set the input manual offset to my latency which for me is 47ms
Not sure if anyone else addressed this but if that issue your issue that took me a long time to figure out. I think reaper has a hard time computing latency automatically so I had to set that value manually.
Was hoping you’d give Reaper a go, been a user for more than a decade, and every time I have friends over that don’t use it they almost always are like, “How do I do this?” And it’s usually, you just drag and drop where you want or click here, and they’re always like, “Woah, that’s so easy.” I do agree it takes time to get used the UI, but I think that’s kinda the trade off for it being so customizable. Regardless, glad to see you give it a whirl, and if I’ve learned anything with Reaper, it’s that the community (folks like Mike) are everywhere and always willing to help or toss up some vids.
If you have any UA kit, then LUNA may be worth looking at. I have never used PT but I heard somewhere that LUNA has very similar commands to PT. I have seen a number of people moving over to LUNA but it may be aimed more at the home market than a full pro studio.
Hey, once you get comfortable with the basics, look into the free SWS extension for Reaper. It gives VERY powerful editing and automation tools. You can make your own editing macros to do quantizing and time stretching. Another amazing time saver is that you can program it to automatically assign track colors and icons to tracks based on the track name. So, when I import someone else’s tracks into Reaper, it knows that I like guitars to be green and bass to be blue. My only negative thing to say about reaper is that it doesn’t work with most ProTools-specific control surfaces like my Avid S1. However, reaper is compatible with many other controllers. I’ve even used an Xbox 360 controller as a drum pad.
I enjoy your channel, keep up the good work!
i started with Reaper then switched to Studio One. I'm sometimes tempted to do a project in Reaper again for old times sake, but I think I love Studio One too much to go back.
Sidechaining with just drag and drop the send in the plugin is so fast and cool !
Looks like you have the mixer "pinned" top right, pinning a window will make it always in front
Cool vid. OBS might be your culprit with the stuttering issue. Have you had the same issue while not using OBS ? I love Reaper, there's just no going back to another DAW for me. Keep up the good work.
you can buy straps that have built in locking system to make it easier to deal with
I was really surprised by the ReaInsert problem especially since it was just one the master track.
My initial instinct says it might have something to do with the sonarworks or OBS, but have no reasonable backing.
Also, now that you have an understanding of how to use sends in reaper, you could always try the “mix bus track” where you’re bypassing anything being sent to the master track (i think it’s select the track, hold down option and click the routing button), and then select all your tracks or folders to go to the dedicated mix track
I dunno if it has been fixed, but my instinct is sample rates mismatch, REAPER is very senstiive to sample rate/format changes by other software or hardware.
I'd check that exactly the audio coming back is the same format as you're sending out, and there's no clipping or some weirdness or latency lag. Those kind of stutter pops are usually CPU but can be a sign of the anti-feedback stuff kicking in or struggling with the audio in some way.
A classic would be if there was any of the latency settings that try and keep everything in sync set and REAPER is struggling to try and sync this external returning signal with the rest? It does this with plugins, but you are told to turn that stuff off for live recordings. Maybe the 'live' nature of the return was tripping that up.
@@realfingertrouble possibly, ReaInsert has latency delay compensation built in, so I’m not sure. I’ve not had that problem before
I’ve been using Logic for a couple years and love it for everything but editing. If it had better slip editing and s-curve fades I wouldn’t budge from it. But I recently downloaded Reaper for a better editing platform and once I put in the key commands I prefer, I loved it! It might become my DAW for editing (because it’s so affordable) and I’ll keep Logic for everything else.
With all that said, I’ve been very curious about Cubase. I’ve been taking some editing courses and the instructor uses Cubase. It looks like the total package.
Because you are a Mac User, I would like to see you try Logic Pro X. It has some features that I have not found on other Daws and it is always up to date with the latest Mac OS updates.
Love your content man.
AU is for Logic. Also, if you load the midi first it will set the tempo and then load the audio files.
I was gonna make a comment that AU is for Logic but was just looking through the comments to make sure it hadn’t already been said. Good work!
Next, we need to get you on a Trackball mouse...The sliding and clicking killing me!
I agree! I am a recent trackball convert. It took me about a week to get comfortable with it and then another week to gain fine control with the ball itself. I initially bought one for my home studio and I have liked it so much that I just ordered one for my main studio yesterday.
Have you tried docking the mixer pane to the bottom of the window? I'll bet that will make your life so much easier. In fact, I dock several different panes to the bottom of the window.
Love REAPER. Using outboard gear in REAPER has been one of the more annoying things to have work flawlessly for me. You can dock the mix window so it's not floating. You can also save screen layouts. I use F7 as an editing/waveform layout and F8 as a mixing layout. Also have a video editing layout.
The parametric EQ (built in)is not so effective in reaper. It hardly makes any changes to the audio. But the ripple edit and workflow features are superb in this DAW.
Kenny Gioia have great videos on his YT channel, it can be realy helpful for you and speed up learning Reaper.
After I watched your video I've few things on my mind which can be useful for you, for the beginning.
- if you, like me, don't like multiple rows in the Mixer panel, you can right click in the Mixer Panel and uncheck 'Show multiple rows of tracks when size permits'.
- When you insert plugin, in the right upper corner (on Win) there is the pin icon. If the pin icon is checked, plugin window will always stay in front.
- In Reaper you can easly group tracks if you simply drag tracks in the Tracks panel. For example, you can create empty track above all your drum tracks, then in the Tacks panel you can select drum tracks and drag them to empty track you created. That empty track will act as VCA track.
- If you love to color tracks, right click on track/tracks > Track color > Set to custom color.
Spliting track/tracks
- select track/tracks > hit keyboard S and selected track/tracks are splitted.
There's scripts that you can download to import and use protocols shortcuts. In the cocos forum
try dragging in your midi to import your temp/project markers first then drag in your audio and the audio should be perfectly in line with the session
Select all tracks right click and hit random color. It helps so much when the waveforms are different colors.
Never tried Reaper but all I hear is great things. I use Cubase Pro 12 and I love it. I'm wanting to get into Studio One though.
to fix the `''in focus'' issue you are having with the mixer and plugin windows, use the thumbtack icon at the top right corner of mixer window
May I ask how you were able to get rid of the clicks and pops? I am having the same issue although the cpu load is close to none. Great video, thank you!
I haven’t figured it out yet… I have a lot of people helping though
click and pops in some cases tie in with varying sample-rates of recorded items across multiple tracks and the corresponding playback samplerate... by having all sample rates the same(matching) prevents any sample-rate conversion, which is what can be the cause of pops and clicks!!
good luck!
When I started with Reaper a lifetime ago the learning curve was difficult because it is so versatile and there was no TH-cam. I've tried other DAWs since but I didn't have the patience to learn them. Maybe Cubase is similar to the last version I used (v3 on the Atari) but even that's too much hassle. Maybe Ableton Live some day but I don't like recording on a computer.
Even tho' I mix in Pro Tools, I use Reaper for MIDI
composing and songwriting. What a breeze!
Myk was a game changer when i was learning reaper.
pretty cool tune there.
Thanks for the video, liked and subbed ✅
I'm still very new to reaper (and production in general) and this could just be a Windows vs OSX thing, but I've never had my mixer be in a separate window, it's always just along the bottom of the app.
In reaper you can go into your audio settings and go into your asio driver in set your latency and it usually fixes things just depends on your peripheral whatever you may be using like example on my in-house studio I'm using the tascam us 1800 and I have it to the lowest latency setting at 48000 and 24 and it works perfect and the same thing with my PreSonus StudioLive Series III 32R rack mixer/audiointerface/stage box