@@akankshatiwari1398 they will not give you the lyrics. That's why classical music could not be so popular as playback music. You can easily get lyrics of a movie song. Most of classical singer are proudy.
@@joyshankarthakur7397 it's ok! But don't say classical singers proudy. But this is correct that they don't want anyone to go upwards or challenge them.
@@akankshatiwari1398 मेरी मंशा नहीं है कि मैं शास्त्रीय गायकों को अपमानित करूं। परंतु कोई भी यदि उनसे बंदिशों की जानकारी प्राप्त करना चाहता है तो वे उस पर ध्यान नहीं देते वे कहते हैं शास्त्रीय संगीत गाना एक बड़ी बात है मैं भी शास्त्रीय संगीत गाता हूं हारमोनियम पर संगत करता हूं मैं चाहता हूं कि आमजन की पहुंच शास्त्रीय संगीत तक हो । बड़े ही महान थे पंडित विष्णु दिगंबर पलुस्कर और विष्णु नारायण भातखंडे जिन्होंने शास्त्रीय संगीत को सिलेबस में शामिल किया अन्यथा यह गुरु जन तो किसी को सिखाने से बिल्कुल मना कर देते थे। अब तो नई पीढ़ी के गायक इस प्रकार गाते हैं कि बंदिशों के शब्द सुनकर हम समझ सकते हैं परंतु पुराने गायक जब गाते थे तब उनका कोई शब्द शायद ही पकड़ में आता था।
@@akankshatiwari1398 Lyrics are not that important in bandishes like film music. Even same lyrics are sung for different ragas. The pattern of swaras in the bandish to construct the representative of a raga is important. Imagine this rendition in Puriya Kalyan, you select any lyrics fitting with this pattern and sing, that would be a Puriya Kalyan. In dhrupad and tarana, there is no lyrics. Pl study the swars playing in the composition, that would suffice.
Apologies for this tardy response. I had digitized this from an old audio cassette tape acquired from a friend and found the names of the accompanists on a piece of paper tucked inside the cassette case. Pt Omkar Gulvady accompanied on the tabla, Babban Manjrekar accompanied on the harmonium and I don't know who gave the vocal sathi.
In her prime. Total control. And in her own self-absorbed, intricate but clean way of rendition, clearly demonstrating the kalyan mixing in puriya in the sandhiprakash raga.
Thanks Pradeep for your comments and well done for recognizing Pt Omkar Gulvady's tabla accompanient.I had digitized this from an old audio tape acquired from a friend and found the names of the accompanist on a piece of paper tucked inside the cassett case. The harmonium was accompanied by Babban Manjrekar and I don't know who gave the vocal sathi.
To me, Veenaji is same as God. What a soulful rendation! Pronam to her lotus feet.
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Thanks for uploading
She is in her elements. Great singing with great Bhava.
Kya baat hai... Behad khoobsurat har part. Jai ho apki
द्रुत बंदिश आणि तराणा..अप्रतिम..👌👌🌺🙏
How wonderfully she sang the bada khyaal into chhota khyaal "howan laagi saanjh"....💐💐💐💐💐💐
Koti koti pranaam to her lotus feets..💐💐💐💐
palash acharjee can you give me lyrics
@@akankshatiwari1398 they will not give you the lyrics. That's why classical music could not be so popular as playback music. You can easily get lyrics of a movie song. Most of classical singer are proudy.
@@joyshankarthakur7397 it's ok! But don't say classical singers proudy. But this is correct that they don't want anyone to go upwards or challenge them.
@@akankshatiwari1398 मेरी मंशा नहीं है कि मैं शास्त्रीय गायकों को अपमानित करूं। परंतु कोई भी यदि उनसे बंदिशों की जानकारी प्राप्त करना चाहता है तो वे उस पर ध्यान नहीं देते वे कहते हैं शास्त्रीय संगीत गाना एक बड़ी बात है मैं भी शास्त्रीय संगीत गाता हूं हारमोनियम पर संगत करता हूं मैं चाहता हूं कि आमजन की पहुंच शास्त्रीय संगीत तक हो । बड़े ही महान थे पंडित विष्णु दिगंबर पलुस्कर और विष्णु नारायण भातखंडे जिन्होंने शास्त्रीय संगीत को सिलेबस में शामिल किया अन्यथा यह गुरु जन तो किसी को सिखाने से बिल्कुल मना कर देते थे। अब तो नई पीढ़ी के गायक इस प्रकार गाते हैं कि बंदिशों के शब्द सुनकर हम समझ सकते हैं परंतु पुराने गायक जब गाते थे तब उनका कोई शब्द शायद ही पकड़ में आता था।
@@akankshatiwari1398 Lyrics are not that important in bandishes like film music. Even same lyrics are sung for different ragas. The pattern of swaras in the bandish to construct the representative of a raga is important. Imagine this rendition in Puriya Kalyan, you select any lyrics fitting with this pattern and sing, that would be a Puriya Kalyan. In dhrupad and tarana, there is no lyrics. Pl study the swars playing in the composition, that would suffice.
Classical music is like this. Even subscriber not taking care to give the name of tabla & harmonium player&whoare supporting artists.
Apologies for this tardy response. I had digitized this from an old audio cassette tape acquired from a friend and found the names of the accompanists on a piece of paper tucked inside the cassette case. Pt Omkar Gulvady accompanied on the tabla, Babban Manjrekar accompanied on the harmonium and I don't know who gave the vocal sathi.
धन्यवाद..
In her prime. Total control. And in her own self-absorbed, intricate but clean way of rendition, clearly demonstrating the kalyan mixing in puriya in the sandhiprakash raga.
बेहतरीन प्रस्तुति
Howan laagi sanj ❤️🙏🏻🙏🏻
Thanks a ton for uploading this
Excellent.
Great singing
🙏🙏🙏
Nice ragg
Waah
Sarahneey karnpriy
Karunik bhav ki avtarna me poornataya saksham
What is the lyrics of vilambit bandish
Koi b bta n rha. I am also searching for lyrics
Aaj so bana ban aaye Aaj laad ladaawan de
Swargat nheun thevlat
Superb 🙏🙏
Aaha..Reminencences of Vidhushi Smt Hirabhai Barodekar, Tabla accompaniment Pt.Omkar Gulvady Reminencences of Ustad Shamsuddin Khan specially bhaya resonance depth & bass.
Thanks Pradeep for your comments and well done for recognizing Pt Omkar Gulvady's tabla accompanient.I had digitized this from an old audio tape acquired from a friend and found the names of the accompanist on a piece of paper tucked inside the cassett case. The harmonium was accompanied by Babban Manjrekar and I don't know who gave the vocal sathi.
Vocal accompaniment by her daughter in law Jayanti Sahasrabuddhe
Bndish k bol kya hain