@@dr_hamudi3084 1. Der akustische Eindruck ist dank BOAS hervorragend. Den Ohren präsentiert sich ein angenehm überschau(?)barer Raum, präzise durchhörbar - manches Opernhaus live klingt schwammiger 2. Die Inszenierungsidee, dem Rigoletto ein überdimensionales alter ego zu verpassen funktioniert und wird konsequent umgesetzt. 3. Inszenierungen auf der Seebühne laufen manchmal Gefahr, dass sich die Menschen im Bühnenbild verlieren - der Rigoletto hat (trotz der gleichen Größenverhältnisse wie immer) geschafft, die einzelnen Darsteller(innen) klar erkennbar zu lassen. 4. komm dann noch ein bisschen Faible für Technik dazu, begeistert allein schon der "große" Rigoletto mit seinen Möglichkeiten, der sich aber immer der Handlung dienstbar macht.
The whole opera is on UK TV Sky Arts at this moment. It is beautifully sung and the set and direction is just amazing ! The colours and costumes are not ridiculous, as in so many modern productions nowadays, They seem to fit and the direction just keeps you watching - what is going to happen next and that huge head is so beautiful !
Il Rigoletto di Verdi presentato al tradizionale Festival Estivo di Bregenz nel 2019. La Wiener Symphoniker Orchestra è diretta da Enrique Mazzola. Il ruolo di Gilda è affidato al soprano Melissa Petit, quello di Rigoletto al baritono Vladimir Stoyanov.
Emre und ich finden diese Aufführung sehr bewundernswert und bereichernd für unser zukünftiges Leben ---> dieser Mann ist ein wahres Vorbild für die heutige Gesellschaft ich hoffe dieser Kommentar war nicht nützlich
Sorry for my ignorance, but at 4:56 the song became very familiar all of a sudden, was this song in a movie? Sounds like something they would add to Lady and the Tramp for a snippet.
It is undeniably beautiful and incredible, but WHY IN THE WATER, AND EHY SO TERRIFYING???? Amazing performance, incredible visuals, but I do not want to be close to that thing
This is the point with the "Spiel auf dem See" ("Play on the lake") which is the biggest and mostly known part of the Bregenzer Festspiele. To bring an opera to the big stage in the lake. Yes, even "sleeping" (you can access the seat rows during the day) this clown is creepy - and moving and acting does not make it more comfortable. Why the director decided to do so? Probably because Rigoletto as well is a creepy character - a "harmless" jester, but an intriguer as well. All in all a somehow "broken" person (and his big alter ego breaks during the play step by step)
Kranke Inszenierung......Deshalb haben wir unsere gerne verkauft. Allein der Horrorclown ist widerlich. In Verona habe ich Rigoletto gesehen und war berührt.
It is kind of disappointing to think that the giant stage piece almost overshadows the actual art of the opera, people more know this festival for the large model and completely overlook the masterful vocals and composition or its entertaining story and history/culture behind it
Did you see it live? I saw and heard it. No, it does NOT overplay the music precision and clear sound of professional voices and musicians. My personal opinion (having it seen some days ago): the big alter ego Rigoletto always supports the acting and gives a "second" channel of communication about the "small" Rigoletto's emotional state. Of course it needs a lot of (perfect working!) equipment to provide the precise sound of a closed orchestra stage to an open field. As well it needs a lot of professional skills of the actors, singers and musicians to provide this whole piece of art - live and each evening during a season. I saw some "modern" ways to direct and design classical opera and not seldom, whatever I saw was the director project his own feelings, life crisis or a current politic subject to an opera - imho abusing libretto and music. The "Rigoletto" in Bregenz was a play where directing and stage design always served to the original story and thus helped to work out about the characters minds and feelings - thats what I want to see in current opera staging. Of course, it is not the only way to do so as they did in Bregenz.
I think Verdi would have totally approved this staging. Did you see the whole play? I would not dare to say a verdict about a 2+ h opera realization...
Verdi turning in his grave. Besides the idiotic staging they corrupted the score making it sound like circus music. The most horrendous thing I have ever seen or listened to.
Más que la extraña escenografía y el alarde técnico, deberían valorarse las voces, las interpretaciones,lo musical, y en todo eso, esencial en la ópera, el producto es pobre. Sólo basta ver y escuchar a ese duque de Mantua, tan rígido y con carencias técnicas en su canto, que no parece capaz de seducir a nadie. Comparado con Alfredo Kraus o con Pavarotti, es lamentable.
The stage is incredibly impressive but dear god it’s terrifying!
Meh it needs ominous music to be terrifying.
out of this world
I never thought I'd see the day where Clowns sang opera inside a giant creepy clown animatronic that flips people off.
This is outstanding! I wish I could understand what they were singing
I want to see the complete performance! Such a beautiful, inventive, mesmerizing and memorable moment.
Its worth it! Been there in 2019.
Still thinking of it.... just great!
Memorabile è l'opera film di Ponnelle con Pavarotti e la Gruberova
Memorabile è l'Opera - film di Ponnelle con gli indimenticabili interpreti Pavarotti e Gruberova
Humanity in 2019 still had some great expression to show for its time, and respect for past, and projecting the future. Greatness.
Es war fantastisch!!!. Ich könnte nur weiter empfehlen.
Was genau ist es dass es so stark gemacht hat ?
@@dr_hamudi3084 1. Der akustische Eindruck ist dank BOAS hervorragend. Den Ohren präsentiert sich ein angenehm überschau(?)barer Raum, präzise durchhörbar - manches Opernhaus live klingt schwammiger 2. Die Inszenierungsidee, dem Rigoletto ein überdimensionales alter ego zu verpassen funktioniert und wird konsequent umgesetzt. 3. Inszenierungen auf der Seebühne laufen manchmal Gefahr, dass sich die Menschen im Bühnenbild verlieren - der Rigoletto hat (trotz der gleichen Größenverhältnisse wie immer) geschafft, die einzelnen Darsteller(innen) klar erkennbar zu lassen. 4. komm dann noch ein bisschen Faible für Technik dazu, begeistert allein schon der "große" Rigoletto mit seinen Möglichkeiten, der sich aber immer der Handlung dienstbar macht.
This is the most surreal and cool thing I've ever seen.
Anyone else see the clown puppet sticking that middle finger higher than the minecraft sky limit or just me?
Qué obra de arte ¡¡¡ maravilloso
The whole opera is on UK TV Sky Arts at this moment. It is beautifully sung and the set and direction is just amazing ! The colours and costumes are not ridiculous, as in so many modern productions nowadays, They seem to fit and the direction just keeps you watching - what is going to happen next and that huge head is so beautiful !
Che meraviglia!!!.alla magica musica di Verdi si accompagna uno spettacolo mai visto.
Wow ! This is culture and a theme park lol I love it
Il Rigoletto di Verdi presentato al tradizionale Festival Estivo di Bregenz nel 2019. La Wiener Symphoniker Orchestra è diretta da Enrique Mazzola. Il ruolo di Gilda è affidato al soprano Melissa Petit, quello di Rigoletto al baritono Vladimir Stoyanov.
We were there , it was fantasic!
How creepy can a theater scene get?
Emre und ich finden diese Aufführung sehr bewundernswert und bereichernd für unser zukünftiges Leben ---> dieser Mann ist ein wahres Vorbild für die heutige Gesellschaft ich hoffe dieser Kommentar war nicht nützlich
Magnífico. De Shakespeare a
Chaplin, una revolución de la teatralidad. Es un Verdi paralelo. Gracias!
Orrendo dal circo Togni ikram del circo Brown Brown tutti i clown
It looks amazing
...Okay, so where's this thing's health bar?
it must float over Kreuzlingen or Romanshorn
This is a brilliant comment
phantastische wiedergabe
Sorry for my ignorance, but at 4:56 the song became very familiar all of a sudden, was this song in a movie? Sounds like something they would add to Lady and the Tramp for a snippet.
now that is fucking terrifying
Una costosa payasada.....increíble lo que uno puede llegar a ver en estos tiempos...povero Verdi🙈
F A N T A S T I C O !
Complimenti.
Have read lots of comments and am still non the wiser on what is going on here.
Nintendo is taking notes for the next boss fight to put in a game.
because there has been multiple bosses in mario/loz where you fight giant hands.
Just what Verdi had in mind.
especially’the finger’ at 2:10
Danke, ich freue mich schon
Wir waren am 3. August dabei!!!
Sie glückliche. Was für eine wundervolle Aufführung, welch' ein Bühnenbild.
Ich kann das oft sehen, da ich in der Nähe wohne
To anybody who understands German, what is this production about?
it is in Italian: en.wikipedia.org/wiki/Rigoletto
The funny part is that its in austria lmao
it’s an opera by Verdi called Rigoletto
Wohnt jemand von euch in Österreich?
Gidicem 2021 de 😎
Das stage design sehr gut , Rigoletto Oper ,
war schon immert phaenomenal -. doch beide zusammen ? Na ja , es gibt ja andere Inszenierungen !!!
geil man🤟🤘🤜🤛👍
Beautiful 👍
Rigoletto hat die mittel finger getzeigt
1:30 what’s the song name?
Questa o quella
Where or how can I find this complete work?
That stage tho
It is undeniably beautiful and incredible, but WHY IN THE WATER, AND EHY SO TERRIFYING????
Amazing performance, incredible visuals, but I do not want to be close to that thing
This is the point with the "Spiel auf dem See" ("Play on the lake") which is the biggest and mostly known part of the Bregenzer Festspiele. To bring an opera to the big stage in the lake. Yes, even "sleeping" (you can access the seat rows during the day) this clown is creepy - and moving and acting does not make it more comfortable. Why the director decided to do so? Probably because Rigoletto as well is a creepy character - a "harmless" jester, but an intriguer as well. All in all a somehow "broken" person (and his big alter ego breaks during the play step by step)
Шо за каликатура?..
Io purtroppo l'ho visto tutto 😳
Kranke Inszenierung......Deshalb haben wir unsere gerne verkauft. Allein der Horrorclown ist widerlich. In Verona habe ich Rigoletto gesehen und war berührt.
Ich war dabei
who asked?
I did
Mein Bruder hat mitgespielt
Orrore
It is kind of disappointing to think that the giant stage piece almost overshadows the actual art of the opera, people more know this festival for the large model and completely overlook the masterful vocals and composition or its entertaining story and history/culture behind it
Did you see it live? I saw and heard it. No, it does NOT overplay the music precision and clear sound of professional voices and musicians. My personal opinion (having it seen some days ago): the big alter ego Rigoletto always supports the acting and gives a "second" channel of communication about the "small" Rigoletto's emotional state. Of course it needs a lot of (perfect working!) equipment to provide the precise sound of a closed orchestra stage to an open field. As well it needs a lot of professional skills of the actors, singers and musicians to provide this whole piece of art - live and each evening during a season. I saw some "modern" ways to direct and design classical opera and not seldom, whatever I saw was the director project his own feelings, life crisis or a current politic subject to an opera - imho abusing libretto and music. The "Rigoletto" in Bregenz was a play where directing and stage design always served to the original story and thus helped to work out about the characters minds and feelings - thats what I want to see in current opera staging. Of course, it is not the only way to do so as they did in Bregenz.
So creepy
Meine omma war dabei
Mein Bruder hat mitgespielt
Q: Austrian favorite saying?
A: "I give up."
Du weist das ist nicht für kindern weil Rigoletto hat die mittel finger getseigt
😂😂😂😂😂
Verdi must be turning in his grave!
I think Verdi would have totally approved this staging. Did you see the whole play? I would not dare to say a verdict about a 2+ h opera realization...
La coreografia ha un che di satanico
Eoe
津波来たらﾀﾋぬけん
Pessimo, inascoltabile , povero Rigoletto...
Such a great technical installation, and used to demonstrate middle finger... Disappointing
It’s supposed to be a joke bro
rappresentazione disgustosa, orribile; povero Verdi!
Verdi turning in his grave. Besides the idiotic staging they corrupted the score making it sound like circus music. The most horrendous thing I have ever seen or listened to.
A horrible stage design.
I hoped that they use these big fancy stages for more creative stories and not for opera.. I'm sad. They could have used that big boi for a good story
I mean I get that but there's nothing inherently less creative or complex about operas.
Operas tell just as much story as regular musicals
You must be very uneducated...
I just have different taste. also what I meant is that the big clown should be a character instead of a prop
I did not like the Gimmickry , but maybe I am getting old.
Más que la extraña escenografía y el alarde técnico, deberían valorarse las voces, las interpretaciones,lo musical, y en todo eso, esencial en la ópera, el producto es pobre. Sólo basta ver y escuchar a ese duque de Mantua, tan rígido y con carencias técnicas en su canto, que no parece capaz de seducir a nadie. Comparado con Alfredo Kraus o con Pavarotti, es lamentable.
Simply horrible !!
Did you see it live?
Wasn't this the country that Germany ran over? Austrians did NOTHING
This has nothing to do with war, this is a damn opera