I'm always impressed by your playing. It's wonderful to study the various ways to approach scales. This time, the music was also notated on the screen, so it was easy for people with other instruments to understand. Great!
Thank you, Ishibashi. I really appreciate it. I'm glad you liked the topic and video, it means a lot. Feel free to suggest topics for future videos. BTW! I just listened to your "I hear a rhapsody" recording. Nice work! Stay in touch.
Using these concepts, lines, arpeggios etc, over a 2 5 1 would be helpful. As well as your diminish lines video. Showing how to use these over a dominant chord in a 2 5 1 progression would be spot on. Learning alot of lines, triads, and how to apply them would be awesome!! 👍🎩👍
This was a fantastic lesson! It’s nice seeing the concepts in key C major or Aminor or that diatonic key. Then it’s so easily applied to other keys. Looking forward to more great content!!!
@@WeissGuitar Interesting question. I'm not really that interested in specific topics, as everyone has jazz videos about every topic out there already. What interests me is the way YOU think and break this stuff down. So you can literally talk about any jazz topic and it'll be interesting and different than what other people do. Anything surrounding how to 'put things together', and YOUR specific journey of how you got from zero to where you are today. Maybe more breakdowns of standards, and how you think about them? I know you already have a ton of vids and I haven't watched them all. But the way you think about this stuff is more interesting than specific musical topics. (YOU are the topic, from my perspective.) I feel like I've stumbled on a treasure trove, finding this channel.
great stuff to add to my new adventure of -" jazz " , im an old rock guy ..do you have any stuff on useing pentatonic ( scales) for jazz ? i liked the chromatic stuff on here too ......been working on diatonic arpeggios at the 8 th fret -from C Maj scale..and working the lines from 2;07 minute mark into them ...........very cool back alley cat groovin ..........
I'm really so happy to watch this video but I don't understand anything do you know why? Because you were being too fast so please if you could slow down a little bit please
Hi Alexander 🙋🏻♂️approaching a target note from above and below diatonically or chromatically, kind of like a cage surrounding the target note from both ways. Feel free to ask me further questions
Julio, that's a good idea! I'd like to do a playthrough video for that. This comment might get it moving. I haven't played that one in a while. Thank you for tuning in and commenting!
Thanks for the comment, I agree! Please Watch my video on motive development. 1) th-cam.com/video/cioBte9023w/w-d-xo.html 2)th-cam.com/video/TOQT-yUYhp8/w-d-xo.html
Hello, Italoop, thanks for the comment. I appreciate your insight. In my mind: Non Diatonic includes secondary dominants and things of that kind of harmonic progression nature. I define non-harmonic as creating a bitonal effect. So To me, a non-harmonic triad contains at least one note (preferably two!) that isn't harmonically connected to the chord/scale. In Cmaj7, for example, my non-harmonic triads are Db, Eb, Gb, Ab, Bb, ... B works beautifully too since it has D# and F#. Back at Berklee 2009.. (Time flies) , Hal Crook taught me the term non harmonic. That being said, as long as we can comprehend the sound through our playing, Terms like those don't matter. Frank Zappa once said: “Writing about music is like dancing about architecture.” Stay inspired, Enjoy music. Daniel
@@WeissGuitar Daniel... the point I'm trying to make is about students! Terminology is VERY important as it conveys meanings that should be clear to anybody. See... you felt you had to explain the idea of non harmonic triads and you will have to do the same again and again and again. There is a perfect and universal definition already for that, just "non diatonic" triads as that's what they are and that is immediately clear to any person, no matter his/her knowledge level. Non diatonic includes anything and everything outside a scale and its harmony, even though in functional harmony Secondary Dominants are not considered non-diatonic. But both harmonic triads and Sec.Dom. try to achieve the same goal, introducing tension for a coming resolution. That's the basic energy and flow of tonal music anyway, as you know. See... I'm very thankful to my teachers Joe Diorio, Ted Greene, Charlie Banacos, Scott Henderson, Steve Khan and many others as they never used *strictly personal* definitions that would easily cause confusion. 40 years ago a non harmonic triad would have been a hell of a mystery! Pretty much like a "non triadic" triad which is badly defined as such, where a "non tertian" triad is a much clearer way to explain it. Yeah, Frank was right but the truth is that such light definitions of music always come AFTER one has studied for many years as he did. Before that, when you're learning, termonology has to be clear and universal. Terms do matter!
@@italoop7850 Thanks for the reply! I appreciate the conversation and understand what you're saying. Hal Crook's book "How to Improvise" has a topic called "non harmonic triads" which refers to this, and since Hal had a big influence on me back in my Berklee days, that term became part of my terminology. But I get what you mean. Thank you and I look forward to keeping in touch. Daniel
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Daniel is one of the best YT guitar tutors. No bs just straight to playing... i learn so fast from these vids
Thanks so much for the warm words 🙏🏻
The teaching and illustration is incredible:)
Thanks for tuning in and for the nice comment, it means a lot to me. Keep in touch and feel free to request topics.
Ace, you always smash on concepts and clarity! 🙏
:] Thanks!!
This lesson is tremendous for myself. Appreesh
Thanks, :D new vid is up, check it out. (drop me a comment?:)
Thanks for this very Informative and galactic lesson i want more
Thank You, Vincenzo.
I'm working on a lot more stuff on this channel
/ I think you'll like my website :)
check it out!
Stay in touch.
Daniel.
Getting straight to the point and giving us a road map is the best tutorial #bestjazztutorial 💜
Purple hearts are awesome! I'll use them! Thanks again for being here! your comments mean a lot to me.
Great lines and how to approach writing them 👏
=) Glad you liked it, Rick! Thanks for the comment!
Wow!!
What a fantastic lesson!!
U be smokin👍👍🤗
Thanks Anthony :) really happy you enjoyed it !
Smells like something's cooking, as always 🔥
Yes indeed, Good to see you Charles 🙋🏻♂️
Good stuff, thanks a lot
Thanks for tuning in, Andrew. More is on its way
Really awesome lesson 👍🎸 thanks so much
Thanks so much for tuning in 🙋🏻♂️ glad you liked it!
I'm always impressed by your playing. It's wonderful to study the various ways to approach scales. This time, the music was also notated on the screen, so it was easy for people with other instruments to understand. Great!
Thank you, Ishibashi. I really appreciate it.
I'm glad you liked the topic and video, it means a lot.
Feel free to suggest topics for future videos.
BTW! I just listened to your "I hear a rhapsody" recording. Nice work! Stay in touch.
Using these concepts, lines, arpeggios etc, over a 2 5 1 would be helpful. As well as your diminish lines video. Showing how to use these over a dominant chord in a 2 5 1 progression would be spot on.
Learning alot of lines, triads, and how to apply them would be awesome!!
👍🎩👍
thanks Daniel,great lesson, alot to learn here, I really liked the "outside" example, best guitar content on TH-cam!
I appreciate you tuning in and leaving a comment, Eitan! So happy you enjoyed the lesson.
complimenti vivissimi per il tuo modo di insegnare!!!!
Thanks for being here 🙋🏻♂️🎸just published a new vid
Useful, hip, methodically presented musical info. Thanks Daniel.
Hi Marshal, I Appreciate your comment and support , happy to hear you enjoyed the lesson. Thanks for being here.
Stay in touch 🙏🏻🎸🙋🏻♂️
This was a fantastic lesson! It’s nice seeing the concepts in key C major or Aminor or that diatonic key. Then it’s so easily applied to other keys. Looking forward to more great content!!!
Hi Nick! Yes, Glad to hear that! Looking forward.
Thanks for the comment!
Beautiful stuff Daniel!!
Thanks fo being here Terry ! Glad you like it! 🙋♂️
great advices, thank you daniel :D Keep rockin !
Thanks, Rafael :D
Great lesson. Thank you.
Thanks, Geo! More on the way. Stay in touch. Daniel
That's great! Great to see your point of view on this stuff, thanks for sharing!
Thanks : )
Great tip! Thanks!!!
Glad it was helpful! Thanks for tuning in 🎶
Great lines. Great guitar sound. Beautiful. Thanks!
Thank you kindly Josef! Thanks for being here 🙋♂️ stay tuned for more
thanks for sharing it with the Dojo Daniel! I'll take some concepts cause I'm learning to improvise on a jazz standard and I'm still shot of ideas.
Love Dojo! Thanks for being here!:) Enjoy the other videos as well
Excellent lesson and really nice lines!
T.J., glad you're enjoying the lessons! Thanks for reaching out!
sickkk this is where its at!!!!!!
Chai! :) Thank you for tuning in and leaving a comment. good to know you enjoyed it.
Thanks!!! 👍🏼👍🏼👍🏼
Thanks!! , I just uploaded another one about diminished lines over dominant7 - check it out and let me know what you think.
pretty good tips
Thanks for tuning in :)
Amazing
yes! Thanks
מלך!
Thanks mate 🙋🏻♂️
This video is gold
Thanks for being here 🙏🏻🙋🏻♂️
Very useful and helpful ideas. Love it 👏🏽🏁💯👌🏾👍🏾🎼🎵🎶🎸👈🏽🤘🏽
Hey Dwayne, thanks for the comment! That's really great to hear!
Kool stuff ‼️ Thanks so much for sharing hope you are well God loves you deeply Shalom 🤗🐼❤️✝️💐 Philippians 4:8
Brad, thanks for your kind words. Thanks for watching, I'm putting out a new video every week. stay tuned, cheers :) Daniel
Damn. Just found you and you’re a great teacher. Keep it up!
Thanks Andy! Happy you found me :) Stay in touch
@@WeissGuitar Seriously, man. You make me want to practice. And that's the highest compliment I think I could give any teacher.
@@andybaldman What are some topics you'd like me to address on this channel ?
@@WeissGuitar Ha. I'm usually not one for sales pitches. But in your case I might actually look into it. :)
@@WeissGuitar Interesting question. I'm not really that interested in specific topics, as everyone has jazz videos about every topic out there already. What interests me is the way YOU think and break this stuff down. So you can literally talk about any jazz topic and it'll be interesting and different than what other people do.
Anything surrounding how to 'put things together', and YOUR specific journey of how you got from zero to where you are today. Maybe more breakdowns of standards, and how you think about them? I know you already have a ton of vids and I haven't watched them all. But the way you think about this stuff is more interesting than specific musical topics. (YOU are the topic, from my perspective.) I feel like I've stumbled on a treasure trove, finding this channel.
Great video , Thanks ¡¡¡¡
Thank you for tuning in. There's a lot more coming up, hope to see you around.
incredible lesson! friendly advice, investing in a great camera will help your channel a lot :)
Great to hear from you, Louis. I'm using the Canon 250D, but I'm looking for another one. Any ideas? Keep in touch. Daniel
great stuff to add to my new adventure of -" jazz " , im an old rock guy ..do you have any stuff on useing pentatonic ( scales) for jazz ? i liked the chromatic stuff on here too ......been working on diatonic arpeggios at the 8 th fret -from C Maj scale..and working the lines from 2;07 minute mark into them ...........very cool back alley cat groovin ..........
Hey Steve, thanks a lot for the kind comment (hope you subscribed lol) I just released a pentatonic video before this one, check it out
❤️❤️❤️
❤️
Milky Way was helpful. 4 in. 4 out. 4 in. 4 out. Then, Resolution.
Exactly, Thanks! I'm glad you like it
I'm really so happy to watch this video but I don't understand anything do you know why? Because you were being too fast so please if you could slow down a little bit please
Thanks!!🙋🏻♂️
What do you mean by “enclosure”?
Hi Alexander 🙋🏻♂️approaching a target note from above and below diatonically or chromatically, kind of like a cage surrounding the target note from both ways. Feel free to ask me further questions
Looks like the other dan weiss is also good at jazz.
Hey Erique - Haha, yeah, Dan Weiss is a fantastic drummer. Thanks for being here and leaving a comment!
Dope! But, can you play Spaghetti Champions? Bet you can't
Julio, that's a good idea! I'd like to do a playthrough video for that. This comment might get it moving. I haven't played that one in a while. Thank you for tuning in and commenting!
@@WeissGuitar thank you, for being such a huge inspiration!
The tabs of the fingering is not the same that the teacher does.
Regards! Also, I just uploaded another one about diminished lines over dominant7 - check it out and let me know what you think.
I noticed that as well. Had to slow the video down and copy Daniel's fingering which is way better!
Melody is long and short notes, large and small intervals, repetition and variation. Listen to Mozart.
Thanks for the comment, I agree! Please Watch my video on motive development.
1) th-cam.com/video/cioBte9023w/w-d-xo.html
2)th-cam.com/video/TOQT-yUYhp8/w-d-xo.html
Non diatonic triads is the correct name.
Hello, Italoop, thanks for the comment. I appreciate your insight.
In my mind:
Non Diatonic includes secondary dominants and things of that kind of harmonic progression nature.
I define non-harmonic as creating a bitonal effect.
So To me, a non-harmonic triad contains at least one note (preferably two!) that isn't harmonically connected to the chord/scale.
In Cmaj7, for example, my non-harmonic triads are Db, Eb, Gb, Ab, Bb, ... B works beautifully too since it has D# and F#.
Back at Berklee 2009.. (Time flies) , Hal Crook taught me the term non harmonic.
That being said,
as long as we can comprehend the sound through our playing, Terms like those don't matter.
Frank Zappa once said:
“Writing about music is like dancing about architecture.”
Stay inspired, Enjoy music.
Daniel
@@WeissGuitar Daniel... the point I'm trying to make is about students! Terminology is VERY important as it conveys meanings that should be clear to anybody. See... you felt you had to explain the idea of non harmonic triads and you will have to do the same again and again and again. There is a perfect and universal definition already for that, just "non diatonic" triads as that's what they are and that is immediately clear to any person, no matter his/her knowledge level. Non diatonic includes anything and everything outside a scale and its harmony, even though in functional harmony Secondary Dominants are not considered non-diatonic. But both harmonic triads and Sec.Dom. try to achieve the same goal, introducing tension for a coming resolution. That's the basic energy and flow of tonal music anyway, as you know.
See... I'm very thankful to my teachers Joe Diorio, Ted Greene, Charlie Banacos, Scott Henderson, Steve Khan and many others as they never used *strictly personal* definitions that would easily cause confusion. 40 years ago a non harmonic triad would have been a hell of a mystery! Pretty much like a "non triadic" triad which is badly defined as such, where a "non tertian" triad is a much clearer way to explain it.
Yeah, Frank was right but the truth is that such light definitions of music always come AFTER one has studied for many years as he did. Before that, when you're learning, termonology has to be clear and universal.
Terms do matter!
@@italoop7850 Thanks for the reply! I appreciate the conversation and understand what you're saying.
Hal Crook's book "How to Improvise" has a topic called "non harmonic triads" which refers to this, and since Hal had a big influence on me back in my Berklee days, that term became part of my terminology. But I get what you mean.
Thank you and I look forward to keeping in touch.
Daniel
@@WeissGuitar Ask Lior!!!😁
@@WeissGuitar BTW Hal's definition includes Major triads only...