The format here reminds me of your series from a few years back on various guitarists, in which you discussed how each player approached a specific song. As I recall, you later said that those vids weren't getting as many hits as usual, but I really enjoyed them and your detailed analysis. ... Not surprised that you chose one from _Intercontinental_ -- I know you like that album, as do I.
@@Trombonology Yes, they have similarities, but actually this is pretty different. That series was a lot easier to make, but did indeed do pretty badly and I later regretted having kept on with them for more than a year since they were kind of working against all the other work I did on the channel. Hopefully I can find a way to do this stuff more often.
@@solideomusical Yes: at least I have a record with Ella Fitzgerald where Joe Pass plays a classical guitar. I suspect there are other acoustic recordings as well, though.
Dear Jens, the first time I heard Joe Pass was through this record (Intercontinental). This recording was the one that caused me to "abandon" rock and turn completely to Jazz (this was 46 years ago). Of course I listened to this record and all of Pass hundreds of times. That's why I really appreciate you "push" your audience and students to listen to this record. I also thank you for everything you do to improve the study of Jazz in general. I send you a big hug from Buenos Aires, Argentina.
I met Joe Pass in the late 70s in Santa Monica. He played for Synanon and AA members. I met him again several times in the 90s at Elarios in La Jolla. Joe was a genius, in my opinion.
I’ve been listening to “Intercontinental” for over 40yrs, and love the “Joe’s Blues” track. Thank you for acknowledging this great piece, and spelling out his approach.
I real like the way you have structured this lesson. So important to actually hear what was played and then you demonstrate. Please do a few more of these Jens.
As a blues guitarist, that went to school for jazz and struggled, and a decade later recently decided I wanted to get back into jazz, this video came at a perfect time for me! Thank you so much!
Jens, I can't tell you enough how much I love and appreciate your tutorials, As a blues guitarist wanting to understand jazz Your videos have helped me put more of that flavor in my playing, Thank You!
I'll see this solo and raise you Wes' The Thumb as THE perfect jazz-blues solo! This is fantastic though for sure. Wes and Joe still my two fave jazzers.
Thanks, just paused, listened to the whole album while making pizzas for the kids! Back now, love these break downs with tab videos! Started watching your channel aspirationally a few years ago, but now getting the more technical aspects, rewatching and learning new things each watch. New watchers, keep revisiting as you progress! This is a gold mine, thanks Jens, will take lessons soon!
I totally get Joe Pass's legendary status but I prefer Kenny Burrell, Charlie Byrd and Jim Hall. Some of Joe's playing comes across as quite busy for me.
I looooove this song for soooo many time and I too, always found out that people ignore the better jazz blues solo of the history. It has every little thing that you need in a great solo. THANK YOU FOR BRINGING THIS SONG TO THE LIGHTSPOT!!!!!
Saw Joe Pass live at McCabe’s in Santa Monica when I was just a kid in the 70’s. My parents took me and I requested Satin Doll and he played it. Really a very nice man and an incredible talent. His work with Ella is classic.
I saw Joe Pass in '84 at North Sea Jazz in The Hague. He was so great. Thank you Jens for this contribution. Very usefull to me strugglin' over 6 strings.
@@JensLarsen It was out of print here in the States for years (until streaming). I remember seeing it in my guitar teacher's collection back in '77 or so and then not being able to find a copy.
When I was 15, I played the accordion, was getting into jazz, and thus was interested in Art Van Damm's records. I had a couple but one in particular, which I think was called Blue World, featured an amazing guitarist that I'd never heard of. This was the mid-70s and I couldn't believe the latter wasn't famous because I thought he was head and shoulders better than everybody else in a lot of ways. Ok, I was 15. But a year later that guitarist teamed up with Oscar Peterson and then everybody suddenly knew his name. It's great to see his renaissance on youtube. I didn't listen to him for years and became seduced by other guitarists. I've found myself returning to him, and listening to him with older ears, he really was something else.
Yes it was "Blue World" from MPS. Recorded 1970. Also same year, with the same personnel was "Keep Going" . These also had Weber on bass and Clare on drums. Also Heribert Thusek (from Germany) on vibes. I have not done the online search but I know Van Damme (from Norway, Michigan) recored for Capitol 1945 to 1952 Then CBS 1952 to 1965. Did you ever return to the "pleated piano" later?
I was lucky enough to see Joe perform solo at Yoshi's in Oakland, CA in the late 80s. What a performance! Not just his amazing playing, but his banter with the audience kept us engaged through the whole show. As a guitarist, of course I was watching his fingers, but got lost many times. He was a consummate professional but most people only know him from his guest appearances with the Oscar Peterson Trio.
He used a Benson amp at Dant'es in North Hollywood Ca on guitar nights(Monday night - usually a 'dark' night). It was a 2 pickup 175 exclusively, although a single pickup version showed up a couple of times. The polytone did become the "jazz amp" as benson were somewhat unreliable for regular gigging. I saw him many, many times there in 70 and 71 as all the players went to learn. Donald Bailey on drums, often Terry Trotter on piano ('71). Bass players varied but were the legends you'd expect. One labor day a canadian guy came in to listen - in a tuxedo! Then he sat in. The legendary Oscar Peterson. almost no one was there . . . they laughed through the last sets.
Jens: I was given a polytone amp by Tommy Gumina in 1972 when I was the guitarist with Dizzy Gillespie. I know they were in business for a few years at that time.
Oh yes, I've listened to this one many times, and transcribed some of it. That line towards the beginning that made you smile sounds like an altered version of the Honeysuckle Rose phrase. I agree about his tone on this album. Great analysis!
Lars, most of us never got further than playing some pentatonic scales! Jazz is a mystery to me, despite having been a gigging guitarist since the early 80s. I can play convincing rock & roll, country, funk, pop etc., but there's something about jazz that is on another level that my brain can't comprehend. Can't play slide, either!
I am actually not sure that is true for most of my audience. To be honest, I don't think Jazz is more difficult than any other type of music, it is just different.
@@JensLarsen Thanks Jens. I should add, I don't read music or tab, and consequently, have never been able to read my way round a jazz solo. That might have been a way to wire my brain to understand the topic, but I fear it's too late now! I'll stick to country licks.
@@ParaBellum2024You’re NEVER too old to learn friend! I’m gonna be 70 this year and still learning new things on guitar! And no, can’t read music. Know names of lines and spaces and can decipher time signatures 4/4, 3/4 etc but thats it. Don’t sell yourself short, keep learning, its good for your brain, spirit AND soul!!!😇
@@ParaBellum2024 If you like jazz, it’s good to find a jazz teacher to go much faster. Especially if you played for years, you have a very good instrumental technique already so you can learn VERY FAST. I am a teacher and I see that all the time. I have a lot of retired people who come to me to improvise and they succeed. Good luck ! (Find a teacher !)
I play with all 5 fingers on my right hand, and that finger tip mute and snap of the fingernail wins the ball game for me. After fighting guitar picks for years (& dropping them) I had 3 years of classical guitar, and the rest is fingers.
I will go and buy the CD now :-) As Joe as said Blues up your Jazz..:-) I would think his guitar at that time was a Gibson 175 or one with a single pick model . A tube amp for sure , you can hear it , properly a music man amp ,as you can hear and feel the dark sound... Beautiful... Thank you Jens...:-) be well..and safe..:-)
One thing I have always noticed when people play bebop lines on a jazz blues, is in bar 7, when it goes back to the 1 chord, they play the 1 chord as if it was a major 7, not a dominant, I have not really heard anybody talk about that,, but whenever I comp on a blues behind a bebop player, I always play the 1 chord as a major 7 and it sounds pretty good.
This song on an all-around incredible album is one of my most-listened-to tracks according to my Spotify account. It ain't lyin'. "Joe's Blues" is just so, so beautiful and fun. And, of course, Jens' discussion and analysis of it is superbly delivered. Thank you, Jens, as always for a great lesson!
I got into a lot of amazing guitar players in college. For some reason Joe Pass fell under the radar but is easily a remarkable musician that commands attention. I blame it on BMG music! hahaha!!! Glad to see how much influence he has to today's players.
A great lesson on one of my all-time favorite Joe Pass tunes. "Intercontinental" has been my favorite Pass album since I first heard it back in the seventies. Fantastic explanation of what he's doing - your love for this one really comes through.
Totally brilliant record. Definitely one of my faves! Thanks for covering this Jens. Joe’s playing is so tasty on this and a real master class in jazz guitar.
Hey Jens! I really dig this-- all the detail about a legendary player mixed with the lesson is great. And you seem more relaxed . It's nice to see your enthussiam for Joe Pass! And a slightly more casual delivery, like just talkin. I took screen shots of the music and will begin my journey to learn this one! Thanks so much for all the great videos!!! You are teaching me jazz! It's working!! ♡
I liked the way(s) you did this video Jens. A couple of my old teachers (many years ago) would play recorded examples, play examples on guitar and talk about them. That was fun - so is this. This felt like I was having a lesson with one of my old teachers. A nice and relaxed vibe about it. Cheers Jens.
When I was at the Musicians Institute in Hollywood Joe Pass was under-appreciated we all wanted to learn from Paul Gilbert and Scott Henderson etc...(we were just kids wanting to be Rock Stars) I took a couple of Masterclasses from Joe and his depth was ocean deep, I wish I wasn't the young inexperienced guitarist I was back then. Joe Pass was one of the most humble and nice people at M.I. and I am talking about 1986-87. Now I know he was a Guinness and when I listen to his chord melody I am always speechless. Thank You, Jens You are really valuable to all guitar players!
I got turned on to Joe Pass as a teenager by my guitar teacher as well. I actually still have the record that my teacher gave me in the mid 70's. And you're right. Nobody talks about this album. If you really want to learn technique , chord structures and improvising this is a great place to start.
Hello Jens, I always like your lessons but this one is so wonderful ! You`re absolutely right with your spoken comment to this lesson! Thank you very much !
I saw Joe Pass play in relatively small club. At the time, my guitar background was mainly in Classical Guitar, but I enjoyed all forms of guitars and styles. I loved his playing and was impressed with his tone. As far as I could tell, he did not use any fingernails, and that was an important part of his full, round tone, and his expressive playing. I have an old single pickup Herb Ellis ES175 that nails that Jazz tone. I use different picks for different styles and results: plectrum for fast legato sounding alternate picking, finger picks for contrapuntal music, no picks or nails on Jazz, thumb pick on acoustic guitar, and all the various combinations as it suits my desire.
Joe Pass has been one of my favorites since I discovered him in 1977. He would switch between a pick and his fingers (a soft tone from not having long finger nails). I have an older jazz guitarist friend that got to hang around with Joe Pass for a while. He said he didn’t think much of it at the time. That surprised me. I think it was because Joe was very modest and humble.
"Intercontinental" is one of the greatest jazz guitar albums I've ever heard. And "Joe's Blues" is just tremendous. Thanks for this insightful discussion - top drawer as usual!
Great video!! It seems like every time a guitar magazine features a joe pass lesson, it’s mostly only about his comping. Thanks for highlighting his melodic talents!
I saw Joe Pass at the Long Beach City college many years ago, it was great. Unfortunately I started to cough, I wasn't sick, I tried to suppress it his whole set but to no avail. Months later someone told me that Joe had recorded and released an album of his performance that evening, no one in the audience was aware of this. And yes, you could hear me cough through the whole performance. So I was recorded with Joe that evening, memorialized forever with my favorite guitar player and I will live forever in infamy.
I think one of my favorite parts about watching your videos is discovering that I know exactly what you're talking about... but I have "improper" terminology. Thanks for helping with the more studied verbage! Time to go listen to some Uncle Joe
I think Joe got a really great sound on that particular recording.....with maybe just a touch too much reverb. Another favorite JP album that I like is one called Better Days....not quite as well recorded but his playing was a little bit different from what I have come to expect him to sound like.
I stopped using a pick when I was twenty . I got some classical guitar books and trained my right hand to play all the finger patterns . I continued to use my index nail as a pick for attack and sometimes , I had to glue on a false plastic nail for the gig . I played blues , rock , and some pop . Any notes played by the thumb will be nice and sweet without any attack . Think Wes Montgomery . A rest stroke with the thumb will produce a strong attack . Using all the fingers on the right hand gives you a full chord sound with all the variations like a piano player . Now I find myself playing passages with harmonic staccato by muting the string with my thumb as I pick with my index . I have never played better . The work pays off . I just turned seventy-five in Dec. Music and playing an instrument will keep you young at heart .
About 30 years ago I saw Joe Pass play in Melbourne Australia. I collected picks at the time and during the set break he kindly swapped one with me. He said he only used a pick rarely, mainly for playing very fast. The pick he handed over was a thin white fender teardrop that he had trimmed down. It also had some teeth marks. I agree that he is playing with fingers on the recording.
SRV has the sound I always coveted.. Pride and Joy is so powerful and positive - and he had a lot of positive vibe songs, not just whiskey smelling "My baby just left me" blues :D It brings good mood, not rude mood. RIP.
Excellent point about the beginning of the solo using finger instead of pick. IMO it's part of the signature sound (dynamics) of Joe Pass. I've seen a number of clips where he's alternating between pick in mouth, finger and combination of using pick + fingers. As for his amp and the reverb, it doesn't sound like my Fender Deluxe 85 (strong reverb/not very warm) + I'd guess it was the one in the studio...OK not much of answer, but this quote is interesting: "In 1970 I visited to come over to do a couple of albums with Art Van Damme. And they said I could do one of my own if they had the time, which they did. I'd never been here, and it had been one of my dreams. Like 'If I could only go to Europe and just see what it's like.' Because I'm not only interested in the music, but in the food and the buildings, the general culture, you know. So when they asked me, I said ' Right. What time do we leave ?' And when I got here I had such a good experience. I was only here four days: three days in Germany and the fourth in Paris, then right back. " (from "Melody Maker" April 19, '75)
Wow.....when you played those first two notes with your fingers, you could have gone right into " Apache" ! HA......yes I can hear the difference and I think you're right about finger tone vs the pick.
Joe Pass was one of those that was an “open channel” receiving direct signals from the spiritual plane. Like SRV, Jimi Hendrix, Bird, Coltrane, Dizzy, Sun Ra. Thank you Jens Larsen, you da man!!!
DUH !!!!!!!!!!!! Joe Pass Has Been The Finest Jazz Guitar Player for 50 years !!!!! nuff said. I started listening to him in the late 1950's..got a late start..lol..but he is what the guitar jazz genere is.
Joe Pass is a master. That he finger-picks his solos and played nothing but Epiphone. I highly recommend "I Remember Charlie Parker" and--really--everything he's ever done. Play on!
My intro to jazz was via embryo…. My DAD💔 was a jazz nut; my Mum too, but not as much. They met via my DADS💔 jazz club. & l heard jazz & classical since they met! Sometimes l think you need to be brought up on this brilliant music to really understand & appreciate it. Just my opinion. The first live gig l heard was DAVE BRUBECK when l was 3yrs old; & l remember quite a bit of it, sitting on my DADS 💔lap. We went backstage after. Apparently Mr. BRUBECK taught me how to play chopsticks! And l did without a mistake l’ve been told! My claim to fame! 😆Eugene Wright was my GODFATHER. My DAD💔 & Uncle Eugene went ‘home’ in 2020. I’ve been lost without my DAD💔. I’m just so THANKFUL l became a professional pianist & guitarist. You need the BEST RHYTHM musos , so you as the ‘main player’ don’t have to worry about them. So great to find your site! Thank you! I always appreciate picking other top Muso’s explanations; now & then you still get the 💡 moment, no matter how long you’ve been playing. You never stop learning. Thanks for this. Great stuff! 🎸🎹🌟👊🏾
Jens I am just starting out in jazz after playing rock for many years and I found this video incredibly helpful. The one thing if I may is that when you show how Pass brilliantly uses the harmonies just following the blues riff at about 6:45, perhaps you could go thru those chord changes a bit more slowly after you introduce them. They are wonderful but difficult for those of us just starting out.
Thank you! It is impossible to include the perfect amount of information for everyone, explaining those chords would bore a lot of other people, so I need to choose
Thank you so much, Jens, for opening up Joe's playing further with this analysis and album; such a great recommendation for me to check out. I've only recently been listening to more of Joe's work as part of a trio, especially on the album After Hours with André Previn on piano and Ray Brown on bass. Magnificent, if anyone hasn't heard it. Looking forward to hearing all the tracks on Intercontinental. Thank you again!
I agree; I think he is playing with his fingers. Your videos are wonderful. I am changing from being a fan of blues to jazz and your videos are perfect for doing that. You sound like my son-in-law so I’ll close by saying “tak”.
Joe did a video where they asked him about his playing in G all the time, he told them he didn't want people falling asleep while he was playing, its attention getting and he created a groove with it.
Just wanted to say how well your videos have really improved with great clips of the greats in action or stills and humorous add ons to entertain and make us smile. Your analysis of stylings are tops and bring into focus the idiosyncrasies of the legends of jazz guitarists over the years. Warm appreciation for all you provide as a conscientious teacher.❤️
I first heard Joe Pass 40 years ago. I took up guitar a couple of years ago when I moved into a condo and my tenor sax became untenable, and turned straight to Joe Pass. He was a miracle worker - every good thing as a guitarist.
Joe walked in during my bass lesson with my teacher. He picks up a big fat Gibson and we 3 jammed back in 1968.
Let me know what you think about this type of video since it is a different format 🙂
I really like the video Jens. I find “deconstructions” like this and many by Beato super helpful since my reading skills are pretty weak.
The format here reminds me of your series from a few years back on various guitarists, in which you discussed how each player approached a specific song. As I recall, you later said that those vids weren't getting as many hits as usual, but I really enjoyed them and your detailed analysis. ... Not surprised that you chose one from _Intercontinental_ -- I know you like that album, as do I.
@@Trombonology Yes, they have similarities, but actually this is pretty different. That series was a lot easier to make, but did indeed do pretty badly and I later regretted having kept on with them for more than a year since they were kind of working against all the other work I did on the channel.
Hopefully I can find a way to do this stuff more often.
I love it. It's a great addition to your considerable repertoire.
@@boomerdell Thank you :)
In the 70s, Joe was one of my top guitarist & musician. I haven't lost any admiration for his musicality and humility.
Did he do any acoustic work?
@@solideomusical Yes: at least I have a record with Ella Fitzgerald where Joe Pass plays a classical guitar. I suspect there are other acoustic recordings as well, though.
One of the greatest of all time!
Did you ever hear Joe Monk in New york
There is alot of jazz guitarists, but Joe Monk was my teacher and the best I've ever heard
".....I don’t play the same tune the same way twice. . . I never know where I’m gonna start, or where I’m gonna end.”-Joe Pass
Joe Pass is an absolute master and this blues track is a great example of jazz guitar playing in trio, thanks for pointing out this one
Glad you like the video 🙂
Dear Jens, the first time I heard Joe Pass was through this record (Intercontinental). This recording was the one that caused me to "abandon" rock and turn completely to Jazz (this was 46 years ago). Of course I listened to this record and all of Pass hundreds of times. That's why I really appreciate you "push" your audience and students to listen to this record. I also thank you for everything you do to improve the study of Jazz in general. I send you a big hug from Buenos Aires, Argentina.
I met Joe Pass in the late 70s in Santa Monica. He played for Synanon and AA members. I met him again several times in the 90s at Elarios in La Jolla. Joe was a genius, in my opinion.
I’ve been listening to “Intercontinental” for over 40yrs, and love the “Joe’s Blues” track. Thank you for acknowledging this great piece, and spelling out his approach.
I LOVE. LOVE. LOVE. LOVE Joe Pass. Love him. absolutely love him.
I real like the way you have structured this lesson. So important to actually hear what was played and then you demonstrate. Please do a few more of these Jens.
Thank you Peter! I hope to do more 🙂
As a blues guitarist, that went to school for jazz and struggled, and a decade later recently decided I wanted to get back into jazz, this video came at a perfect time for me! Thank you so much!
Glad it is useful Adam, go for it! :)
Jens, I can't tell you enough how much I love and appreciate your tutorials, As a blues guitarist wanting to understand jazz Your videos have helped me put more of that flavor in my playing, Thank You!
I'll see this solo and raise you Wes' The Thumb as THE perfect jazz-blues solo! This is fantastic though for sure. Wes and Joe still my two fave jazzers.
You may like this video: th-cam.com/video/eTOTO4CGrzs/w-d-xo.html 😁
Thanks, just paused, listened to the whole album while making pizzas for the kids! Back now, love these break downs with tab videos! Started watching your channel aspirationally a few years ago, but now getting the more technical aspects, rewatching and learning new things each watch. New watchers, keep revisiting as you progress! This is a gold mine, thanks Jens, will take lessons soon!
Joe Pass sound and phrasing always crystal clear and impecable.Also i really like Kenny Burrel's take on jazz/blues
I totally get Joe Pass's legendary status but I prefer Kenny Burrell, Charlie Byrd and Jim Hall. Some of Joe's playing comes across as quite busy for me.
Kenny Burrell was really something!
@@rogerssombe7369 He's still alive and well! 91 years young!
sure is,still going,one of the coolest players in my opinion
@riclrk9947 100% agree.
A wonderful lesson. Jazz + Blues is unbeatable and Joe also. Thank you.
Glad you like it!
I looooove this song for soooo many time and I too, always found out that people ignore the better jazz blues solo of the history. It has every little thing that you need in a great solo. THANK YOU FOR BRINGING THIS SONG TO THE LIGHTSPOT!!!!!
Saw Joe Pass live at McCabe’s in Santa Monica when I was just a kid in the 70’s. My parents took me and I requested Satin Doll and he played it. Really a very nice man and an incredible talent. His work with Ella is classic.
I saw Joe Pass in '84 at North Sea Jazz in The Hague. He was so great. Thank you Jens for this contribution. Very usefull to me strugglin' over 6 strings.
North sea nights is my favorite joe pass album, probably my all time favorite jazz album.
Intercontinental is a great record all around. One of Joe's best. And you're right - nobody talks about it.
Yes, I think it is weirdly underrated :)
@@JensLarsen It was out of print here in the States for years (until streaming). I remember seeing it in my guitar teacher's collection back in '77 or so and then not being able to find a copy.
When I was 15, I played the accordion, was getting into jazz, and thus was interested in Art Van Damm's records. I had a couple but one in particular, which I think was called Blue World, featured an amazing guitarist that I'd never heard of. This was the mid-70s and I couldn't believe the latter wasn't famous because I thought he was head and shoulders better than everybody else in a lot of ways. Ok, I was 15. But a year later that guitarist teamed up with Oscar Peterson and then everybody suddenly knew his name. It's great to see his renaissance on youtube. I didn't listen to him for years and became seduced by other guitarists. I've found myself returning to him, and listening to him with older ears, he really was something else.
Yes it was "Blue World" from MPS. Recorded 1970. Also same year, with the same personnel was "Keep Going" . These also had Weber on bass and Clare on drums. Also Heribert Thusek (from Germany) on vibes. I have not done the online search but I know Van Damme (from Norway, Michigan) recored for Capitol 1945 to 1952 Then CBS 1952 to 1965. Did you ever return to the "pleated piano" later?
listening to johnny smith and joe pass about 30 years ago, made me wanting to play jazz.
Intercontinental is one of my favorite jazz albums. Joe's tone to me is perfect.
I was lucky enough to see Joe perform solo at Yoshi's in Oakland, CA in the late 80s. What a performance! Not just his amazing playing, but his banter with the audience kept us engaged through the whole show. As a guitarist, of course I was watching his fingers, but got lost many times. He was a consummate professional but most people only know him from his guest appearances with the Oscar Peterson Trio.
That sounds like a great experience 🙂
He used a Benson amp at Dant'es in North Hollywood Ca on guitar nights(Monday night - usually a 'dark' night). It was a 2 pickup 175 exclusively, although a single pickup version showed up a couple of times. The polytone did become the "jazz amp" as benson were somewhat unreliable for regular gigging. I saw him many, many times there in 70 and 71 as all the players went to learn. Donald Bailey on drums, often Terry Trotter on piano ('71). Bass players varied but were the legends you'd expect. One labor day a canadian guy came in to listen - in a tuxedo! Then he sat in. The legendary Oscar Peterson. almost no one was there . . . they laughed through the last sets.
First Album I ever bought - got me into jazz guitar - Joe Pass was the best ;)
👍👍
Jens: I was given a polytone amp by Tommy Gumina in 1972 when I was the guitarist with Dizzy Gillespie. I know they were in business for a few years at that time.
Oh yes, I've listened to this one many times, and transcribed some of it. That line towards the beginning that made you smile sounds like an altered version of the Honeysuckle Rose phrase. I agree about his tone on this album. Great analysis!
Cool, thanks!
Lars, most of us never got further than playing some pentatonic scales! Jazz is a mystery to me, despite having been a gigging guitarist since the early 80s. I can play convincing rock & roll, country, funk, pop etc., but there's something about jazz that is on another level that my brain can't comprehend. Can't play slide, either!
I am actually not sure that is true for most of my audience. To be honest, I don't think Jazz is more difficult than any other type of music, it is just different.
@@JensLarsen Thanks Jens. I should add, I don't read music or tab, and consequently, have never been able to read my way round a jazz solo. That might have been a way to wire my brain to understand the topic, but I fear it's too late now! I'll stick to country licks.
@@ParaBellum2024You’re NEVER too old to learn friend! I’m gonna be 70 this year and still learning new things on guitar! And no, can’t read music. Know names of lines and spaces and can decipher time signatures 4/4, 3/4 etc but thats it. Don’t sell yourself short, keep learning, its good for your brain, spirit AND soul!!!😇
@@Rixster53 Amen to that!
@@ParaBellum2024 If you like jazz, it’s good to find a jazz teacher to go much faster. Especially if you played for years, you have a very good instrumental technique already so you can learn VERY FAST. I am a teacher and I see that all the time. I have a lot of retired people who come to me to improvise and they succeed. Good luck ! (Find a teacher !)
I play with all 5 fingers on my right hand, and that finger tip mute and snap of the fingernail wins the ball game for me. After fighting guitar picks for years (& dropping them) I had 3 years of classical guitar, and the rest is fingers.
Great that you found something that works for you
Great video, love Joe Pass. I think he’s overlooked these days. Nocturne is my favorite Julian Lage tune, the whole Arclight album is amazing.
I will go and buy the CD now :-) As Joe as said Blues up your Jazz..:-) I would think his guitar at that time was a Gibson 175 or one with a single pick model . A tube amp for sure , you can hear it , properly a music man amp ,as you can hear and feel the dark sound... Beautiful... Thank you Jens...:-) be well..and safe..:-)
Great! Actually we have it directly from Joe that it was a Polytone amp 🙂
Great video. Thanks for encouraging more people to appreciate Joe Pass….he’s always the best in my book… 👍🍷
Thanks for checking it out!
One thing I have always noticed when people play bebop lines on a jazz blues, is in bar 7, when it goes back to the 1 chord, they play the 1 chord as if it was a major 7, not a dominant, I have not really heard anybody talk about that,, but whenever I comp on a blues behind a bebop player, I always play the 1 chord as a major 7 and it sounds pretty good.
This song on an all-around incredible album is one of my most-listened-to tracks according to my Spotify account. It ain't lyin'. "Joe's Blues" is just so, so beautiful and fun. And, of course, Jens' discussion and analysis of it is superbly delivered. Thank you, Jens, as always for a great lesson!
I got into a lot of amazing guitar players in college. For some reason Joe Pass fell under the radar but is easily a remarkable musician that commands attention. I blame it on BMG music! hahaha!!! Glad to see how much influence he has to today's players.
A great lesson on one of my all-time favorite Joe Pass tunes. "Intercontinental" has been my favorite Pass album since I first heard it back in the seventies. Fantastic explanation of what he's doing - your love for this one really comes through.
Thank you, Blaine! I am really happy to hear that 🙂
Just what I needed to cure my boring solos, Dr Jens!
Great video. Thank you. Intercontinental is my favorite of all the Joe Pass records.
Glad you enjoyed it
Joe remains the best genius on jazz guitar!
Been a minute since I watched one of your videos. They’ve gotten so good. Musicians these days don’t know how good they have it!!
Thank you!
Totally brilliant record. Definitely one of my faves! Thanks for covering this Jens. Joe’s playing is so tasty on this and a real master class in jazz guitar.
Glad you enjoyed it!
Fascinating analysis! Your contributions to the understanding of Jazz are invaluable 🎶🎸🎶
Thank you, Glenn :)
Hey Jens! I really dig this-- all the detail about a legendary player mixed with the lesson is great. And you seem more relaxed . It's nice to see your enthussiam for Joe Pass! And a slightly more casual delivery, like just talkin.
I took screen shots of the music and will begin my journey to learn this one!
Thanks so much for all the great videos!!! You are teaching me jazz!
It's working!! ♡
Glad you enjoyed it!
I liked the way(s) you did this video Jens. A couple of my old teachers (many years ago) would play recorded examples, play examples on guitar and talk about them. That was fun - so is this. This felt like I was having a lesson with one of my old teachers. A nice and relaxed vibe about it. Cheers Jens.
Joe Pass imo, is the greatest Jazz Guitar player of all time.
When I was at the Musicians Institute in Hollywood Joe Pass was under-appreciated we all wanted to learn from Paul Gilbert and Scott Henderson etc...(we were just kids wanting to be Rock Stars) I took a couple of Masterclasses from Joe and his depth was ocean deep, I wish I wasn't the young inexperienced guitarist I was back then. Joe Pass was one of the most humble and nice people at M.I. and I am talking about 1986-87. Now I know he was a Guinness and when I listen to his chord melody I am always speechless. Thank You, Jens You are really valuable to all guitar players!
I got turned on to Joe Pass as a teenager by my guitar teacher as well. I actually still have the record that my teacher gave me in the mid 70's. And you're right. Nobody talks about this album. If you really want to learn technique , chord structures and improvising this is a great place to start.
Hello Jens, I always like your lessons but this one is so wonderful ! You`re absolutely right with your spoken comment to this lesson! Thank you very much !
You're very welcome!
I saw Joe Pass play in relatively small club. At the time, my guitar background was mainly in Classical Guitar, but I enjoyed all forms of guitars and styles. I loved his playing and was impressed with his tone. As far as I could tell, he did not use any fingernails, and that was an important part of his full, round tone, and his expressive playing. I have an old single pickup Herb Ellis ES175 that nails that Jazz tone.
I use different picks for different styles and results: plectrum for fast legato sounding alternate picking, finger picks for contrapuntal music, no picks or nails on Jazz, thumb pick on acoustic guitar, and all the various combinations as it suits my desire.
Joe Pass has been one of my favorites since I discovered him in 1977. He would switch between a pick and his fingers (a soft tone from not having long finger nails).
I have an older jazz guitarist friend that got to hang around with Joe Pass for a while. He said he didn’t think much of it at the time. That surprised me. I think it was because Joe was very modest and humble.
"Intercontinental" is one of the greatest jazz guitar albums I've ever heard. And "Joe's Blues" is just tremendous. Thanks for this insightful discussion - top drawer as usual!
Great video!! It seems like every time a guitar magazine features a joe pass lesson, it’s mostly only about his comping. Thanks for highlighting his melodic talents!
Glad you like it! :)
I saw Joe Pass at the Long Beach City college many years ago, it was great. Unfortunately I started
to cough, I wasn't sick, I tried to suppress it his whole set but to no avail. Months later someone told me that Joe had
recorded and released an album of his performance that evening, no one in the audience was aware of this. And yes, you could hear me cough through the whole performance. So I was recorded with Joe that evening, memorialized forever with my favorite guitar player and I will live forever in infamy.
I like this song analysis because, it actually shows real life songs and how to relate your musical skills to it.
Glad to hear that :)
I think one of my favorite parts about watching your videos is discovering that I know exactly what you're talking about... but I have "improper" terminology.
Thanks for helping with the more studied verbage! Time to go listen to some Uncle Joe
I think Joe got a really great sound on that particular recording.....with maybe just a touch too much reverb.
Another favorite JP album that I like is one called Better Days....not quite as well recorded but his playing was a little bit different from what I have come to expect him to sound like.
Two great chaps...
🙂🙏
such amazing melodic structure. so many beautiful notes
Certainly amazing!
I stopped using a pick when I was twenty . I got some classical guitar books and trained my right hand to play all the finger patterns . I continued to use my index nail as a pick for attack and sometimes , I had to glue on a false plastic nail for the gig . I played blues , rock , and some pop . Any notes played by the thumb will be nice and sweet without any attack . Think Wes Montgomery . A rest stroke with the thumb will produce a strong attack . Using all the fingers on the right hand gives you a full chord sound with all the variations like a piano player . Now I find myself playing passages with harmonic staccato by muting the string with my thumb as I pick with my index . I have never played better . The work pays off . I just turned seventy-five in Dec. Music and playing an instrument will keep you young at heart .
One of my favourite joe pass albums ….Intercontinental.Thanks Jens for your insight and inspiration.
My pleasure!
About 30 years ago I saw Joe Pass play in Melbourne Australia. I collected picks at the time and during the set break he kindly swapped one with me. He said he only used a pick rarely, mainly for playing very fast. The pick he handed over was a thin white fender teardrop that he had trimmed down. It also had some teeth marks. I agree that he is playing with fingers on the recording.
Joe Pass is always phenomenal. He and the great Oscar Peterson, two guys out of this world. 🎉❤❤❤
Very instructive lesson, thank you
Glad it was helpful!
This is an incredible lesson.
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
SRV has the sound I always coveted..
Pride and Joy is so powerful and positive - and he had a lot of positive vibe songs, not just whiskey smelling "My baby just left me" blues :D
It brings good mood, not rude mood.
RIP.
Stevie was indeed great! 🙂
Top bananas Mr. Larsen, thank you!
My pleasure!
Hi Jens, A fantastic Jazz sound nice harmony and color great demo of how it is played. This is the jazz I like most. Cheers Les.
Excellent point about the beginning of the solo using finger instead of pick. IMO it's part of the signature sound (dynamics) of Joe Pass. I've seen a number of clips where he's alternating between pick in mouth, finger and combination of using pick + fingers.
As for his amp and the reverb, it doesn't sound like my Fender Deluxe 85 (strong reverb/not very warm) + I'd guess it was the one in the studio...OK not much of answer, but this quote is interesting:
"In 1970 I visited to come over to do a couple of albums with Art Van Damme. And they said I could do one of my own if they had the time, which they did. I'd never been here, and it had been one of my dreams. Like 'If I could only go to Europe and just see what it's like.' Because I'm not only interested in the music, but in the food and the buildings, the general culture, you know. So when they asked me, I said ' Right. What time do we leave ?' And when I got here I had such a good experience. I was only here four days: three days in Germany and the fourth in Paris, then right back. " (from "Melody Maker" April 19, '75)
Wow.....when you played those first two notes with your fingers, you could have gone right into " Apache" ! HA......yes I can hear the difference and I think you're right about finger tone vs the pick.
Joe Pass was one of those that was an “open channel” receiving direct signals from the spiritual plane. Like SRV, Jimi Hendrix, Bird, Coltrane, Dizzy, Sun Ra. Thank you Jens Larsen, you da man!!!
Glad you like it! 🙂
Thanks Jens......this is great.
Glad you like it!
Great pick for jazz blues reference!
I think this might just be my gateway to jazz I've been waiting for.
Go for it 🙂
DUH !!!!!!!!!!!! Joe Pass Has Been The Finest Jazz Guitar Player for 50 years !!!!! nuff said. I started listening to him in the late 1950's..got a late start..lol..but he is what the guitar jazz genere is.
Great! Julian Lage is amazing... That song but also the new ones (wonderful videos too) are really worth checking out. Fantastic player.
Joe Pass is a master. That he finger-picks his solos and played nothing but Epiphone. I highly recommend "I Remember Charlie Parker" and--really--everything he's ever done. Play on!
Whoa this is crazy! I was JUST listening to this song and thinking I should learn it. Then you dropped this video!
Great timing! 🙂
Jens, I thoroughly enjoyed this presentation of yours. I appreciate that you share your insights and enthusiasm.
Thank you! That is really great to hear!
My intro to jazz was via embryo…. My DAD💔 was a jazz nut; my Mum too, but not as much. They met via my DADS💔 jazz club. & l heard jazz & classical since they met! Sometimes l think you need to be brought up on this brilliant music to really understand & appreciate it. Just my opinion. The first live gig l heard was DAVE BRUBECK when l was 3yrs old; & l remember quite a bit of it, sitting on my DADS 💔lap. We went backstage after. Apparently Mr. BRUBECK taught me how to play chopsticks! And l did without a mistake l’ve been told! My claim to fame! 😆Eugene Wright was my GODFATHER. My DAD💔 & Uncle Eugene went ‘home’ in 2020. I’ve been lost without my DAD💔. I’m just so THANKFUL l became a professional pianist & guitarist. You need the BEST RHYTHM musos , so you as the ‘main player’ don’t have to worry about them. So great to find your site! Thank you! I always appreciate picking other top Muso’s explanations; now & then you still get the 💡 moment, no matter how long you’ve been playing. You never stop learning. Thanks for this. Great stuff! 🎸🎹🌟👊🏾
The "archtop + hat" graphic cracked me up, even though it hits a little too close to home.
😂
I like your smiles :-) when you start the fragments.
Very nice presentation and analysis. Of course Joe Pass was one of the great, great, great guitar master. In the top 5 in my book.
Thanks.
That's a perfect solo in great jazz guitar trio recording.
Thank you Mario! :)
Joe got me on acoustic tune "unforgettable"................................................ amazing!
Thank you so much for this !!!
You're very welcome 🙂
Joe was incredible. So much soul. And yeah, I agree picked with his fingers. Great video.
Thank you, Josh
Jens I am just starting out in jazz after playing rock for many years and I found this video incredibly helpful. The one thing if I may is that when you show how Pass brilliantly uses the harmonies just following the blues riff at about 6:45, perhaps you could go thru those chord changes a bit more slowly after you introduce them. They are wonderful but difficult for those of us just starting out.
Thank you! It is impossible to include the perfect amount of information for everyone, explaining those chords would bore a lot of other people, so I need to choose
I follow the soul you put in your explanations, music 🎶 is about that ! 👌
I appreciate that!
Thank you so much, Jens, for opening up Joe's playing further with this analysis and album; such a great recommendation for me to check out. I've only recently been listening to more of Joe's work as part of a trio, especially on the album After Hours with André Previn on piano and Ray Brown on bass. Magnificent, if anyone hasn't heard it. Looking forward to hearing all the tracks on Intercontinental. Thank you again!
I agree; I think he is playing with his fingers.
Your videos are wonderful. I am changing from being a fan of blues to jazz and your videos are perfect for doing that. You sound like my son-in-law so I’ll close by saying “tak”.
I agree that it sounds like the laminate top 175 and has that sweet top end of a polytone amp.
I could be wrong but the opening phrase sounds like a reference to Smokestack Lightning
Luv the video & the caveman example analogy! Thanks!
Thank you 🙂
@@JensLarsen my pleasure
Joe did a video where they asked him about his playing in G all the time, he told them he didn't want people falling asleep while he was playing, its attention getting and he created a groove with it.
Just wanted to say how well your videos have really improved with great clips of the greats in action or stills and humorous add ons to entertain and make us smile. Your analysis of stylings are tops and bring into focus the idiosyncrasies of the legends of jazz guitarists over the years. Warm appreciation for all you provide as a conscientious teacher.❤️
Only 6 strings and yet all that complexity results.
I first heard Joe Pass 40 years ago. I took up guitar a couple of years ago when I moved into a condo and my tenor sax became untenable, and turned straight to Joe Pass. He was a miracle worker - every good thing as a guitarist.
I'm always learning _something_ new from every video you make, Jens! 👍
I'm making sounds and going places I never did before!
Thank you!
Sounds great! Go for it 🙂
For sure!❤🎉
I am listening to the Intercontinental album for the first time. Very nice. Thanks Jen for pointing it out!
My pleasure!